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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • 1stshow70878
    Joined:
    Dennis For The Win!

    Yes, I'd forgotten Mr. Youngman. Another master of self deprecating humor.
    And now for something completely different.
    Three weeks until MSG.
    Cheers

  • Dennis
    Joined:
    If you're sad about order....

    .... think about how those poor bastards feel who bought the Lyceum digital. Now there's a bunch I feel for,,,, how can downloads not work????

  • Dennis
    Joined:
    a thing or two

    Got amazon email,,,, Miles boot 7 coming on 9/16 (cd and vinyl).

    Also, slow as I am,,, didn't realize that TTB I Am the Sun,,, sorry Moon,,, was a 4 part collection. Ordered all 4 yesterday,,, they are coming today,,,, thanks Vguy?

    Still no word on the vinyl release of the "from the vault" series?!?! (wiping tear now)

  • Dennis
    Joined:
    Fast Cars and Milton

    I check and indeed had Little Milton,,, nice cut.

    All that talk about fast cars,,,,, made me pull out Solomon Burke doing "Fast Train". (yes my mind make odd connections!) (if you don't know Solomon's cover of this tune,,,, find it!)

  • Dennis
    Joined:
    1st show, that mike and Rodney

    Just for the sake of busting balls,,,, take my wife is Henny Youngman (I think I'm right,,,, take my memory!)

  • Sixtus_
    Joined:
    Historical References

    ...not to chum up the fray, but more to jimmy's point about the CDs being 'master copies' to us lay-folk, many of us do understand these are our own 'master' copies, and, therefore, a typical first procedure upon receipt for those who want to preserve these historical artifacts is to immediately plop them into our CD burners and burn them to a hard drive for forever safe keeping. A second step then, for those who love CDs (aka, me, others, most of us), is to burn a 'working copy' of said CD to then tote around. This way, it can get scraped, scratched, chain-sawed, whatever - and we can still go back to the original well and obtain an exact duplicate, pristine copy. And, if we do it right, that copy will have all songs in chronological order if that suits the listener.

    Just my two cents.

    At the end of the day - healthy discussion, seeing all sides, finding a throughway string, and meeting in the middle are talents that more and more human beings are unable to implement. This forum does go a long way to implement these tools, and for this I know we are All Grateful.

    Be Well, People.
    Sixtus

  • JimInMD
    Joined:
    Re: Technology and Restoration

    I used to think all CD players are the same.. I mean, they playback identical digital information, right.. so if they do their job it should sound the exact same as the next player, right?

    Writing this, I understand 90% of the people here know audio equipment better than me and most have better systems than me. I bet others chime in with more accurate information..

    But there is a big difference between both players and the digital amps/preamps, etc. The digital encoder and playback functionality makes a big difference. The fact that your phone does a better job playing back your CDs than the CD player speaks more of the CD player and amp than anything else. Unfortunately.. things are not simple and rarely are as they appear. The folks that spend a small fortune on audio equipment are usually getting better sound and for a reason.

    As to the previous point on song order, complete shows, getting the encore from one show two releases down the line as filler on a subsequent Dave's Picks, etc, I don't think anyone is disagreeing with you. Your point is singular, however, and other variables exist. What most find amusing, including me, is your tone. I think you underestimate Dave and what he has to contend with on the corporate side of things. These are first world problems to be sure and the fix isn't really that big of a deal. The model they set up is basically a three CD model that tries to release complete shows (or as complete as 'possible') four times a year allowing one bonus CD per year. They have on rare occasion tossed in an extra CD free of charge for subscribers, but they do charge extra ala carte for these. It's a minor inconvenience to tackle ripping them, adjusting the metadata so they play in the right order and burning the set using an extra disc or two. If you are constantly playing the originals, one day you will likely create a 'mistake' with one of these soon to be priceless discs and then you might be horrified to find it hopelessly out of print and have a decision to make in replacing it on the secondary market or sending your kid to college.. (sorry little Johnny!). We got an extra show for free, a twofer, and a spectacular one at that so most here are delighted with this one probably including Dave. Plus as DaveRock chimed in Lemieux isn't reading this and if he is, he certainly would not be mining our opinions to improve the series.

    If it were my choice these two shows would have gotten their own release possibly meaning two 3 CD releases in the correct order with lots of black space on the discs (or some killer 69 filler) or they would have gotten stand-alone treatment in the form of Bear's Choice Volume 2. From my perspective, we would have gotten another 1969 release bumping up this neglected year. Both shows are release worthy, they sound great and the performances are worthy. I can only imagine the complaints we would have gotten, rotten tomatoes on the empty discs, etc.

