• 8,084 replies
    marye
    Joined:
    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • DeadVikes
    Joined:
    Otis/Oroborous

    Good to see you back in the loop. Hope all is well. New system is always exciting.
    I am willing to give Dave's 31 another try. Haven't listened to it since last year.

    Took out Good old Dave's 25, the BINGHAMTON NY 77 show. Some of these shows keep getting better with each listen.
    Oroborous, you are a wild man. What a ride!

    Be well folks. I have heard rumblings in other pages about big announcements coming. Don't know about that but we do know Dave's 35 will be announced in July. Maybe they will give Oroborous an 85 pick?

  • Vguy72
    Joined:
    6.28.85 Hershey Park....

    ....another one of my first tapes. Bird Song-> Comes A Time -> Deal. A rare Garcia trifecta to end the first. Music Never Stopped-> Tom Thumbs to open the second. How do you guys keep bringing up my first loves? And why does this band keep following me?
    Here's kind of a story. I tripped balls listening to this tape in 1989. That's all I got.

  • wilfredtjones
    Joined:
    Hershey

    You know it's on Dave's radar as he has played some of it on 30 Days in past years. Good show and one of my first tapes. Keep the stories coming! :-)

  • Oroborous
    Joined:
    6/28/85

    So after basically staying up for 2 days at SPAC, we finally pack it up and hit the road the next day. I believe it was a rainy, gloomy day most of the day. But that didn’t stop our idiot patrol from basically racIng at high speed through the fine but conservative state of Pennsytuckey, where they were one of the last to let go of the 55 mph laws, and back then there usually wasn’t much tolerance. So 2 cars of totally raging nutknicks, with probably enough cargo to keep us detained for decades, thought it’d be a good idea to race at speeds up to 90!, Idiots!.....yes, one car had a radar detector, but in those days smart cops would wait for some nut traveling high speed and click it on when they had ya dead nuts.
    Luckily, all was well and it was one more “miracle” as we earnestly pursued our quest for “too much of everything is just enough”, aaaa, never considered back then maybe Bob was being sarcastic? Lol
    So we roll on into Chocolate town late and all beat up. I’m guessing we grabbed some kind of drive through, but not sure and as we were hardcore vegetarian then, perhaps we thought we’d grab something there? It’s all such a blur, I do recall the lot we were in had no or little Shakedown action going on. That still wasn’t in full flight anyway, and don’t recall much there, so maybe we drank our supper? I know I scored some Carlsberg Elephant beer, and believe I may have finished it, though that is a tall order even under good conditions so perhaps not. I’m sure I put in dent in it at least! So, that and the last of one z of veggies, though the tricky part was it was mostly just powder and scraps and so no normal produce to properly gage etc, which would turn out to be a tactical error...
    So it’s late, we’re tired, but tweaked, perhaps no dinner, and of course it’s horrible out. Dark, rainy, and cold is usually not how you want to do your Dead. Eventually we get in perfect time, slip right in front of the SB and try to make the best of the situation. Well I had a shirt, a black baseball jacket, and the electric Buffalo Hyde, but even still it was damp and cold at first. Eventually, when things started to take hold and we started boogieing, we began to warm up a bit.
    Meanwhile, the set list is awesome, but the conditions, which necessitated all the stage and PA speakers being covered in plastic (there was no stage lid) thereby severely effecting the audio. It’s was such a weird show that way, loved the little “stadium” and the nice audiophile stereo set up, with surrounds, great set list, mostly good playing, yes JGs vocals are a little ruff in the first set, but you have to cut some slack as it was terrible, I mean depending on the wind/rain they were getting rained on playing electrical instruments! Weird indeed, but like so many times in adverse conditions our heroes seemed to rise to the challenge. Thus the playing was perhaps more relaxed, steady and together and not forced like the previous night. Really, besides JGs vocal issues in the first, its a top notch show!
    The second set really starts to take it higher with stellar versions of Music Never Stopped, Terrapin, Miracle and one of the best Dews I’ve ever seen! I think I saw about 14 or 15 Dews and when I think about Dews I’ve seen, this one is the one I always think of first! Rocking Stones/NFA with a spirited Day Job. I liked Day Job, but by now it was getting a tad old, and was a disappointment for this show considering how high it was at that point. A She Belongs or Baby Blue would of been a perfect Cherry on top, but perhaps that’s being greedy?
