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    What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

    Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

    ...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

    Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

    I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

    We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

    Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

    *2 per order. Very limited quantity available.

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  • proudfoot
    Joined:
    12 29 69

    Give it a listen on archive

    You're welcome

  • billy the kiddd
    Joined:
    Sells out immediately

    9/19 & 20/70.

  • That Mike
    Joined:
    Still Mistaken

    It wasn’t me that raised the issue, I only mentioned that one factor that may be slowing sales is the international shipping rate of $16 per item, but it is what it is.
    But beyond that, I never give it much thought.

    Edit: No problem, 1st Show. It’s just I’m under oath, I want no problems with the law.

  • 1stshow70878
    Joined:
    Mistaken Identity

    I think it was Crow or That Mike he is referring to DR. Had to do a double take myself and go back and see. Certainly an informed opinion running a store. There are tons of resellers on ebay and some of the prices are astronomical but as Colin said that's the free market at work. At those prices there must be a very limited market i.e. those with more money than sense. Makes me wonder if there is a way to protect the artist and maker from reproduction as well. I remember the big stew over cassette decks when they first arrived. And that first file sharing thing, was it Napster? Aren't some movies protected from being copied? But I digress. And clearly mine is an uniformed guess.
    Cheers
    Edit: Oops, sorry Mike.

  • daverock
    Joined:
    Dreading

    That's an interesting post about the sale of cds, but I can't help wondering if you have mixed me up with someone else! My only comment on the sale of Dave's Picks was thinking that if they don't sell out quickly, then it's not so good, and that in this case it might mean we have had a surfeit of 1977 shows.
    That's a shocking figure, 50% of subscribers being people who buy to sell on in the first ten years. Screws everything up, I would say. But it's not something I usually think about.

  • Vguy72
    Joined:
    That Mike gets it....

    ....banking points re give and take with ones life partner.
    And a happy wife is not an oxymoron.
    My wife got on me about concerts. She wants to raise chickens.
    So, we bought a coop. And the chicks need a ticket to enter it lol.
    Obligatory thank you to Dennis for the LP on LP dl's.

  • proudfoot
    Joined:
    "Happy wife" is an oxymoron

    ...

  • dreading
    Joined:
    Daverock

    I respectfully disagree with your assessment Daverock but I am curious what your rebuttal would be to the situation I presented. What I want (tons of releases all year long) and what is realistic are two different things. I am a CD store owner and keep a very close eye on what's going on with eBay. As I indicated, there is some guesswork without knowing the specifics of the Rhino deal with the Dead or the budget they have to work with from quarter to quarter.

    What I do know is the sales history and sellout rate going back to Rhino's deal to distribute Grateful Dead. First was the Download Series - it was short lived. Why? It either failed because of file transfers between fans, which undercut sales. Or it was a pilot program to gage interest in the Grateful Dead so they could determine how many CDs to manufacture for each release in what would become the Road Trips series.

    Road Trips failed. It was not Limited Edition. Some will argue it failed because it sold partial shows, but in reality, they course course corrected on that quickly, and I think at least half were complete shows, mostly in the last half of the 4 year Road Trips program. Incomplete shows is not a good argument for the rebranding to Dave's Picks. We do know some things about Road Trips: 1) It failed or they would not have changed their business model to Limited Edition. 2) We also know if failed because they had stock on the shelves long after the program ended. Old stock of original pressings on CD / Record Store shelves is the kiss of death. This is why record stores were allowed to return LPs and CDs after initial shipments. That's how distribution to outlets works. Back in the day, Tower Records agrees to buy a huge number of U2's current release so they can sell it faster and cheaper, which ultimately led to more floor traffic in their store and lower prices. But this model relied on bulk purchasing, which required cash. Stores therefore had an "out" written into their deal, which allowed them to return unsold quantities to Distributers. Trust me when I tell you that turnaround is the main objective for small operations, since there is nobody to return these CDs to. They have their own private "thing" going on here with the Dead and other "expired" artists. Yes they have a large parent company and Rhino itself is nothing to shake a stick at but all of these little divisions still operating budgets and fiscal goals that need to be met, and these get reviewed quarterly in most companies. Road Trips did not survive the "mystery pressing" sales model (meaning we don't know how many CDs they pressed for Road Trips).

