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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • rockthing
    Joined:
    1970-02-23

    You cats are already on to 1973. I'm still savoring the gentle respite in the oasis of Austin.

    Death don't have no mercy, but there's always time for lunch.
    Thanks for reminding me of LL. I need to see if I can get reinstated over there.

    Grateful Dead Live at The Auditorium, Austin, Tejas on 1970-02-23
    Harpur College was another of my heavy, heavy rotation tapes back in the day, along with the 2/18/71 Capitol Theater show I've already mentioned numerous times. Both were massive inspirations. For what seems in hindsight like a fairly significant period of time, if it wasn't one of those, it was Reckoning.

    I Know You Rider: Lovin' the energy and grit of this Rider. It's almost angst.

    High Time: This is a song! It's a pretty weird song, too, and after attempting it several times, myself, I must say it isn't surprising it wasn't played often. Damn, it's hard to sing. I submitted a completely deconstructed version of this for the February Dead Covers Project a few years back. I made a point of not revisiting to the original before recording, just going off memory and some notes left in an old binder of songs. I'm sure the ever-growing defenders of canon were thinking, "You ain't doin' it right if you ain't readin' it off a teleprompter." It was an "interpretation". Lol.

    Dire Wolf: What a lyric. An electric version, no less. Pretty mellow electric set, almost acoustic.

    Yellow Dog Joke… ah… well way to go for completely screwing up the joke, Bobby… actually, I'm not sure I've ever heard him make it all the way to the punch line. We should all heed Jerry's advice and "Don't encourage him." Everything was so light and positive in these days. Phil could be a bit surly, as we've already heard in this tape.

    Monkey and the Engineer: This was a standard in my old folk-rock duo. My partner played it and I just followed along. I'd have to start from scratch to figure out how to play it again. Such good stories in these tunes.

    Little Sadie: Nice. This wasn't on the Harpur College tape or Reckoning. Another dark story. I don't see how they could possibly be breaking strings playing such gentle music.

    Me and My Uncle: I don't recall hearing an acoustic version. It's a great song and works in any format. At this point everyone hadn't already heard it a million times. Imagine that!

    Black Peter: One of my favourite tunes ever. Doesn't get much darker than a song from the point of view of a death bed. Started doing this one myself occasionally a few years ago, but I always need a cheat sheet for the bridge. Nothing repeats. There are some interesting mnemonic connections between the chords and the words that help. Just have to sit down and do my homework. Ahh… yeah, Pig sittin' in nicely on the organ. This song needs a really delicate hand, but the organ adds a nice little gospel flavour. If only Pig coulda added just a touch more flair to his playing to fill in some lines before Jerry takes his solo. Pig's got the tone.

    Seasons of the Heart: Never heard this before. Great pick! Thanks.

    Uncle Johns: Have heard this one a few times. 😉

    Not Fade Away: I'm gonna call the union! The Galactic Rock'n'Roll Union! That needs to be a band name, or a song, or something! Crazy to think this tune was in their set their entire career. Some good ol' primal energy here. Jerry's "wild" tone. He must've had the amplifier turned WAY up, cause it sounds like he's not in the mix at all. His guitar is just being picked up by a vocal mic, or something. Basically, no drums, either. I can't keep track of which guitars he was playing in the early years. He seemed to play whatever was available after giving up the Starfire. Sounds kind of like a Stratocaster, The Graham Nash Strat, perhaps? Alligator did not come on the scene until later, if I recall correctly. This tone has even more of a stereotypical Stratocaster sound than Alligator, which retained very little Fender electronics by the time it gets heard on Europe '72. Anyone? Oh, cool call and response with Pig. TC has already left at this point? I need to get my timelines straight. Bobby diggin' in with some soulfully aggressive singing, rather than simply aggressive.

    Mason's Children: I can't recall ever hearing this, either. The name comes up often, but it's not on anything I've listened to regularly. Again, thanks for this pick! As you say, not exactly high-energy stuff, but some very rare pieces here. Always appreciate the chance to learn something new about this fascinating family.

  • Forensicdoceleven
    Joined:
    Chances are that the universe neither treasures nor regrets us

    Rockers!

    Lunch time. Death takes a breather. We're in the land of the living, gotta eat lunch.

    The "new, fixed" 2/17/73 was up at Lossless Legs first thing this morning. So, it sometimes pays dividends to get up early............

    So, one can get it there, or I can supply it to anybody who needs/wants..............

    The wise man does not lay up his own treasures. The more he gives to others, the more he has for his own......

    Rock on,

    Doc
    It is by going down into the abyss that we recover the treasures of life. Where you stumble, there lies your treasure......

  • DeadVikes
    Joined:
    2/17/73

    Hey Doc,

    Where is the new Miller for this show? I see a 2020 transfer from Miller on the archive as of this morning, and this one has issues.

  • Forensicdoceleven
    Joined:
    I met her accidentally in St. Paul, Minnesota......

