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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • rockthing
    Joined:
    5/19/74 > 2/22/69

    >daverock>

    The vocal dropouts are not evident in the audience tape, so that must have happened on the way to the board tape.

    That said, the recording is slightly overpowered by Jerry and Bob's guitars from the taper's vantage point, but a little time with a simple Equalizer was enough to bring more Phil and better presence to the vocals. I do recall a few lyric flubs with the new material, but in the overall mix it didn't really jump out at me. Probably much more obvious in the official release/soundboard recording.

    2/22/69>
    Oh, my. I can see this is gonna send me on a primal quest. I have all these fall '69 and fall '68 shows that I've never listened to, but I don't have much from the spring of those years. I love this gentle psychedelia. It's really these delicate type of sounds that really trigger the senses. I'm only up to Dark Star at this point, but what a beautiful way to start a show.... oops, "The transitive diamonds?" Haha. I'd probably have trouble remembering my name if I were there, so whatever.

    It's such a shame that we're restricted to streaming this show. Imho, if the official release isn't so significantly better sounding than one of these circulating boards that it isn't a no-brainer to buy it, then what's with the classism, eh? I know the boys need a retirement plan... but... --mini rant off--

  • daverock
    Joined:
    5/19/74

    Rockthing - good notes on this show - cheers! I'm going through it very slowly, but it's the L.P. I am listening to. Although it has the famous vocal drop outs, the sound and balance of the instruments sounds fine throughout to me. I have just played the side with Loose Lucy and Money Money on. A short side. The lyrics are a bit naff on both of them - but I like the music, and they were both played so rarely that when they do crop up, it's a welcome surprise to me.
    I presume the version you have listened to has the earlier vocal dropouts too.

  • rockthing
    Joined:
    5/19/74 (Part II)

    Wrote these notes on Monday morning while drinking my coffee and getting ready to do some work from home. After a while I was mostly distracted by the show.

    I'll get to that Feb. 22 '69 show if I can, but I don't have that one handy. Hafta stream it.

    The ETree identifier of this source is 115876, btw. I don't have the box set, so these are my first impressions.

    It Must Have Been The Roses: Ok. /Now/ I'm awake. Possible tape change? There is suddenly a big improvement in sound quality for this hauntingly sensitive rendition. Jerry's voice is now clear above the guitars. Everything, save Phil, is suddenly much clearer and the sound field feels wider. Up to this point the tape had sounded like the tape the biker is listening to at the beginning of the Dead Movie. Nice harmony work during the refrain, blended well in the house mix.

    Loose Lucy: Gettin' in the funk. Jerry's just perfectly behind the beat to make it nice and nasty. If the syncopation isn't just right, this tune can completely lose all form really quickly. Loose Lucy must be a pretty new song at this point. I have no idea when this tune debuted. They didn't do this in concert much, as far as I know. I was lucky enough to see'em do it once, but the performance I saw was almost unrecognizable. Something was wrong with the timing, so it sounded all backwards. I was embarrassed to not even recognize it until Jerry started singing. This is a nice treat.

    I Know You Rider? Something seems to be wrong here. The info text says Money Money should be next followed by China/Rider, but we're just dropped into IKYR. Looks like some minor surgery might be needed on the meta data.

    Money Money: Ok. Someone's just mislabelled these files. Man, this has always been one of my least favourite songs in the Dead's catalogue. I rarely skip songs on albums, but being the album closer on Mars Hotel makes it easy. I don't think I've ever heard a live version of it, so this is kind of a treat, in its own sort of way. Having not heard it in such a long time, I guess it's not such a bad song. The negativity of the lyric just sems to strike such a contrast to most of the other stuff in the repertoire. John Lennon, for example, has a lot of negativity in his lyrics, but when I listen to him, I expect that.

    China Rider: Yeah. They're keepin' that funky groove going that was working so well during Loose Lucy. The transition jam seems to go almost immediately to an I Know You Rider feel. The guitar tone is very unusual here. It almost sounds like Bobby's Gibson 335 tone. He's playing lots of double-stops, where he plays two notes at a time even while soloing… wait… maybe that /was/ Bobby!? Some very cool interplay between Bobby and Phil before a guitar sound that is unmistakably Jerry joins in just ahead of the trademark unison bit before I Know You Rider. What is now clearly Jerry's tone keeps it going after the unison part, and now there's a Feelin' Groovy jam. I can almost see the smiling faces and twirling homemade sun dresses with flowers in the hair right now. Big, big ovation from the crowd as they settle into the Rider vamp before going into the first verse. They know what they've just heard. That was sweet, breezy, and smooth as can be. I'm guessing Jerry had some sort of equipment or other issue causing him to stop playing for a bit at the beginning of the transition. Oh, yeah, Jer, dig into that "On a north bound train" line. This and the out-of-place IKYR are going to get merged into one track when I get a chance.

