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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • icecrmcnkd
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    Over 48 hours and not sold out yet

    Appears that there are <25,000 people who need more grease in their collection.

    Wonder why the resellers aren’t grabbing them, maybe they know what the true demand is for that era.

    Might As Well start shipping now to the subscribers, don’t make us wait now that it’s been announced.

  • RKDeadhead
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    Thanks

    Thanks for the primal GD, Dave. Please keep them coming!

  • ed1313
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    Awesome to see the calls for…

    Awesome to see the calls for 60s Dead and want to add my voice to the chorus.

  • cdrtree
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    HDCD Playback- fair share of…

    HDCD Playback- fair share of older CD players have it which means can be bought cheap (think Toshiba and 20 bucks) on Ebay. Because the CD player does the work, you need analog hook up in order for it to "pass through" so you can hear it. There are some preamps that will do HDCD, like Marantz 8003, just make sure you don't have both the player and the preamp HDCD set to ON.

  • daverock
    Joined:
    More 69

    I have no idea whether it's in the vault or not, but Fillmore West 6/5/69 is great show.

  • billy the kiddd
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    Anniversary show 7/15/84. Greek/ BoxSet/ Fillmore box set

    38 years ago today, I was at the Greek Theatre, ( along with a lot of other great folks on this forum), for another great day with with the Good Ole Grateful Dead. The Dark Star from 7/13/84 caught everybody's attention, but this was a great show as well. I think the new box set is fantastic, what a great time to be following the Grateful Dead. They were playing at some great venues, Greek, Frost, Ventura ,Warfield Theatre, Oakland Auditorium, and on & on . What a blast to be seeing them at this time! I would love to see them put together a Fillmore East/ Fillmore West box set, man that would be a knockout!

  • boblopes
    Joined:
    @ Oroborous RE: my Oppo/Parasound set up

    Since my AV preamp is all digital with no analog bypass, could not really test it. The Motorola DSP in it does not due HDCD. I think the DACs in it are Wolfson.

    I could hook up the Oppo to my NAD Integrated from the 1980's that's in my office but have not tried that. Not sure it has the wattage to power the low end where I think you notice the difference. The cool thing with my old NAD was there's a u-connector that can be removed that allows you to use just the preamp stage to power a separate AMP. I had done that for a bit, but my fancy interconnect cables I think were too bulky and may have caused a cold solder joint which prevents me from outputting one channel. That's at the bottom of my list of fixables since it works fine as an integrated setup.

    Someday I will test it out and try to A/B it with an old Sony 5 CD carousel unit, but looking forward to this set up for the upcoming Lyceum vinyl!

    About to turn my Nephew from France onto the glory of live releases. My Brother and his boys flew over from Paris for a family get together in GA at my sisters place. His son is really good at guitar but has turned his muse to painting and is trying to make a career of that. But he's been checking out the Grateful Dead via Spotify and was asking me which albums he should listen to. He was really impressed with Jerry's playing of Althea on GoToHeaven. So I recently ordered a portable hard drive and ready to blow his mind with some archive releases.

    My brother was definitely the DARE generation with an anti-dead mentality. I think he was jaded by an ex-GF in college that probably got into them in the late 80s. When DaP11 came out, I grabbed an extra and sent it to him thinking the ripping Me & My Uncle might change his disposition since he plays guitar and had a large Rickenbaker collection at the time. Funny with me being older I turned him on to Kiss, the Beatles and classic rock, but our paths diverged when he went the Alternative route (DuranDuran, Joy Division, Smiths, Echo&Bunnyman, Replacements, Butthole Surfers) while my working concerts in college exposed me to so much different music (most I liked). As he got older and learned to play guitar as a stress relief from his divorce, he got into Elvis and some country but now exploring Jazz, he still has no desire to check out the Dead. Psyched his son does! My sister's youngest just saw Dead and Co @ Citi. Her boyfriend's parents grew up in the Bay area and his mother and uncle saw over 500 shows - they met @ Columbia Medical School a couple of years back. I turned her brother on to the Dead early on and he's been to a bunch of Dead & Co but has seen more Phish shows around the Big Apple, which is fine too.

  • JimInMD
    Joined:
    Like a peasant asking for trinkets of gold...

    More 67 - 70 please!

    I could be wrong, but I believe a lot of 1969 exists. The recordings might not be on par with 71 - 78, but that's where the volume is (I think). Let's see how this one looks, feels and sounds.

