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  • hendrixfreak
    Joined:
    We have a winner!!

    And the trophy goes to Oroborous for "fungal foxtrot" -- my gawd man, you should be a writer. Oh wait...

    Another story: Roy Buchanan. We first caught Roy at Carnegie Hall in spring '74 and probably caught him a dozen times across that year into fall, most often in small theaters and clubs. (See: Roy Buchanan at Town Hall 1974...) At many shows, we had purchased "seats" and we sat in them -- for about the first 15 minutes. Then a half-dozen of us would emerge from our sometimes scattered seat assignments and basically make our way to the lip of the stage. It's not a Dead show and most folks remained seated while we formed a small cluster in front of Roy. He would smile to himself. His drummer later told me that the band referred to us as "Buchanan's rabbits," because we were always "popping up" at the lip of the stage. To this day, I've got more hearing damage from Roy's Tele and Twin Reverb (maybe 75 shows, 1974-1986) than from a roughly equal number of key GD shows (1972-1992). (Key shows: RFK '72, Watkins Glen '73, Capitol Theater/Passaic '76, Englishtown '77, Red Rocks '78 and every single subsequent GD Rocks show.) Not braggin', just happy lookin' back.

    One such event featured a double bill of Roy and Boz Scaggs w/Les Dudek on slide. We were in the first 10 rows and it was so loud, no need to get closer! After both bands played, Boz, Les and Roy jammed at supersonic volumes...

    Not to mention the many times we spent the day on the east stairs at the Rocks, then dashed in to actually cop front row (one behind the actual front row, reserved for handicapped) and at one ABB show realized that we had WAY better seats than the fairly large contingent onstage in the wings.

    Basically, my life has been one dash for the front or a judicious stance near the soundboard when I wasn't working, going to school, chasing tail or poking around the backcountry. I'm semi-retired from the big shows and, looking back, pretty effin' happy with the way I misspent my youth.

  • Oroborous
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    Up Front when it was cool

    The first six or seven years we’d go up front any chance we could if it was GA and we got there early enough.
    Half the fun was hanging out with the heads all afternoon waiting for the chance for the mad dash to the front.
    We’re talking small Auds we’re up front you were often less than 10’ away from them and the stages were often only 4 or 5’ high, very intimate! And the stage sound was amazing.

    Speaking of the dash: At the 7/1/92 show that we worked production, we were on the stage when they opened the gates and it was wild watching the throng come swarming over the hill and down toward the stage at Buckeye as Healy blasted the Horse race Trumpet Fanfare lol. Like some kind of psychedelic scene from Braveheart!

    It could be physically brutal and grueling though, especially if you weren’t in the very front row on the rail, where you could sorta lean and push back against the throng. Better ventilation too. Basically, it was on the wall or nothing, with the wall being only about 4’ high.
    If you knew what you were doing, and the circumstances were right though, there was nothing like it, but nothing comes for free so it was often a long grueling day, but we were young, prepared and it didn’t really phase us, especially once we got electric!
    So early on it was all about up front. Yes the vocals weren’t as prominent but you got the golden pure unfiltered sound of their amps/speakers, and in 83 when they started using the Meyers stuff full time they’d put small monitors on the stage in a half circle pointing out to help fill in the vocals better.

    But besides the sound it was like going to school to be able to see how they played things and to check out all that marvelous gear out up close! “Oh, Finger Ease, that’s the stuff Bobs always spraying on his axe”, like going to school!

    Perhaps the best part was the eye contact. If you were really paying attention you could see them communicating non verbally and they’d pick up on if you weren’t just some stoned civilian, but could tell if you were really catching all the little things they were doing. It was like you were in the band and if they picked up on you, they’d watch you and see if you caught little things they’d toss about. They seemed to really dig folks who could properly pay attention to all this, especially if they made a mistake!
    I can still picture any of them throwing some musical little tid bit out there, and watch your reaction, and then smiling because they knew you caught it, PRICELESS!
    It was big fun to joke around between songs with them too. We used to pick on Bob about songs and Phil especially always had a good time with that!
    Sigh, those were the daze!
    BUT!!! learning the fungal foxtrot in front of the SB was pretty damn sweet too lol.
    And aw those awesome summer nights outside with a big ole moon during a hot Terrapin…
    Sigh, yep, those were the daze my friends, we thought they’d never end…

  • hendrixfreak
    Joined:
    Getting close...