    Set II:
    Promised Land: Yeah. Everybody's definitely up off their blankets now.

    Bertha: Got a little "Yee Haw" from someone nearby for "All night pouring, but not a drop on me." It's quite amazing how inobtrusive the audience is, considering this was recorded with a handheld mic by someone just hanging out in crowd.

    Greatest Story: Nice wah wah Jerry licks. Jerry's wah is so bubbly and has a rich swell, like the sound of a wave on the ocean. Using the rocking motion of the foot pedal definitely puts the player physically off balance, so I can understand why he seemed to abandon it later in favor of the Mutron "auto-wah" tone filter. Sounds so good here, though. Jerry's volume sounds cranked, though, totally drowning everything out. I ain't complaining. Oh, yeah. A little jam in GSET? They seem to have gone into something altogether different. I'm not sure if this is a set piece, but it feels unfamiliar to me. I know that I've heard occasional jams in Greatest Story, but they seem rare. This is definitely no longer the Greatest Story chord progression, but I don't know what it is, and then Wamp, Wamp-Wamp, right back into it. Now I'm gonna hafta start checking out Spring 1974 Greatest Stories. That was hot and adventurous, like maybe something went wrong and they fought through it… but maybe there was just a jam in this song back then.

    Ship of Fools: Giving the manic dancers their first break of the second set. The taper is stopping the tape between songs, though, so who knows how long they spent tuning in between. Very nice harmony work from Bobby and Donna.

    Weather Report: Seems a bit tentative in the earlier segments, but the Let It Grow jam is developing interestingly. The whole band just seems sort of in a gentle mood this night. Everything is soft and malleable, and most of all, creative, when they go off into improvised sections. The straight tunes are tight and, well, straightforward, but I'm hearing all sorts of novel ideas coming through during the instrumental segments. There seems to be a completely different confidence at work during this jazzy work out. You can hear Billy getting back to his swing roots and playing off Keith. This is fantastic. Such subtle interplay. Normally when I hear the full suite performed I wonder why they didn't continue to use the first parts, but in this case I didn't feel that way.

    Peggy-O: Jerry's picking is quite aggressive, and his tone is very chimey, even behind his vocal. Relaxed tempo, even by Peggy-O standards. In this recording it sounds almost like Billy and Jerry doing a duet, but Keith adds some accents here and there.

    ??: What is this? A playful little jam and some quiet noodling where the audience's shouts and requests become more prominent. Bobby announces technical difficulties.

    Truckin': Nice buildup, but not the major bomb drop I'm used to, and from there things start to get really weird. It's not spacy weird, just, "Whoa, what the heck is this?" weird. Some of the early 70s Truckin's could get totally abstract, so this is just the way they rolled back then. Great stuff. Gettin' that funky groove goin' from the first set again, even as the changes take on some jazzy influences. Bobby is very clear in the mix, and my oh, my it's gettin' Weir'ed. Jerry busts in with a burst of guitar feedback which seems to shock everyone for a moment, but they're still groovin'. This is the gold I look for in any show. It's funny because Mind Left Body actually sounds a lot like Loose Lucy. Billy and Phil getting' into a little funky-drummer exchange. Finally Phil breaks through in the mix with some space for him to hit that Bootsy one. In the info text "Jam" and "Mind Left Body Jam" had been listed separately, but they're actually all included in the Truckin' track, which is my preference. Cousinit made a real mess of this file set, but I can fix it. Rarely are there such glaring mistakes on the Archive, but this one has definitely been put together somewhat carelessly.

    NFA: This interesting because I've been listening to a lot of Alligator era NFA's or Bean era NFA's, and that gives a nice context to compare to this Wolf tone… of course, there is a LOT of recording tech affecting the sound here, but even though there's a nice honk, everything seems so nice and round and gently muted. Hey. What's this breakdown in NFA. Pretty sure I've never heard that before… and GTRFB. THAT, was an interesting transition.

    GTRFB: Nothing to worry about here. The old standby. Billy's hi-hat figure during the breakdown is, again, getting really funky with a swinging 16th note feel, or something. Very cool.

    US Blues: Mars Hotel weighted setlist. What month did that come out? Good, tight version.

    Johnny B. Goode: Full colosseum clap along for a high energy reading that does justice to the Check Berry original. Sometimes this can get a bit too languid. This one is rockin' hard.