  • hendrixfreak
    Joined:
    Oro II, I called for 1966-1975...

    and they released the 30 Trips box. I'm with you as far as another look at '66 to '70. They probably have some full shows in that era, but they probably also have some choice material that would be good to release. They've done a nice job on the bonus tracks for the first three re-released 50th album releases. Surely there's more!

    Even a mini box of one disc per year would be awesome. Of course, we're on the fan side, not the business side, so who knows what the biz thinking is. Even if not destined to be a big money maker, releasing music purely for the fans would still do better than break even. Maybe it's on Dave's to-do list.

    So we get two '69 shows right quick here. Works for me!

  • SPACEBROTHER
    Joined:
    Love it all

    I'm in that category. I was lucky enough to have been able to catch a decent number of shows from my first on 7-1-84 up until the very last one with Jerry. This series helped open my listening to era's I had my personal biases away from, and in the long run its all good.

    From my tape collector days I pretty much stopped worrying about source recordings and find that it's lucky any of it got documented. When there's such an abundance of very listenable recordings it's interesting to follow the translations, member changes, the evolution from pizza parlours to multi-night stadium venues and mega-festivals. You don't get that with every popular band or musician.

    Ultimately I felt much better about the more variety angle with the series and was more likely to stick with subscribing. I don't own every single release they put out because there so much and it's cost prohibitive, but for what you get with the subscription and the early bird pricing, you can't beat it. I love the Deer Creek and Hartford 4 disc releases. They were nice surprises. At some point a 90s post Brent show will makes its debut in this series. It might take 44 releases or more to get there but I have faith that a great 91 show is screaming for the Norman treatment.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

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Sorry you lost your pet 1stshow, that is a real drag.

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39 years ago today, I was at the Santa Cruz County Fairgrounds to see the Good Ole Grateful Dead put on a fantastic show! It was a real cool venue and I just had an absolute blast! One of my favorite shows. I saw some great shows in 1983, 10/30&31/83, 12/28/83(my favorite). Ventura, Frost, Greek. It was a great year to be seeing the Dead.

....much respect to the tabby colors.
I raise my glass to her.
Godspeed.
Losing a pet is rough.
Now we have two. My step-daughter is trying to breed her German Shepherd bitch currently.
I called dibs on a female.
Doubling-down on the future pain....
And so it goes.
You know what's also pretty cool?
Watching drone footage of BMX'ers, skaters, racers and snowboarders.
Keen.

I have heard that on cassette and disc a few times. Very nice show. My friend Mike attended and said Uncle John's Band "touched his soul".

Yup.

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In reply to by proudfoot

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opened for the Dead at a Rex Benefit show. had no idea. Steve Silberman tweet pointed to a pre FM broadcast source over on the u-toobs. just uploaded 9/24. it sounds beautiful.

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2 Framingham dates. Nov. 1st, and Nov. 5th.. I have hash for refreshments. Not the corned beef type.

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In reply to by carlo13

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....bourbon and shrooms?
Heading out to see a band called Sabaton. My son is a fan and he's dragging me along.
Just kidding. They're a power metal band from Sweden who's theme is wars.
Stage show looks legit.
Let's see what up.

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Type, grateful dead,
meetupatthemovies.kom
What state are you in? You can also come to Massachusetts. Ha. That's what arlo Guthrie says, "there ain't no where else to be like Massachusetts.".

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In reply to by carlo13

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Funny.. I am going to the site referenced and the closest theatre to me using their site/app is the same theatre in Oklahoma. Humorous considering we could not live further away from each other and still be in the continental US. We literally live on the opposite ends of the country.

But the internet never lies and I want to go so I guess this is the place to see them. We should hook up before the show.

If you dig closer into the app they advise on how to get there either by car, transit, walking, cycling or flights. I like to walk so I selected that option. I can get to the theatre in approximately 383 hours as it is 1,166 miles. Assuming I powerwalk and do not stop to eat, pee, sleep or God forbid meet an equally minded freak and do what Pigpen says I should be able to make it just in time for the show.

I'm getting a good night's sleep and heading out in the morning, meet you there. I guess I am going to Forest Gump across the country.

Edit:
I'm just happy there was no digital download option.

You can’t do stooopid shit against good teams and win.
You have to capitalize on opportunities against good teams to win.
Miami did what they had to do and deserved to win, BUT…

Anyways, congrats to you and your team good sir!

MUATM: some rise, some fall, some climb, to get to…Oklahoma??

