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    What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

    Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

    ...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

    Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

    I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

    We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

    Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

    *2 per order. Very limited quantity available.

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  • Dennis
    Joined:
    Rule 1

    Good music is what I like.

  • That Mike
    Joined:
    The Red Headed Stepchild

    Two songs I like that don’t seem to get a lot of love on this board are Alabama Getaway, and Wang Dang Doodle. I’m sure there are others. The proverbial red-headed stepchild of the Dead canon?

  • Forensicdoceleven
    Joined:
    Saxophone is one thing, and music is another.........

    Good morning rockers, welcome to today!!

    Love Black Peter. Maybe it's the name thing, as it was written for me.....
    Have always struggled with Brokedown Palace, have never really understood why...........
    I need to work on Attics Of My Life. Maybe it's the tempo.............

    Rock on,

    Doc
    I don't know if music can change the world overnight but I know that music can help someone make it through a difficult night......

  • daverock
    Joined:
    An uptempo kind of guy

    Generally speaking, I prefer uptempo songs to ballads. The emotional affect of a song I have heard many times seems to diminish over the years. Whereas, a Chuck Berry rocker for example, never grows old. Similarly, I always enjoy Me and My Uncle - it was great, as pointed out below, when it popped up during The Other One in 1971. I much prefer "Friend Of The Devil" on the album, and when it was played at a similar pace, to how it became translated in later years as a ballad. Maybe I have got less emotional as I have got older.

    Some songs seemed to work better live than on live recordings. As I have said before, I only saw The Dead 5 times. I have never been keen on "Row Jimmy" but in both 1981 and 1990 it worked really well live - in real time. But I'm still not keen when it pops up on a live show I am listening to at home.

    The ultimate bummers for me are the extended Lovelights and Good Lovin's from about mid 1969 - 1971, and these are the only songs in live shows that I skip.

    Luis - maybe they will start selling a Daves 45 at a reduced price!

  • luis
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    Hello

    It's been a long time since I wrote something here. The other day it occurred to me that I had to say something. Nothing new. Just wondering what happens to this release that It didn't sold out yet.

    Nice to be here again.
    Peace.

  • wissinomingdeadhead
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    Comes A Time

    05/04/77

  • Mr. Ones
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    Beauty is also in the ear of the Beholden

    Or something like that. Everybody has their faves, skips, growers, and outgrown.

    Faves(this changes every other day):
    UJB
    CaseyJones
    Box of Rain
    Truckin’
    Wharf Rat

    Skippers:
    M&MU
    Me & Bobby McGee
    Johnny B. Goode
    Around & Around
    Samson & Delilah

    Growers;
    Scarlet
    Estimated
    Ramble On Rose
    Candyman
    Sugaree

    Outgrown:
    Friend of the Devil
    Sugar Magnolia
    Row Jimmy
    Brown Eyed Woman
    One More Saturday Night

    It’s easy. They can change and usually do.
    Every favorite on here is someone’s LEAST favorite, and vice versa.
    So, Live & Let Live or…
    Live & Let Die

    But just live, ‘cause Music is the Best!!
    C’monDave’s 46!!

  • hb672
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    Black Peter

    Beauty is in the eye of the beholder. I respect diverse opinions.

    This is one of my favorite GD tunes. Yes, a "downer" song but powerful. The words are transcendent...the band moves it. As I get older (i'm 68), it means more to me now.

    Looking forward to Dave's 46!

