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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • #1351
    Vguy72
    Joined:
    Meet up....

    ....I'm going early to try and get in the front GA section. Lot opens up at 4:30 I think???
    PM section is down? Says I'm not authorized to access.

  • #1352
    Deadheadbrewer
    Joined:
    I met #3230 accidentally, in Saint Paul, Minnesota!

    No notice, just a delivery a few minutes ago.

    I've told this to you all a million times, but a group in the Twin Cities has been recreating The Last Waltz on stage once per year for about 15 years. It's a very cool event.

    Be kind, rewind.

  • #1353
    bigbrownie
    Joined:
    Didn't Get a Notice

    ...but #23818 has arrived in sunny Southern California. Now if only that Little Feat box from Rhino would get its butt over here.

  • #1354
    hendrixfreak
    Joined:
    Vguy, I'll be lookin' for ya

    I'll hold or wear my Hamms beer hat, blue short sleeve shirt with very thin vertical stripes, gray pants, sandals, Fu Manchu with beard, short dirty blond/gray hair, goofy grin...

    I'm having trouble with my ankle, so I'm not climbing to the top in search of you, but maybe halfway between my Row 10 and your GA section up top. I told Nappyrags I'd be on the outside stairs, Row 10, between bands -- especially after Gabe Dixon but well before Los Lobos hits the stage.

    Try to come down for a brief hang. I'll have treats for ya! If I can make 2023 and 2024 shows, I'll have put in 50 years at the Rocks. Fortunately, not making little ones out of big ones, if you know your prison lore....

    HF

  • #1355
    proudfoot
    Joined:
    Went to get mail today

    Oooo, theres a package! New Daves!

    PSYCHE!

    Postal person misdelivered a delivery for my neighbor.

    >:(((

  • #1356
    proudfoot
    Joined:
    I go into a well-known coffee chain

    to chill while I get new tires.

    I give my name

    I sit down 10 feet away to wait and play the electronic crack game (phone ya know)

    10 seconds later some dude in line tells me my drink is ready

    Barista says she called my name

    She must have whispered it

  • #1357
    That Mike
    Joined:
    VGuy - RR sounds amazing,…

    VGuy - RR sounds amazing, and I’ll bet the band was fantastic! I just received Part 3 - The Fall yesterday, so after I finish this interminable Honey Do List, I’ll break it out. Glad you enjoyed the show.

    Dennis - Enjoyed reading the Last Waltz story, my favourite concert movie. When it was released in 1978, I knew I had to see the film, as I saw The Band on that, their last tour. Considering they got their start in Toronto, I thought it shitty the film got only limited release here at the time, but since I was in university then, I saw it repeatedly, even matinees, at a theatre no longer standing that was a block from where the Band (nee The Hawks) used to play at a long defunct club called Le Coq D’Or back in the early 60s with Ronnie Hawkins, and where Dylan came to hear them play. The rest was history. Great story, and Muddy’s performance was a highlight.

  • #1358
    Vguy72
    Joined:
    Red Rocks revue....

    ....I'll try. Let me get the bad out of the way. Lots and lots of stairs.
    Now for the good. One of the best food courts I've seen. They serve basically everything. And if you are near the top like I was, the constant smell of food pours down over you.
    If there was a police presence, they must be undercover, because I didn't see any.
    The sound there is top shelf. Wow. Towards the end of the show, the wind picked up and started bouncing the sound around the huge rocks and sounded even more amazing! (I was under the influence of psilocybin, so I may be compromised regarding that, but I don't think so).
    Getting around is easy. Getting in and out was easy. This place has it all.
    Now TTB. I literally cried a couple of times during the show. They are tight AF and brought it hard for 2+ hrs. When Susan really starts preaching, you better shut up and listen because she's got something to tell you. Members of Los Lobos came on and sat in for a couple of songs and that's some dream come true shit. At least to me.
    I have GA tix so a shout out to my neighbors Jessica and Ross and Susan and Alan for waving me over when I reached upper GA and yelled out if anyone had room by them for one person. You people were the best.
    I walked back to my car and drove to my hotel in stunned disbelief and didn't say a word.
    Didn't see anyone being busted for anything and pot smoke was definitely evident in the air. Crowd was chill. How can you not be at a place like that!!!
    I regret taking so long to finally visit the hollowed ground that is RR, but better late than never.
    You all have a great Saturday.
    I'll be wearing my Make America Grateful Again tee and my American Beauty brown bolt/roses cap tonight btw. Tall white dude with a white beard and glasses with a constant smile on my face. Can't miss me lol!