    On repeated listen, I've messed with the EQ some. First of all I bumped up the EQ preamp level, I dunno, about 10db, I guess. I then added a further 12db of 64Hz, and 125Hz on the 10 band EQ to bring Phil nicely into the mix, but also lowered almost everything else about 6db on frequencies that had been flat to make the bass frequency differential greater. The bass still isn't terribly defined, but it at least brings Phil into play. He was completely inaudible without EQ. Got just a touch more vocal by giving the 1KHz and 2KHz about 1db. The tape has a sort of nostalgic cheap car speaker sound, so I actually wanna preserve a bit of that… not that I could really get rid of it. There's quite a nice venue ambiance, especially when there is more space in the arrangements, like during the Mind Left Body Jam.

    The vocal drop-outs others have mentioned were not audible to the audience.

  • daverock
    Joined:
    2/22/69

    That is a great show. According to the cd notes it was recorded, along with shows in late January and the Feb-March shows, for possible inclusion on Live Dead. It probably won't happen - the song lists are obviously very similar, but it would make a great box set to release all the shows recorded.
    The shows from 1967-1971 inclusive are the main ones for me in 30 Trips.

  • Forensicdoceleven
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    You can't blame gravity for falling in love…..

    Mornin’, rockers!!!

    Pick Of The Day: Dream Bowl February 22, 1969

    Relatively speaking, the yang to the yin of February 21, 1969. True art is characterized by an irresistible urge in the creative artist…..

    I have the space, you have the time, let’s revisit. Officially released in October 2015 as part of Thirty Trips Around The Sun, one almost never hears about this show, possibly because it gets overshadowed by the blazing white hot glare of the Fillmore West Shows of February 27th to March 2nd. This is very much “of a kind” with those shows, featuring the typically sweet Mountains Of The Moon (always loved that song!), a long exploratory Dark Star, a fierce, crunchy Other One, a deathly Death Don’t, a fine Eleven, and a greasy Lovelight that clocks in at a mere 21+ minutes.

    Great music, great sound quality, I suggest you find the time…..

    The only reason for time is so that everything doesn't happen at once…..

    Rock on,

    Doc
    There comes a time when the mind takes a higher plane of knowledge but can never prove how it got there…..

  • daverock
    Joined:
    Heads in Mississippi

    That's good to read - they opened with Mississippi Half Step - Franklins Tower the first time I saw them 3/24/81. A great start to the show for sure.

  • PT Barnum
    Joined:
    5-19-74

    In my experience, any show that starts off with Mississippi half-step uptown toodleloo is usually a great one and 5-19-74 is no exception. That pacific northwest box grows on ya, for sure.

  • daverock
    Joined:
    5/19/74

    I haven't played it this year yet, but it has become one of my most played shows from this year - mainly because I bought it on vinyl. But it is really good, too. To me, it's better than its song list suggests - the songs leading up to the Truckin' jam are well played and forward moving, and that final jam is superb. It has been castigated in some quarters for the vocal drop outs. A price worth paying, in my opinion. All three 1974 shows in the box it was culled from are top notch.

  • DeadVikes
    Joined:
    Dave's 13 and 42

    Hey Bluecrow, #13 is definitely in my top five. Love this show. Listen to it quite a bit. #42 hasn't resonated with me as much as #13, don't know why. How do you all feel?

    I will throw out Dave's Picks #7, 4/24/78, for our old buddy That's Otis. I believe you are fan of this era. Hope all is well out there for you and the rest of the crew!

  • rockthing
    Joined:
    5/19/74

    I've got a beta-max transfer of 2/24/74... which stayed in heavy rotation for a long time when it first hit my library, but low and behold Portland 74 has collecting proverbial dust in the old hard disk, too. Time for something brand new (to me).

    A Pat Lee master cassette passed down the generations.

    It's a little hissy, and I'm not getting much Phil at the start, but Jerry and Bob's gutiars are crystal clear. Jerry's voice coming in a close second in the mix with some occasional Keith flourishes wafting to the fore. Billy's cymbals sound crisp, if somewhat thin. Getting a nice Jamaican dub sound when he switches to the highhat. Kick is in there, clear, but with with a soft tone, and none of the hyper-compressed abrasive contemporary festival sound. Donna's harmonies are on, and blended well with Jerry and Bob for the Across the Rio Grande-oh finale of Halfstep. Jerry plays an aggressive outro solo.

    Mexicali: The mix and tape quality remain consistent. It's mostly a guitar oriented sound, but Bobby's voice is clear, if slightly too far back. Even in '74 they could do this one in their sleep. Have you ever heard a real train wreck during Mexicali? I can't recall one. A fan let's out a hoarse, "Whao!" apparently feeling the southwest polka vibes.

    Big Railroad Blues. Love me some BRB. There are short pauses in the tape where Pat Lee is clearly well aware of the need to conserve footage. Could do with A LOT more Phil in the mix. Might fiddle with the EQ in a bit.