    Mornin', rockers!!!

    For all you completists out there----as well as Row Jimmy fans----the talented Mr Miller just put out a "fixed" version of the fine St Paul show from February 17, 1973. Would make up part of a nice box set from early 1973----2/9, 15, 17, 19............

    Ah well, one can dream..............

    Rock on, happy Friday!

    Doc
    Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before........

  • Forensicdoceleven
    Joined:
    Music is the best means we have of digesting time......

    ROCKTHING.............

    Check your PMs...........

    Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend........

    Rock on,

    Doc
    I frequently hear music in the very heart of noise.......

  • Forensicdoceleven
    Joined:
    I have just got a new theory of eternity…...

    Hey rockers!!!

    Pick Of The Day: Austin, Texas February 23, 1970

    I reluctantly discussed this at the end of last year. Here I am again. It appears that I’m stuck in a time warp. The galactic rock and roll union. I have no special talent, I am only passionately curious…..

    It appears that the currently circulated recording of this show is the only surviving audio document from the Dead’s four show excursion through Texas in February 1970. It’s tough coming right after the wonderful, brilliant Fillmore West/Fillmore East shows earlier that month, and perhaps it’s not unexpected that the intensity level might come down a bit. That being said, this is still interesting, enjoyable, and worthy…..

    The band is in 1970 electric/acoustic/electric mode. The circulating recording appears to be missing part of the first electric set, coming in during Know You Rider. For fans of acoustic Dead, this set is nice---Monkey And The Engineer-Little Sadie-Me And My Uncle-Black Peter-Seasons Of My Heart-Uncle John's Band. The festivities are completed with a jammy NFA and Mason’s Children.

    The monotony and solitude of a quiet life stimulates the creative mind. I live in that solitude which is painful in youth, but delicious in the years of maturity……

    Did Bear travel to Texas, and did he record? Banana boxes, reveal thy mysteries…..

    Rock on,

    Doc
    Whoever undertakes to set himself up as a judge of truth and knowledge is shipwrecked by the laughter of the gods……

  • rockthing
    Joined:
    5/19/74 > 2/22/69

    >daverock>

    The vocal dropouts are not evident in the audience tape, so that must have happened on the way to the board tape.

    That said, the recording is slightly overpowered by Jerry and Bob's guitars from the taper's vantage point, but a little time with a simple Equalizer was enough to bring more Phil and better presence to the vocals. I do recall a few lyric flubs with the new material, but in the overall mix it didn't really jump out at me. Probably much more obvious in the official release/soundboard recording.

    2/22/69>
    Oh, my. I can see this is gonna send me on a primal quest. I have all these fall '69 and fall '68 shows that I've never listened to, but I don't have much from the spring of those years. I love this gentle psychedelia. It's really these delicate type of sounds that really trigger the senses. I'm only up to Dark Star at this point, but what a beautiful way to start a show.... oops, "The transitive diamonds?" Haha. I'd probably have trouble remembering my name if I were there, so whatever.

    It's such a shame that we're restricted to streaming this show. Imho, if the official release isn't so significantly better sounding than one of these circulating boards that it isn't a no-brainer to buy it, then what's with the classism, eh? I know the boys need a retirement plan... but... --mini rant off--

  • daverock
    Joined:
    5/19/74

    Rockthing - good notes on this show - cheers! I'm going through it very slowly, but it's the L.P. I am listening to. Although it has the famous vocal drop outs, the sound and balance of the instruments sounds fine throughout to me. I have just played the side with Loose Lucy and Money Money on. A short side. The lyrics are a bit naff on both of them - but I like the music, and they were both played so rarely that when they do crop up, it's a welcome surprise to me.
    I presume the version you have listened to has the earlier vocal dropouts too.

  • rockthing
    Joined:
    5/19/74 (Part II)

    Wrote these notes on Monday morning while drinking my coffee and getting ready to do some work from home. After a while I was mostly distracted by the show.

    I'll get to that Feb. 22 '69 show if I can, but I don't have that one handy. Hafta stream it.

    The ETree identifier of this source is 115876, btw. I don't have the box set, so these are my first impressions.

    It Must Have Been The Roses: Ok. /Now/ I'm awake. Possible tape change? There is suddenly a big improvement in sound quality for this hauntingly sensitive rendition. Jerry's voice is now clear above the guitars. Everything, save Phil, is suddenly much clearer and the sound field feels wider. Up to this point the tape had sounded like the tape the biker is listening to at the beginning of the Dead Movie. Nice harmony work during the refrain, blended well in the house mix.

    Loose Lucy: Gettin' in the funk. Jerry's just perfectly behind the beat to make it nice and nasty. If the syncopation isn't just right, this tune can completely lose all form really quickly. Loose Lucy must be a pretty new song at this point. I have no idea when this tune debuted. They didn't do this in concert much, as far as I know. I was lucky enough to see'em do it once, but the performance I saw was almost unrecognizable. Something was wrong with the timing, so it sounded all backwards. I was embarrassed to not even recognize it until Jerry started singing. This is a nice treat.