  • #1359
    billy the kiddd
    Joined:
    Alright, #43 has landed in the Bay Area!

    What a killer release, keep them coming Dave.

  • #1360
    Dennis
    Joined:
    may interest some

    My buddy sent me this in an email today,,, thought some might enjoy reading it....

    THE LAST WALTZ BLUES JAM
    by Bob Margolin
    The more blues-driven musicians commandeered the instruments at the jam, and played some old favorite songs together, mostly Robert Johnson’s. This sounds like a common scene at open-mic jams at blues clubs, where more experienced blues players sometimes conspire to sit in together. It happened at about 7 am, the morning after The Band’s Last Waltz concert on Thanksgiving, 1976. The Band had hired the entire Miyako Hotel in San Francisco to accommodate their guests. The banquet room which had been used for rehearsal before the show was now the party room, and musicians had been jamming in random combinations since after the concert, many hours before. But unlike your local blues jam, every blues player that morning was a Rock Star.
    Except me. I was there with Muddy Waters. who was invited to perform two songs at The Last Waltz. Muddy had recorded his Grammy-winning “Woodstock Album” the year before with Levon Helm and Garth Hudson from The Band, but The Band itself was an unknown quantity to him. He brought Pinetop Perkins and me from his own band to accompany him along with The Band and Paul Butterfield on harp, so that he would have something familiar to play with. Muddy also felt I was good at explaining what he wanted onstage to musicians he hadn’t worked with, though 25 years later, I still find myself wishing I knew more about what Muddy wanted.
    Muddy, Pinetop, and I checked into the hotel the day before the show and went to the restaurant. I saw a few familiar faces from the Rock World, and some came over to say hello and pay respects to Muddy.
    That night, Pinetop, Muddy, and I were scheduled to rehearse our songs for the show. I didn’t realize that some of those blues-oriented rock stars must have been in the room to watch Muddy.
    The next night, at the concert, Muddy, Pinetop, and I waited backstage to perform. Pinetop told me he heard one of The Beatles was there, not realizing that Ringo was sitting right next to him. Born in 1913, Pinetop knew as much about The Beatles as I know about The Backstreet Boys. Joni Mitchell, looking impossibly beautiful, introduced herself to Muddy. He didn’t know who she was, and just saw her as a young pretty woman. He flirted but she didn’t respond.
    I’m told that there was a backstage cocaine room, with a glass table and a “sniff-sniff” tape playing, but I never saw it. I did, however, see through Rolling Stone Ron Wood’s nearly-transparent prominent proboscis in profile. In the “green room,” Neil Young passed me a joint, smiling, “We’re all old hippies here.” Though I was 27, something about “old hippies” resonated with me for the future. Young was older than me by a few years and even had a couple of gray hairs then, but I remember thinking that nobody in that room was old yet except for Muddy and Pinetop. Now, I’m certainly an old hippie, though Pinetop, going strong at 88, is neither. As for Neil Young, film of his performance revealed a white rock up his nose, which was edited out frame-by-frame for the movie.
    California Governor Jerry Brown popped in and invited Bob Dylan to get together with him sometime. Dylan, relaxed and outgoing until The Governor arrived, instantly turned sullen and distracted, barely nodding without looking at Brown. The uncomfortable Governor soon left, and Dylan laughed just before he was out of earshot and reverted to his friendlier mode. Something is happening here, but I don’t know what it is.