    Black Throated Wind: Awkward song that I sometimes really like, and other times can do without.

    Scarlet: Crowd gives Donna a big cheer as the song reaches it's finale. Of course they egged Bobby on with some of his crazy antics, too, but it's nice to hear that early 70s audiences appreciated her contributions.

    Beat It On Down The Line: Always love this one. Nice double vocal from Bobby and Donna. Some unfortunate microphone feedback during Jerry's solo. Phil's backing vocals are there. The bass frequencies either never made it onto the cassette, or have evaporated through the generations of open reels and cassettes.

    Tennessee Jed: Nice bounce to this laid-back rendition. Another one of my favorite tunes, as I've mentioned before. Another nice, appreciative response from the audience who are almost completely unnoticeable for the majority of the time.

    Bobby McGee. I picture the audience mostly having a lie-down on the lawn during this first set. Just a nice day in the park with some live music in the background.

    Ok, well, that's as far as I'll get in this sitting, but really looking forward to that big Truckin' jam at the end of the show. Now spoilers! 😉 Just kidding.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by JimInMD

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Disc 3 with an extra splash of awesome sauce. great comes a time.

and almost forgot - hot 1/2 step > Dancing set I closer! nice combo!

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The Crazy Fingers>PITB>Terrapin>D>S>Standing on the Moon was nice. Holy cow what a great SOTM. I have seen to many Throwing Stones>NFA:USBootz to get too excited anymore.

Nice start to 1989.

I'm halfway through 5/12/77 too. Weird vocals on the Bertha opener. Sometimes I like the reverb on the vocals of '77, sometimes I'm just not in the mood. Great recording and hot show though, once they get warmed up it bakes into the performance nicely.

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Afternoon, rockers!!!

Picks Of The Day: Frost Amphitheater, April 27 and 28, 1985

This is for Wilfred T Jones, who challenged me to step outside my comfort zone. I accept the challenge!!!

I always though that the Dead went through a "mini-renaissance" from late 1983 through 1985. There are actually many fine, very enjoyable shows from that era. Back in the day, these were "new and contemporaneous" for us. We got the Frost boards pretty early on and really enjoyed them.

Both are strong shows, I prefer the first night a little more but you decide, execllent soundboards are commonly circulated and worth tracking down..............

We dance round in a ring and suppose, but the secret sits in the middle and knows..........

Rock on,

Doc
Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow........

Hey Jim, I agree this is a good show. I saw a few shows in April 89, and I think they were getting the ball rolling. Anyone out there go to any of the Rosemont shows? This Shakedown is really good and the recording is great. Nice Friend of the Devil. They are just getting some of the Built to Last songs going. Second set is good, love the Terrapin and a solid US Blues encore. I think they really started getting hot in July, I mean holy crap July 89 to quote Dave L, upper echelon stuff. And they keep getting even better in the fall Jim as you said.

Okay so Doc gives us two 85 shows. WTJ, we look forward to your reviews.

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I was at these 2 shows ; I had a blast. Along with 10/9 & 10/82, these 4 shows were the best shows I saw at the Frost and would make a great release . My brother met and had a great time hanging out with Bobby Peterson on 4/28/85.

A twofer at the Frost. Both new shows for me, so a bonus.

I agree with Doc on the new energy and burst going into their 20th anniversary. They brought in a bunch of new songs and recycled a few they hadn't played in years too.

A weekend at the Frost, what's not to love about that.

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For the curated 80's pick. I am more familiar with 4-27, but these 2 will be on my to do list for when I can listen closely. Stay grateful all... :-) :-) :-)

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In reply to by wilfredtjones

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Step outside to sneak in a little Smokey smoke break, and next thing ya know I’m a half dozen behind!
Been trying to sneak in the new box but only half way through and not the full immersion I usually go for with virginal listens, and no work tunes, so I guess I wanted/needed a burnout break so by God I got one lol.
So hope to get the rest in properly this WE!
THEN, I’ll try to play ketchup…
Might get 10/2/72 in today at work, haven’t spent much time with those 77s so will try next week, and he’ll yeah, Doc approved 85 will definitely get some love! I know I have a tape of one of those but not sure I’ve heard the other so looking forward, never straight, to go there. Oh, definitely need to check out 4/11/89, the 6th I’ve heard/have. Can’t believe I didn’t finagle a way to make it to those Michigan shows. Ole BOO469 went so I had a ride, must of been the new job, Dooaahh.
Carry on mates, now, I gotta git down, to the miiiiiiinnnee!

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I hope you all have the new box. I have the 82 shows up next. The 81 shows are fantastic, really impressed.

Should have the Dave's Picks #44 announcement next week.

Good stuff OB, enjoy it.