    So apart from Watkins Glen we had partaken of the GD/ABB gathering at RFK earlier that summer, the first day. The GD went on first, I think because Jer had an Old & In the Way show in Boston that night -- that's what we heard. (He 'coptered from DC to Boston with Peter Rowan, according to hearsay.

    So a good friend who had not eaten the blotter said, "Let's go up front." Plenty of room to manuever that day. We got real close -- definitely whites of their eyes -- and several things unfolded, no longer sure the sequence. First, some Deadheads being assholes, a few miscreants were tossing fireworks around. Some genius lobs an M-80 onto the stage and it lands at Jer's feet. He used to do a little shuffle when he was jamming and, without skipping a beat, he kicks the M-80 (prior to explosion) back into the crowd with one smooth movement. When they started He's Gone, the crowd moans and boos -- the feral animals on acid syndrome. But Garcia carries it off and I think they closed the set with China-Rider. (Just looked at the Setlist Program, and that's backwards -- set closer with China-Rider, 2nd set opener He's Gone.) During China Cat I get acid-confusion. Bobby is playing a Gibson SG (I believe) and Phil is playing a big brown hollow body, but in my youth and ignorance I always associated the solid body with bass and the hollow body with a Gibson guitar -- so I'm like, wait, which one's Bobby and which one's Phil?? (I knew from photos who was who, but go figure in that "special moment"...) I said nothing, but I think my buddy realized he was leading a potential casualty around and we retreated. Also, when you're 15, although tall, you are rail thin and still getting initiated, so we did not make a habit of pressing forward. It was a foray only.

    In 1976, during their theater tour, I had something like 7th row center, 3,000 people, I could the band quite well right in front of me and discovered for the first time the buzz of the amps in the back line. I was much closer in May '73 for Old & In the Way: 3rd row, audience left, right by Jer and his banjo.

    If that's not a great way to grow up, I don't know what is.

  • 1stshow70878
    Joined:
    About 20 rows up at red rocks

    Is just exactly perfect. My first show 7th row middle was too close for the best sound. Got there early as HF suggested and had our pick. But it was so loud I had to sit some just to give my ears some relief. Next two times there we figured out, as Vguy notes, the balance and full bass effect was better about 20th row middle. A few rows in front the tapers section and soundboard (duh, that's why they put it there). For Brent's RR debut in '79 we got back closer to 12th row as we wanted to see the new guy and the sound was pretty darn good and it seemed the crew had figured out the Red Rocks by that third visit and how to bounce Phil off them. All my other shows were pitifully far back or to the side with McNichols '79 the worst sound of all, upper deck right side and an echo chamber. The Denver Coliseum, where I saw a few other bands, had terrible acoustics. College halls that were designed for good acoustics like C.U. Boulder's were ideal. Pin drop perfect for the Chick Corea/Gary Burton show. You could visually see the notes, no wait, maybe that was the shrooms.
    Cheers

  • dmcvt
    Joined:
    close up Newcastle May 1970

    Probably late to the party on this, just discovered on utube , lengthy (almost two hours) coverage of the Dead's May 1970 trip to England, rough cuts, casual interviews, a few tedious moments, loaded with inside looks and about 35 minutes of concert footage from 5/24: "Grateful Dead England 1970 (The Lost Film)"

  • daverock
    Joined:
    Seeing the whites of their eyes

    As I remember it, it was quite easy to walk up quite close to the front of the stage when the Dead played at the Rainbow, London, in October 1981. It was standing room only down there.
    I was even closer the first night on the October 1990 run at Wembley. Brilliant! Seeing people you have read about and listened to so much, for so long, at such close quarters. Prior to this night it was hard to believe that they actually existed. Nobody I knew had ever seen them, or even heard of them. Like living in a world of your own. Which, given the alternative, might not be a bad thing.
    The last night I was up the balcony to the right, and that wasn't as good. I'll never know what was me - I was high as a kite - and what was really happening. The people around me appeared to be dancing and cheering before the band came on. It was like they could hear something I couldn't. When the band did come on, the only instrument I could clearly hear was Bruce's piano. I went bombing downstairs to try and get in to the stalls, but was easily ejected and went back to my seat. The balance improved during the show - but it was an odd sound. And as I have said before, drums and space was incredible.