    I Know You Rider? Something seems to be wrong here. The info text says Money Money should be next followed by China/Rider, but we're just dropped into IKYR. Looks like some minor surgery might be needed on the meta data.

    Money Money: Ok. Someone's just mislabelled these files. Man, this has always been one of my least favourite songs in the Dead's catalogue. I rarely skip songs on albums, but being the album closer on Mars Hotel makes it easy. I don't think I've ever heard a live version of it, so this is kind of a treat, in its own sort of way. Having not heard it in such a long time, I guess it's not such a bad song. The negativity of the lyric just sems to strike such a contrast to most of the other stuff in the repertoire. John Lennon, for example, has a lot of negativity in his lyrics, but when I listen to him, I expect that.

    China Rider: Yeah. They're keepin' that funky groove going that was working so well during Loose Lucy. The transition jam seems to go almost immediately to an I Know You Rider feel. The guitar tone is very unusual here. It almost sounds like Bobby's Gibson 335 tone. He's playing lots of double-stops, where he plays two notes at a time even while soloing… wait… maybe that /was/ Bobby!? Some very cool interplay between Bobby and Phil before a guitar sound that is unmistakably Jerry joins in just ahead of the trademark unison bit before I Know You Rider. What is now clearly Jerry's tone keeps it going after the unison part, and now there's a Feelin' Groovy jam. I can almost see the smiling faces and twirling homemade sun dresses with flowers in the hair right now. Big, big ovation from the crowd as they settle into the Rider vamp before going into the first verse. They know what they've just heard. That was sweet, breezy, and smooth as can be. I'm guessing Jerry had some sort of equipment or other issue causing him to stop playing for a bit at the beginning of the transition. Oh, yeah, Jer, dig into that "On a north bound train" line. This and the out-of-place IKYR are going to get merged into one track when I get a chance.

    Set II:
    Promised Land: Yeah. Everybody's definitely up off their blankets now.

    Bertha: Got a little "Yee Haw" from someone nearby for "All night pouring, but not a drop on me." It's quite amazing how inobtrusive the audience is, considering this was recorded with a handheld mic by someone just hanging out in crowd.

    Greatest Story: Nice wah wah Jerry licks. Jerry's wah is so bubbly and has a rich swell, like the sound of a wave on the ocean. Using the rocking motion of the foot pedal definitely puts the player physically off balance, so I can understand why he seemed to abandon it later in favor of the Mutron "auto-wah" tone filter. Sounds so good here, though. Jerry's volume sounds cranked, though, totally drowning everything out. I ain't complaining. Oh, yeah. A little jam in GSET? They seem to have gone into something altogether different. I'm not sure if this is a set piece, but it feels unfamiliar to me. I know that I've heard occasional jams in Greatest Story, but they seem rare. This is definitely no longer the Greatest Story chord progression, but I don't know what it is, and then Wamp, Wamp-Wamp, right back into it. Now I'm gonna hafta start checking out Spring 1974 Greatest Stories. That was hot and adventurous, like maybe something went wrong and they fought through it… but maybe there was just a jam in this song back then.

    Ship of Fools: Giving the manic dancers their first break of the second set. The taper is stopping the tape between songs, though, so who knows how long they spent tuning in between. Very nice harmony work from Bobby and Donna.

    Weather Report: Seems a bit tentative in the earlier segments, but the Let It Grow jam is developing interestingly. The whole band just seems sort of in a gentle mood this night. Everything is soft and malleable, and most of all, creative, when they go off into improvised sections. The straight tunes are tight and, well, straightforward, but I'm hearing all sorts of novel ideas coming through during the instrumental segments. There seems to be a completely different confidence at work during this jazzy work out. You can hear Billy getting back to his swing roots and playing off Keith. This is fantastic. Such subtle interplay. Normally when I hear the full suite performed I wonder why they didn't continue to use the first parts, but in this case I didn't feel that way.

    Peggy-O: Jerry's picking is quite aggressive, and his tone is very chimey, even behind his vocal. Relaxed tempo, even by Peggy-O standards. In this recording it sounds almost like Billy and Jerry doing a duet, but Keith adds some accents here and there.

    ??: What is this? A playful little jam and some quiet noodling where the audience's shouts and requests become more prominent. Bobby announces technical difficulties.