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Yep DV, trying to make my way through the box. I usually like to do one show a day, in order, first thing when I’m fresh, the coffees kicking in and the weed hasn’t taken over the conversation yet.
But the situation has not allowed that and figured either had to go gorilla style or wait until? Not sure when I’d get the right time, so been trying to sneak em in. Good session with 9/21/82 last night, going for 83 twofer today.
Hoping I can sneak some PTO in the next couple weeks at which time I will follow proper protocol.
But hey, a little bit o something is better than all of nothing. And, hey, Go VIKS!
Maybe mañana do the 85 duo.

I did squeeze in a good listen of the first Frost show. Classic '85. Unique setlist, a good Jerry show. Hot first set with a non-disco Danicing in the Streets into a high energy Bertha. An Appalachian favorite, Brown Eyed Women sets the pace for a strong first set. "We Want Phil" (Garcia I think replies, we all want Phil. We're hanging onto him for a while, he's ours) gives us mellow third of 58 times played Tom Thumb Blues.

Great three Jerry songs in row opens the second set with a Scarlet > Eyes > GDTRFB. A nice little show, an oddity perhaps.

Just got the box so I'll likely blend the 28th with some early 80's MSG shows.

Beautiful fall foiliage this year. It's starting out quite spectacular.

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Good day, rockers!!!

Pick Of The Day: Winterland October 9 1972

To be happy at home is the ultimate result of all ambition, the end to which every enterprise and labor tends, and of which every desire prompts the prosecution……

Back on their home court, the Dead in fine form! They sound comfortable and happy…….

Nothing stupendous stands out here, but sometimes the whole is greater than the sum of the parts. The usual suspects, new and old, rock and roll, good old Grateful Dead. Plus about three minutes of good friend Gracie getting down and weird…………..

Good copies circulate, perhaps like Springfield a candidate for official release some day? Until then, enjoy!

Home is the place we love best and grumble the most……

Rock on,

Doc
One never reaches home, but wherever friendly paths intersect the whole world looks like home for a time…….

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I wanted to give these shows a closer headphone listen especially considering Doc’s rare 80’s (90’s next?) recommendation. It’s going to be mixed around a little bit (like me), but here’s my review for DeadVikes. The new clugston/miller transfers/uploads don't disappoint. Especially in the drumz segments, but also in random spots of songs like Throwing Stones. Once it’s dialed in the main sources are clear and satisfying throughout.

Be prepared Jerry's voice is fried in places on both nights, think 4-7-85 type fried (but not quite). 1/2 step and high notes in China Doll on 4-28 are especially ragged. His voice seems to benefit from the rest during the Set II drums break 4-28 though, he sings sweetly Wharf Rat. Set I from 4-27 is a definite keeper with Tom Thumb's standing out particularly (first one?). The grate trio of Tom Thumb>CR&S>Music Never Stopped is tight. Other standouts from a good set I are the high energy fun Dancin' opener, and the BE Women which Jerry sings with welcome gusto. The Audience is a factor both nights.

The second set from 4-28 is definitely more my style with Playing in the Band woven through the proceedings. They give something interesting a try the night before by trying something novel out of Scarlet, but the transition to eyes is too abrupt. Jerry could have led a slower tempo, but unfortunately chooses not to. I like Scarlet, Eyes and GDTRFB, but this night none rise above pedestrian level. Not much stands out from the rest of set II on 4-27, but I liked the wheel out of space and the Truckin’>Other One combo was good choice. I’m surprised the lyrics maybe completely correct on Day Job of all songs.

So in the end, definitely an enjoyable listen and one of those 2 show runs where I like the 1st set from one night and 2nd from the other. 4-28 E2: She Belongs to Me
Stay Grateful All! :-)

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Nice work WTJ. Yes, Jerry was on and off during this period. You know the story.

or Marsha, Marsha, Marsha…
I didn’t think they were that bad?
But, unless he’s got a cold and is having troubles the whole show, it doesn’t really bother me, in fact, often he try’s to make up for it by singing his heart out. Ragged but right!
And yaasssss, the playing is ripping and the energy is almost too high!
If you didn’t know better you might think it a east coast show.
I had never heard the 27, the 28th I’ve had for years.

The 27th does have a fine first set with fun set lists, Agree WTJ the transition from Scarlet to Eyes looks better on paper than in person, but after some many decades I like unusual set lists.
Perhaps not the best of 85, but a fine WE non the less!
Nice to see Doc venture out of his niche, hope he does it some more!

4/11/89: the Shakedown plods a little at first but picks up nicely. Nice little BTL mini set in there.
Overall status quo spring 89, good, but not…quite…there…yet?
I snuck in the first set of 4/9 which I still can’t believe I didn’t go to. So I don’t think I’ve eve4 heard it?