  • Vguy72
    Joined:
    Being really close at the Dead....

    ....only twice. Vegas '91 and Portland '95. Sound sucks up there anyways.

  • Angry Jack Straw
    Joined:
    Getting up front

    Was fairly easy early on. Then it became a headache.

    Back in 93 or 94 we decided to go to the Spring shows on Long Island. You were still able to call in for tickets back then and somehow I got right through. To the customer service rep - I need tickets for Thursday and Friday, but purchase Friday first because that will sell out quickly. Of course when she reads the first order back it is for Thursday. Annoyed, but I got 6th row. By the time she put in the Friday order, we got the farthest section back in the upper deck. That was the last time we got up real close. Of course as any seasoned head would do, we brought our Thursday stubs to the Friday show. The usher gladly showed us to our seats right up front soon after the lights went down.

  • Oroborous
    Joined:
    Up Front

    Pretty much gave that up around 85-86. Combo of no more GA, getting a little older, and most of all…discovered the Lysergic shuffle which requires proper floor space lol

  • Vguy72
    Joined:
    Phish fans....

    ....yup. They have changed a lot since I first saw them in 1994. People up front on the floor tend to get very territorial. Throw down huge tarps and will say they are "holding spots for their friends" and will get hostile sometimes. A lot of times I never see their so-called friends ever show up. Sad really. I don't go up front anymore.

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39 years ago tonight, we really cut lose with the Good old Grateful Dead, what an absolute knockout of a good time. Tickets were very hard to get for these two shows, but somehow we got lucky. Cousins or Nite Cat, I bet you guys were there. Crazy fun times.

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No place else to put this, but I hope there is a 30 Days of Dead starting tomorrow. Now back to my regularly scheduled pipe.

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It was Gracias return to the stage after his coma. He had played 2 shows at the Stone in S.F. 2 weeks before. The show was Garcia's band and King fish with Weir. Garcia opened the show Kingfish closed. I was used to seeing Garcia at the tiny Keystone in Palo Alto, I thought his band was kinda swallowed up in the larger Oakland Auditorium. I hadn't seen Kingfish since they had David Torbert and Robby Haddinot in the band, I wasn't that knocked out by this version of the band. It was great to see Garcia back onstage, but this show would pale to when he played his first gig with the Dead on 12/15/86, you just had to be there, and lucky for me I was.

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I was there indeed; I was the one with the huge "10 Days since the Last Day Job" banner. Lo and behold, they played it; one of those magical GD moments.
I did run into Nitecat, if my memory serves me well. Marin Civic was a small place, very nice to catch them there. I saw a great Jerry band show there in early '78, part of it made it to the Pure Jerry 78 release a few years ago(I think Hunter's Comfort opened...)

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BCT in this week's Tapers.
And keep your hands off that candy. It's for the kids.
Remember that house that always gave out the full sized candy bars?
They busted us when we came back for seconds.
Cheers and happy Halloween

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Hey Vguy, actually, it's North Carolina, Asheville. He played last nite and the nite before too, the fellowship of the ring was night one, the two towers was last night and tonight will be the return of the king. He plays Asheville Halloween, last year it was the Wizard of Oz. Quite a trip, check out the write up on facebook, Billy as Frodo, Base player as Gandalf...tickets went faster than last year, there are a few for resale but they are 400. scadouchers or so. Went down to check it out and there was a very long line with everyone dressed up as Shire folk, it was quite the sight. Tonight should be really cool. Happy Halloween everyone.

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Cousins, I had an absolute blast at 10/30/83. All my friends were there and we really were out there. We ran into a guy dressed like Ben Franklin and that guy just had us busting our guts laughing. The next night I was the only one to get a ticket, so it wasn't nearly as fun. I was at that Garcia Acoustic show at the Marin Vets that they put out on the Pure Jerry series, it was very cool. I also saw a great Blues Festival in July of 1984 that was held outside the center, Lowel Fulson and Joe Liggins and the Honey Drippers were 2 of the performers.