    Truckin': Nice buildup, but not the major bomb drop I'm used to, and from there things start to get really weird. It's not spacy weird, just, "Whoa, what the heck is this?" weird. Some of the early 70s Truckin's could get totally abstract, so this is just the way they rolled back then. Great stuff. Gettin' that funky groove goin' from the first set again, even as the changes take on some jazzy influences. Bobby is very clear in the mix, and my oh, my it's gettin' Weir'ed. Jerry busts in with a burst of guitar feedback which seems to shock everyone for a moment, but they're still groovin'. This is the gold I look for in any show. It's funny because Mind Left Body actually sounds a lot like Loose Lucy. Billy and Phil getting' into a little funky-drummer exchange. Finally Phil breaks through in the mix with some space for him to hit that Bootsy one. In the info text "Jam" and "Mind Left Body Jam" had been listed separately, but they're actually all included in the Truckin' track, which is my preference. Cousinit made a real mess of this file set, but I can fix it. Rarely are there such glaring mistakes on the Archive, but this one has definitely been put together somewhat carelessly.

    NFA: This interesting because I've been listening to a lot of Alligator era NFA's or Bean era NFA's, and that gives a nice context to compare to this Wolf tone… of course, there is a LOT of recording tech affecting the sound here, but even though there's a nice honk, everything seems so nice and round and gently muted. Hey. What's this breakdown in NFA. Pretty sure I've never heard that before… and GTRFB. THAT, was an interesting transition.

    GTRFB: Nothing to worry about here. The old standby. Billy's hi-hat figure during the breakdown is, again, getting really funky with a swinging 16th note feel, or something. Very cool.

    US Blues: Mars Hotel weighted setlist. What month did that come out? Good, tight version.

    Johnny B. Goode: Full colosseum clap along for a high energy reading that does justice to the Check Berry original. Sometimes this can get a bit too languid. This one is rockin' hard.

    On repeated listen, I've messed with the EQ some. First of all I bumped up the EQ preamp level, I dunno, about 10db, I guess. I then added a further 12db of 64Hz, and 125Hz on the 10 band EQ to bring Phil nicely into the mix, but also lowered almost everything else about 6db on frequencies that had been flat to make the bass frequency differential greater. The bass still isn't terribly defined, but it at least brings Phil into play. He was completely inaudible without EQ. Got just a touch more vocal by giving the 1KHz and 2KHz about 1db. The tape has a sort of nostalgic cheap car speaker sound, so I actually wanna preserve a bit of that… not that I could really get rid of it. There's quite a nice venue ambiance, especially when there is more space in the arrangements, like during the Mind Left Body Jam.

    The vocal drop-outs others have mentioned were not audible to the audience.

  • daverock
    Joined:
    2/22/69

    That is a great show. According to the cd notes it was recorded, along with shows in late January and the Feb-March shows, for possible inclusion on Live Dead. It probably won't happen - the song lists are obviously very similar, but it would make a great box set to release all the shows recorded.
    The shows from 1967-1971 inclusive are the main ones for me in 30 Trips.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by JimInMD

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Hope everyone is having a enjoyable holidaze!

Not much Dead for me lately, but I usually take some time off this time of year.
Didn’t do the 78 as that’s one of the other three Dicks I don’t have yet so I’ve purposely never heard it as I’m saving my virgin listen for Realgone at least to reissue “official” version.
Down to 3: #13 I have copies, 10 I finally heard here on POTD recently, but the 78 I’m saving!

Hopefully I’ll start easing back in next couple days…

Watched Phil last night, sorta…dozed off and missed Cassidy and part of Eyes, and had net drops a lot, especially near the end so…hopefully tonight that will be better?
Maybe it was just me but I didn’t think they were on last night?
Not bad, certainly seeing Phil at this point is always cool and enjoyable, but I feel like it was not quite at the superb level of the Colorado shows I watched last year?
Phil still brings it, but I actually noticed some misses etc that you don’t usually hear with Phil.
Guessing their just a little rusty and he is getting up there so going off how my fingers are, imagine age might be finally factoring in? Hopefully tonight they’ll be more settled.
Again, we’ll worth the hassles to see the big guy again.
Remembering a sweet Mission encore and a Rock Steady, both firsts for me, so cool their still mixing things up!

Go VIKS, hopefully they can outlast/outrun the damn Cowgirls.
Philly who knows, they sure look good on paper…
Bills have a tough road ahead with Bungals and Patsies again, while the Chefs play no one, again…funny how the Chefs and Bucs get such easy schedules when they both were in the playoffs?

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From over on the 44 thread. 11-5-77 DiP 34
Where everyone else is doing anniversaries 12-28-79, 80, etc.
of some memorable runs.
His point well taken that this is damn good.
And hopefully a telling warm-up for DaP45.
It is just exactly damn good. The Big River smokes!
Cheers
Is it my imagination or does '77 seem to get better the closer it gets to '78?

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In reply to by 1stshow70878

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It often seems to me that 1977 shows from September onwards sound more like 1978 shows than they do 1977shows from earlier in the year. A bit more rocking - more rough and ready and less smooth. Jerry switched guitars in September 1977 to the Wolf, and that one seems to me to have a more overdriven sound than the guitar he used in 1976 and the first half of 1977. And this was the guitar he played on through 1978 too, I think.