  • alvarhanso
    Joined:
    Comes a Time

    Love this song, always have from first listen that I can recall. Not big on Casey Jones, never have been. Ramble On Rose depends on the version, and sometimes my mood. Love the show opening version from DaP 34 6/23/74. It Must Have Been the Roses is less of a hit. Love Row Jimmy, and Tennessee Jed has always hit the spot (5/21/77 with the envelope filter on for the solo is a particular fave). In an irony of sorts "all of my friends" agree that Black Peter is a downer. I have found two that I actually really like, the aforementioned 6/23/74 and DaP 33 10/29/77. Otherwise, it's a plodding, non-melodic bore. Mr. Lemieux wildly disagrees with that assessment, as that is plainly one of his favorite songs given the incredibly disproportionate number of versions released on DiPs or DaPs. Back to ones I dig, Me & My Uncle I like for the ways they mix it up, either lyrically, or musically. It also works extremely well for a break in a trippy Other One. I can't stand Little Red Rooster. My standing rule for years has been to listen to it once on first listen of a release, just to see if there's any reason to ever subject myself to that screeching again or not, and have never found one worth diving back into. 1980s and after versions of Looks Like Rain are similar, but I'll occasionally find something worth a second howling of those street cats either with Jerry's guitar or Mickey doing something interesting. I also skip Around & Around almost every time as well. I'll also have to say Sugar Magnolia is very hit or miss for me, too. On the other hand, a song that used to lead into it frequently, Wharf Rat, is one of my all time favorites. Hunter/Garcia knocked that one out of the park. But I would bet there are people who love Black Peter and hate our sorry Wharf Rat...

  • Forensicdoceleven
    Joined:
    Music is in my DNA!

    Hey rockers!!

    For anybody interested, Charlie MIller just put out---finally!!---a complete soundboard copy of the 1977 Tempe show...........thank you Mr Miller!!!!

    Me & My Uncle---love it!!
    Row Jimmy---hate it. Always a major buzzkill..........
    Casey Jones---liked it at first, then hated it, now tolerate it......

    Rock on,

    Doc
    My masters are strange folk with very little care for music in them........

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What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

*2 per order. Very limited quantity available.

Just received my package with the Portland Shows.
I eventually paid (in France) like 15 bucks, and it ’s my own fault because I would have paid half on line. Wallet is the best place to learn.
Some of you heard this story: In heaven French do the cooking, the policemen are English, German organize everything and Italian do the entertainment.
In hell English do the cooking, the policemen are French, Italian organize everything, German do the entertainment and …Swiss do the shipping.
Anyway collecting dead shows is no more a merry prankster thing.

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Never enough 77.
(whispers)
Never...

Though more of the under-represented years would be nice (if the PB&J are listening).

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Harem Scarem. RGM reissue from 1991, never been on vinyl.
Never heard of them. Any thoughts?
Some connection with this album and a TV show.
Cheers, eh?

RV3's new series of releases "Brent's Picks"?

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March & December, still some good music left.

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In reply to by sheik yerbones

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Sheik- I like that line about how the English do the cooking in hell. They could also manage the railways and decide what the drug laws should be.

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The Dutch would be responsible for administration.

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In reply to by billy the kiddd

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Winterland 77 March/December would be a nice haul for sure.
Likewise the remaining Palladium 77 run.
A do-over 5/22 full show release would be swell as well.

Also, an October 74 Winterland box.

Also...

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10/9 and 10/10 would make a nice two-fer. Great auds of both days available on the Archive.

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In reply to by Cousins Of The…

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In the last 15-16 months, 9 Brent shows have been released.
MSG Box
DaP 40, 44

2 more shows with DaP 36.
And the Giants Stadium Box a few years ago.

There is no shortage of Brent releases.

There is a shortage of Bruce releases.

There is a shortage of video releases.

Edit:
The View From The Vault Series gave us some Bruce plus video.

Dave/Rhino,
Time for more video.
Thanks for 6-17-91 on Blu-ray, but don’t stop there.

We need all the video from:
Oct. 74, Oct. 80, European tours, Alpine 89, Tinley Park 90.

Then some selections from 91 starting with Soldier Field.

Thanks in advance.

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In reply to by icecrmcnkd

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without a shipping issue, I’ve had to endure two debacles in a row.

So DaP45 finally arrived today. I have been listening to it all evening.

Remember the scene in the movie Big where all the executives and Josh (Tom Hanks) are meeting to evaluate the merits of the new company toy. At the end of the discussion Josh meekly raises his hand and says, “I don’t get it.”

That’s how I feel about this release.