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39 years ago tonight I was up at the Marin Veterans Auditorium, to hear the Good Old Grateful Dead pull St. Stephen out the hat one last time. I only saw the Dead do St Stephen one other time 7/13/76 at the Orpheum Theatre. It was cool to see them do the song but I had a lot more fun the night before when all my friends were at the show.

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UPS usually provide a few updates as the item leave Fontana, even if full tracking isn’t available. This time 10 days after the first suggestion that it was on its way UPS still say they are aware of the order but don’t say they have it.
Just to show that it isn’t just Rhino, my order through Amazon for the new Garcialive set has been cancelled by them saying it is unavailable! I could order directly but as I’m in the UK it nearly doubles the price just including postage and could also attract further charges in taxes. Since 1 - 18 are still available from Amazon I’ll wait and hope it eventually appears. It’s odd that they cancelled it only a few days after release since I’ve had some items pre-ordered for months before they get cancelled. Enough moaning, I’ll listen to some of the music I already have.

Colin - I had a similar problem with Garcia 19 and Amazon. I preordered it as soon as it was announced, but come release date, Amazon said they may not carry the item (they have since backtracked, but I won’t see it until the 2nd week in November). They have been doing this more and more lately, such as the latest Wolf Brothers release. I’d prefer to order directly from the Garcia family site, but like now ordering from Dead.net, the international shipping and sundry fees to where I am are a killer (not to mention slow, no-tracking delivery), so I don’t order from them directly anymore. It is why I did not renew my 2023 DaP subscription, which is a real piss off, but it is what it is.

I know we shouldn’t talk hockey here, as some members tend to clutch their pearls, but the Second Best Player from Arizona - Tage Thompson - put up six points last night for Buffalo! (For perspective, think Wilt Chamberlain’s 100 point game in the NBA in 1962). I told people to watch this Buffalo team - after years of mediocrity, they have built a very young, skilled team.

Now, back to your regularly scheduled DaP watch.

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Saw Phil last night for the Holloween show at the Capitol in Port Chester and it was very good!! Dwane Betts is a very good guitar player. Another Son of the original Allman Bros playing a GREAT GUITAR While playing "In Memory of Elizabeth Reed" I felt like I was back at the Filmore east in early 1971 Saw the Allman Brothers at the Filmore East 3 times and the Last Weenend too. Also did Blue Sky

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I meant the last weekend when the Filmore East closed

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Jorma - Quah, almost autobiographical for him.
Jorma - Magic, live winter of 1984 and much like I saw him 1yr. later in Crested Butte.
Larry Coryell and the 11th House - Level One
Jan Hammer - The First Seven Days
Dap 33 - DeKalb! By recommendation here. Dang that's a good one. Sound is perfect Betty!
Cheers
DaP 44 due here Wed. Lovely!

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Day of the Dead, celebrate, celebrate, dance to the music.

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10 years 1 month

In reply to by 1stshow70878

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Quah is the bomb! Such a great album, one I think every serious collector should have in their collection. Jorma never got the props I think he deserved as a guitarist, acoustic or electric.

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Told this story before but saw him in a conference room solo, in '85 I think, in Crested Butte, CO. Very small crowd and we had to wait hours for his hands to quit vibrating from haven ridden from Denver on a Harley. Or so we were told.
Great show, he was pretty high I'd guess but fully functional. So quick you can't figure how he does it even when watching up close. Finger picker extraordinaire!
Cheers

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Very early in the morning of October 22nd I received a shipping confirmation mail meaning it must have been sent from America on the 21st. Later that day I clicked on the UPS tracking thingy. There it stated that the shipment was ready for UPS and that the order information had been received at 12:02 AM on October 22nd. Now, at 1:32 PM on November 1st nothing has changed. The shipment is still ready for UPS and the order information has been received. I know this is the year that everything has turned to shit, but really...
As for GarciaLive 19, I ordered it from a local shop here in the Netherlands for 26 Euros. I ordered it on release day and received it the following day. Amazon in Germany are selling it for 71 Euros. They cannot be serious.