    Anyway, their primary responsibility is to restore these mostly ancient and delicate analog master reels and remaster them using the best tools and sound engineers (really these guys are master craftsman/artists) and get them out before they decay into oblivion and are forgotten to antiquity. The lonely reels aging in the vault are decaying and breaking down, but the time to restore and our ability to pay for all this is limited. If you look at it that way they are doing a very good job. Is everyone happy 100% of the time? Are decisions made in the production, packaging and marketing we find unfortunate? Yes! Well, we are fickle bunch, we cannot agree on anything.

    Back your previously scheduled favorite keyboardist discussion complete with thoughtful analysis and detail supporting your points while still being very careful not to offend anyone who thinks differently.

    I hope I did not offend. As you were.

  • That Mike
    Joined:
    Jerry, Milton and That's What Love Will Make You Do

    Charlie - I never did know who did the original version of this song, and I was not familiar with Little Milton, but you are right, a great version, and some pretty sweet fretwork.
    It is incredible the wealth and range of music Jerry and the boys knew, considering the internet was not really a thing for most, if not all, of Jerry’s or the Dead’s life. We can check out new or recommended artists with a quick search, but these guys came by their influences quite organically. Jerry selected some real keeper tunes that he made his own during his solo career, and this tune was always welcome.
    What’s your favourite Jerry/JGB solo song? Don’t Let Go…Dear Prudence…That Lucky Old Sun…anything Dylan…???

    “Farewell and adieu to you fair Spanish ladies. Farewell and adieu to you ladies of Spain.”

  • daverock
    Joined:
    last two posts

    J3FF - I I have enjoyed reading your posts, but I think your'e barking up the wrong tree if you think anyone from Deadnet ( apart from Marye) reads them - let alone acts on them. To me, this is an outlet for discussion and expressing ideas - not changing policy. I think if I wanted to do that I think I send a pm to Marye, and ask her if she knew the best way of going about it.

    Peteh - I don't even own a phone! I know....I'm living in the past.

  • J3FF
    Joined:
    Downloading and fixing the Dave's Mix CDs

    If the point was to accommodate folks listening from digital downloads I would think they would sell digital downloads. It's a very common practice. I think vinyl releases should be designed for folks to listen to on vinyl, and CDs designed with folks who listen on CD in mind.

    I'm glad that it works for you folks who download your CDs and re-arrange them but I don't think that is a reason to not sequence the CDs in the correct order. If they put the songs in order you could still download them and have them in order (or shuffle them up if you wanted) and I could pop them in my CD player and have them in order.

    I posted my comment hoping that JUST MAYBE someone from Dead.Net might actually read the comments on the "product page"--not to start a debate. Of course everyone is free to respond however they see fit.

    But the point about how the customers can fix the messed-up CDs by downloading the music and not using the CDs seems silly. It's like if you gave a chair a negative review on Amazon because it arrived broken and I replied that it wasn't really a problem because I take all my chairs apart and make them into tables, so what's the problem with a broken chair-- they make great tables.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

Yes, here's to good health for all.

I am truly sorry for the loss of the previous child. How can a person fully come back from that?

Treasure your days, folks.

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In Japan and there was an arena size greenhouse with monstrous tropical birds flying around and the GD was playing on a stage at the base of it all.

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13 years 6 months

In reply to by proudfoot

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Marrying four girls years ago and admitting to it now is not advisable during an election year.
Just saying.

On a serious note, sorry for your loss but happy that things have gone full circle. The VGuy family is alive and healthy. Good to hear..

Edit: Married into, sorry. Reading glasses....

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Charles Bradley - No Time for Dreaming - fantastic raw, modern soul, Charles Bradley smokes, worth a listen
XTC - Oranges and Lemons, thanks to whoever mentioned them on here recently, been a while since I gave that a listen, good album
Khruangbin - Mordechai, I dig everything these folks have put out, they put on a cool live show too
Washed Out - Mr. Mellow, dreamy mellow vibe, as might be expected from the title, cool to chill to
Black Pumas - Black Pumas, back to the modern soul sounds and these guys do it well, just spinning it now

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4 years 5 months

In reply to by Charlie3

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Rolling Stones
Its only rnr
Black and Blue
Goats head soup
Some girls
Beggars Banquet
Let it Bleed
Sticky Fingers
Tattoo you