GO VIKS!

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In reply to by Sixtus_

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....whelp, my son survived his first mosh pit. Couldn't keep him out! I even jumped in a few times. Proceeded to tweak my knee, but I will survive. Pretty damn good show. Avatar changed accordingly portraying the aftermath.
Am I getting to old for this shit? I think not!!

VGuy - You are a good soul and a great Dad to endure a mosh pit! Respect.

Oro - Sheesh! Hope I didn’t jinx your Bills with that Super Bowl chatter…yikes! About those Sabres…

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In reply to by That Mike

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....yeah. A few people there said that. My son was hesitant at first, but I told him about mosh pit etiquette. If you fall, they will pick you right up. The fans on the outside of the pit will push you back in a bit and give you some momentum, but will notice when you are ready to tap out and will let you through. Don't throw elbows, make sure your shoe laces are tied up high and look out for your fellow moshers.
And sure enough, that's what happened.
Metal fans are a cool group 🤘.
And afterwards we did my post-concert ritual. In-N-Out burgers!!

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Anyone have these or the Baby Advent speakers?
Got the college era stereo up and running in the bedroom.
Saw some Minis for $50. locally and they fit the size/wattage needs.
Reviews seem mostly positive.
And they have a real x-over unlike some of the A/V stuff.
You know what I'll be listening to on them!
Oro, This is your gig isn't it? Appreciate any input.
Cheers

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In reply to by 1stshow70878

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"That's what a hamburger's all about"

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In reply to by proudfoot

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Just sayin

In Seattle we have Dick's
Cali and such have In n Out
Wendy's used to be Hot n Juicy

Food porn?

The other night I had a Patty Melt (giggedy) that was pretty erotic. Truly a great sandwich.

Time for some GD, methinks

Last 5 non GD
bowie heroes
Metallica master of puppets
Metallica and justice
RS it's only rock and roll
Pink floyd early singles

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In reply to by 1stshow70878

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not Oro... but: 1stshow, check the surrounds on those "woofers", i think they were foam which tends to break down, get brittle with age. They can be replaced with a surrounds kit, but its a bit of a pitb. My thanks for the heads up (and RIP) Pharoah Sanders which utube check led me to a video for his "Live at Jazz Cafe London 2011" quite wonderful, check it out. I was lucky to find Sanders music way back in 1969, his album Karma with the extended journey of "The Creator Has a Master Plan" was a favorite with my high school hash smoking jazz buds Charlie and Mike. Still loving this DaP43, music, as always, and the good folks here, the best.

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All this Burgers talk made me pull out the first rate Hot Tuna album by the same name - true religion, indeed!

I have done a deep dive on both Eric Dolphy and Ornette Coleman in the past, two of the bigger “Free Jazz” artists, and I even bought some Mary Halvorson, a current jazz guitarist who heavily leans to “free jazz”. It can be very challenging music - this sure isn’t the Doobie Brothers sound - tough to get inside, but often very rewarding. Pharaoh Sanders was a free jazz artist in that vein I always had a tougher time with. Perhaps it’s time to give him another listen.

One album I’ve got to give another listen to is the just released Detroit Jazz Festival 2017 recording, featuring Wayne Shorter, and others. I think Shorter is one of the pillars of jazz, a personal favourite, but my first run through of this album was really disappointing. Not so much Shorter, but the other artists he is playing with, and this really “unique” vocals (I’m not a fan of jazz with vocals), really sounded lousy. I’m hoping a fresh listen will sound better, because this may be the last recording Shorter does, and it’s not the way you want to end things.
I cleansed myself with 10/29/73 from the River box. Not a bad note heard.

That Mike, bravo for noting Mary, really not expecting to see her name here. She came to play locally at Dartmouth with her group Thumbscrew a few years ago, performing with them and the Coast, Dartmouth's student jazz band who are phenomenally motivated and directed by Mary's friend, director and teacher Taylor Ho Bynum. Yes, challenging music and not an easy categorization to jazz. You might know her story of starting out as a child on violin, when she discovered Jimi Hendrix at age eleven, she switched to guitar. I had a chance to speak with her after the concert and asked her about the extraordinary voicing she coaxed from her instrument. While Dartmouth seems among the more conservative of the Ivies, they do bring great jazz performances in from time to time. I have been fortunate to catch Chick Corea there with Brian Blade and Charlie McBride, Brad Mehldau solo, McCoy Tyner solo, Carla Bley etc. The Grateful Dead did play once at Dartmouth, May 5, 1978, though I was nowhere nearby at that time.