....I'm not going to mention any names, but how about some 1991-1995?
Guess most of them wouldn't cut the mustard, but I saw plenty of shows then, and I recall some being pretty damn good.
A Vegas Box would be much welcome.
Throw in some dice and playing cards. Limited to seven come eleven of course.
One can hope!
The Sphere is being lit up btw. Test runs.
Edit....what don't you get AJS? Why it was released at all? 🤔
I'm open to a discourse.

Ha...

I have mine but have not had the opportunity to listen. I reserve the right to resurrect my view on 1977 GD upon my listen. 77 shows remind me of my supermodel ex-girlfriend. Practically perfect yet somehow not altogether satisfying.

I'm sure it's absolutely killer. First world problems to be sure.

As you were.

Edit: I really have nothing against '77 GD. When I am in the mood it does magic.

Saw a few really solid shows between 91-95, with 10/19/94 at MSG being one of the best.

Was psyched that they released the Feels Like>Bertha from that show as part of this year’s 30 Daze line up.

The 10/1/94 Boston gig they included in the 30 trips box is also pretty fab.

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In reply to by BedHead77

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Sir James probably summed it up best. It’s oddly unsatisfying.

There’s nothing bad about it, but there’s also nothing overly exciting about it. I thought that even the sound quality was just average.

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In reply to by DeadVikes

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I'd simply like more '68, '69 and '70.

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In reply to by BedHead77

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A live concert can be enjoyed at the time of being there, but that doesn't mean it would make a satisfying recording.
Actually, that applies to releases from all eras, from all bands. But it was posts from people who enjoyed Dead shows between 91-95, and suggested some of those be released that reminded me of the fact.

It works the other way round, too. Some live shows I have been to I haven't enjoyed - but listening to recordings of them later, I realised they were better than I thought they'd been. Even Jerry commented on this phenomena- I think it's in The Dead Movie he recalls not liking their performance on 2/14/68 and throwing Phil down some stairs as a response. He listened to them later, and found them to be... "crackling with energy" I think was the phrase.

From my vast experience of going to Dead shows, I would say there was hardly any relation between being there and listening to live recordings.

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In reply to by daverock

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"in Hell": this story is very "cliché". I heard it on a richard Thompson Dvd, maybe 2000 years of pop music...
Yesterday I was a bit annoyed cause I spent time on the phone and car to get this package. Things have changed since the elephant administration...4 or 5 years ago? I felt like paying tax for a boxset for two shows.

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In reply to by daverock

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it depends of the mood you are in. But most of gd recordings are great, even the 82 cassettes. (dickP32)
If you listen Dylan 's fragments bootleg series vol 17, you can measure the greatness of gd recordings. I had to listen live cd4 more times to appreciate, but there's nothing like the other studio takes. the Dead has built the best show catalogue of all time.

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Hey rockers.............

My parents used to say, "If you can't say anything good about something, don't say anything at all". That's why I'm here not saying anything about anything...................

Portland? Don't get the buzz about all that, but we got our annual 77 so let's move on. But not on to 91-95. Some February 1973 would hit the spot...........

Heaven is my current wife, hell is my ex-wife, purgatory is alimony.............

Rock on,

Doc
If your parents never had children, chances are you won't either......

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Dead releases are like Texas weather, don't like it, wait, it'll change.

There is something for everyone, but everyone won't like everything.

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RIP Burt Bacharach
What the World needs now is Love as true today as the day he wrote it.
Via Con Dios so many tunes from out yesterdays

Lurking lately, now catching up again after last weekends deep deep freeze here in Vermont. Live about 50 air miles from Mount Washington and was paying close attention to the extreme weather, cause there's new plumbing in my unheated, fortunately below grade marginally insulated basement. It was 21 below zero last Saturday morning with 35 mph gusts that night, very happy to be earth sheltered. But all that pales infinitesimally to the tragic situation in Turkey. So though #45 was here, was not in the mood to begin paying attention until now, have not yet completed a first run. First impression was very good to excellent recording, Donna in a good place, agreed it seems a bit drum forward, seems to be slight emphasis on mid bass such there is slight percussive effect not noticed on most other recordings. This is a very minor observation. Glad to have these shows tidied up, good fun, obviously not peak 77. Easily distracted by other posts, totally agree with Oro that when the Dead went to Macintosh power amps, audio was cleaned up by a factor or at least 10X... love those old Fender tube amps when they are run right but there was tube abuse, those 6L6s, EL84s etc output tubes pushed so hard, ran so hot, their distortion figures must have been above the 1-2% range. Now to video, though the VftV series is here along with other commercially released vids, had never thought to look for the June 21, 1971 Chateau d'Herouville show and was pleased to find it this morning on utu be. House party on the lawn. Bit rough and raw, hand held cameras, for such a location, the audio is good and there's an excellent Hard to Handle, pig in fine form. Worth checking out.

