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  • hendrixfreak
    Joined:
    We have a winner!!

    And the trophy goes to Oroborous for "fungal foxtrot" -- my gawd man, you should be a writer. Oh wait...

    Another story: Roy Buchanan. We first caught Roy at Carnegie Hall in spring '74 and probably caught him a dozen times across that year into fall, most often in small theaters and clubs. (See: Roy Buchanan at Town Hall 1974...) At many shows, we had purchased "seats" and we sat in them -- for about the first 15 minutes. Then a half-dozen of us would emerge from our sometimes scattered seat assignments and basically make our way to the lip of the stage. It's not a Dead show and most folks remained seated while we formed a small cluster in front of Roy. He would smile to himself. His drummer later told me that the band referred to us as "Buchanan's rabbits," because we were always "popping up" at the lip of the stage. To this day, I've got more hearing damage from Roy's Tele and Twin Reverb (maybe 75 shows, 1974-1986) than from a roughly equal number of key GD shows (1972-1992). (Key shows: RFK '72, Watkins Glen '73, Capitol Theater/Passaic '76, Englishtown '77, Red Rocks '78 and every single subsequent GD Rocks show.) Not braggin', just happy lookin' back.

    One such event featured a double bill of Roy and Boz Scaggs w/Les Dudek on slide. We were in the first 10 rows and it was so loud, no need to get closer! After both bands played, Boz, Les and Roy jammed at supersonic volumes...

    Not to mention the many times we spent the day on the east stairs at the Rocks, then dashed in to actually cop front row (one behind the actual front row, reserved for handicapped) and at one ABB show realized that we had WAY better seats than the fairly large contingent onstage in the wings.

    Basically, my life has been one dash for the front or a judicious stance near the soundboard when I wasn't working, going to school, chasing tail or poking around the backcountry. I'm semi-retired from the big shows and, looking back, pretty effin' happy with the way I misspent my youth.

  • Oroborous
    Joined:
    Up Front when it was cool

    The first six or seven years we’d go up front any chance we could if it was GA and we got there early enough.
    Half the fun was hanging out with the heads all afternoon waiting for the chance for the mad dash to the front.
    We’re talking small Auds we’re up front you were often less than 10’ away from them and the stages were often only 4 or 5’ high, very intimate! And the stage sound was amazing.

    Speaking of the dash: At the 7/1/92 show that we worked production, we were on the stage when they opened the gates and it was wild watching the throng come swarming over the hill and down toward the stage at Buckeye as Healy blasted the Horse race Trumpet Fanfare lol. Like some kind of psychedelic scene from Braveheart!

    It could be physically brutal and grueling though, especially if you weren’t in the very front row on the rail, where you could sorta lean and push back against the throng. Better ventilation too. Basically, it was on the wall or nothing, with the wall being only about 4’ high.
    If you knew what you were doing, and the circumstances were right though, there was nothing like it, but nothing comes for free so it was often a long grueling day, but we were young, prepared and it didn’t really phase us, especially once we got electric!
    So early on it was all about up front. Yes the vocals weren’t as prominent but you got the golden pure unfiltered sound of their amps/speakers, and in 83 when they started using the Meyers stuff full time they’d put small monitors on the stage in a half circle pointing out to help fill in the vocals better.

    But besides the sound it was like going to school to be able to see how they played things and to check out all that marvelous gear out up close! “Oh, Finger Ease, that’s the stuff Bobs always spraying on his axe”, like going to school!

    Perhaps the best part was the eye contact. If you were really paying attention you could see them communicating non verbally and they’d pick up on if you weren’t just some stoned civilian, but could tell if you were really catching all the little things they were doing. It was like you were in the band and if they picked up on you, they’d watch you and see if you caught little things they’d toss about. They seemed to really dig folks who could properly pay attention to all this, especially if they made a mistake!
    I can still picture any of them throwing some musical little tid bit out there, and watch your reaction, and then smiling because they knew you caught it, PRICELESS!
    It was big fun to joke around between songs with them too. We used to pick on Bob about songs and Phil especially always had a good time with that!
    Sigh, those were the daze!
    BUT!!! learning the fungal foxtrot in front of the SB was pretty damn sweet too lol.
    And aw those awesome summer nights outside with a big ole moon during a hot Terrapin…
    Sigh, yep, those were the daze my friends, we thought they’d never end…

  • hendrixfreak
    Joined:
    Getting close...