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It's amazing how different people hear the same music differently. It's also a beautiful thing.
I love, love, love Pharoah Sanders, almost everything he recorded. I love most all of Ornette's Music too.
For some reason, Eric Dolphy just doesn't do it for me.
Horses for courses.

Bottom line--Music is the Best!!

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In reply to by dmcvt

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I didn’t know Mary Halvorson was a Jimi disciple, but really neat you got to meet her and pick her brain, as she truly has a unique “voice” to her playing. I became interested in her sound after the joint album she made with Bill Frisell (a guy who makes ANY album he plays on sound better), “The Maid With The Flaxen Hair”, so I picked up some of her Thumbscrew releases, and was not disappointed.

As for Dartmouth, it really sounds like a really very hip place, music-wise!

PS - That Trio of Chick with Blade & McBride was some of the best music I think Corea made, so a definite 5 star show to see. The first time I ever “saw” Brian Blade was when he accompanied Joni Mitchell for a New York Times Talk on stage for her 70th birthday celebration in Toronto - he was there as Joni’s “Plus One”, but no playing, unfortunately. Then I saw him a few years later backing Shorter - now I get why this guy is in such demand!

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In reply to by That Mike

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I told ya not to jinx us lol.
Naaaa, they jinxed themselves per usual.
Great jazz talk!

Just listened to Karma yesterday, followed by Sun Ra.

ISTSHOW/Advents. Can’t recall actually hearing any Advents though I’m sure BITD I must have?
Using In the BR: assuming just for secondary listening, so probably ok for low level listening…
I was going to say same as DMCVT (hola DMCVT by the way!) make sure you check the surrounds. Not just foam ones, though it looks like the advents have issues with that. Always check the surrounds of any old speaker as they tend to dry out and disintegrate. Happened to my McIntosh XR 7s. Lugged em back east to trade for a preamp, got to my buddies to pick him up to go to the store, my surrounds had started to go bad on the road trip, doooaaa.

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Good advice. The surrounds look good in pics but I haven't seen in person yet. Got another pair I've been eyeing from a known good seller: Infinity Reference One, a 6" two-way but not the Emit tweeter. New surrounds and broken in he says. And I heard a pair of these a few months ago at the music/record store that was going out of business. (Dang! Lost another one. We kill small stores quick out here in the boonies.) They sounded good and they still barely fit my size limitations and considerably more money but, as you guys point out, anything of that era is going to need refoamed soon no matter how well they were kept. Just crap on Craigslist and we don't see the good stuff at our Salvation Army so it's safer to just pony up. So Oro what's the popular brand now in your home installations? I assume some of what you do is in ceilings or flat mounted. Do you do the full on home theater stuff too? Oh, bad form to have you talking about work. I'm good to go. Onward to DP11. See you on the POTDWD. Thanks again.
Cheers

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In reply to by 1stshow70878

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No worries, I love talking about stereos.

We don’t sell many stand alone speakers anymore, mostly in wall/ceiling. No one wants to see gear anymore. Remember back in the day when folks used to like to show off their stereo!

Occasionally we will on bigger jobs. For big theaters we were using Pro Audio Amps/speakers, but not sure we’re still doing that? We also have used Wisdom Audio last few years, and McIntosh. Did lots of BMW BITD but I think we lost our dealership? I think we did some Toa for a bit! Think our Aspen office occasionally sells some Wilson’s?
Our in ceilings have been Sonance, and I’ve seen little bookshelf versions. In fact I have a small like new set of three I should get rid of? One of my current installations were using James audio in ceiling.
Also, I believe I have some new in box Denons? Very small came with one of those all in one sets. We paired em with in ceiling so I still have those in the box. Actually have 3 B&W 805s and some 602s? Not sure on the models…the 602s I’m using for immersive height layer utilizing Auro 3D format. The 805s were supposed to be for a surround set up in the BR but didn’t end up doing that.
If I was buying new, and could afford it, I’ve liked the Harbeth monitors. Focal has some more affordable offerings, but they can be hit or miss. Perhaps Magico if I was wealthy lol.
Always try to hear stuff before you buy when possible. If buying new, some places will let you try with your electronics because in the end the synergy of your gear combined with your preferences (sound) is what matters.