Ok off to the mine, probably will try to finish 10/2/72 that I started last week…

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Hey rockers!!

Pick Of The Day: Augusta, Maine October 12 1984

This is for Wilfred T Jones. And everybody else, especially those of us who were there……

This was our best, favorite, most fun show of the 80s. Dead center, about 30 feet back, didn’t get crushed, excellent 25, a night to remember!! We had seen some good shows in the Spring 83-Summer 84 period, but frankly, this concert restored our faith in Good Old Grateful Dead.

I’ve said it before, and will say it again, for the rest of our touring careers, after this show we were chasing Augusta. We never got back to that space in time, but it wasn’t for lack of trying………..

Give it a listen, there’s a reason it was on 30 Trips………….

Rock on!

Doc
But the soul of Maine is more apparent in the winter…………….

Greetings Doc! Much enjoying your 80s suggestions after your deep and comprehensive 1971. Left Maine in 1980 after living there for ten years, moved to Vermont to an area you know from living here as well. That made the 1980 Lewiston show my last direct encounter with our band. Promise the soul is there year round. Have explored and hiked much of it, would suggest that those interested in the soul of Maine read Henry David Thoreau's book Ktaadn. Thoreau found his trancendental approach challenged by the formidable hike he took there in 1846 and the hike has not changed, very rugged and totally amazing to cross the peaks on the Knife Edge trail a few feet wide with a thousand foot drop to either side. The northern terminus of the Appalachian Trail, it's not the Rockies, but about as good as mountains get on the east coast. Or go out to one of the more remote islands, like Monhegan a little off season.

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Shoot my vertigo was just triggered. 10-12-84 anniversary listen? Sure, I'll tune in... :-) :-) :-)

and the Coffee is not strong enough.. I reach for Augusta. Great workout music, great on the river.. high energy GD. Yes, it's mid 80's, ragged at times, the recording, although decent for the era, is inconsistent, I think there's a few well-made audience patches throughout.

It's rough around the edges, but listen to Jerry's work throughout the PITB tease, UJB>...>PITB>UJB>Morning Dew.
He's a man on a mission. The effort more than makes up for the shaggy presentation.

I'm in.

DMCVT, your neck of the woods is on my short list.. maybe next year.

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Is it me, my browser, or the dead.net. Just all discussions get wiped out every few months, and I have to poke around to find the fine people of this board...

OB - still owe a response from last month on stereo, I haven't forgotten...I'll get to it, hopefully in next day or two.

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In reply to by Gary Farseer

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You need to bookmark the sites to easily return to them.

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9 years

In reply to by icecrmcnkd

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Started it in the car this morning, but since my drive is about 25 min each way, I’ll probably finish set 2 Friday evening which will be just exactly perfect.

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8 years

In reply to by Gary Farseer

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Gary, when I go to this site's opening page, I scroll down to the bottom and there you will find the four most recent posts from all threads.

If that doesn't work for you, click on the three lines on the top right on the site, click community, click Dead Heads for this thread or product for the latest Dave's Picks or Box set release.

Speaking of latest Dave's Picks, we should be getting that 91 announcement tomorrow.

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In reply to by DeadVikes

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So, I didn't see that coming, closing out another year with a 1990 pick, but I like it. 6/23/90.

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13 years 4 months

In reply to by DeadVikes

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I think it's an ultra matrix. We will see what it sounds like.

Been busy with the Box and Augusta, but I truckin' along. If I poke my head outside, I can see the weekend coming...

Beautiful colors this year in the mid-Atlantic mountains. Super pretty.

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In reply to by JimInMD

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Enjoy those colors out there Jim. I am sure it is beautiful. I woke up to snow here in MN,👎. Way too early for that here.

I have been digging the box as well Jim. My only complaint, they didn't include the 79 shows. I mean, interesting choice don't you think. I think the sound quality is really good and better than some of the two track boxes of the past. There are a few short patches but nothing significant. There are definitely no four to five song stretches of no vocals etc. I compared the sound quality to a couple of the 30 Trips shows from the same era and the MSG shows sound better, the sound is fuller. Of course just my opinion.

Will I listen again, absolutely!
You need to be in the mood for the 82-83 shows of course.

Might have to come back with a pick.

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Deadvikes, you asked how much the ticket prices were to the 1980 Warfield shows, $12.50 for floor seats , $10.50 for balcony seats. The Warfield only holds 2,300 people, it has a great upstairs bar, and there is not a bad seat in the house. What a bargain 3 sets of music from the Grateful Dead for $12.50 in a tiny theatre. I actually posted this information 2 days ago on the #43 site, you probably didn't see it . Bob Weir is playing the Warfield the next 3 nights, some of the tickets are up at $400.00 a pop, maybe it's for a benefit, I dont know .