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First Show - That’s an incredible Jorma story, likely the most unique reason I’ve ever heard for a reason for a delay in starting a show! Somehow, too, given his life long love of motorcycling, very believable. I guess Jorma used to teach/still teaches guitar from a ranch property he owns in Ohio. Just weeks ago, an archival release of “kitchen tapes” he and Janis Joplin used to make when she was Janis Nobody, from 1964, were released. You hear about the amazing longevity of players like Jorma, who are still bringing it, or Bob Dylan, or Dead & Co, and so forth. Contrast this to flakes like Justin Bieber, mid 20s, who needs to stop touring because he doesn’t feel fresh anymore, or whatever reason. Good grief. Meow.

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Yay! Made it to the theatre on time, was worried when I had to dodge some deer on the road, close!!! Anyway, '72 Dead here we go!!!!

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Um, no.
What's circulating is superior to this release.

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My 44 shipped last week, and if I’m lucky, I might receive it tomorrow. I have read on another board of a couple of people receiving their copy without receiving a shipping email. So, at this point, I’d be willing to bet you will just receive it without a shipping email.

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Boulder, circa 1981-82, Jorm arrives having driven a rental from the East Coast in more or less one go. Three nights with early and late shows. We caught most all of them, racing up and down I-36 in borrowed vehicles and in a state best addressed without the intoxicants we ingested. Jorma walks into the bathroom, pulls up at the urinal next to me, I'm splashing away and say, "Jorma, I named my cat after you." Barely an acknowledgement. He zips and goes. I'm still peeing when Jorma heads for the door, which slams open and in marches my friend. He grabs Jorma by the shoulder and says quite loudly: "Remember Bay Ridge!" (An excellent tape of an excellent Jorma show, but not exactly "Remember the Alamo!") and Jorma expertly twists out of his grip and escapes. I'm still peeing. My friend pulls up. "You missed it. I was just hanging with Jorma!" I looked at him the way Jorma looked at me. F***ing Boulder!

Yes, about to sip a Pilsner Urquell, dabble in a little bud and head down to the theater. Go PIGPEN!!!!

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3589 has arrived! Yay! Now I may stop listening to MSG 82 and check this out. I can't believe I have to choose between two great releases. Which shall I listen to? Oh the decisions I am faced with. : >

Landed at the remote rural PO box yesterday, too lazy to go get it until today at noon... Just finished the first disc, audio/recording quality is excellent so far. Became an instant Jorma fan the first time I heard Embryonic Journey spring of 1967, age 14, vinyl Surrealistic Pillow. Seen him play a bunch, with JA twice, HT quite a few and his memorably intense version of Sugaree at Dear Jerry Merriweather. My impression, listening to him talk about his music, does not look back, it's out, done, whats next, constant evolution, listening to what he is playing always, never dials it in. He's announced a solo tour, will be near this area in March, fingers crossed no blizzard that night. The nearest MUATM is a three hour round trip, must pass waaaaahhh. Vicarious please.

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Took a brief hiatus, I got too angry and PT Barnum, wanna apologize for the way I spoke to you. Had to take a step back, reflect, and listen to some good ol grateful dead. Found the lyrics of UJB ringing out pretty loud, and realized truly that there ain't no time to hate. With all the division being sewn throughout the world, fellowship over this fine band is a mighty important thing.

That being said, should finally get Dave's 44 in the mail tomorrow and enjoyed searching for the Passenger in 30 days of dead today. Always a challenge, sometimes it's easier than others. Although I haven't even heard 44, I can't wait for 45. Also, gave GarciaLive 19 a listen and the Broadway 87 shows a few listens this weekend, always good music for the soul. Hope everyone is enjoying the start of November.

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Love your story about Bob letting Ramblin' Jack down easy and dignified. Over 90 is a rather suspect time to be punk in drublic, not that I am anyone to judge.

There was no world series game last night, Shirley you must be joking? Phils are going to win it all.

\m/

....grate to see everyone huddling up.
It's all good. We got this.
I have some pretty good weed over here. And enough Grateful Dead for my zip code.
Make America Grateful Again.
I don't do the 30 Days. But fun to read others posts.
I have the Hot Tuna In A Can can. #0121 out of 5k. Any of you have it?
It's a box. In can form. Cue the can-can dancers.
I know where 83% of my physical music is. Found the can and America's Choice is up.
Part of my last five.