    When it was our turn to play, Muddy and Pinetop sang the light, swinging “Caledonia” as they had for “The Woodstock Album.” In hindsight, I think Muddy could have presented himself more strongly with a deep slow blues like “Long Distance Call” which would feature his almighty slide guitar. But nobody could argue with his second song choice — “Mannish Boy” was always a show-stopper. It was preserved in full in The Last Waltz movie, which was released in ‘78. Harp player tip: Muddy loved the way Butterfield played on that song, setting up a warble that “holds my voice up” rather than just playing the song’s signature lick.
    Fatefully, only one camera was operating during our song, zooming on Muddy, but not changing angle. Standing close to Muddy, I was in every frame. Pinetop, at the piano way off to the side, unfortunately was never seen in the film. But as Muddy hollers “I’m a MAN” and we shout “Yeah” to answer, as we always did in that song, you can hear Pinetop also yelling, “Wahoo!” — which is a line from a politically incorrect joke that Pine had heard on the road, and was fond of telling over and over in 1976.
    Now, whenever The Last Waltz movie is shown on TV, a few people at my gigs tell me, “I saw you on TV!” and how I looked — happy or mad or scared or bored. I think they just project how they would feel. I was simply concentrating on playing, and particularly enjoying Muddy’s powerful shouting, Butterfield’s warbling-tension harp, Levon’s deep groove, and Robbie Robertson’s fiery guitar fills.
    Eric Clapton followed us, and as he began his first solo, his guitar strap unfastened, and he nearly dropped his Stratocaster. In the movie, his lips distinctly mouth, “Fuck!” and as he refastens the strap, Robbie picks up the solo and runs away with it.
    Muddy and Pinetop went right to their rooms after our set, but I went down to jam back at the hotel after the concert. This is where I realized that some of those blues-oriented rock stars had watched me rehearsing with Muddy and been impressed that I was playing Old School Chicago Blues in his road band and helping to arrange the songs for our performance. I also had a very cool blues guitar with me — my late-’50s Gibson ES-150 arch-top, which I also cradle on the cover of my latest album, “Hold Me To It.” Bob Dylan approached me and said he hoped we’d get to jam together. Then he disappeared. I did play “Hideaway” and some slow blues with Eric Clapton, whom I met that night. Dr. John sat at the piano for hours, and played along with everyone. My piano-playin’ sister Sherry, who lived nearby and was hanging out, sat near him, eyes glued to his funky fingers.
    Around dawn, I put my old guitar back in its case, and started to leave. Bob Dylan caught me in the hall and said, “I thought we were going to jam…” I decided to stay awake a little longer. We had Dr. John on piano, Ron Wood on bass, Levon on drums, Butterfield on harp, and Clapton, Dylan, and myself playing guitars. There were no vocal microphones, and we all played softly enough to hear Dylan sing “Kind Hearted Woman” and a few other well-known blues songs. His trademark vocal eccentricities sounded outlandish in the blues, but he did make them his own. Generally, the blues we played that morning were not remarkable, but I was honored to be jamming with these fine musicians, and I realize that they belong to the same “club” as you do — deep blues lovers.
    Recently, I read Levon Helm’s inside story of The Last Waltz in his autobiography, “This Wheel’s On Fire” (recommended!). I was shocked to find that because of time and budget constraints and Band politics, Muddy was nearly bumped from the show. Levon fought bitterly behind the scenes and prevailed to not only keep Muddy in but to indulge him with me and Pinetop too. We were treated as honored guests at The Last Waltz and I enjoyed the once-in-a-lifetime jam afterwards, but Levon never told us about making a stand for us. He just made us welcome. Ultimately, this gracious, classy, and tough gentleman was responsible for my good time there.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