    So apart from Watkins Glen we had partaken of the GD/ABB gathering at RFK earlier that summer, the first day. The GD went on first, I think because Jer had an Old & In the Way show in Boston that night -- that's what we heard. (He 'coptered from DC to Boston with Peter Rowan, according to hearsay.

    So a good friend who had not eaten the blotter said, "Let's go up front." Plenty of room to manuever that day. We got real close -- definitely whites of their eyes -- and several things unfolded, no longer sure the sequence. First, some Deadheads being assholes, a few miscreants were tossing fireworks around. Some genius lobs an M-80 onto the stage and it lands at Jer's feet. He used to do a little shuffle when he was jamming and, without skipping a beat, he kicks the M-80 (prior to explosion) back into the crowd with one smooth movement. When they started He's Gone, the crowd moans and boos -- the feral animals on acid syndrome. But Garcia carries it off and I think they closed the set with China-Rider. (Just looked at the Setlist Program, and that's backwards -- set closer with China-Rider, 2nd set opener He's Gone.) During China Cat I get acid-confusion. Bobby is playing a Gibson SG (I believe) and Phil is playing a big brown hollow body, but in my youth and ignorance I always associated the solid body with bass and the hollow body with a Gibson guitar -- so I'm like, wait, which one's Bobby and which one's Phil?? (I knew from photos who was who, but go figure in that "special moment"...) I said nothing, but I think my buddy realized he was leading a potential casualty around and we retreated. Also, when you're 15, although tall, you are rail thin and still getting initiated, so we did not make a habit of pressing forward. It was a foray only.

    In 1976, during their theater tour, I had something like 7th row center, 3,000 people, I could the band quite well right in front of me and discovered for the first time the buzz of the amps in the back line. I was much closer in May '73 for Old & In the Way: 3rd row, audience left, right by Jer and his banjo.

    If that's not a great way to grow up, I don't know what is.

  • 1stshow70878
    Joined:
    About 20 rows up at red rocks

    Is just exactly perfect. My first show 7th row middle was too close for the best sound. Got there early as HF suggested and had our pick. But it was so loud I had to sit some just to give my ears some relief. Next two times there we figured out, as Vguy notes, the balance and full bass effect was better about 20th row middle. A few rows in front the tapers section and soundboard (duh, that's why they put it there). For Brent's RR debut in '79 we got back closer to 12th row as we wanted to see the new guy and the sound was pretty darn good and it seemed the crew had figured out the Red Rocks by that third visit and how to bounce Phil off them. All my other shows were pitifully far back or to the side with McNichols '79 the worst sound of all, upper deck right side and an echo chamber. The Denver Coliseum, where I saw a few other bands, had terrible acoustics. College halls that were designed for good acoustics like C.U. Boulder's were ideal. Pin drop perfect for the Chick Corea/Gary Burton show. You could visually see the notes, no wait, maybe that was the shrooms.
    Cheers

  • dmcvt
    Joined:
    close up Newcastle May 1970

    Probably late to the party on this, just discovered on utube , lengthy (almost two hours) coverage of the Dead's May 1970 trip to England, rough cuts, casual interviews, a few tedious moments, loaded with inside looks and about 35 minutes of concert footage from 5/24: "Grateful Dead England 1970 (The Lost Film)"

  • daverock
    Joined:
    Seeing the whites of their eyes

    As I remember it, it was quite easy to walk up quite close to the front of the stage when the Dead played at the Rainbow, London, in October 1981. It was standing room only down there.
    I was even closer the first night on the October 1990 run at Wembley. Brilliant! Seeing people you have read about and listened to so much, for so long, at such close quarters. Prior to this night it was hard to believe that they actually existed. Nobody I knew had ever seen them, or even heard of them. Like living in a world of your own. Which, given the alternative, might not be a bad thing.
    The last night I was up the balcony to the right, and that wasn't as good. I'll never know what was me - I was high as a kite - and what was really happening. The people around me appeared to be dancing and cheering before the band came on. It was like they could hear something I couldn't. When the band did come on, the only instrument I could clearly hear was Bruce's piano. I went bombing downstairs to try and get in to the stalls, but was easily ejected and went back to my seat. The balance improved during the show - but it was an odd sound. And as I have said before, drums and space was incredible.

  • Vguy72
    Joined:
    Being really close at the Dead....

    ....only twice. Vegas '91 and Portland '95. Sound sucks up there anyways.

  • Angry Jack Straw
    Joined:
    Getting up front

    Was fairly easy early on. Then it became a headache.