Wow, what a bargain hey Billy. Three sets, a small theater and a good bar, what else could you ask for. Thanks for sharing.
Would be fun to have some of those out.

Not sure why the tickets prices are so high now, definitely not what the Dead were about back in the day. I think the most I ever paid was $20 and we had second row seats in April 89 at the old Met.

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According to the US Inflation Calculator $12.50 in 1980 translates to $45.03 today. Still, not bad, but that was before Ticketfuckers and all the rest got fully entrenched. I remember driving to Little Rock to see all the heavy bands in the late 60s-early 70s, and never paying over five bucks for a ticket – a little less than the going rate for a lid of pot ($5 in 1968 equals $42.64 in 2022). All the great bands of the day that is except for the Grateful Dead, who never came to Arkansas. (Can't imagine why, and, No, my grandfather wan't named Snuffy.)

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In reply to by JeffSmith

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They used to tour to promote an album, now they make an album to get people to come see them in concert.

...and then albums quit selling.

Got to give the GD credit for figuring out live music was where the action is.

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Rise and shine, rockers!!

Pick Of The Day: Milk Weg, Amsterdam October 16, 1981

This is for Wilfred T Jones. And for all those who like to indulge in hash that perspires……

Don’t know how highly you rate weirdness value, but this rates as about an 11 on my 1-10 weirdness scale. The second of two Oops concerts at this small club. Borrowed instruments. Bob Weir’s birthday. A pretty nice acoustic set. Electric set that goes straight into deep weirdness, with Hully Gully, Gloria, a resurrected Lovelight. Weird with a capital W………….

Was this this last truly spontaneous thing the Dead did? Not sure about that, but if TPTB have a sense of cosmic adventure and fun, maybe it’ll officially see the light of day at some future date…….

We talk about quantum weirdness and things being in two places at once, but it all involves atoms and molecules, stuff we don't normally interact with……

Rock on!!!

Doc
I think 'weird' is an interesting way to say 'unique.' It has a strange connotation, but weird is good. If you embrace your weirdness, you'll be on the way to becoming who you are…..

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my coda then and now. Thanks Doc, love those 81 European shows, especially Barcelona.

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In reply to by PT Barnum

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anybody looking for a POTD maybe try 12/16/78 Nashville (don't think we've done this) - no SBD but a really clean and sweet sounding Joani Walker/Paul Scotton audience/Charlie Miller transfer. Jerry is really on it, and interestingly he is playing a Travis Bean 1000 rather than Wolf. This is one of series of 4(?) shows in 12/78 where that was case. Sort of a melding of 2 eras, in terms of sound and playing. Great Jerry songs throughout, wowza opening Sugaree, awesome Tennessee Jed, a jammed out Scarlet>Fire, and the outro chorus on He's Gone is one of "those" wild ones. Would love for a SBD to surface for release. Someone pinged this show and source over on Steve Hoffman site.

That second night at the Melkweg is indeed something else. Everyone (except maybe Phil) with borrowed instruments. I mean, an acoustic set, Playing>Hully Gully??!!>Wheel>Samson>Gloria>Lovelight - good golly. A show that truly has that it'sapartybirthdayvibe to it.

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In reply to by PT Barnum

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Interesting show. I have never heard this one. Love the acoustic set. Really good Birdsong, Cassidy, Oh Babe it ain't no Lie, Ripple. Sound quality on the acoustic set seemed a little better than the electric set. Fun show and worth a listen. Thanks Doc and another shout out to WTJ.

12/16/78, okay Bluecrow, I will check it out, thanks.

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In reply to by DeadVikes

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I couldn't do 10/16 (or 12/16 for that matter today), but man is that is a one-off, special show. I wouldn't say great or next for release, the recording has a few issues, many of the songs they played were not polished and rehearsed. Which makes it classic Grateful Dead.

I will make it a point to to chatch both shows in the next week or so. We do what can when we can.. right?

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Hey rockers!!!

Pick Of The Day: Northrop Auditorium, Minneapolis October 19 1971

I’ve been trying to stay away from 1971s, but maybe this is worthy? Historic, with a capital H……..

First live show with Keith Godchaux. Love him or hate him, this was the first……….

Debut of six new songs---Tennessee Jed, Jack Straw, Mexicali Blues, Comes A Time, One More Saturday Night, Ramble On Rose.

The first of the 1971 Fall/Winter FM broadcasts.

Is it smooth as silk? No, as you might expect. Is it just exactly perfect? Well, no, but it’ll do quite nicely. Especially the scorcher of a second set.