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Submitted by Gary Farseer on Wed, 09/21/2022 - 14:42

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Been saving my whole life for the perfect time for the morphine drip. I mean don't want to start too early...

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Submitted by daverock on Wed, 09/21/2022 - 16:18

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No offence intended. What I said doesn't apply in every case by any means.

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Submitted by Gary Farseer on Wed, 09/21/2022 - 16:28

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No offense taken. I post constantly about how hard it is to communicate without speaking and seeing another person. The fact that we communicate very well when you think about how hard it is to write words with context. I was just meaning we are all reaching that point in our lives where pains and issues develop and that have I always told friends and family that only real thing I want out of the medical community is to manage my pain as I get older. I have done plenty of opioids in my life, thai stick, pills, hospital drips, but fortunately I have never become addicted. But the day is coming, which I have prolonged almost as much as I can, that it becomes gimme gimme.

So no worries at all. I was kind of thinking the Eleven, this is the season of what, now...

I thought I wrote something innocent and honest...gimme

Had to edit 3 times, ooopps

the only thing worse then having no job is having one...this coming Saturday I had planned on going to The Vermillion Cliffs in No AZ to watch the Peregrine Fund do their annual release of captive bred California Condors but I have to work, the fact that I'll be driving close by the release area (Three miles) doesn't help...when this program started in the late 70's there were only 17 birds left, now there are a 117 birds flying free over No AZ & So Utah with many breeding couples and hatchlings in the wild...a little press handout

"The Peregrine Fund and Bureau of Land Management at Vermilion Cliffs National Monument are hosting a celebration on National Public Lands Day, Saturday, September 24, 2022 by releasing captive-bred California Condors at 1:00 p.m. MDT (noon MST, northern-Arizona Condor Time) to take their first flights in the wild. The event will be held in-person at Vermilion Cliffs National Monument for anyone interested in traveling to the area, and it will also be live streamed via The Peregrine Fund’s YouTube Channel."

I love this kinda stuff....

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Submitted by bluecrow on Thu, 09/22/2022 - 06:49

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I love that kind of stuff too and may try to check that out - drive is not quite as far as I thought. In the last few years condors occasionally wander over to our part of red rock country, and couple of folks I know had solid sightings maybe 7 or 8 years ago. Just now came across an article that references a prehistoric pictograph in Canyonlands that appears to be of a condor, which was news to me. Feel your pain as to work getting in the way of all the other stuff.

And yes, getting old can sort of be an ongoing "what now?" challenge. As my Dad's mentor told him when he turned 60 - "Welcome to the foothills." True that.

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Submitted by daverock on Thu, 09/22/2022 - 08:04

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Thanks, Gary. Sounds as though you handle things better than I would in your position.
Regarding online communication, one of my friends told me recently that the meaning of what we post is defined by the ones who read it - not the one who wrote it. Probably blindingly obvious - but I had never thought of it quite like that before.
re Hendrix - HF is the man - but if memory of my old bootleg is anything to go by, this 4/26/69 L.A. Forum show that's due for official release soon should set our speakers on fire.

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Submitted by Oroborous on Thu, 09/22/2022 - 08:56

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4/26/69 “due for official release soon” whhaaaa?
Do tell?
Isn’t that part of DP 26?
I know Dave has 4/23 on his “list” but haven’t heard of any new releases?

EDIT: oh, you guys are talking Jimi aren’t ya?

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Submitted by 1stshow70878 on Thu, 09/22/2022 - 09:14

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Read an article about how Denver's KUVO jazz radio station has been taken over by new management that doesn't want songs longer than 6-8 minutes on certain show time slots. Might as well just say none of the giants of jazz allowed. They say they're being more inclusive but their loyal listeners have watched at least 4 of their favorite DJs fired or forced out. Complete BS! Welcome to Kenny G elevator music world. And so it goes.
Cheers

And RGM still has some DP33 vinyl in the early "discounted" batch.
They say the $175 price represents a $100 discount over regular.
That would take the per LP price from around $25 each to almost $40 with shipping + tax! Didn't check if shipping is free at that level but wow, even $37.50/LP is way up there. Get it while it's hot I guess.

Welcome to Fall. Happy Equinox!

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Submitted by Oroborous on Thu, 09/22/2022 - 09:41

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That’s tragic and a major bummer as KUVO was perhaps one of the short list of great dedicated jazz stations left.
Unfortunately I haven’t listened in a couple years since they stopped broadcasting up here.
Used to be my default driving tunes : (
Progress…you can keep it!

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Submitted by That Mike on Thu, 09/22/2022 - 10:01

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1St Show - I read your piece on the Denver Jazz station regarding the 6-8 minute time limits, and that policy blows. I think you can expect that station to transition to easy listening or contemporary pop very soon. The station here in Toronto - JazzFM 91.1 - started as a college station, and has morphed into a non-profit powerhouse for great jazz, by really top notch knowledge people at the helm and the microphone. (Check them out on the Net). I support them, and aside from the very occasional PBS-like pledge drive, which are quite low key, they are a first rate station, and my go to for radio (very few commercials per federal law one of the bonuses). That sucketh about your station, and I hope there is audience blowback in Denver. A lot of arguments can be perhaps made about the true origins of rock, for example, but Jazz is quintessentially a true American art form, born and bred.