Oh ps, keep forgetting: sorry about the kitty! My cousin just had to put down what I consider one of the best, most mellow cats ever, very dog like! Henry was 22 years and 9 months but had a stroke so they had to put him down : (
One reason we don’t have pets anymore, the little bastards die on ya and break your heart, it’s too hard losing a good pet!

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There you are Oro! I thought you might have been burning your Bills jersey in the barbecue. Hey, it’s one game. (Speaking of which, your Sabres are introducing a personal favourite 3rd jersey, what I call the Dominik Hasek model) Playing Pharaoh AND Sun Ra - wow, now that’s an “adult” dose of Free Jazz.

Great info on the speakers. You must have a pretty wicked home system.

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Happy to see Oro's wisdom and experience here (Hola Oro!). Bookshelf speakers often get such collateral abuse, drop kicked, sun bleached, over powered with too many distorted watts... those surrounds are always the first thing to check. Next tweeter domes, have they been dinged or crinkled? Tweeters can fry quickly because of their delicate voice coils. Check replacement parts availability. Found a used set of Kef Q15s years ago, $20 each, thought just about perfect until recently, found a pair of B&W DM601s locally for $100. Significant improvement, really smooth balanced response, irresistible to an audio junkie, who cared if one cabinet had a corner dent. Both the Kefs and the B&Ws have some kind of rubber for surrounds, not foam and seem to be in fine shape for twenty somethings. They can be bi-amped as they have dual inputs, one for each driver, jumpers between for single input. To judge accurate reproduction of mid range, listen to solo piano or woman's song to check a bookshelf size speaker.

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Yes, those two British brands get consistently excellent reviews DMCVT. It is said the rubber surrounds outlast the foam by miles but are tough to replace. And Oro I've never even heard of those top shelf brands other than Pro Audio in your modern audio realm. Blowing off the used Advents for something serviced and safe. The Infinitys made in Chatsworth, CA should suite me fine. I know that seller will do me right. Only pushing under 30W through them from the old Pioneer integrated in a bedroom they should be perfectly suited. And I've heard a pair of them recently albeit not with my system. I think that guy had a vintage Marantz 2245 playing them. Got a vintage fully restored TEAC V-5RX cassette deck showing up today for that system. Breaking the tapes out of the closet! Again many thanks to you both.
Cheers
Edit: Still kicking myself for selling my first good set of speakers, Cerwin-Vegas, when I was young. Hard to find now but boy did they rock the dormitory and a few rental houses BITD! Their moto was, "Loud Is Beautiful If It's Clean".
Edit 2: The TEAC is killer. Best deck I ever had. Tapes sound amazing. Break out the soundboards and auds. Why didn't I get a nice one BITD? Likely as I couldn't afford one then! Love the vintage!

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In reply to by 1stshow70878

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Yep, DMCVT has covered the must checks.
Another FYI. You can actually damage/blow speakers just as easy or easier with a low powered amp as high powered depending on use.
Distortion will cause additional heat, heat damages voice coils. So a low powered amp, even with matching specs, being driven into clipping (distortion) can eventually cause speaker failure, while a higher powered amp if not driven very hard will provide cleaner undistorted power AND probably provide better tone. Because it’s not clipping, it’s not heating the voice coil as much.
Obviously there are are limits to this so don’t go cranking your 1000 watt amp full blast with 100 watt speakers cause you’ll literally set them on fire!
Had this happen before: using McIntosh MC 2300 power amp with regular type speakers (60 watt) and well, worked great until we tried to see how far they’d go and so eventually started em on fire. Now, we were kinda trying to do that lol.
Another time I saw big JBL 15” PA woofer start on fire. The band was Set up in the middle of a bowling alley so no nearby walls or boundaries to enhance the bass, so sound guy over compensated and pushed em so hard one started on fire. Crazy stuff, fat lighting guy comes rushing toward the stage and tosses his pitcher of Long Island ice tea on it cause, ya know how well water and electricity mix lol. I simply reached over and unplugged the speaker. Luckily the sprinklers in the building didn’t go off because there was a looottt of smoke lol.
Think of it like a car engine, if you push a little engine too much it’ll blow, if you have a really big engine, but don’t push it, it’ll hardly break a sweat.
Infinity is another I’ve heard of, but not so sure I’ve heard? As previously said, ya never now for sure what things will sound like until you hook it all up. That being said, you can often get a feel for the product by doing a little online research. Check places like Audiogon etc, with a grain of salt as there’s just as much bad Intell out there as good. But you can usually get a general idea of the products main characteristics. Like if 23 outta 42 reviews say they sound tinny, well they might be tinny etc. look for folks who say “ I used to have those and loved them” etc.