    3) Dave's Picks - Limited Edition + Subscription = success. They front-load their sales with subscriptions and sell what's left over. But there is motivation for buyers to subscribe. They save money, they get a bonus disc, and they don't have to worry about missing a release. But look at the small, safe numbers they started with. 12K per release. 48K a year. In steps the resellers. We have no idea how many sales go to resellers, but I would guess 50% of subscriptions went to resellers in the first 10 years of the Dave's Picks program. I've spoken to many of them. Some buy up to 100 units. Rhino does not allow this, but they have they're methods for working around the system. Keep in mind, for eBay seller selling a recent Dave's Picks, he has another copy of the same CD lined up to sell next. In other words, you can't just count the number of Dave's Picks CDs currently on sale. You have to assume most of them have several copies.

    The eBay box set and Dave's Picks reseller's bread and butter is the limited edition AND limited pressing model that Rhino took toward the business. It allowed resellers to hog up the merchandise like Harrison's little piggies and mark up the price. Same thing that's going on with concert tickets, except the home business entrepreneur can get a slice of this pie, because CDs are relatively inexpensive next to concert tickets, and relatively profitable if you can get away with a 50 to 70% mark up. But as I said in my previous post, THE EBAY BUBBLE HAS BURST. The casual go-getter can't get a piece of this market anymore. It's been on the decline for a few years as the Dave's Picks numbers increased in manufacturing, but more to the point, which you might have overlooked Daverock, is the massive increase in taxes and other fees that eBay sellers have to accept. They can no longer NOT pay the IRS. eBay reports their earnings to the IRS for anything over $600 starting this year, in the way of a 1099-K (and anyone looking to make money on ebay selling Grateful Dead CDs is Grossing more than $600).

    The US tax brackets are higher than a few years ago now too. As I stated in my last post, there is simply no money to be made by peddling Grateful Dead CDs on eBay anymore. Where they used to enjoy at least100% profit on the worst selling Dave's picks, maybe 300% profit on average demand Dave's Picks, and up to 600 - 1000% (or more) on the real hum-dingers, they're completely out in the cold now, because they've gone from paying a measly 13% in sellers fees (which they could get away with making back by bumping the CD price up $10 -$15) to 50% in most cases, depending on your tax bracket). And the CDs are no longer in demand, because of the growth / competition of eBay sellers, and the production increase up to 25K now for each Dave's Picks release. They'll be lucky to break even. The bubble burst and we're seeing it now. I also stated it wouldn't impact us overnight, but we'll see production numbers begin to decrease, and maybe an increase in time between box sets. I don't think it's a coincidence that the early bird pricing was extended this year (it may have been the subscription availability in general, I don't recall). One could also argue (and some have) that the demand for the Dead is going down (at least for 1977). This is natural I think, because so much is already available.

    I don't want this any more than any of us. I love all the new releases I can get. But I truly believe a large number of subscriptions were going to resellers, and resellers are leaving this market.

  • That Mike
    Joined:
    A Night At The Opera

    Re: Opera
    A case of “Happy wife, Happy life”, gents. Points banked come in handy.

  • Mr. Ones
    Joined:
    The More (Styles) The Better

    I must be fairly open minded musically, because I occasionally get comments like:
    “That sounds like suicide music”
    “That makes me want to stick pins in my eyes”
    “What the hell is that??”
    “You’re making me ill “

    S’okay, because I like what I like, and I don’t care if anyone else likes it. I heard a person say to me “you have to see opera Live, to get the beauty of it”. Personally, the vocals are difficult for me to take. Really not big on that Northern European Death Metal either, with all of the low, growling voices that muddle the lyrics.
    And yet, give me 20 minutes of pure cacophony, I’ll love it!!
    It’s a fools errand to tear down something that others like, because the coin has 2 sides.
    Live and let Listen!!

    Now, back to my Henry Franklin “ TheSkipper At Home” album.
    Go 49ers.

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What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

*2 per order. Very limited quantity available.

Just received my package with the Portland Shows.
I eventually paid (in France) like 15 bucks, and it ’s my own fault because I would have paid half on line. Wallet is the best place to learn.
Some of you heard this story: In heaven French do the cooking, the policemen are English, German organize everything and Italian do the entertainment.
In hell English do the cooking, the policemen are French, Italian organize everything, German do the entertainment and …Swiss do the shipping.
Anyway collecting dead shows is no more a merry prankster thing.

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Never enough 77.
(whispers)
Never...

Though more of the under-represented years would be nice (if the PB&J are listening).

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Harem Scarem. RGM reissue from 1991, never been on vinyl.
Never heard of them. Any thoughts?
Some connection with this album and a TV show.
Cheers, eh?

RV3's new series of releases "Brent's Picks"?

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March & December, still some good music left.

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In reply to by sheik yerbones

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Sheik- I like that line about how the English do the cooking in hell. They could also manage the railways and decide what the drug laws should be.

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The Dutch would be responsible for administration.