    Back in 93 or 94 we decided to go to the Spring shows on Long Island. You were still able to call in for tickets back then and somehow I got right through. To the customer service rep - I need tickets for Thursday and Friday, but purchase Friday first because that will sell out quickly. Of course when she reads the first order back it is for Thursday. Annoyed, but I got 6th row. By the time she put in the Friday order, we got the farthest section back in the upper deck. That was the last time we got up real close. Of course as any seasoned head would do, we brought our Thursday stubs to the Friday show. The usher gladly showed us to our seats right up front soon after the lights went down.

  • Oroborous
    Joined:
    Up Front

    Pretty much gave that up around 85-86. Combo of no more GA, getting a little older, and most of all…discovered the Lysergic shuffle which requires proper floor space lol

  • Vguy72
    Joined:
    Phish fans....

    ....yup. They have changed a lot since I first saw them in 1994. People up front on the floor tend to get very territorial. Throw down huge tarps and will say they are "holding spots for their friends" and will get hostile sometimes. A lot of times I never see their so-called friends ever show up. Sad really. I don't go up front anymore.

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3 years 7 months

....I would pay a pretty penny to see them if they ever reunited. And you can take that to the bank.
Zenatta Mondatta was one of the first records I ever bought with my own money because I liked the cover.
The music is good too.

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10 years 3 months

In reply to by Vguy72

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Really sad news, for me. He apparently died two days ago. He may not be well known in the States-he was the guitarist for Dr Feelgood when I first saw him - supporting Hawkwind in 1974. No hippy baggage here though-mean and tough r&b that carried on from 1964 as though the intervening years hadn't happened. A clean cut, razor sharp telecaster and the some of the best stage movements by any guitarist I have ever seen. Possibly the best live rock and roll band in England in the mid 70's .

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3 years 1 month
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The last Viola Lee Blues was played on 10/31/70 at Stony Brook N.Y. The first version was played on 2/23/66, it was a song that really improved with age. The Dead played alot of great versions, but 5/2/70 is pretty hard to top. The Dead played it 30 times. I wish they would have brought it back when Brent was in the band.

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15 years
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68 and still playing, doesn't take Grateful Dead tune requests anymore, he has plenty of his own music, but he may weave a few bars of "Loser" or "Whart Rat" into a nice jam. Always thought he was a great addition to the band. Noticed Vguy mentioned the Police, great band and always put on a great show. Saw them several times, once at Disney World rising up out of the floor of the stage at the Tomorrowland pavilion before Andy Summers joined the band and then the best time I witnessed the greatest light show outside of a dead or pink floyd show, Ghosts in the Machine tour. Stewart Copeland (AKA Clark Kent) is on tour now and if you get the opportunity to catch him live, enjoy, he plays a phenomenal kit. Yes MaryE is the best.

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4 years 4 months

In reply to by PT Barnum

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to musicians who played with the GD they would have "the curse" thereafter...at least one Deadhead at their future shows making a Deadhead of themselves.

Or something like that

I feel like Julie Andrews today because

"Iiii am Coooviiid neeeegatiiiive!"

Hooray for my 59 year old a$$!!!

Happy Birthday Bruce the Bruce!!!

Viola Lee Blues
5 2 70 indeed
11/10/67

Love that

Dr Feelgood was a great group, full of energy. If you don’t remember Wilko Johnson from there perhaps you saw him as the executioner who (Spoiler Alert) removed Ned Stark’s head in ‘Game of Thrones’. RIP.

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12 years 2 months

In reply to by daverock

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Happy Thanksgiving to all you good folks.

The Last Waltz will be playing throughout the day.

Enjoy.

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11 years 8 months

In reply to by billy the kiddd

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Thanks BTK, one of my most fave primal tunes... there's some snippets of them rehearsing VLB, then a nearly 16 minute run through available for streaming on the archive: Grateful Dead Live at The Questing Beast on 1966-02-05. Fascinating historical stuff. Instead of Macy's, will be viewing the live footage/film of Jimi at Royal Albert Hall, February 24,1969.

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17 years 6 months
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Happy Thanksgiving to all of the rabble rousers in the comments. I say that with genuine with appreciation and respect. These comments have continued to be a great place to come to almost daily for me. If the fates would ever allow a meet up of sorts, I think it would be a wonderful thing. Regardless, the world continues to be crazy place, so I hope all are well.