Last 5
Miles Davis - That’s What Happened (sublime)
Govt Mule/John Scofield - Sco-Mule (Allmans Meets Miles Davis)
Wilco - Whole Love (worth it for “One Sunday Morning” alone)
Jayhawks - Rainy Day Music (harmony)
Redman/Mehldau/McBride/Blade - Longgone (much better than their first release)

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Submitted by 1stshow70878 on Thu, 09/22/2022 - 10:27

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That article was in Colo. Public Radio news feed and I skimmed it fast but if I read it right KUVO is now in CPRs family of stations. (Edit: Colorado Public Media, a part of Rocky Mountain PBS) There was already a public meeting with a mediator with lots of folks attending but it did not sound like anything was going back in the right direction. Maybe they'll listen but one of the forced out DJs had her hours dropped so low that she lost benefits and was given a time slot she could not fulfill as it conflicted with her time to care for her dying child's medical appointments. Unbelievable. Seems impossible that a public radio entity would allow such management but again, maybe I read it wrong. I mean listener supported radio seems to work around here and KUVO was always such. I'm doing my morning listening right now to their (CPR) classical station which has always been there for me and I do donate to it annually. Maybe you'll get a transmitter now (or computer server) for KUVO Oro, but we'll see if it's worth listening to. Thanks for "listening" guys.
Cheers

Edit: Got my shipping notice for 3CD MSG but no tracking yet.

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Submitted by That Mike on Thu, 09/22/2022 - 10:32

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See PM.
Thanks for the heads up on the Allman show. Sounds great, it’s in my “to do”!
Cheers!

1St Show - That is sad what appears to be happening with the station. If listeners (or likely advertisers) want watered down pop or whatever, ok, but how does great music like Jazz get heard if it doesn’t have a broadcasting outlet? I go to the gym, and they always have that Beyoncé-ish “music” rambling on, and that’s fine if it’s your thing, but no Jazz? It’s like no Dead. Yikes!

Good luck with it 1St Show.

Oro - WTF is with your hometown Bills??? Super Bowl favourites???

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Submitted by daverock on Thu, 09/22/2022 - 10:38

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It seems to me that in striving to make something more inclusive, the people doing so often water down the thing in question, so that it loses all the qualities that made it attractive in the first place. My local library is doing all sorts of things to get more people inside - and the more it adapts, the less like a library it becomes.

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Submitted by Deadheadbrewer on Thu, 09/22/2022 - 10:39

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I've mentioned this station here before, but we're lucky here in the Twin Cities to have a member-supported Jazz station--you can stream them . . . They have had a show called Bluegrass Saturday Morning for umpteen million years, still run by the same host. Some nights you might hear the local high school jazz band, then the next night--Phish.

Jim and Hendrix, be well!

Baller, laughing about your outsourcing question. :)

Be kind, rewind.

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Submitted by Oroborous on Thu, 09/22/2022 - 12:40

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KUVO can be streamed, (or it used to be?) but I don’t have a way to do so in the car so mostly stopped listening.
I’ll have to try again on the job instead of so much Dead lol. CPR is decent, and as you say part of public radio so hopefully they won’t muck it up too much, but considering how their treating their awesome long tenured DJs, it doesn't sound like it…”nothing lasts”

DAVEROCK, funny you mention libraries. The Other One is a 20 year librarian and she is really having a hard time with what it’s becoming. Part of it is the current management regime (clueless) and part is the trends. Seems it’s just about numbers now: how many visits can we conjure etc. Programs that have nothing to do with literacy are a big trend.
Hardly anyone reads anymore, they mostly come for free daycare, internet and DVDs, which is fine, but they used to really promote literacy, especially for kids and underprivileged etc. There are staff people who actually wonder “why do we need all these books”, and their currently overpaying some “consultant” to see how they can reconfigure branch space/layouts to be used for more programs etc and remove books and reference materials for things like square dancing! I kid you not! Let’s get rid of books and have a social club 🤮
One of my favorite changes: they took out all the beautiful Stickley furniture and replaced with plastic crap! Now they want to remove beautiful stone fireplaces etc, idiots!