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In reply to by billy the kiddd

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Winterland 77 March/December would be a nice haul for sure.
Likewise the remaining Palladium 77 run.
A do-over 5/22 full show release would be swell as well.

Also, an October 74 Winterland box.

Also...

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10/9 and 10/10 would make a nice two-fer. Great auds of both days available on the Archive.

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9 years 1 month

In reply to by Cousins Of The…

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In the last 15-16 months, 9 Brent shows have been released.
MSG Box
DaP 40, 44

2 more shows with DaP 36.
And the Giants Stadium Box a few years ago.

There is no shortage of Brent releases.

There is a shortage of Bruce releases.

There is a shortage of video releases.

Edit:
The View From The Vault Series gave us some Bruce plus video.

Dave/Rhino,
Time for more video.
Thanks for 6-17-91 on Blu-ray, but don’t stop there.

We need all the video from:
Oct. 74, Oct. 80, European tours, Alpine 89, Tinley Park 90.

Then some selections from 91 starting with Soldier Field.

Thanks in advance.

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In reply to by icecrmcnkd

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without a shipping issue, I’ve had to endure two debacles in a row.

So DaP45 finally arrived today. I have been listening to it all evening.

Remember the scene in the movie Big where all the executives and Josh (Tom Hanks) are meeting to evaluate the merits of the new company toy. At the end of the discussion Josh meekly raises his hand and says, “I don’t get it.”

That’s how I feel about this release.

....I'm not going to mention any names, but how about some 1991-1995?
Guess most of them wouldn't cut the mustard, but I saw plenty of shows then, and I recall some being pretty damn good.
A Vegas Box would be much welcome.
Throw in some dice and playing cards. Limited to seven come eleven of course.
One can hope!
The Sphere is being lit up btw. Test runs.
Edit....what don't you get AJS? Why it was released at all? 🤔
I'm open to a discourse.

Ha...

I have mine but have not had the opportunity to listen. I reserve the right to resurrect my view on 1977 GD upon my listen. 77 shows remind me of my supermodel ex-girlfriend. Practically perfect yet somehow not altogether satisfying.

I'm sure it's absolutely killer. First world problems to be sure.

As you were.

Edit: I really have nothing against '77 GD. When I am in the mood it does magic.

Saw a few really solid shows between 91-95, with 10/19/94 at MSG being one of the best.

Was psyched that they released the Feels Like>Bertha from that show as part of this year’s 30 Daze line up.

The 10/1/94 Boston gig they included in the 30 trips box is also pretty fab.

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In reply to by BedHead77

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Sir James probably summed it up best. It’s oddly unsatisfying.

There’s nothing bad about it, but there’s also nothing overly exciting about it. I thought that even the sound quality was just average.

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In reply to by DeadVikes

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I'd simply like more '68, '69 and '70.

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In reply to by BedHead77

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A live concert can be enjoyed at the time of being there, but that doesn't mean it would make a satisfying recording.
Actually, that applies to releases from all eras, from all bands. But it was posts from people who enjoyed Dead shows between 91-95, and suggested some of those be released that reminded me of the fact.

It works the other way round, too. Some live shows I have been to I haven't enjoyed - but listening to recordings of them later, I realised they were better than I thought they'd been. Even Jerry commented on this phenomena- I think it's in The Dead Movie he recalls not liking their performance on 2/14/68 and throwing Phil down some stairs as a response. He listened to them later, and found them to be... "crackling with energy" I think was the phrase.

From my vast experience of going to Dead shows, I would say there was hardly any relation between being there and listening to live recordings.

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In reply to by daverock

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"in Hell": this story is very "cliché". I heard it on a richard Thompson Dvd, maybe 2000 years of pop music...
Yesterday I was a bit annoyed cause I spent time on the phone and car to get this package. Things have changed since the elephant administration...4 or 5 years ago? I felt like paying tax for a boxset for two shows.

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In reply to by daverock

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it depends of the mood you are in. But most of gd recordings are great, even the 82 cassettes. (dickP32)
If you listen Dylan 's fragments bootleg series vol 17, you can measure the greatness of gd recordings. I had to listen live cd4 more times to appreciate, but there's nothing like the other studio takes. the Dead has built the best show catalogue of all time.

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Hey rockers.............

My parents used to say, "If you can't say anything good about something, don't say anything at all". That's why I'm here not saying anything about anything...................

Portland? Don't get the buzz about all that, but we got our annual 77 so let's move on. But not on to 91-95. Some February 1973 would hit the spot...........

Heaven is my current wife, hell is my ex-wife, purgatory is alimony.............