Maybe it's a bit arbitrary, splitting the bands music up into years. I would have thought they carried on regardless of what month or year it was. Thinking of it personally, I can't imagine I will feel any different, or do anything differently next week, just because we will be in a different year to the one we are in this week.

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In reply to by daverock

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It's convenient to divide the GD by year for a couple of related reasons. They often took January and February off to write and record. While they were busy doing this, the alchemists and wizards were often testing out new equipment which was all rolled out and broken in on the Spring Tour each year.

So it's convenient to break things out by year, but that's not what drove change, it was the new toys and new music. Wolf. Late '77 was the return of the Wolf, and it sounded magnificent.

That's my take. We say years mainly because they retooled the first couple months most years, that is until the 80's and as they played larger arenas and demons settled in.. they practiced and recorded less and instrument changes were less frequent / less dramatic.

Man I really liked the Wolf.

Oh, and OB - Streaming last nights show as I write this, that is until I fall asleep (won't be long). Cumberland out of the gate was great.. I think the they could use a lead guitar with more thunder. They have two wide body clean guitars at work, they need to add a little Hendrix or wolf and turn it up. Twangy and clean tones, they need something that will part the red sea so they can get on with it. That's my take. Still enjoyable. Time will tell.

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Mornin’, rockers!!!

Pick Of The Day: Hallandale, Florida December 29, 1968

Without art, the crudeness of reality would make the world unbearable…….

High art? Low art? Grateful Dead art!!!

The Dead played numerous festivals in the late 60s, this being one of the earliest big East coast ones. Due to the constraints of time and circumstance, the Dead’s “festival sets” from this era sometimes have a shortened, condensed feel. The “all wheat, no chafe” approach, which usually worked well and was well received…………

Here, the band starts out greasy, then shifts into a big jam sequence that carries through to the end of the set. Things are truly focally shortened, but there’s some decent jamming to be had. Very good recordings of this set circulate, and while there are some edits and drop-outs, it is still worthy of your consideration…………..

There are some people who live in a dream world, and there are some who face reality; and then there are those who turn one into the other……

Rock on!!!

Doc
Few people have the imagination for reality…….

Change of personnel was also a factor in the change of the bands sound. Mickey joining in late 67 meant that the sound of 1968 started a few months early. And so on and so forth as people emerged, disappeared..and in Mickey's case came back again. I can't honestly remember now what they sound like, but I would think Keith's last few shows in early 1979 were more like 1978 shows than what are normally thought of as 1979 shows when Brent came on board.

It is a convenient device, though, splitting lives up into years. But it can be a bit artificial. People get born and die at different junctures - we meet and part at random times.

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check messages

dennis

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In reply to by Dennis

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Maybe just me but I dug the second night much more than the previous. Sweet Scarlet/King Solomon’s, one of my favorite tunes! All around good set list and they seemed more settled in. Dug Jason Crosby on keys as I’d never heard him before. Love Holly but it was a cool change up.

Sorry Dennis, another foot of snow and errands so just getting to the mine.

Yes.. absolutely. I guess this gets lumped into eras.

I have my favorites.. but the fact that for most of their 30 years they kept evolving, changing things up and experimenting is perhaps understated. They cannot be accused of being one hit wonders.

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In reply to by JimInMD

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Jim - very true . The last two shows I played -12/12/69 and 10/17/72 both feature China Cat/Rider, Cumberland Blues, Casey Jones, Uncle Johns and Black Peter. Two of my favourite years, and interesting to hear how different they could sound playing the same songs.

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In reply to by Oroborous

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Just got to this tonight but holy crap and very well stated..

the second night was the charm. That Dear Prudence was worth the price of admission alone, simply incredible. Wow. and the Morning Dew and UJB to cap things off. It had a couple bumps, but man that was a great show and parts of the second set were superb.

I think you can stream this through January 1st. Well worth it.

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Hey rockers!!!

Pick Of The Day: Boston Tea Party, December 31, 1969

A long time ago, in a galaxy far far away, there was Boston in 1969. No, NOT the Ark, the Tea Party!!! Actually, the same space……..different time…….

The Tea Party actually existed before the Ark opened in January 1969. The April Ark Dead shows get all the love and respect---maybe deservedly so. But the Ark closed by the summer of 1969, and the Tea Party took over the site, which was across the street from Fenway Park. After going through several transitions, the site was demolished, making way for a House Of Blues.

The December 1969 Tea Party shows have a “Rodney Dangerfield feel”. They seem to get no respect and are rarely talked about. However, that being said, they are very very interesting shows, varied and well played, with plenty of oddball tunes and other tunes that were slowly working their way out of the repertoire.

The Dead often handed out “auditory treats” on New Year’s, and this is a good example, starting out high with an opening China/Rider and featuring Mason’s Children, Alligator, Caution, Big Boy Pete, a stand-alone Not Fade Away, Seasons, The Race Is On, Silver Threads, Slewfoot, and a closing Dancin’ In The Streets. Happy freaking New Year’s!!!!