A quick comment on Viola Lee Blues: This is one of those tunes that like Mason's Children, Mountains of the Moon, New Potato Caboose, and the Eleven had short stints in the band's rotation, which is a shame. I wish these songs would have been revived before Jerry died. Thankfully, and for what it is worth, since the Other Ones in 1998 these songs have had second life. This is one of the reasons why I appreciate the post Jerry bands because they put these tunes along with St. Stephen and some others back into the rotation.

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10 years 3 months
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Adopted two boy cats yesterday. It may be awhile before I can post an icon like Mr. Ones but that image is pretty close. One is still kind of scared to be in a new place so he's a bit camera shy. They were buds at the shelter in Ridgway so they will give each other comfort and companionship. Phoebe would have liked them I think. She liked all the boys and chased some too. Wishing you all comfort and companionship today too.
30 Days-o-Dead keeping me too busy to do shows this week but all the research in DeadbaseX had me reading some of Dick Latvala's finest recommendations so DaP23 from 1-22-78 and the RT Vol.1 No. 4 From Egypt With Love 10-21,22-78 are on deck.
Cheers

.... at an average of 75 mph, and never left the state of Nevada.
Take that for what you will.
Some may call it boring. I'm just bobbing my head.
Drove to see my girl/wife.

The highlight of the drive was 11/23/73 El Paso. Great show, only my second listen, the last probably ten years ago.

As for Viola Lee Blues, what a swirling, churning whirling whimsical living piece of performance art. Time slows up and speeds down in this song. How do they do it and why did they stop? An unsolvable riddle perhaps. What a great song and one of my primal favorites.

Got all the way to where I was going, my 83-year-old dad came down with covid so our together holiday plans were scrapped, and we had to break down into smaller tribes. Dad's immunocompromised, has a rare slow growth cancer.. so there's more than a touch of concern. Oh well, all we can do is keep on keeping on.

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4 years 8 months
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Anyone have any ideas as to why Dave's Picks aren't being re-issued by Real Gone? I have filled a few gaps in my Road Trips series via Real Gone ... I inquired as to why they don't have Dave's, but do have a slew of Dick's Picks & Road Trips. They said they'd love to reissue, implying that it's not them, it's the GD (corp?) ..... I'd certainly be happy if it came to be! Perhaps Dave could shed some light on this ??

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13 years 5 months

In reply to by topchinacat

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Dave's Picks are not going to be re-released by real gone because they are a limited-edition series. Road Trips and Dicks Picks were not marketed as such, so they can print more copies if they choose.

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12 years 1 month
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Woke up at 7:45 and realized it was RSD. Record stores are 20 miles from here. Jumped up and dashed there. No traffic all the way there. Store was opened already and no lines!!! Parked right in front and grabbed the two I wanted.
JGB - Hampton, 11/91 and Europe 72 release of 4/7/72. Back in car and home by 915 and a cup of joe.

Still in shock at how smooth it all went!

Hope everyone had a nice bird.

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16 years 2 months
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That's two fall '73 shows! That's not too bad at all.

Jim sorry to hear about your dad I hope he makes a full an speedy recovery. Hang in there brother!

Yesterday, in order played:

Last Waltz
Jimi Hendrix - Electric Church
Long Strange Trip

All on BluRay.
Sat through LST, the other 2 were playing while I was doing stuff on the computer and cooking.

Is there more video for Last Waltz that didn’t make the movie?
Would be nice if all the video that exists were released.
The Last Waltz DVD that came out in the late 90’s/early 00’s (I borrowed someone’s to watch back then) had bonus filler of a jam with all the musicians that was recorded until they ran out of film. That jam is not included on the BluRay that I have.

Well done Dennis, early bird gets the worm.
I haven’t left my house, I’m more of a believer in “second mouse gets the cheese”.
I’ll wait and see what they cost in a few months.

Ice Cream - Rhino released a limited edition (2,500 copies) Last Waltz a few years ago - the 40th Special Edition - which I bought, with the massive Scorsese script included, as well as an extra Blu Ray of interviews, but I cannot remember if it had extra music footage. I know guys like Ron Wood and Stills etc hung around for jams, and I know I have those on one of the audio releases, but I’ll have to pull this edition out to revisit the Blu Rays.

Jim - Best wishes for good health for your Dad.