Same with your hearing: you can cause hearing damage just as easy with not so loud music if it has lots of distortion, where conversely, you can listen to really loud music that’s super clean and not hurt yourself. Like you can listen to a really loud classical orchestra with no problem, but a really distorted metal band, even if not super loud can cause damage after sustained exposure. Another beautiful thing about the Dead, they could get really loud, but you wouldn’t even know it unless you tried to talk to the person next to you!
Good luck whichever way you go!

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In reply to by Oroborous

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....been to a couple of those.
The sound at the Sabaton show was perfect. I'm not busting out the earplugs quite yet.
Got Roger Waters here Saturday.
My friend bought the tix over two years ago.
About this time last year, he texted me. "You ready for Roger?"
I checked the website.
"Dude. It's next year!"
Imagine arriving at T-Mobile Arena and going......"Uhhhh." 🤣
And The Sphere is taking shape.
Look it up. Rumors are U2 are going to cut the ribbon.

I haven't bothered to go to a Seattle Mariners game for several years.

I went tonight, though.

I was reminded why I haven't gone for so long.

Weak, limp, anemic baseball.

Ugh.

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17 years 4 months

In reply to by proudfoot

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We did that Vguy. Early eighties Wild Bill or some such character said there were shows in Harshford. With no internet etc we didn’t know, someone said there was a show so we just decided to go. Needless to say when we got there it was aaaaa, surprise! But hey, it wasn’t all bad, we got a big box of donuts and enjoyed the ride lol

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Hunker down Florida, as this monster Ian approaches. Be safe. As for those that hit the climate change panic button with every catastrophe, know that these hurricanes have been around at least as long as Europeans have travelled the Seven Seas. There are no reliable written records of Indigenous peoples prior to these times to confirm (although oral history is quite prevalent among First Nations peoples the world over), but the belief is many of the natural weather phenomenon have always existed time immemorial. In fact, the first recorded history of the word “hurricane” was 1555, long before the Industrial Revolution. Sometimes truth matters.

Roger Waters - hard pass. Major dick.

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14 years 11 months
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from the Good Old Grateful Dead to killer speakers and audio set ups to hockey to football to pets to...climate change denial?
I also own a pair of B&W's and they are just the cat's meow. They pair excellently with my Altec Lansing 890 bookshelf speakers. I have seen jbl's blow, no fire, but definitely a meltdown, they sound good but are very delicate, a close friend had a pair suspended from his ceiling, not the best but ok.
Sorry for your loss, pets are the hardest things to lose, sometimes harder than a human. People can let you down, your pet, never.
To all you folks who live in Florida, take my word for it, you don't want to mess around with hurricanes. I survived hurricane Charley in 04, it hit with 145 mph winds, took out the power as it hit Orlando, you could see power transformers blowing up all over the place, blue flashes in the black night. The eye wall approached and hit, the 40 ft pine trees in my backyard snapped off at about 12 ft above the ground, all of them, crashing down all around us, just missing my house but taking out my neighbors right next door. The wind blew so hard, it sounded just like a train, very loud. As it passed, the eye went over, it was clear, calm and you could see stars, then the other side hit, the wind going in the complete opposite direction, finishing off the rest of the trees. Charley was moving at 25 mph and it was over in 40 mins, but the damage was done, no power for 9 days, 103 degrees in my house with no breeze. Had to go to work anyway, had to take cold showers in the dark, had to drive all over the city to find ice to keep some things cool. We left Florida 4 years later. This storm is moving at 5 mph, this will last days and the damage will be bad.
Living in Florida for over 30 years I saw it change from a beautiful, clean paradise to a used up tourist trap. They have been doing studies in Tampa for years about salt water encroachment of the aquifer that provides the drinking water to most of the state, it has increased dramatically in recent years. Now they are having trouble with the saltwater encroaching upon the underground utilities, drain systems, etc as some days, during high tide, the water will come out of the storm drains, and spill out into the street, this is all from rising sea levels that are increasing yearly. Global warming has caused this, and it has also had an effect on the intensity of hurricanes. For 30 years, hurricanes meant "a little wind, a little rain" those days are over. Hurricanes are now more frequent and more powerful due to warming of the atmosphere. Look it up.

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I wish we could stay off politics in this space.