Nirvana Bleach
Motorhead Overkill
Nirvana in utero
Nirvana incesticide

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17 years 6 months

In reply to by Charlie3

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....speaking of dreams, I had one where I was married to several women. In hindsight, that was actually a nightmare. Woke up in a cold sweat.
Last Five
Edie Brickell & New Bohemians - Ghost Of A Dog
Phish - 9.3.22 Dicks Sporting Goods Park, CO
Blue Oyster Cult - Secret Treaties
Motley Crue - Girls, Girls, Girls
Neil Young - Harvest
I treasure all my step-daughters as if they were my own. It was tough sledding at first due to the fact that their moms prior boyfriends were apparently assholes that treated them like crap and their trust factor was low. But, I persisted and just tried to be a good dad. Guess it worked because they call me dad now. Except one. She's a little lost and spiteful. But my work is not done.

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not necessarily in this order : 1) Dire Wolf. 2) Cumberland Blues. 3) Easy Wind. 4) Uncle John's Band. 5) Attics of My Life 6). Ripple. 7). Alligator. 8).Stella Blue. 9)Brokedown Palace. 10)High Time

So are Cumberlands.

Top 10 GD Songs, impossible.. I love all my songs the same.

Eyes, Brokedown, To Lay Me Down, PITB, UJB, tossing in Morning Dew because they made it their own, Brown Eyed Women , Comes a Time (yea yea, JGB, whatever.. it's on the list), Stella, China Doll, TOO, BCE'd, New Potato, anything on the Live Dead suite, anything on Anthem/Working Man's Dead & A.B.

and I'm just getting started.

I surrender, throwing in the towel

I believe the GD are seriously under-rated songwriters. The material they wrote is rich, timeless, and classic.

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In reply to by JimInMD

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First, thanks to all who post here on their recent music, dreams, loves and adventures, this diverse wellspring of interests most always freshens and diverts my attention towards something new. Breathing walls, three dimensional carpeting, matrices of coincidence, synchronicity, guitar heroes in the back seat. Recent talk of Miles soon to arrive 7th Bootleg Series made me go back and listen to some of the earlier ones. I would add, if you can find a copy, listen to Miles Cellar Door Sessions 1970 recording. Back in the late 1960s and early 1970s, I began to run with a camera and have been searching for those photographs, for example, my first Dead show, Baltimore March 1973... have not found those yet, but did find my own images of Mahavishnu John MacLaughlin, BB King, Bob Dylan, The Band, Roy Buchanan, Tom Waits, Leslie West, ELP as well as photographs from some music festivals and anti-war demonstrations in downtown DC. There's more and too many times I did not have the camera at hand. Never pass up the opportunity to be present in the moment.

Some of us have read the long letter Robert Hunter wrote to Jerry after his passing, I just found Hunter's farewell Bob Weir spoke upon his release of Jerry's ashes upon the Ganges:

"Last Words for Jerry Garcia"
Go naked in the world, wind for your cloak and coverlet. Whom the Gods love best they reward with early death, gather them into the sun, reflect them in moonlight, crown them with comets, annoint them with shooting stars. Go naked to the Throne of Love, go as the stars go, arrayed in their own incandescent light. Go and our hearts go with you. Return to the source of the soul by way of the Sacred River, royal road to the sea where all shall be music and dreams shall be dreams no more, but visions of the World's foundation scattered among stars. Dust shall be dust and the voice of dust shall be music, pleasing to God who sent it forth in search of melody to crown His silence with eternal song.

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Catching up on some purchases from months ago.
Garcia Live Vol. 7 at Sofie's Palo Alto.
Tapes from Donna's storage.
Keith is SO good in this type of presentation.
And Donna can hear herself and jumps right in.
Her Muscle Shoals and gospel roots just shine.
Who Was John, Strange Man, Stop That Train,
are all seldom heard and choice cuts!
Cheers

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8 years 4 months
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I know someone's got to be a true Deadhead when they explicitly list New Potato Caboose among their favorite songs....

Most of American Beauty, then a selection from Workingman's Dead. Mountains of the Moon and China Cat Sunflower. New Potato Caboose.
I'm taking Dark Star, The Eleven and The Other One to be more jams than songs - otherwise them too, maybe at the expense of the Workingman's songs.
re New Potatao- that's a coincidence, considering the simultaneous post below this one

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14 years 2 months
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So funny... I noticed the rave reviews of the Jayhawks recently, and ordered one that was mentioned here. Two days later, at a thrift shop, what do I find, a different Jayhawks CD than I ordered!