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50 years ago today I wasn't at Maples Pavilion up in Palo Alto. ( I'm sure I was doing something that was just as fun), but my brother was there and he had a blast!. This show would make a great release.

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when Doc and Dennis just handled it all.

Except, what about Jer on Disc One?? He's ripping!

Haven't spun the shows yet. Just dipped toe. More toes tonight.

Arrived this morning. Good to see it in the flesh, as it were, after having looked at it's picture so many times on the board. I have only played the 1st cd, and I did enjoy it - crisp and clear with plenty of energy. It's neither more nor less than I was expecting really. Possibly a bit more. One of the benefits of reading negative reviews is that it lowers the bar a bit, so that when I do get to hear the offending show, it sounds better than I was expecting. When everyone praises a show it sometimes gives it too much to live up to. And when I do eventually get round to listening to one of those, I can then think that it's not as good as everyone says it is.

Curiously the "Promised Land "-"They Love Each Other" openers appear to be soundboard recordings on my old bootleg. The Promised Land suddenly cuts out after a minute, though.

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I have absolutely no idea how May '77 Cornell became so revered. It sounds/plays like the least interesting show in that run. Real good show. No standout.

Just two cents to augment what daverock said.

From what I've heard so far, I'm going to really enjoy the new pick and not worry how it might be assessed by others. As for ranking shows, I don't have the brain cells to spare.

Most likely because it was the first high-quality soundboard recording that was widely available to the masses. It got everybody hooked. Thank you Betty.

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In reply to by Angry Jack Straw

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This part. Exactly.

First tape I ever owned.

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Yes, this time Dave's Picks arrived in Växjö in less than two weeks!

Got it yesterday, on February 8th, and listen right now to the second CD (second set from October 1st). Good music even though shows from 1977 seems to be a little over-done by now.

I would appreciate more bits and pieces from fall 1966 to 1970 and maybe not as a Dave's Picks volume, I would appreciate a release of June 9-10, 1973.
I have a framed poster above my stereo / TV furniture with a photo of Weir, Lesh and Garcia from one of those shows. Bought it in San Francisco in August or September 1986 and have had it on different walls since I got home to Sweden again. The show from June 10 was one of my first tapes I recieved early in 1985 after having a tape traders ad in the last issue of The Golden Road fanzine in 1984.
But I would prefer something much more superior in sound quality by now. :-)

Well, anyway I'm pleased and grateful for a delivery faster than the seven or eight weeks I normally have to wait for a new DP volume! :-)

Micke Östlund,
Växjö, Sweden

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Just for the record, I've only ever had one....................

In regards to Cornell, it was definitely NOT one of the first high quality boards available to the masses. That's a myth, there were lots of other high quality things----including early stuff. That being said, it WAS one of the first high quality 77s to enter wide circulation. But as many more 77s came out---including the shows right before and right after----some of the luster came off Cornell.

I think Cornell is similar to Veneta---it's one of those "you had to be there" types of things. And, like Veneta, good show, but one of the great great overrated Grateful Dead shows.

Just one man's opinion.......

Rock on,

Doc
He who can no longer pause to wonder and stand rapt in awe, is as good as dead; his eyes are closed......

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Does anyone else hear a muffled voice, like someone on a phone or behind glass say "He's just talking to 1A, come on back." during Black Peter, right at 6:45? Did it come from the disc, or did my computer pick up a nearby call or something.