    Now since the weather was such a factor, we must discuss that and how it influenced this show. The second set starts out with their “signing in the rain” as Bob says, and it’s a good’n! Next they slowly slid into an unusual sounding Tom Thumbs which I had never heard yet, and wasn’t even sure at first what it was, but hey, it was Phil so that’s all I needed to know! Good but perhaps truncated Estimated, followed by an awesome Terrapin. So as the set started to progress, so did the weather until (I think?) around Estimated it really started to clear up and they started pulling the plastic tarps down. It was almost like you could immediately hear it get better after each one was removed. Eventually by about Terrapin, they tarps we’re gone, the moon and stars were out, and Healy started increasing the volume and tweaking the mix. I remember we were goading him to turn it up, and man eventually he sure did!
    As the night wore on it began to warm up a bit too. But as you’ve heard this scenario, or been there yourself, many times I didn’t feel quite high enough so what the hell, one more time with the powder veggie crumbles just before drums......hee-hee....you know, “I’m not feeling it?” and then...Dooah!
    So the problem with those baseball jackets is they don’t really breath and the electric Buffalo Hyde was thick plastic. We didn’t have all the nice technical outer gear we have now, or at least WE didn’t. I could barely afford the free plastic one from the old mans work.
    Well a perfect storm mounted; little or no food, Elephants, veggies etc, no sleep, excess everything and underlying exhaustion, with me starting to overheat due to the above and dancing with that plastic shell on. Things were going unbelievable well, and partly influenced by the very recent passing of my Grandfather, during Dew, things peaked musically, the sound, the night, the stars, emotionally etc etc until I had one of the most powerful musical/emotional/psychedelic peak experiences of my life. Perhaps my all time GD moment, it was that powerful. But what goes up must come down and just like that the radiator blew and that last handful of shroom dust fully kicked in and somewhere in Throwing Stones, right during ashes, ashes all fall down, well.....I say i didn’t really fall down, it was more like an immediate realization that if I don’t sit down rapidly, I’m going down! LOL, so one way or another, depending on who you believe, I end up down in the soft, cool mud until near the end of the song, but I swear just as I tried to get up I knew it wasn’t going to happen, so right on que again I go back down. My friends to this day always bring up my perfectly coreographed “Dance moves” above all else that happened on this tour..35 years later and it’s still “ashes, ashes, Pedro falls down” !
    That would of all been well and good except things were very strange and weren’t wearing off, and I was barely functioning. I never would of found the car etc If not for my homies. Honestly all I remember is them pulling into a Wendy’s or something, but I just sat in the car with my face literally stuck to the window and crackled! Zzzzttttt. I really thought I had finally fried some essential circuits and thought this time I really did it. At some point I snapped out enough to find some kids in another car staring at me with a look of concern if not fear. Luckily, the boys finished up and came out and got us outta there. Somewhere near the state line we finally grabbed a motel as we all had had more than enough rain and adversity. Plus the next day was off and the drive short. I remember they propped me up in bed and I just sat and crackled and worried. Eventually I slept and though I felt better the next day, I didn’t feel normal and don’t recall much except when we got to Merriweather and found a good spot just over the creek, right next to the path, in some trees, on the way to the big parking lots to the right of the venue. But now it was nice and I was feeling more normal so not so freaked out. I also remember going to a nearby sorta plaza with an upscale liquor store where I scored my first sixer of EKU 28 ever which was awesome!
    So now we’ve moved beyond the insanity of TOGA, the adversity and majesty of Hershey, and ready for perhaps the best overall show of the tour on 6/30/85....

    EDIT: Otis, congrats on the stereo. All that matters is if your happy with it. After all the specs and hyperbole etc, no matter how big, small, expensive etc, in the end, that’s all that counts!