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So many of my choices are joined at the hip that I went with an > list:
In no particular order,
Scarlet > Fire
Estimated > Eyes
NFA > GDTRFB
China > Rider
Truckin' > Nobody's
The Other One > Wharf Rat
UJB > name your song
Playin' > name your song
Shakedown > name your song
Bertha > Good Lovin'
and the singles are way harder or just today's idea as there are just too many
Smokestack Lightning
Sampson & Delilah
Black Throated Wind
Cumberland
New Minglewood
New Speedway Boogie
Friend of the Devil
Attics
Standing on the Moon
Days Between

That's all I got (today), Cheers

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In reply to by 1stshow70878

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First Show, I love that Sophies show! Kieth is really playing great and very prominent in the mix, thanks to Betty!

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It's hot here. Temperature wise, I imagine the hottest Grateful Dead show I ever went to ,was probably the Oregon Country Fairgrounds 8/28/82. or One of those shows up at Cal Expo, it gets pretty hot up in Sacramento.

....I'm sure one of those was the hottest shows I attended. Once you go over 110 on the floor, it doesn't matter anyway. The only time I recall Garcia wearing sandals. Veneta? Ptth. I would have reveled in that heat. Lots and lots and lots of water and sunblock. A few of those shows had awesome storm cells that cooled it down though.
I caught every one of them....
Edit. Just found out Jeff Beck is playing Vegas Nov 4th. Hmmm.
Tix price edit. $200?

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In reply to by Oroborous

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The Sept. 6th edition of Paste has an enjoyable article about TTB's I Am The Moon.

I can't come up with a top ten list of favorite Dead songs, but Wharf Rat is my all time favorite - right up there with Spanish Moon by Little Feat...

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I was just tuning into this new Brit spy vs spy show on Apple TV called “Slow Horses”. Normally you can skip the opening theme (thankfully) once you watch it through once - I’m listening to this theme song, and hey, you, get off of my TV! That sounds like Mick Jagger. No - that is Mick Jagger, singing some song I’ve never heard. Quick search on the net, and yup, he has written and performed the theme for this show, something he calls “Strange Game”.

Top Ten Dead Tunes? Yikes! Monday’s list would be completely different than Tuesday’s list, which wouldn’t at all match Wednesday’s list, or come close to what you choose Thursday…

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What a bargain it was! 41 years ago today I was out at the Concord Pavillion to see Jerry Garcia put on a great show , admission to the show was $1.00. Queen Ida and her Zydeco Band opened the show. We had our tickets. for the first run at the Greek Theatre, only four days away. Fun times!

Haven't got Apple TV so can't watch Slow Horses....but the whole series of Slough House books by Mick Herron are brilliant. Very funny with great characters

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16 years 6 months
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Mornin', rockers!!

Favorite originals: Dark Star, Other One, Saint Stephen, The Eleven, New Potato Caboose, Truckin', China Cat, Easy Wind, New Speedway Boogie, Black Peter, Cumberland Blues, Friend Of The Devil, Dire Wolf..........

Favorite covers: Hard To Handle, Dancin' In The Streets, Viola Lee Blues, Not Fade Away, Know You Rider, Big Boss Man, Next Time You See Me, Morning Dew..........

Songs I never did handle very well: Casey Jones, Attics Of My Life, Row Jimmy, Stella Blue, China Doll, anything Brent....

Just sayin'..............

Rock on,

Doc
But I believe above all that I wanted to build the palace of my memory, because my memory is my only homeland.....

I intentionally left out combos (S>F, H>S>F) as they take up multiple picks.

Bertha
Bird Song
Brown Eyed Women
The Eleven
Eyes
HCS
Jack Straw
Mountains of the Moon
Rubin & Cherise (Yup. JGB song , but I had to put it in since they played it)
Terrapin
The Other One
To Lay Me Down
Wharf Rat

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Born on Sept 8th 1945 in San Bruno Calif., Pig Pen would have been 77 years old today. My favorite songs that Pig Pen did, Alligator, Hard To Handle, Big Boss Man, King Bee, Smokestack Lightning, Mr Charlie, The Rub, Next time you see Me, and of course Easy Wind, one of the greatest Grateful Dead songs of alltime, that was played far to few times. The Dead were never the same after Pig Pen left them. Hopefully today he's hanging out with some of his favorite blues musicians like Lightning Hopkins, Jimmy Reed and Muddy Waters.