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Just received DaP44 in the mail today, been hearing about and listening to the Eugene '90 shows since my friend got back from the shows on June 25th of that year. Heard some great aud tapes and the UltraMatrix but this one is by far the best. Those two Eugene shows are, to me, the best shows of the year. I find it a shame that the show from the 24th has been separated from its sibling; the coolest way to handle it would be to have the 24th be DaP45! But...since that's not going to happen, how about a separate release or a download release? These two shows need to be heard together. You can tell what type of weekend it was going to be just six minutes into 'Feel Like A Stranger'. From that point, they were ON.

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It's amazing how fast these things travel when they need to, mine arrived on 10/31 here in New York. I like it, but I like most releases.

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Caught the "movie" last night. The local movie house struggled to get it going for half-hour, then the boys appeared. The first live shot is of the band from maybe mid-hall and it was grainy, so I feared that would be it for the evening. Wrong. The Danish camera operators really got some amazing footage of all the band members at their tasks and zeroed in on soloists pretty well, including Jer's hands, Bobby's insane rhythm playing and Phil's singing and playing. The clarity of the close-ups was amazing. Pigpen does Hurts Me Too, Next Time You See Me, plays great organ on Truckin' and harp on his own tunes. Someone painstakingly calibrated the audio to the video, it seemed flawless. Add in the fact that the music was executed nearly flawlessly (naturally, Bobby flubs a line in Truckin' by omitting it, but seamlessly returns to the fray). The harmonizing is really good, no overdubs needed. Highlights includes China > Rider and the first-ever He's Gone, in an uptempo version. Jer looks like the cat who ate the canary on this debut. The only downside is that the theater did not serve alcoholic beverages, so it was a good thing I brought a shooter of Jame-o and a pen. I'd buy this film on DVD in a heartbeat. Well worth seeing for anyone sitting on the fence. If you live within reasonable distance, go this Saturday.

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For the review. A+ but I grade on a curve, LOL.
I hope it is released as a DVD. I'll bite.
Cheers

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12 years 1 month
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Hoping around, got Wheel on now.

I think it's a very nice recording.

While I'm here,,, I mention, again.

It's a shame they never took The Wheel to the heights it was capable of. I always wanted that 15, 20 minutes huge jam into huge vocals,,,, small wheel turn by the fire and rod....

One can dream.

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Go see the Tivoli show on Saturday. Interesting on so many levels (especially for those of us who never saw Pigpen), and there is just plain no substitute for Jerry, and as noted the camera crew did an astounding job. We saw it in Berkeley, but see it wherever you are!
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Got #1598 here in New Jersey, lowest number I've ever received since ordering from 30 on. Subscribed since 33. Not really a surprise but the sound quality is absolutely superior to the listening party mp3. Cheers to all who saw it, don't think I'll be able to make the drive to see 4/17/72 on Saturday, bit of a drive from where I'm at, but totally agree that if they release it, I'll snap it up in a second.

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There were several posts here recently with love for Jorma Kaukonen. So wanted to let folks know he'll be on a week long music cruise in the Caribbean Feb 10 - 17th. Since we can't post lynx, just search "Cayamo". Since it's a made up word, you should readily get to it.

I was last on a Cayamo cruise about 14 years ago (where 2023 will be the 15th edition). What I really like about it is all the spontaneous jamming with artists jumping in with others to do a few songs or a full set. Last cruise I was on folks were calling it "The Buddy Boat" because it seemed like Buddy Miller played with just about everyone. Given there are 30+ acts, I suspect we'll see more of this in the next installment.

When I signed up a couple weeks back, there were still a number of rooms left. Just wanted to make sure folks here were aware of the opportunity!

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17 years 5 months
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Just had an email. from Dead.net telling me my copy of Dave's Picks Vol. 48 has been placed on backorder.
Anybody else got the same email ?

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15 years
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I too received the same weird email, MaryE, got any idea what is going on? should I cancel and reorder? was about to pay the credit card bill but now I will wait, but I would like to know if I have a subscription or if it is on backorder? how could it be on backorder? why are rhino/warner music/deadnet trying to freak me out? I was good during Halloween, I didn't trick anybody, and I gave out chocolate, no po po candy here. Please advise powers that be.