MIKE: sshhhhhh, don’t go jinxing things. T town ain’t the only place that’s cursed! Lol.
Oh, I listen to that Toronto station whenever I’m back in the tundra, good sheet Mon!
They used to have a great one in Bu faf BITD (Jazz 88) but not sure it’s there anymore?

DHB, nice to see ya!

Libraries are struggling. I used to spend so much time in the Library. Started when I was pre-teen but getting older. Let's say 7th grade, so age 13 or so. Used to go at that age and find all the old Rolling Stone Magazines, so read about Woodstock or the Beatles, or Jimi. Had not found the Dead yet. Loved it! Also would research stuff on micro-phish, ooops, and would go thru old local papers and stuff like the NY Times or San Fran. stuff.

Not sure if y'all saw that Archive.org is in a law suit for giving digital copies of scanned books. This back and forth has gone on for years. Now, a real law suit by copywriters/publishers. You can search something like internet archive may go out of business. So I am waiting for my cc account to close this month, then plan to donate to them. That would suck tremendously if something happened. May have to survive on donations and stop allowing free check out to people of stuff where authors et. al. don't get their fees. But that is (Bob) weird, because you can go to a library and check out books for free. Have to see where it goes.

Wonder, is their a hard drive large enough to grab the tons of data off of archive? Maybe get Amazon AWS to back up stuff.

Any input would be appreciated...

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Submitted by Oroborous on Thu, 09/22/2022 - 13:04

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Thems fightin words!
Bastardos!
Whose got the pitch forks, I’ll grad the gasoline!
This is too much!
Aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa!

Oro - Not trying to jinx it, I’m all on board, would love to see the Queen City get some love, but you know what that “Great Lakes Triangle” does to sports teams here…
(Seriously though - now that the NHL is due back, keep your eye on the Sabres. Not Cup contenders this year, but they have quietly built a magnificent young team that will be a Force in 3 years or less. I’m Mike, and I personally endorse this message)
Interesting talk on the libraries, agree how they used to be great in their promotion of literacy programs for everyone, but geared to many of the disadvantaged, but like the school boards here, they have been co-opted by what I can only call a Woke & Kooky agenda now, which is a shame.
Also, I kind of remember that Buffalo jazz station - not sure if they are still around, but I know the jazz station I mentioned has a huge listener base in Western New York.
I hope things are good for you!

I still say it’s the water ; )

Hey, what do the Sabres and the Titanic have in common?
They both look good until they hit the ice!

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Submitted by Gary Farseer on Thu, 09/22/2022 - 14:12

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Dang funny joke!

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17 years 2 months

Submitted by Vguy72 on Thu, 09/22/2022 - 21:24

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....VGK paid a lot for Jack Eichel from the Sabres. Alex Tuch, Peyton Krebs, a first-round pick in 2022, and a conditional second-round draft pick for 2023. Better pay off this upcoming season or I'm going to revolt and throw stuff. October is the BEST sports month. Baseball playoffs. Football is in full swing. Hockey and squeaky shoes is starting. Cool.
Steal Your Faceoff.

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17 years 3 months

Submitted by drpryan on Fri, 09/23/2022 - 03:03

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The CD came out yesterday. Mixed by Jeff Norman at Bob Weirs TRI studio from the original 16 track analog master reel to reel recording. store Portmerch NRPS (email) this AM also announced the the LP will be out in the spring

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9 years 10 months

Submitted by That Mike on Fri, 09/23/2022 - 06:01

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A rule of thumb in contact sports like football and hockey is to avoid trading for players who have suffered significant injuries to the spinal column, ie - Jack Eichel. Unfortunately, Vegas may learn this the hard way. He is an extremely skilled player, the will is there, and he underwent an evidently novel surgical procedure, but as rule of thumb, the player is never the same. Vegas WAY overpaid for Eichel IMHO, and he is a big chunk of the payroll.
I hope he proves me wrong, I always liked him as a player, but when does someone ever get “better” from any injury to the spine or neck?