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10 years 3 months
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New picture on that page with the opened box itself.
Doesn't look like it will fit on the shelf. Kinda long?
The artwork is fun!
Cheers
Edit: Got the Sept. bulletin email now with the "unboxing".
Community Bits cites the same thing I found (Sept. 3 post on this thread) on the fake WakeOTF LPs. I checked. Mine's good.

P.S. Why does the Lyceum box page have no listening party?

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17 years 6 months

In reply to by 1stshow70878

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....add this to the list of things that make me go "hmmmm".

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10 years 4 months

In reply to by Vguy72

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Anybody heard about this new release of the 4/26/69 L.A. Forum show ? I have just had an email about it - supposed to be coming out in November from Experience Hendrix. Looks terrrrrific.

A favourite Dead cover of mine is Death Don't Have No Mercy - that version on Live Dead is incredible.

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10 years 9 months

In reply to by daverock

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£28 pre- order from that South American river online name, I'm tempted I know nothing of the history of the recording but judging by the previous vinyl releases from the estate it should be worth it. I haven't got around to listening to the newly arrived latest Bears Sonic Journals of The Chieftains it appears to be in a deluxe booklet style package.
Not long now before the dispatch of MSG box set either,hoping to have it before the end of this month.

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In reply to by daverock

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£28 pre- order from that South American river online name, I'm tempted I know nothing of the history of the recording but judging by the previous vinyl releases from the estate it should be worth it. I haven't got around to listening to the newly arrived latest Bears Sonic Journals of The Chieftains it appears to be in a deluxe booklet style package.
Not long now before the dispatch of MSG box set either,hoping to have it before the end of this month.

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11 years 11 months

In reply to by daverock

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the majority of this show was on the Reprise Box Set "Lifelines"....and various boot sbd's have been released too...But I will definitely grab this CD set ($12 on the SA river system)...and before you ask Oro...yes...I was at this show...

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Sorry, no way I can keep it under 30 or so, so I'm going to lay it out a little differently. Even then, I still left out another 20 or more of my besties. These are all ones that I almost always like to hear, rather than feeling so-so about them or having to be in the mood to get into them.

My favorite rock tune presentation, not just from the Dead but from any rock band, which I think was also the most original and ahead of its time group of songs ever strung together. This first one is to me the very essence of the Dead:

1969

Dupree>Mountains>Dark Star>St. Stephen>Eleven>Lovelight

Favorite other combos strung together:

Scarlett/Fire

China Cat/Rider

Estimated/Eyes

Not Fade Away/GDTRFB

Help on the Way/Slipknot/Franklin

Cumberland Blues/Big River

Best Evolution from pretty good to great tune over a few years:

Hard to Handle

Best old timey Ballads:

Jack a Roe and Peggy-O

Most underrated:

Operator, Second that Emotion, and Oh Babe it ain't no Lie

Favorite outright rockers:

Deal and Bertha

Favorite cowboy tune:

El Paso

Favorite country-ish tunes:

Friend of the Devil, Brown eyed Women, and Dire Wolf

Favorite early cover tune:

Baby Blue from 1966 (?) History of the Dead

Best songs of the road:

Jack Straw, He's Gone, and Mississippi Half Step

Most haunting tunes:

Morning Dew and Death don't have no Mercy

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17 years 6 months

In reply to by frosted

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Top ten: a fools errand!

I mean Dark Star, Stephen, King Solomon’s Marbles, Help-Slip, Blues For Allah, New Potato, Brown Cross Eyed, Victim or the Crime, What’s Become of the Baby, 74 Eyes, 74 WRS, Days Between, Antwerps Placebo, Serengeti, Terrapin Station,
Attics, Ripple, Saint of Circumstance…that’s just trying to get started, they doesn’t include covers, most of the ballads, or anything else!
Fools errand I say!
So what’s the best ten songs…the last ten I heard!

DOUBLE HA!
Of course Nappy was there 😃

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So I read this book called The End of Time. It was about physics. I understood almost none of it. But the tldr version goes something like this: eventually, the sun will expand and vaporize the Earth, all the stars will explode, and entropy will cause all matter in the universe to be so widely dispersed that there will be no light, no heat, no life nowhere (like Jimi sed!), and Time will End. Which, to me, suggests that we should all forget whatever minor shit is bothering us right now and just enjoy the miracle of conscious being while we can.

(Yes, fuck it! That’s your answer to everything, isn’t it Mr. Lebowski?)

(Well, yeah.)