Dennis - Nice job on getting Garcia Hampton. If memory serves me right, Bruce sat in with the band on that one. Coincidentally, I was paying GarciaLive 19 this morning while doing some paperwork, and the version of Deal on this release is probably the most muscular one I’ve ever heard. On fire. Something I always wished Jerry would do a bit more of - such a talented guitarist, I personally wouldn’t have minded if he turned it up to 11 once in a while. He was a rock and roller, at heart.

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17 years 5 months

In reply to by proudfoot

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....from Vegas to Elko. I've driven that route so many times I could do it with my eyes closed. Spun GD 11.17.73 Pauley and Phish 11.25.94 Chicago. Had an hour to spare, so I threw in some Oingo Boingo at the end.
#bringbackcdplayersincars.
P.s. it's cold up here.

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10 years 1 month
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Finally arrived. Mystery solved. Thank you Marye for reaching out to me.
I look forward to your next Marye Drew Mystery, “Marye Drew & The Hidden DaP 45 In The Staircase”

....that was a good one lol.
Shes the mother hen to all us bozos.
I bet she sits back and reads some of these conversations and just shakes her head and laughs.
I've never had to call on her, but good to know I have a savior if needed.

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10 years 3 months
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Doesn't seem to matter how, or under what tab like "shows", I input a date I get the same mixed media results. Envelopes, photos, and god knows what-all. Then you may get a date near what you asked for or maybe the same year mostly but completely random for 55 pages. Sometimes in a group of 1970 shows they'll throw in some completely different years decades apart. Is there a way to parse with commas, dashes or something?
And while I'm asking what other sources do you folks use for setlists that don't exist in my trusty old Deadbase?
30 Days is killing me!
Thanks and cheers

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10 years 3 months
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Bam! Took me right there.
And I'm not the only one today it seems.
Mystery solved and no surprise, Deadbase is incomplete.
Thanks again and cheers

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9 years 1 month

In reply to by 1stshow70878

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What Deadbase version are you using?

Deadbase 50 is the most up to date version for set lists.

I have IX, XI, and 50 (which includes a copy of XI).
I used IX for tape trading, and it helped immensely back then, but it’s missing or has inaccurate set lists for some of the early years.

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17 years 5 months

In reply to by icecrmcnkd

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I have X and 50. I use ten to write in and document stuff, 50 only gets taken off the shelf to check on things that are wrong in ten, or for things that aren’t in ten I.e., solo bands and post Jerry stuff.
When searching I don’t go to archive, I just type in a date and usually an archive thing that rhymes with stink is one of the responses?

So this time of year has often been a mixed blessing, and this year the worlds been conspiring to make it extra interesting, which has put me in a bit of a funk lately. But fortunately, sometimes we get shown the light…
Long short, I don’t care what anyone says Jeff Smith is awright! A kind and righteous dude to be sure!
Out of nowhere left field, he basically miracled me with the equivalent of a shaft of glorious light, that may not have completely shook me blues, but has helped me up out of the mire, to keep on keeping on, like a bird that flew…
I only wish the gd postal service was as good as him, so the circle will be unbroken.
Thanks cannot describe…

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I'm discovering its limitations the more I do 30 Days.
Joey's tip will help a lot I think.
Still no clue how to effectively use The Archive for research.
But it is easy enough to listen on.
I have not ever downloaded off it yet. Don't have the system to utilize them.
Thanks to all and keep those cards and letters coming.
Do T-Day leftovers have an expiration date?
Cheers

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11 years 8 months

In reply to by 1stshow70878

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50 is available as a free download PDF, just gotta poke around.

To navigate directly to The Dead's music in archive, this works for me:
GDYEAR-MN-DT

So letters GD, no space, the four digit year, dash, two digits for month, dash, two digits for date. This works from search engines in browsers for me, no need to go to archive first, just that much will bring the archive listing up to one click.

There's a local story here, author John Scott first saw the Dead as a student when they played at Dartmouth in 1978, soon after he began developing early Deadbase while still an undergraduate. He moved down the road to Cornish, NH after graduation, home of another famous author, J.D. Salinger. Also home to artists Maxfield Parrish and Augustus Saint-Gaudens. The longest covered bridge in the world (now second) ran between Cornish NH and Windsor, VT across the Connecticut River. And of course, our very own Doc11 was at Dartmouth too. Mr. PC must be off somewhere with Don Juan's Reckless Daughter.

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3 years 1 month
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Today were cooking salmon and rib eye steaks. Were drinking Sierra Nevada Pale Ale. First music up, T Bone Walker The Complete Recordings 1940 - 1954 Mosaic Records. T Bone Walker influenced everybody who's anybody, check him.out. Beautiful day here in the Bay Area, rain is comming, we need it.