Very good recordings of all three shows are out there and worthy of your consideration….

Hey, how about an Ark AND Tea Party box??!!

I always think of space-time as being the real substance of space, and the galaxies and the stars just like the foam on the ocean……

Rock on!

Doc
I am a being of Heaven and Earth, of thunder and lightning, of rain and wind, of the galaxies…..

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In reply to by JimInMD

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Happy New Year all. Looking forward to 2023. Heading out with the family tonight for a little fun.

Box set predictions?
I think Dave will be headed back to the 70s. Hope we go back to a run theme versus a venue theme.

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Good morning my friends!!

Happy New Year to all, make it a safe, happy, fruitful year. And don’t forget to love……..

I draw from the absurd three consequences: my revolt, my liberty, my passion…..

Well, been going at it for a year with POTD posts, doing my best to highlight lesser known Dead shows, 40+ posts with varying results and reception. As the man said, my job is to shed light, not to master. And as I myself sometime say, despite my best efforts I can’t give it away………..

I shall carry on, I shall continue with this absurd endeavor. Needless to say I have many ideas already brewing for the coming year. Can’t promise that I’ll always avoid the Classics, and yes I’ll probably relapse into occasional 1971 worship, but you my fans and occasional readers must take the bad with the good. I’ll try to go a little more primal this year, see you on the mountain, try not to slip and fall…………..

The gods had condemned Sisyphus to ceaselessly rolling a rock to the top of a mountain, whence the stone would fall back of its own weight. They had thought with some reason that there is no more dreadful punishment than futile and hopeless labor…..

Rock on!!!!

Doc
Truth, like light, blinds. Falsehood, on the contrary, is a beautiful twilight that enhances every object….

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Hey rockers!!

Pick Of The Day: Winterland, January 2 1972

I’ve discussed and posted about this show several times in the past, and it’s worthy of a revisit.

Betwixt and between, caught between the splendor of December (1971) and the expansive creamy greatness of the AOM and E72 runs. On the calendar 1972, but to the ears more like 1971. There’s plenty to enjoy here, including good helpings of stoner Americana, Cowboy Bobby, and greasy Pigpen goodness, as well as the unique Good Lovin’/China Cat/Good Lovin’ sequence.

Leave Your Love At Home, supposedly played in the middle of the first set, isn’t on the circulating, very good quality recordings of this nice little show. Was it a “tuning ditty” or a fully formed song? Any earwitnesses out there?

It is normal to give away a little of one's life in order not to lose it all…..

Rock on!!!

Doc
We get into the habit of living before acquiring the habit of thinking. In that race which daily hastens us towards death, the body maintains its irreparable lead…….

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In reply to by DeadVikes

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Happy new year all. Stay safe.
50 th anniversary : Wake OT Flood
Bear's Choice: May we expect a better tribute to Pigpen?
30th anniversary Dicks Picks 1-10000 copies of LP, please...
Dave picks 73 Madison?
big fun and pleasure to read all your comments.

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Hey rockers!!!

Since I just mentioned this show, I should also point out the the folks of the GEMS network out of Arizona just put out a new remaster of the January 2, 1972 show. Many thanks! And check it out..............

When we focus on our gratitude, the tide of disappointment goes out and the tide of love rushes in......

Rock on!

Doc
Gratitude is the sign of noble souls......

Pulled up this show yesterday Doc and the latest version I could find was from 2004. Recording was decent. What is the Gems network? Can you access their version through Relisten?

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. . . but the new 1/2/72 from GEMS FD11 was telling us about is finally up on the archive:
archive dot org/details/gd1972-01-02.161838.sbd.anon.gems.flac16

And best wishes and positive vibes to Damar Hamlin. You're gonna be okay.

Hey Doc, enjoyed the upgrade of this show. New Year's Eve 71, part 2. Fun show. The Jack Straw really shines for me, Big Railroad Blues. Very interesting Good Lovin, China Cat, Good Lovin sandwich. Standard finish for the time.

Okay, what's next?

If nothing surfaces, I think I might cue up 7/31/74, Dave's #2.

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Dave's 2 is perfect for this afternoon. One of the posters here was at this one... trying to think of who it was...

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17 years 5 months

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Check.
Recordings a bit dirty but a nice lil block of 68.
1/2/72 I’ve heard so didn’t go there as I don’t have much time, and still going light on Dead.

7/31/74 sounds good but I’ll want to hit that at home so perhaps Tomorrow night…

NY resolution…
Focused a bunch on 82, some 92, and some but less than I thought on 72 this year, within minor focus on 67, 77, and 87 though fell short on those.
This year my main focus will be 73, 83, and a little 93 as that’s mostly unfamiliar, though what y’all have turned us onto has been surprisingly nice. Minor focus will be 68, 78, and 88…
With my focus, Docs primal tutorials, and the rest of cool picks y’all provide it should be another Grateful year, musically at least ; )
Hope to start cranking the machine again soon, but just ain’t there yet…
ONWARD!