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Who cares? It either moves you or it doesn't. If it moves you listen again, if it doesn't then move on to something that does. I like some of these picks more than others, but I want them all. I don't have any list of desired releases, and although I love to see shows that I attended released, they are not necessarily the releases that I go back to most often. Really, I just want shows with good sound quality, songs presented in order, and beyond that it is all subjective. One person's good release is another's ho-hum release, which is pretty clear from this thread. I like to listen to a wide variety of music, with a good chunk of it Dead, but there is so much music to listen to, and my enjoyment depends not a bit on how folks rank it.

Burt Bacharach had a ton of great stuff, including some fantastic stuff covered by Isaac Hayes that really hits the spot - Walk on By from Hot Buttered Soul, The Look of Love from ...To Be Continued, and They Long to Be from the classic Black Moses album, some really classic stuff best played a little loud on a good system. Or maybe a lot loud.

Yes, I've just heard it on "Black Peter" too. I think this show, 10/1, is pretty good overall. Some great guitar playing throughout.
I wonder also if shows like Cornell and Veneta gained a reputation because of strongly expressed and publicised opinions affirming their superiority in earlier times. And those opinions became reinforced by others until they became perceived as fact. John Dwork wrote pages and pages about Veneta in The Taping Compendium, whereas some shows on the European tour were summed up in a few paragraphs. Granted, they may not have had the full tapes for some of the European shows, but the impression given is that Veneta is the greatest show of the year - if not of all time. Maybe articles like that, blow shows..like that...out of all proportion.

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Oh, it's there on the disc. It freaked me out when I first heard it in my car zoned in on the commute to work!

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This release to me felt like an old broke in pair of jeans the first time I listened to it. It feels comfortable and makes me feel good. I've listened to it all four or five times now, minus Let it Grow and Cassidy which I generally just do not care for. Bah! Humbug! How dare he.

I have a Nash T52 Telecaster which arrived, brand new, heavily relic'd. I liken this release to it. The guitar played like butter right out of the box like an old friend I just met. I had never heard this show before, but it's what, 46 years old? Older is usually better with cars, wine, whisky, guitars, Dead shows. Hell, my wife is 50 and I wouldn't even trade her for a 20 year old. ;-p

Just a matter of taste I guess. Love this release and can't wait for the next one.

Peace everyone... well, almost.

\m/

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In reply to by LedDed

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Ho
Lee
Phuc

I give up on y'all

I really gotta quit coming to these posting thingies....

Cornell

Great sound and the greatest orgasmic Morning Dew of all time

"You told me goodbye
How was I to know
You didnt mean goodbye
You meant please
Dont let me go"

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In reply to by proudfoot

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....I like the '83 Santa Fe shows. Like. A lot. Definitely whatever rated lol.
I'm just here hoping for a Dave's that is numbered under four digits. One day.
And LedDed. I wouldn't trade my 50+ year old wife for a 20 year old either.
She's hotter and smarter anyways.

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Hey, Nineteen
No, we got nothing in common
No, we can't dance together
No, we can't talk at all
Please take me along, when you slide on down

Yngwie Malmsteen - Relentless
The Flaming Lips - At War With The Mystics
GD - 10.2.77 Portland, OR
The Cult - Love
Deep Purple - Deep Purple In Rock
List works imo....

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In reply to by Vguy72

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....Yo La Tengo just dropped a record. Like, forty minutes ago.
Yessssss

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In reply to by proudfoot

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It always strikes me as ludicrous when people think they have nothing in common with others who disagree with them. The commonality lies in the fact that people understand each other, not that they agree. If I told my neighbour that I thought Veneta or Cornell were overrated, she would neither know nor care what I was talking about. If I said the same thing on here - I'm not assuming anyone would care - but at least a lot of people would understand what I was saying. Whether anyone agreed or not would be interesting to me - but not divisive.

Ledded - that Nash tele sounds alright. I wouldn't mind seeing a picture of that.

I am sure the 50 year old wives find it reassuring that they wouldn't be swopped for 20 years olds. What about when they are 60, though? With a 30 year old ?

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