Rock on,

Doc
If your parents never had children, chances are you won't either......

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Dead releases are like Texas weather, don't like it, wait, it'll change.

There is something for everyone, but everyone won't like everything.

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RIP Burt Bacharach
What the World needs now is Love as true today as the day he wrote it.
Via Con Dios so many tunes from out yesterdays

Lurking lately, now catching up again after last weekends deep deep freeze here in Vermont. Live about 50 air miles from Mount Washington and was paying close attention to the extreme weather, cause there's new plumbing in my unheated, fortunately below grade marginally insulated basement. It was 21 below zero last Saturday morning with 35 mph gusts that night, very happy to be earth sheltered. But all that pales infinitesimally to the tragic situation in Turkey. So though #45 was here, was not in the mood to begin paying attention until now, have not yet completed a first run. First impression was very good to excellent recording, Donna in a good place, agreed it seems a bit drum forward, seems to be slight emphasis on mid bass such there is slight percussive effect not noticed on most other recordings. This is a very minor observation. Glad to have these shows tidied up, good fun, obviously not peak 77. Easily distracted by other posts, totally agree with Oro that when the Dead went to Macintosh power amps, audio was cleaned up by a factor or at least 10X... love those old Fender tube amps when they are run right but there was tube abuse, those 6L6s, EL84s etc output tubes pushed so hard, ran so hot, their distortion figures must have been above the 1-2% range. Now to video, though the VftV series is here along with other commercially released vids, had never thought to look for the June 21, 1971 Chateau d'Herouville show and was pleased to find it this morning on utu be. House party on the lawn. Bit rough and raw, hand held cameras, for such a location, the audio is good and there's an excellent Hard to Handle, pig in fine form. Worth checking out.

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50 years ago today I wasn't at Maples Pavilion up in Palo Alto. ( I'm sure I was doing something that was just as fun), but my brother was there and he had a blast!. This show would make a great release.

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when Doc and Dennis just handled it all.

Except, what about Jer on Disc One?? He's ripping!

Haven't spun the shows yet. Just dipped toe. More toes tonight.

Arrived this morning. Good to see it in the flesh, as it were, after having looked at it's picture so many times on the board. I have only played the 1st cd, and I did enjoy it - crisp and clear with plenty of energy. It's neither more nor less than I was expecting really. Possibly a bit more. One of the benefits of reading negative reviews is that it lowers the bar a bit, so that when I do get to hear the offending show, it sounds better than I was expecting. When everyone praises a show it sometimes gives it too much to live up to. And when I do eventually get round to listening to one of those, I can then think that it's not as good as everyone says it is.

Curiously the "Promised Land "-"They Love Each Other" openers appear to be soundboard recordings on my old bootleg. The Promised Land suddenly cuts out after a minute, though.

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I have absolutely no idea how May '77 Cornell became so revered. It sounds/plays like the least interesting show in that run. Real good show. No standout.

Just two cents to augment what daverock said.

From what I've heard so far, I'm going to really enjoy the new pick and not worry how it might be assessed by others. As for ranking shows, I don't have the brain cells to spare.

Most likely because it was the first high-quality soundboard recording that was widely available to the masses. It got everybody hooked. Thank you Betty.

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In reply to by Angry Jack Straw

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This part. Exactly.

First tape I ever owned.

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Yes, this time Dave's Picks arrived in Växjö in less than two weeks!

Got it yesterday, on February 8th, and listen right now to the second CD (second set from October 1st). Good music even though shows from 1977 seems to be a little over-done by now.

I would appreciate more bits and pieces from fall 1966 to 1970 and maybe not as a Dave's Picks volume, I would appreciate a release of June 9-10, 1973.
I have a framed poster above my stereo / TV furniture with a photo of Weir, Lesh and Garcia from one of those shows. Bought it in San Francisco in August or September 1986 and have had it on different walls since I got home to Sweden again. The show from June 10 was one of my first tapes I recieved early in 1985 after having a tape traders ad in the last issue of The Golden Road fanzine in 1984.
But I would prefer something much more superior in sound quality by now. :-)

Well, anyway I'm pleased and grateful for a delivery faster than the seven or eight weeks I normally have to wait for a new DP volume! :-)

Micke Östlund,
Växjö, Sweden

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Just for the record, I've only ever had one....................

In regards to Cornell, it was definitely NOT one of the first high quality boards available to the masses. That's a myth, there were lots of other high quality things----including early stuff. That being said, it WAS one of the first high quality 77s to enter wide circulation. But as many more 77s came out---including the shows right before and right after----some of the luster came off Cornell.