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Okay, I don't think we have ever hit this show, I hope, 6/4/78 from UC Santa Barbara. At least it will be the first time for me. There is a really good Betty board of this show.

Time to jump back in OB. I look forward to your 2023 journey through the years. Yes, 93, I haven't listened to much from that year.

In April, we will be entering our fourth year on this thread. It has been a fun ride. I will start writing down my picks this year, as relying on my memory doesn't always work anymore.

Oh and here is a question on 7/31/74, Dave's #2, is it me or does Jerry's guitar sound different on this release? It doesn't appear to be that full Jerry guitar sound.

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We have not.
It’s on the list!
Hopefully I can hit that and 7/31/74 this WE.

EDIT: if you like at the pics of this show on the deadnet page for it you’ll see Bob playing a different guitar.
It’s a an Ibanez Musician series like the one I own, only his is light and has more knobs etc, while mine is darker sorta like Tiger. I had Alembic pickups/circuitry put in by Joe Zon back before he moved to LA and made it big.
So now I’m really interested in 6/4/78 to hear what it sounds like!

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I have it on good authority that GOGD is nearing the completion of the new tunnel under the vault. Certainly, with his help, we will get some more 1968 releases.

Thanks for the guidance and picks folks. 2023 is beginning to take form, here's hoping it's not quite the shit show as the last few years have been, GD releases aside of course.

Happy New Year.

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So that’s where that rascally rascal GOGD has been hiding!
I knew he wouldn’t let us down!
ONWARD!

6/4/78: ✔️Decent show, by Jed and Jack firing on all cylinders, but the recording was surprising/disappointing.
Disappointing since it’s a Beatty, which is surprising since it’s a Beatty…(though it’s a cassette?)
Seemed a little hot in spots with noticeable distortion, hopefully just the cassette?
There are so many truly remarkable Beatty’s from spring 78 that you’d think there has to be a good R2R copy somewhere? Seems like they were having fun at this big outdoor show!

7/31/74:✔️Once again with enthusiasm: “Holy cow that third disc is great”
Yeah, how many times do we say that LOL. Not that the rest of the show isn’t nice, just that third disc with that powerful Truckin followed by all that jammy goodness! Proper!
Another one (thanks to you know who) that I finally got a couple years ago that I’ve heard, but not become one with.
I do wonder though, what led him to go with this one for number 2 pick? Again, good show but if you think about what all from 74 hadn’t been released at the point, why this one? Don’t get me wrong, I’m glad for any and all, but sometimes wonder about some of these picks?

12/31/86: Gary, I didn’t hit this as I’ve already done so when our ole buddy Otis suggested it for pick of the day awhile back. My note suggests I liked it, but wasn’t necessarily top shelf? But I wasn’t there so I’m sure it’s different for you!
Good show no matter how you label it…

Ok, don’t think I’ll be able to catch anything today, maybe a quick one tomorrow?
Still reeling from all the crazy games!

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I enjoyed this show, but yes, there is some distortion in spots. Overall better than others in my opinion.

You never know what you might get with some of these recordings.

Where is Otis? It has been a while.

Good to hear the good news for Hamlin and Buffalo OB.

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Re: Weir's guitar... Did he use that instrument in July, too? The tone sounded similar to my ears.

My early DaP's all suffer from disc rot, including #2.

-edit- re: Weir's guitar: from photos on this site, it looks as though he may have been...at least to my Eyes ;-)

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In reply to by wilfredtjones

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Wilfred,
You mentioned that a few years ago. I forgot if you said whether or not you had stored them in the car.
I checked mine back then and didn’t find any rot.

12-1-79 mtx
That new HT sounds good.
You can find it on etree just below the new GEMS 1-2-72.

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17 years 6 months

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They were in a hot car alright. Not anymore. Interestingly, all my discs were in a hot car but only DaP year 1 have suffered the harmful effects. :-/ Luckily, I had digital copies of everything before ripping became impossible

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I noticed to my horror that the 3rd cd of Dicks Picks 16 -11/8/69 wouldn't play over Christmas. When I looked at the cd, I noticed that it appears discoloured in part - it looks a bit like it has a light coffee stain over parts of it. I guess that is disc rot. I keep all the Dicks Picks in a closed cabinet, so it's not sunlight - and the others, touch wood, seem alright.
The Dave's Picks all seem okay when I play them.

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Mornin’, rockers!!!

Pick Of The Day: Golden Hall, San Diego January 10 1970

Here’s a nice little show one never hears about, a short sharp shot of Grateful Dead, a little something for everybody, with that fun, loose, early 1970 vibe. OK there’s no gargantuan jams, but if this was the only recording I had on my desert island it would help pass the time quite nicely until my rescue. Often overlooked, but worth a listen.

Recordings of this little gem have circulated since the dawn of time, maybe there’s a pristine, “new & improved” copy in those banana boxes……….