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15 years
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either, what's up with that? I log in, go to that page and it say's I'm not logged in, glitches instead of witches, I thought Halloween was over. Spooky

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6 years 4 months
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The Dave's 44 CD came today. I admit I don't listen to the 90s. I do listen to 60s and 70s so I know this band's song list extensively. It sounds strange. Cumberland Blues and Me And My Uncle sound tired. Up to They Love Each Other now. It all seems lackluster and energyless. There is some cool Hammond on TLEO. I don't think I'll ever get used to Vince's voice. Some cool mellow jamming at the end of Cassidy but the song part feels uneven. I'm gonna go the whole way on this one. Is it considered a "great show"? I thought everything from 89/90 was considered the great resurgence and shows were all 5 star. Tennessee Jed sloooow. Someone please pick up the tempo!

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My DaP 44 just arrived. Memories! I had started touring this year - Dominguez Hills, a weird spot to get on the bus - but I missed these Eugene shows because I didn't even know they were happening. I just wasn't connected enough yet. Friends got back from Eugene in late June with stories of how great the shows were. This was after I'd also skipped Cal Expo (but not Shoreline) because I was in college at the time and I was already on academic probation, and I didn't want to fail finals and fail all the way out of college. So instead, listening to all the stories and good vibes from Eugene, I thought "Ok, Fall Tour it is!" I didn't fail out of college, but Fall Tour wasn't to be...

I can remember walking on campus about a month later and learning that Brent was dead, and nothing was ever quite the same again. My friends and I got shut out of the early December shows at Oakland. Managed to score a ticket to the night before NYE later that month, but that would be my one and only NYE run. The following December I was down in SoCal, and I remember listening to (and taping) the FM broadcast and thinking it was underwhelming compared to the Halloween '91 show I'd been lucky enough to attend two months earlier. Little did I know that would be it for NYE runs.

Just goes to show that timing is everything. For now, I plan to spend this time transporting myself back 32 years to Summer 1990, when the band was still humming along and Brent was still with us. For those looking forward to this Eugene show, I hope it lands promptly in your mailboxes if it's not there already.

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10 years 9 months
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Three quarters the way through and HOLY MOLY Jer plays and sings such a great setlist and with truly stunning and touching guitar work and that band and that female chorus are from Heaven via Harlem. Oh man. Every single song is outstanding. But check out Ain't No Bread in the Breadbox, cuz Jer gets funky with his riffs and tone in a long jam section where everyone is playing off each other. Trust me on this one. And for October 1992, just wow.

I'll say something potentially unpopular. I checked out of the scene in 1987 after a few years of Jer's decline. My bad, cuz I missed the resurgence of 1989-90. (Did catch the Hornsby GD in Chicago in June 91 and two more in June 92, as well as Jer bands, 1975 to 1991.) But I have to conclude, based on the recorded evidence, that perhaps Jer would have been happier and less morose if he had put the GD to rest and just gone off into the sunset with his own band. You all know I'm a dyed in the wool Deadhead, but Jer's playing in '90s with both bands draws a contrast for me that favors the JGB. At least that's how I feel today after getting my ass kicked by GL 19!

Another contrast: I'm a huge fan of Garcia-Saunders and that early bar band jam thing-y. BUT the latter day JGB with Melvin Seals and the gospel singers just plain rings my bell.

Don't miss the Tivoli film if you can make it.

Over and out, peoples!

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14 years 1 month
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Agree with HF and Marye, this is a film to see. Excellent mix, you can hear all instruments clearly. It's insightful to see Jerry or Bob's fingers play the notes as you hear them. China Rider, the very first He's Gone performance (without the bridge), Truckin', and Saturday Night. There were occasional shots of the audience, many in front were dancing. Also bittersweet to see Pigpen in one of his final performances. He looked very thin. He didn't feel well for most of the tour, but stepped up to every last performance. I also enjoyed seeing Bob and Jerry singing duets on some songs, like Me & Bobby McGee. Hair on the back kinda stuff.

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