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14 years 9 months

Submitted by PT Barnum on Fri, 09/23/2022 - 06:50

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new release from 1997 live at the Fillmore. 2 CD, 4 CD, 3 LP, 6LP. So many choices. Released 11-25. Went to Petty's web site, culled from 20 shows. Looks killer

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3 years 11 months

Submitted by Crow Told Me on Fri, 09/23/2022 - 08:12

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Ordered my copy of the 10.9.81 show from Bezos and not only was it six bucks cheaper, with free shipping, but it appears that it will appear on my doorstep today, on the release date, and not, you know, next month or whenever everybody who ordered via Rhino will get theirs. Meanwhile, the t-shirt I ordered from deadnet three weeks ago for my wife's birthday (last week) is also set to arrive today. This is why I believe there are no coincidences.

I love libraries. Don't know what I would've done without 'em. The local library played a BIG role in my musical education, because the periodicals sections carried mags like Rolling Stone and NME, not to mention listening stations where I could hear Monk and Miles for the first time.

I think the difference with these digital archives is that they have a theoretically infinite copies of things. It's one thing, from the copyright holder's point of view, for a library to have one copy of a book, which they purchased, and to loan it out to one person, in one town, at a time. It's another thing to make hundreds or thousands or even millions of copies available to everyone everywhere all at once. I'm not surprised that's a Thing. People who write and publish books (or write and record music) do deserve to get paid, is my opinion, and we're going to have to work how that's going to happen in the digital world if we want to have books and music and whatnot. That lawsuit is growing pains.

Sucks to hear that another jazz station is circling the drain. We've still got KCSM , "the Bay Area's jazz station," and I would highly recommend putting their app on your phone. I listen to 'em all the time, driving around, and there's some great programming to be heard.

OK, last five:

ABB: Fillmore
Tom Petty: You're Gonna Get It
TTB: The Fall
Sturgill Simpson: Metamodern Sounds
GOGD: 1.30.73 from the StL box

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Submitted by That Mike on Fri, 09/23/2022 - 08:46

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Sports talk and the Dead are not mutually exclusive. Love talking football/hockey/baseball (Go Jays!), love talking the Dead. In fact, quite the contrary. They are a perfect pairing. Going a step further, I find the Dead - like vintage wine - quite complimentary with most things. Camping & the Dead. Get togethers & the Dead. Long drives & the Dead. On and on.
It’s all a matter of finding that “right” vintage. Many on this site enjoy selections from the early Dead growing season, such as 1969; others prefer the 1971 selections (a Gold Standard for vintage). The “less aged” 90s are not as sought after, but with the right pairing, perfect.

Finally, like all wines, the Dead skew to the “Acid”-ic side. Tart, but never overpowering.

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11 years 11 months

Submitted by Angry Jack Straw on Fri, 09/23/2022 - 08:51

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Eichel trade - one of the worst NHL trades in recent memory.

I said that last year when it was announced. Read what Mike said about players with injuries. And then go look up Eric Lindros. Yeah, I know most were concussions, but he was injury prone.

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Submitted by Oroborous on Fri, 09/23/2022 - 09:51

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Nice analogy Mike!
That’s how I feel, a Dead season for every occasion lol.
Dead for labor, Dead for chilling out, Dead for FAC, hell there’s some kind Dead for everything, but like a connoisseur, you have to know your vintage!
Go Jays!

Eichel: yep, nice kid, great skills, unfortunately toast at an early age. But hey, it’s a Buffalo thing: Star player always hurt and/or under producing, goes somewhere else and becomes superstar. So who knows?

EDIT: Mike, check your PM

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10 years

Submitted by 1stshow70878 on Fri, 09/23/2022 - 10:09

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Frantic search for 10-9-81 for some stealth Euro show.
Guess you meant 3-9-81 MSG.
I don't shop much so I was amazed how many "vendors" are selling this on the Bezos site. And at varying good prices.
Some even listed as used. Wait, what? It's not even at anyone's door yet.
Like a pre-order for used? Mine isn't even tracking yet. Ship notice was on 9-21.
So how does the S.A. River get delivery before us? Just sayin'.
Also wonder how many get to buy at wholesale to resell as these are below retail.
Cheers

I got your message, and know there is a knighthood waiting for you. A sincere thank you!