Official release material? Maybe. Especially as part of the upcoming 1971 Fall/Winter box set, due for release in 2026, which will finally replace the bogus bootleg box sets that have been around for years……….

I say, beware of all enterprises that require new clothes, and not rather a new wearer of clothes….

Rock on!

Doc
Still round the corner there may wait, a new road or a secret gate…...

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Hey hey hey rockers!!!

Pick Of The Day: Carrier Dome, Syracuse October 20, 1984

This is for Wilfred T Jones. And Angry Jack Straw. Because, well, Jack Straw…………

We saw seven shows on the Fall 1984 East coast tour, including this one, and had a blast. Deadhead Fred supplied the liquid 25, Syracuse supplied the cavernous Carrier Dome, Good Old Grateful Dead capped off our Fall festivities with some great music!

We were all the way back on the floor. We avoided the crush down front, but the music crushed us back there. Maybe it was the ‘cid, maybe it was the dome, but on this night we didn’t perceive any Dead weaknesses and just had a trippin’ grand time!! Especially Bird Song, the angry Jack Straw, Shakedown, Wheel, Other One, and Lovelight. Take a step back, indeed……….

The talented Mr Miller did a real nice remaster, check it out. Worthy of release one of these decades. That is, when they do the 1984 box set……………

In the beginning the Universe was created. This has made a lot of people very angry and been widely regarded as a bad move…………..

Rock on!!

Doc
Be not angry that you cannot make others as you wish them to be, since you cannot make yourself as you wish to be…..

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I am connected to this show through mind expansion also, albeit more recent. 5-19-74 is connected to the same batch and a similar experience for me. Good trips.

Stay Grateful All and Have a Grateful Day :-')

The Northrup Auditorium at the University of Minnesota. I have seen a couple of non dead shows (last one was Steely Dan) here. A nice smaller venue. This show broadcast on our still active 92 KORS. Fun show. Good recording and great fall 71 performance.

So far behind now and another anniversary selection from 84. I will have to put it on the list.

Are you taking some time off OB?

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Mornin’, rockers!!!

Pick Of The Day: Worcester Centrum, October 21 1983

This is for Wilfred T Jones. And for Ken Kirk and Joe Lydon, my two best touring buddies. Gentlemen, I salute you!!!

We saw every Dead Centrum show and always had fun. Although it wasn’t the Music Hall, it wasn’t such a bad place. The 84 shows may have been the best, but 83 was also very good. The October 21st show was officially released as part of 30 Trips back in October 2015 and is worth a listen. It’s not exactly perfect, but it was exactly what we needed at the time……

I believe things cannot make themselves impossible……

Rock on!!!

Doc
If you don't know where you are going, you might wind up someplace else……..
P.S. See you on Halloween!

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WTJ,

Your 90s shows are in the 90s. My time machine is in the shop for a tune up, so it's much harder for me to revisit the past.

I suppose I'll hafta get to that decade eventually. Every time I do, I break out in a rash. Damn, you're so cruel.................

The distinction between the past, present and future is only a stubbornly persistent illusion........

Rock on!!

Doc
The only reason for time is so that everything doesn't happen at once.......
P.S. LOL I don't do Brent tributes.........

70's are ok picks too for the late era impaired. I sincerely appreciate the riff though and the poignant pics. Most enjoyable, even though they might be a bit out of your (the) wheel box, quite good selections actually.

As you were folks, just be yourselves.

4/2/73 anyone? In a distant fog, I recall this one having great sound and some high marks. '73 was a mini creative high point for Jerry. From the GD and the new material from Wake to Old and In the Way, to what he was doing with Saunders and the early solo stuff, he was still playing Pedal Steel. He was unstoppable, practically every night and by my guess sleeping very little. 73 was the perfect prelude to 74 and a great leap into the unknown from a great 1972.

Suggesting selfishly because it's been so long since I listened to this that it's slipping from memory. Just don't expect me to suddenly like Wave That Flag.

Edit: I'm sorry for picking a released show
Edit2, in my best Pee Wee Herman "III'mmm Nnnot Sorrrrry"

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In reply to by JimInMD

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Nice Pick, Jim. HS Sunshine and Jam seem to be my initial recollections. We'll see what another relisten jogs in my memory. I have a good morning to get that in and potentially some other music, too. We'll see what the day brings. I know I will be in the water. Eau Claire river to be exact. It's shallow and sandy where I'll be dipping my toe in. Stay grateful all. :-')

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8 years

In reply to by JimInMD

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Great idea Jim. Probably the most played Dave's in my house and I haven't listened to this one in a while, so it is due for another. Thanks.

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14 years 11 months
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hey now, how about this one, seems the first set has been found with a good Bird Song etc... I've heard the second set and who doesn't love a 72 He's Gone?