  • Thats_Otis
    Joined:
    @ Bob T and Pick for Monday

    Nice rec for the TDIGDH 6/28/76 show! I'd never heard that one before, and it is pretty sweet. The "Happiness is Drumming" is certainly a highlight!

    I have been out of the loop for a bit - trying to deal with some personal stuff on my end, and I just kind of lost track of things around these parts. I hope to be able to participate more going forward.

    To that end, how about a pick for tomorrow, Monday 6/29? I am thinking Dave's 31 - 12/3/79 Uptown. I feel like this pick got a short shrift on the DaP page, but I remember being very happy with it, though I haven't given it a proper listen since it first came out. What do you all think?

    One positive thing that I have accomplished since I've been away has been the set up of my first component stereo system. I don't know if it compares to all of your "big boy" systems, but it certainly feels BIG in my little row home! Looking forward to playing it LOUD tomorrow when the wife goes to work.

    Peace

  • Oroborous
    Joined:
    Voodoo senile, slight return. 6/27/85, and why 85 Dead is like

    Bode Miller...

    First, GOGD, I did not mean to single you out, over generalizations, which become stereotypes, which become truth etc, really bum me out. So it was more of a trigger to that, not you personally. I know you were just repeating this line.
    Actually, as I’ve dug in deeper, there are probably a significant number of shows where he often doesn’t sound so good, but to over generalize that “his voice was shot”, as in never more, to me, imho, that completely devalues and discounts all the amazing, great sounding stuff he was still able to do. 87,88,89,90,91anyone? Micro view versus macro perhaps?

    SECOND: I must humbly recant my tale of dancin in the rain. As we were diligently experiencing TOGA last night. Too things became apparent. First, perhaps JG was a tad “caffeinated” at the start of both sets. Listening close on a real system, (not the big boy, but the living room system which ain’t no slouch!), he seems a tad to fast and/or their not fully entrained. One could argue not fully so until Women Are?...so probably something to do with him totally skipping the Key Rain Storm, and Jailhouse versus, of Bertha, lol.
    Thus, while I wasn’t deceitful, I was not accurate. Sure enough, when Holmes and Watson ripped a spleef and fired up Bertha from SPAC 6/24/84, and bingo, ding, ding, ding, ding! Right venue, wrong year! 😂 Ooops, my apologies to the dear reader...but hey, it’s a fun interesting new tid bit, and it did rain, I think, lol.
    While doing this research I was listening just on the iPad and interestingly he doesn’t sound as bad? Also, I’ve been going with the HS matrixes, especially shows where I want to hear those crowd big moments. Generally they’ve been pretty good, but researching, I used a CM transfer and man, definitely a big difference. Perhaps number one being the speed/time of the Miller seemed better and more natural?
    Subjective I know, just that it’s interesting how every variable can effect perceptions.
    6/27/85: so this beast is still as much of a rocket sled ride as I’ve thought, but it’s perhaps a tad more unpolished then I would of said in the past. But that’s being picky, and you know I prefer danger dead to safe, so as at this moment, Hell in a bucket is scorching, I stick by this show for that, the cool set list, and the fact that eventually, say around Women Are on out, that part of the show stands with its lofty summer 85 neighbors. Probably have to give 6/24& perhaps 6/25? a slight advantage overall, but man I haven’t been to many shows that had the vibe, fun, and overall madness of this puppy.

    So why is 85 Dead like Bode Miller? He often was criticized for his erratic style, or lack thereof, his nonconformity, often disregard for the rules, including parting then basically going 80 MPH down an insane pitch, that was usually hosed down to make it more icy, and thus faster! So just like this era of Dead, sometimes he’d DQ, sometimes he’d slack off, sometimes it was ugly, but when he brought it, that mofo brought it!! and when he was able to be one with the force, it was fucking breathtaking! Scary, but breathtaking. No matter what, if he was racing there was an energy, an excitement, that larger than life vibe......that, to me, is 85 Dead.
    FINALLY: Ladies and Germs, May I present the Electric Buffalo Hyde! as christened by my degenerate cohort due to my resemblance of the great beast of the prairies back in the day, and this baby used to be so bright people would ask if there were batteries. But Alas, like youth itself it’s faded dramatically, and is old and bartered. It definitely gave it’s all to R&R. So many Dead shows, festivals, camping, parties, you name it! Also, it will be a part of an unfortunate situation at the next night, where I lost my shit in Hershey! So until then....