As for Eichel, I have to agree with Jack - one of the worst trades in recent history. Look up “Nathan Horton” to see a guy whose career got derailed by a bad back, right after Columbus signed him for $37million - he played 36 games only. It’s bad enough your Grandpa blows his back out - but an athlete??? Yikes!

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10 years

Submitted by 1stshow70878 on Fri, 09/23/2022 - 13:00

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Announce a year ahead?
A slow departure so you can wean off.
Slow, like their time signatures.
Cheers

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11 years 7 months

Submitted by nappyrags on Sat, 09/24/2022 - 07:01

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I read "Wolf Hall" when it first came out and was blown away by it...the second book in the trilogy "Bring Up The Bodies" wasn't as enjoyable to me...I've yet to read the third one "The Mirror & The Light", I have it but it's in that 35 or so pile of books I have that I have yet to read...my last book I read was one on Hank Aaron's pursuit of the home run record. right now I'm reading a bio on Hank Williams so I gots my Hillbilly on...

Real Gone Music emailed me to tell me that my DP33 vinyl, which was scheduled to arrive Wednesday, is out for delivery today.
Now that’s customer service. They actually tracked my package for me.

I enjoyed "Wolf Hall" more than the other books in that trilogy, although they are all good. Another great book by Hilary Mantel is the collection of short stories that goes under the name of "The Assassination of Margaret Thatcher". I believe it was written before the trilogy had been completed, to give her some relief from the intensity of writing the three novels.

Concerning books on musicians, I am half way through the Blind Willie McTell biography written by Michael Gray, called "Hand Me My Travelin' Shoes". It serves as a voyage of discovery, as Gray goes on the trail of McTell, to discover more about who he was, and what kind of life he led. It seems very good on historical detail, going back to the mid 19th century and the circumstances and consequences of the Civil War.

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Submitted by icecrmcnkd on Sat, 09/24/2022 - 10:05

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DP33 vinyl has arrived, 4 days earlier than expected.
I’ll be spinning it tonight.

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10 years

Submitted by 1stshow70878 on Sat, 09/24/2022 - 11:14

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(see avatar) has passed.
Think I'll do a Birdsong in her honor.
And a toast: Cheers all!

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13 years 2 months

Submitted by JimInMD on Sat, 09/24/2022 - 12:49

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I am pouring the first half of my evening beverage to the curb in her honor.

So sorry to hear this.

Will play To Lay Me Down later tonight to seal the deal. Sending good wishes your way. It's never fun nor easy to lose a furry family member.

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Submitted by proudfoot on Sat, 09/24/2022 - 13:14

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Saying goodbye to a pet is really hard

(getting verklempt just thinking about it...)

Roxie the cat and Sunny the dog say "paws up for Ms. Phoebe!"

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9 years 10 months

Submitted by That Mike on Sat, 09/24/2022 - 15:36

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Condolences on losing Ms Phoebe, 1stShow. Our pets keep us grounded, and are an integral part of our family.
Better days, ahead.

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10 years

Submitted by 1stshow70878 on Sat, 09/24/2022 - 15:49

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Can always count on the Dead clan!
Now on with the party.
Phoebe was a party girl.
Cheers

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9 years 11 months

Submitted by FiveBranch on Sat, 09/24/2022 - 15:56

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I said goodbye to my calico last November. When I put her in the carrier for the last time, my tabby immediately ran up to her and after staring at each other for a bit through the grate, they bumped noses to say goodbye. Cats are smart that way. Now its just me and the tabby. When I settle in for a serious GD listening, he often sits in the middle of the floor and I can watch his ears flutter back and forth towards the speakers. I've trained him well!

Sorry to hear about Ms. Phoebe. I'm glad you got that little bit of extra time with her since we last spoke.

Didn't make it to the condor release in person but did live stream it and it was very cool. Need to see some of those big ol' carrion eatin' birds in person.

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Submitted by proudfoot on Sat, 09/24/2022 - 18:30

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The cats bumping noses...

Wow. Great description.

Again, verklempt

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