I think Cornell is similar to Veneta---it's one of those "you had to be there" types of things. And, like Veneta, good show, but one of the great great overrated Grateful Dead shows.

Just one man's opinion.......

Rock on,

Doc
He who can no longer pause to wonder and stand rapt in awe, is as good as dead; his eyes are closed......

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Does anyone else hear a muffled voice, like someone on a phone or behind glass say "He's just talking to 1A, come on back." during Black Peter, right at 6:45? Did it come from the disc, or did my computer pick up a nearby call or something.

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Who cares? It either moves you or it doesn't. If it moves you listen again, if it doesn't then move on to something that does. I like some of these picks more than others, but I want them all. I don't have any list of desired releases, and although I love to see shows that I attended released, they are not necessarily the releases that I go back to most often. Really, I just want shows with good sound quality, songs presented in order, and beyond that it is all subjective. One person's good release is another's ho-hum release, which is pretty clear from this thread. I like to listen to a wide variety of music, with a good chunk of it Dead, but there is so much music to listen to, and my enjoyment depends not a bit on how folks rank it.

Burt Bacharach had a ton of great stuff, including some fantastic stuff covered by Isaac Hayes that really hits the spot - Walk on By from Hot Buttered Soul, The Look of Love from ...To Be Continued, and They Long to Be from the classic Black Moses album, some really classic stuff best played a little loud on a good system. Or maybe a lot loud.

Yes, I've just heard it on "Black Peter" too. I think this show, 10/1, is pretty good overall. Some great guitar playing throughout.
I wonder also if shows like Cornell and Veneta gained a reputation because of strongly expressed and publicised opinions affirming their superiority in earlier times. And those opinions became reinforced by others until they became perceived as fact. John Dwork wrote pages and pages about Veneta in The Taping Compendium, whereas some shows on the European tour were summed up in a few paragraphs. Granted, they may not have had the full tapes for some of the European shows, but the impression given is that Veneta is the greatest show of the year - if not of all time. Maybe articles like that, blow shows..like that...out of all proportion.

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Oh, it's there on the disc. It freaked me out when I first heard it in my car zoned in on the commute to work!

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This release to me felt like an old broke in pair of jeans the first time I listened to it. It feels comfortable and makes me feel good. I've listened to it all four or five times now, minus Let it Grow and Cassidy which I generally just do not care for. Bah! Humbug! How dare he.

I have a Nash T52 Telecaster which arrived, brand new, heavily relic'd. I liken this release to it. The guitar played like butter right out of the box like an old friend I just met. I had never heard this show before, but it's what, 46 years old? Older is usually better with cars, wine, whisky, guitars, Dead shows. Hell, my wife is 50 and I wouldn't even trade her for a 20 year old. ;-p

Just a matter of taste I guess. Love this release and can't wait for the next one.

Peace everyone... well, almost.

\m/

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In reply to by LedDed

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Ho
Lee
Phuc

I give up on y'all

I really gotta quit coming to these posting thingies....

Cornell

Great sound and the greatest orgasmic Morning Dew of all time

"You told me goodbye
How was I to know
You didnt mean goodbye
You meant please
Dont let me go"

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In reply to by proudfoot

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....I like the '83 Santa Fe shows. Like. A lot. Definitely whatever rated lol.
I'm just here hoping for a Dave's that is numbered under four digits. One day.
And LedDed. I wouldn't trade my 50+ year old wife for a 20 year old either.
She's hotter and smarter anyways.

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Hey, Nineteen
No, we got nothing in common
No, we can't dance together
No, we can't talk at all
Please take me along, when you slide on down

Yngwie Malmsteen - Relentless
The Flaming Lips - At War With The Mystics
GD - 10.2.77 Portland, OR
The Cult - Love
Deep Purple - Deep Purple In Rock
List works imo....

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In reply to by Vguy72

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....Yo La Tengo just dropped a record. Like, forty minutes ago.
Yessssss

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10 years 3 months

In reply to by proudfoot

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It always strikes me as ludicrous when people think they have nothing in common with others who disagree with them. The commonality lies in the fact that people understand each other, not that they agree. If I told my neighbour that I thought Veneta or Cornell were overrated, she would neither know nor care what I was talking about. If I said the same thing on here - I'm not assuming anyone would care - but at least a lot of people would understand what I was saying. Whether anyone agreed or not would be interesting to me - but not divisive.

Ledded - that Nash tele sounds alright. I wouldn't mind seeing a picture of that.

I am sure the 50 year old wives find it reassuring that they wouldn't be swopped for 20 years olds. What about when they are 60, though? With a 30 year old ?

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