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13 years 5 months

In reply to by 1stshow70878

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Setlists.net makes for easy searching during 30 days of dead too. Type each song you are looking for in the songs lookup box and it gives you the shows they both appeared in.

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16 years 6 months
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Mornin', rockers!!

The debate of 11/16/70 vs 11/23/70 has been around as long as those tapes have circulated. Which means, since the dawn of time. Just one man's opinion, but the best evidence indicates that the true date is November 16, at the Fillmore East. For me, the best indicator may be Bill Grahm's intro before Casey Jones. Pretty unlikely he would do intros at a competitor's venue. In addition, Traffic tour information indicates they were scheduled to be in Buffalo on the evening of November 23, but they were in New York City for scheduled shows at the Fillmore on the 18th and 19th, with the 16th being an "open date".

It does include one of the absolutely greatest versions of Hard To Handle ever, with some otherwordly playing by Bob Weir.

Every journey into the past is complicated by delusions, false memories, false namings of real events.....

Up too early, not enough coffee, time to walk dogs........

Rock on,

Doc
No memory is ever alone; it's at the end of a trail of memories, a dozen trails that each have their own associations.....

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2 years 4 months

In reply to by 1stshow70878

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Sometimes i just poke around herbibot for the hell of it, its amazing to think a deadhead made that!

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12 years 1 month
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Got a little package in the mail yesterday,,, it was soft and from "bob dylan. com". I was "huh",, opened it up and it was a red rain poncho with bob dylan printed on the back.?

Anyone else get one? I assume it came because of the latest bootleg.

It was one of those garbarge bag style you'd buy at a venue if it started raining.

No idea why I got one.

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10 years 3 months
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For the Hard Rain reissue?
Too early for that. Wasn't that a '75 tour?
Just a wild guess.
Cheers

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10 years 9 months
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Jimi's music always seems fresh to me, in that it doesn't seem to age. In the sense that no one has ever come close and it remains cutting edge. Sure, the early hits can seem like a throwback (Purple, Foxey, Fire), but 80% of his recorded legacy -- an astounding legacy for 4-5 years of tapes running -- is still better than most music of the past 50 years. I got into it in summer '69 and, 53 years later, I'm blasting LA Forum April '69.

I feel the same way about the Beatles' songs and those by The Band, and the best of the songs and jamming by the GD and ABB.

Sure, I still go to shows, particularly local bars, sometimes theaters and, of course, Red Rocks (though I'm down to interest in like one band per summer, musically and financially). Huge dichotomy between listening to recorded music in the comfort of home and raging at The Rocks, as we all know. But with several hundred CDs of Jimi I think I'll make it to spring.

So, hats off to Jimi's birth. I wish that everyone would celebrate the dearly departed by birthday and not by death day, though the latter are difficult to forget.

On a wholly different note, wishing JimMD's dad a full recovery.

Paxlovid is wonderful stuff. As far as we can tell, dad is on the rebound and almost back to his crotchety old self, back to yelling at hippies to get off his grass and prancing around like a cracker version of Fred Sanford. My biggest complaint now is that I did not get my expected amount of Thanksgiving leftovers. First world problems I guess....

Thanks for the concern folks..

I could be wrong.. but if my sleuthing skills are intact, those folks at 30 days of the dead are messing with us. Putting out crisp and clean soundboard nugget of a tape that seems to currently only circulate as an audience.

It must mean there are new reels floating around Burbank that have yet to be released and are not circulating. There is only one solution to this quandry.. we must storm the vault and free the reels. Who's with me?

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17 years 5 months

In reply to by JimInMD

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JM, glad your pops is on the rebound!
Quote of the week “prancing around like a cracker version of Fred Sanford”
Proper!

Long live Jimi!

This Oscar Peterson Xmass CD we recently acquired is Dope!

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11 years 8 months

In reply to by JimInMD

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especially if we get to use your time machine to find out where the keys are stashed. Do believe there's stuff in the vault that's never been out. Happy Birthday Jimi. Not that I watch much football, but at the end of the first quarter of the Bucs & Browns game today, the fade music was Jimi's version of All Along The Watchtower. Coincidence? Synchronicity?? Are You Experienced was a mind blowing thing for fifteen year old me summer 1967 heard on a massive pair of Altec Lansing speakers.

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17 years 6 months
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And all those who share today as their birthday. Like me, for instance.

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