The biggest problem with every art is by the use of appearance to create a loftier reality….

Rock on!!

Doc
Death is a commingling of eternity with time; in the death of a good man, eternity is seen looking through time…..

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It might be caused by different things, my Daves Picks 1 thru 4 are rotten and don't play anymore. I think it might be to much moisture in the house. Its funny, because I have CDs that are way older and have been played many more times and they are just fine, it just seems to be those Dave's Picks..

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DAVEROCK, my Dave's Vol. 2 got disc rot, only on discs 2 & 3, but this was a couple of years ago. I asked to see if they would replace, even with burned copies, but I never heard back. Luckily, JIMINMD bailed me out on that one. I'm now concerned it will happen too all of my Dave's. Maybe the cheap products they use in Mexico, where the discs are produced?? This really sucks.

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Mr Ones - I wondered if it was the fact that Dave's Picks cds may be cheaply made that has caused some of them to curdle. I haven't heard people mention cds by other artists that have done this - but various people on here have mentioned it in connection with Dave's. Having said that...the one I noticed wouldn't play was a Dicks Picks. And not just any Dicks Picks - 11/8/69.
Billy - I hadn't thought of that, that it could be due to damp, or humidity...dryness whatever in my house. I have had 2 guitars in my house develop hairline cracks in the neck over the years. Both fenders - but according to the local guitar shop, this was just cosmetic, and nothing to worry about. I sold one, and the guy who bought it wasn't worried either. I'd be happier if it didn't happen, myself. I put that down to the atmosphere in the house. But back to cds...why only Dead cds? Back to the way they are made I guess.

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DR, try lavender oil or natural something similar with NO ! petroleum distillates on your necks.

WTJ: good question, I’m not sure?
GD gear just says he experimented with various pick up placements etc for at least the first few years with his Ibanez custom Bob Weir model(s) (The one seen in 75 pics and used primarily on BFA)
He started playing those right after the WL 74 shows and messed with them quite a bit until he seemed to have things dialed in which was around the time he started playing the “Cowboy Fancy” version he mostly played until late 82 (I think) when he switched to Modulus.
I’ve seen pics of both he and Jer playing musician series but not sure exactly when? Most likely 77 and/or 78?
Maybe when JG switched to Travis Bean as he was looking for a possible production guitar that was easier to fix on the road? I know that was the primary reason he tried the Beans as the custom Irwin had to be sent back to Doug eveytime it needed something.
I believe I read BITD that Jer just tried one out a time or two, whereas Bob was working quite a bit for a few years with Hasselberger of Ibanez on different tweaks and models etc. ya know, has to be just exactly perfect ; )
I’ll have to check out some more dated 78 pics and see, but my best guess would be 78…

EDIT: WTJ, looks like theoretically he played the blond musician series from 5/5/78 until 8/31/78.
There are several of the same pics throughout with different dates, so can’t be positive of all shows, or all sets etc, but there are pics from Red Rocks with it by but by 9/2/78 at Giants he’s back to the BW model…

I found one from May 78 with Jerry playing one, but then I couldn’t find it again???

I vote Rhino makes CD duplicates w/ no cover art, cd cases etc. for Dave's 1 - 4 for those that were affected and can at least loosely prove they have CDs that don't work. Or better yet.. send in your faulty discs plus return postage and get just the CD's back in the mail. It would cost them by my estimates about $50k to do this and would create a wealth of goodwill. Or how's this, replace just the CD's for $5 if you mail in your disc rot crapazoid originals.

I also vote Wilfred T gets the benevolent dead net poster of the year award. Never a negative, only positive vibes. I can't think of a more positive non grumpy way to let Rhino know their crappy first year CD's suck ass. In this world of trouble, we need more good and less not so good.

Democratic, right, who's with me? #storm the vault #free the reels #trade your defective discs for good ones.

Oro-thanks for that advice, I'll look into it. When I started reading your post, I thought you were going to suggest putting oil on my cds.

Jim I like the sound of that, replacing damaged cds at little cost. Good will goes such a long way. I have had a few people helping me out at home recently - one of whom couldn't do enough and charged as little as he could to still come away with profit. And another who completely ripped me off - took money and disappeared without doing anything. Both of them have left lingering after effects - one good, one bad.

Thanks, Billy. I'm not letting them off the hook, but it's time consuming and not what I'd like to be doing with my time.

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Nice clean little show!
Perfect for todays needs.
Onward!

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Great recording too for the era too. A great Pigpen centric little show.

Just one question.. what happened to the second set?

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In reply to by JimInMD

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Slim Pickings around here.

I guess I will pull up 9/20/82 from the new MSG Box. I love this box.

Be well out there.

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But I have a pick for tomorrow.. something off the beaten path (I think).

Sorry for being a slacker but I have honestly enjoyed the recent picks and pace.

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Alright Jim, tomorrow sounds good. We will be looking forward to it.

Getting excited for #45. Let's hope we all get it around the release date.