One of my favorite exercises in time travel is to search Youtube for tapes of local TV coverage of dead concerts in the early ‘80s. At that point, the Dead was mostly unknown to mainstream America, and the good people of Des Moines or Salt Lake City didn’t know quite what to make of several thousand tied-dyed and tripping heads descending upon their downtown areas. So you get these local news reports where you get the Guy in the Blazer doing a live shot from the parking lot and talking to the viewers about the “Dead heads” (you can see the air quotes around the words) and relate with amazement to their viewers the amazing spectacle of people lined up days early, playing hacky sack (still then unknown in the provinces) and selling grilled cheese for a buck. (What the fuck?) Sometimes you get a brief interview with a head or two and maybe even 5 seconds of the band onstage.

There’s lots of ‘em, and they’re awesome. As far as the whole scene goes, the early ‘80s were kind of a sweet spot for me. We were all part of a self-contained bubble that was big enough that it was beginning to draw the attention of outsiders, but small enough to still be self-policing and generally reasonably under control. (Unlike late ‘80s and beyond, when shit got seriously outta hand on occasion.)

No way can I list favorite Dead songs. It’s too too too too too to put a finger on.

A big THANK YOU to everybody who posted about Little Feat recently. Hadn’t listened to ‘em in years, and it’s been such joy to revisit. Music is the best.

There’s a fat man … in the bath tub … with the blu-ooh-ooh-oohs

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....as some of you know, I was a metalhead before a deadhead. My granddaughter and new hubby flew down from Reno last night to attend a wedding gift I got them. Def Leppard/Motley Crue/Poison/Joan Jett tonight at Allegiant Stadium. It will be her first real concert as well as my sons.
Saw Poison in a little club here in Vegas in '84 right before they made it big. Seen The Crue once back in '86 I think opening for KISS? Or maybe Ozzy. Never seen Def Leppard or Joan.
The general consensus of the the tour in internet land are mostly positive and Vegas is the last stop. Lots of concern on whether Vince Neil's voice could hang, but hes doing it. Vocal trainers for the win! Looks almost sold out except for the nose bleeds. Rock On!

Unfortunately Crow I don’t think we’ll make it that long (mankind, not “us” specifically) as we seem hell bent on destroying our beautiful home. The planet might live on, but the way we’re going about it…

But I totally agree with your last paragraph!
Late seventies/early eighties there was a palpable sense that we were wining: we weren’t just a bunch of dirtbag good for nothing freaks like perhaps many civilians watching those old broadcasts would think, at least on first impression.
Not that we cared. Being an outcast was a important influence on my becoming a DH. When the going gets weird and all that…
I won’t say it became “popular” yet, but it started to not be a bad thing to be a head. The scene was growing, but as Crow said it was still self manageable etc. To me it peaked in 85, meaning too much of everything was just enough. It seemed like the last year before the regular stadium shows and the crowd perhaps getting too big and unfortunately all the less than acceptable behavior. Sure there were instances of this before, but it was usually frowned upon, where as later people started to think this behavior was somehow cool.
Ah, well, ce la vie, anytime something good gets big it’s usually the kiss of death.
Nothing lasts as the pranksters say!
But hey, to end on that little positive JG uptick that Keasey eulogized: it was @#&*ing fantastic while it lasted and it makes me feel beyond grateful to have been alive and young then!
“Those were the days my friends, we thought they’d never end…”

JOAN JETT: one of the weirdest Dead parings we ever saw: poor JJ opening for Bobby and the Midnights in 82 at small Rochester theatre. Fans were not interested at all and unfortunately they eventually booed her off, ya know “fuck this, where’s Bobby”, but hey, not as bad as the Hollander stadium show where the Good Rats opened and the crowd pelted them off with these little Rat souvenirs they handed out!
If you go down to Deep Elem, the DH will put you on the rocks!
Oh sweet mama, I got them Friday afternoon happys!
Happy Friday peoples, is time to crack a cold one yet 😃

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The sun is over the yardarm as they say.
FAC is on!
Why do you think I'm always saying...
Cheers

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Am I the only one who haven't recieved Dave's Picks 43 yet?

According to my tracking info my package have arrived to Fontana, California on July 27th for processing but it has never left Fontana after that. I have sent my email back to the sender and I have recieved an automatic mail on September 4th, that I will get an answer as soon as possible but no answer yet.

The alternate tracking number is usually searchable by this time through the Swedish Postal Service app by this time but nothing so far, and also nothing on the Postal Service where I can pay the Swedish tax. I wonder if I will get the DP volume this time ... it doesn't feel like it ... :-(

Micke Östlund,
Växjö, Sweden

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