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12 years 1 month

In reply to by Crow Told Me

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I might be in the minority here, but I hate those old black and red jerseys. The logo too. It reminds me of Trump's hairdoo. And that was not a political statement.

It also conjures up memories of Brett Hull's goal. I don't like that either.

I love floor standing speakers and more importantly the sound they throw off. Maybe I am old school as well, but I do get a certain satisfaction when I walk into the basement and see how their presence almost dominates the room. I own Klipsch and have for years. I have often considered "upgrading", but I am not sure how much more benefit I would derive or what would be the best brand. The other concern is that if I did upgrade, should I go the full route and purchase separate components and upgrade my receiver as well? Thoughts are welcomed.

Two things I have learned listening to the GD channel over the past few weeks:

- The meaning of syncopation and why it is important. I have no musical aptitude.

- That I prefer my Grateful Dead with a single drummer and a grand piano. And I am proud to admit that.

Yes. Pets are the best.

Be safe Floridians.

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9 years 3 months

In reply to by dmcvt

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It's been about a year since the discussions of stereos and such. There was also a discussion at that time about HDCD.

On HDCD, I remember SimonRob posting that all he knows is that a light comes on. Last year at this time an old trusted cd/dvd crapped out. As y'all were talking about HDCD, I started looking for a HDCD player. I stumbled on to an old Denon cd/dvd player with HDCD compatibility. I bought the unit on ebay and with tax and shipping, it was only $90 (no remote). Well, I have a blackweb universal remote and the remote is programmable with the Denon unit. This unit arrived around October 5th or so last year. So as it was anniversary time for the Warlocks, that was the first concerts I played thru the Denon. Immediately, I found the sound enhancement was very noticeable. With HDCD, most of the expansion is in the mid to upper frequencies, which expanded the soundstage and headroom of the disks. I fell instantly in love and thank Dead.net for continuing to master in HDCD.

I also discussed before I bought the Denon, my own stereo which I am extremely happy with. Again, 6 JBL speakers running through a large Yamaha Natural Sound Amp, with the sub frequency cross-over set at 82 Hz. The 82 Hertz cross-over is almost identical to what George Lucas had for his THX movie theater certifications. I assume most know that a cross-over is not a fixed point as there are frequencies above 82Hz the sub powers, and below 82 Hz that the Yamaha powers. However, when you cut off or cross-over the sub unit, you remove a lot or most of the work done by the Yamaha amp, which frees up the Yamaha to produce even more crystal clear frequencies as the Yamaha has been freed from trying to push the JBL's for the low end. This means much cleaner reproduction.

I post this because I just finished re foaming the woofer surrounds on the JBL 10" woofers. They sound great now, no slight buzz or anything. It was well worth the effort. I used My Audio Addiction to acquire the re foam 10" surrounds. They may be the biggest retail provider of speaker parts kits. It is there name, all one string, at .kom. They also have tutorials on youtube, and also will fix them for you (much more than just foam surrounds), if you ship them to Audio Addiction.

As an aside, I have pondered replacing the JBL 10" woofers with a set of old Pyle Driver woofers that I have had for 35+ years, but haven't used in about a decade. The Pyle Driver's magnets are enormous. I mentioned this to a bass player friend of mine, he only said, "You have to be careful as JBL tuned those speakers with their woofers, and a larger magnet might throw some things out of balance." Not sure about that, may still do it at some point, but adding the 12" powered subwoofer by svsound changed everything. The amp inside the svs sub is a class D power amp. From what I can tell, most large P.A. systems are now moving to powered speaker systems with class D power built in. I think it makes configuring a system (like Meyer and Featherstone (?)) did with the FTW shows.

Any way, way too much, will post and edit.

Hope all are ready for In and Out of the Garden (Burger). I know I am, but will still listen to 43 one more time this weekend before I break out that box.

G

So first edit done, still needs work.

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... the hurricane that hit Galveston in 1900 was a Category 4 and was, and may still be, the deadliest weather disaster in US history, with 8000 dead. So, a little more than just a little wind, a little rain even back in 1900. There are a number of other historic hurricanes over the last hundred years that were devastating as well, the National Hurricane Center of NOAA has a list of some of the most notable.

If you look at the records of frequency of hurricanes and tropical storms it is not entirely clear that the frequency or intensity has actually increased since the 1800s, and the effort to determine the historic frequency of these storms is complicated by the fact that our monitoring has improved so that many hurricanes that don't make landfall were likely not observed or recorded prior to our more modern monitoring abilities. Thus, our improved monitoring abilities means that we detect, observe, and record hurricanes that don't make landfall and would have likely been missed in the historic record, thereby causing an increase in the number of observed hurricanes, while leaving open the possibility that the increase is not a reflection of an actual increase in the total number of storms.

National Hurricane Center data indicates that the decade 1941-1950 has the highest number of hurricanes that made landfall in the US at 24 total and 10 major hurricanes (Saffir-Simpson category 3 or higher) that made landfall that decade. The tie for runner up decade goes to the decades 2001-2010 and 2011-2020 which both had 19 total hurricanes that made landfall, with 2001-2010 having 7 storms listed as category 3 or higher, and 2011-2020 having 6 storms listed as category 3 or higher. The hurricane landfall data also indicates that "Before the Gulf of Mexico and Atlantic coasts became settled, hurricanes may have been underestimated in their intensity or missed completely for small-sized systems (i.e., 2004's Hurricane Charley)." The reported storm intensity does not appear to be significantly different in these decades, but of course, I haven't run a statistical analysis, just a quick comparison of reported storm intensities from NOAA resources. Of course, even within the resources provided by NOAA you can find some variation in reported storm strength, for example, the categorization of storm strength in the "US Hurricane Strikes by Decade" table on the National Hurricane Center page appears slightly different compared to the "US Hurricane Impact / Landfalls" table provided by the Hurricane Research Division, so this is just a quick review of some of the readily available data from NOAA.

I suppose you could call this "climate change denial", but I prefer to think of it as a simple review of the hurricane data readily available from NOAA. You can draw your own conclusions from the data, or head on over to NOAA and do a deeper dive in the data. But hurricanes were always more than a little wind and a little rain.

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I just want to clarify, then I’ll drop it, as I wasn’t trying to set off alarms, I am just weary of “fear” being used to wage social change now. I wasn’t denying climate change. Way too much irrefutable evidence supporting it, and as a great believer in science, I support it. However, I find every dramatic event - climate, economic, Covid - is gaining oxygen from fear. Every outcome is predicated on fear.

Sometimes it’s hot out just because it is. I went for probably my 20th MRI last evening, and the nurse was debating if I should wear a mask, for fear of….infecting myself in a chamber the size of a coffin!?!? Fear has gotten out of hand, was my only point. Not going politics at all, I should have articulated my thoughts better.
I do sincerely wish Floridians to stay safe.

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14 years 11 months
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during my time in Florida, it was always just a little wind and rain, never experienced a full-on hurricane until Charley in 04, but for 30 plus years before that, they were just a slight annoyance. Based on personal experience, not going back to the beginning of recorded hurricane history, just my personal experience. I loved hurricane season until 04, always good to check the fields right after a storm. Back in 96 I think it was, there was a storm named "Jerry" that formed off the coast, floated into central florida, moved back out to sea, returned a few days later, that was a great week. enough of that ok, hunker down everyone in the path of this monster storm.
Gary, Oro, you guys are true audiophiles, and I'm sure there are others here that I don't mean to fail to mention, I used to pour over audio books and visit audiophile shops back in the day, nothing better than good clean clear loud sound, especially Grateful Dead.

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7 years 3 months
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To my understanding, it's not the storms that are being caused by global warming. It's the frequency and intensity of the storms that global warming is affecting.

Now, saw Nick Mason's Saucerful of Secrets show(I also saw the previous tour), and I'm surprised no one is talking about that. Great show, great band, fantastic song selection.

Finally, time for a little Steppenwolf, since we're on the subject of bands that don't get much mention on here.

Waiting for the Dave's 44 announcement. Should be about 3 1/2 weeks away.

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10 years 1 month
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(The classic 1948 movie) is as close as this landlubber has ever come to a hurrican, (drop the e) as my wife's G-ma used to pronounce it. She was one of those who never evacuated although they were well positioned inland in Jacksonville and never had more than some shingles fly off. I'm sure she was one of those a little rain, a little wind folks. Rokko, Edward G. Robinson's character, was a tough guy until he felt one then scared to death of the thing. I got uneasy even standing next to a choppy sea. It's just so big it scares me. True landlubber.
I have heard that train roar though as a kid in St. Louis tornados. Fascinated me and my Mom would have to pull me away from the window because I just had to see what could make that much noise.
Best of luck FLA. Cheers

Edit: I stand corrected. My wife says G-ma was forced out by flooding from the nearby St. Johns River at least once.

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