  • bob t
    Joined:
    only time played anniversary show 6/28/76 Chicago Auditorium

    If you are too busy to listen to whole show, listen to Happiness is Drumming from set II, if you have never heard or listened to listen you will be pleasantly surprised!!! There is a Charlie Miller soundboard on Internet Archive!!!! bob t

  • The Good Ole G…
    Joined:
    Good Times Great Oldies

    Sounds like the ole SPAC '85 show will get some play today.

    Always a fun revisit. Vguy & Keithfan that was you guys?! That's funny.

    I guess I always thought this was an indoor show because of the balcony stuff and didn't know about the rain storm.

    Tell us more.

    And just for the record if I happen to say Jerry's voice is shot, what I mean to say is I love Jerry's voice, even though it's a little shot here. ;)

    I agree, it always sounds great to me.

    Enjoy party people!

  • Oroborous
    Joined:
    Not a drop

    We were out on the lawn so actually there were many drops, I mean it was already raining hard, and right when he sang that line, biblical!, but it just added to the madness and was one of my favorite concert/rain moments ever! I believe that’s right when folks crashed security on those balcony ramp ways and turned it into a free for all? Yeah, that was the shit, such energy all around, but that rain just took it to another level. Luckily I had my electric buffalo Hyde on! .....it was a psychedelic neon yellow long rain coat with
    BS CORP
    WORK SAFELY (from pops work) printed on back, and a Dancin skeleton sticker underneath that I added. Still have it! I should take a pic and post...fond it moving last year.

  • Oroborous
    Joined:
    Summer 85, and why I’m not prepared for class

    Deadheadbrewer: yeah, I’m with you, I can’t keep up with these rascals! Pant-pant 😉
    Haven’t done Riverbend, Nassau or Dane. Prolly give Nassau a spin this WE. Dane I’ve tried to stay away from cause ya gotta believe their going to give us that one someday! Bastards better! and I’d prefer it on virginal ears!
    hey, by the way, how you guys coming on that tunnel under the vault?
    So I listen to Riverbend 6/24/85 sort regularly so no biggie there except in the sense of comparing shows. Except It’s cool to go in order to see the subtle changes and how things progress. Like 6/25/85, definitely have felt a ascending arc since the first night in Alpine. Funny thing is I don’t think I’ve heard the second set of this one before? Had a tape of the first all along, but I think it was a tad too crisp so didn’t get as much love as the shows around it. Plus I think maybe I harbored some subliminal resentment for the show because of our decision to skip it to go to Toga early like we did in 84, which was awesome. Obviously if it made us skip a show that close to home, but Doooaahhh. So not sure how it’s the shows fault. LOL, but I think somehow I’ve had some weird thing about this show that has kept me away? Sorry, ramblings of a deranged lunatic!
    Anywho, finally gave this bad boy a spin yesterday, though had to do it in 2 sessions as life just keeps buttin’ in like a 3 year old when mom and dad are trying to get down! Man what a show. The only really noticeable hiccup I recall was JG at the start of Jimmy, and Bob missed a vocal, really a great set, better than I remember, though I always liked it, just the tape was lesser then the others...
    Second set was hot too, though perhaps they lost just a little near the end? Or maybe that was me as it was late, and by that time on a Friday this ole cowboy is usually not feeling much pain! I recall a couple little blemishes, but so what, you name any show, anyone, and I can find stuff wrong. And sorry, but I’m kinda over hearing about how terrible JGs voice is. Yes, sometimes it’s ruff, but sometimes I think the gravelly age worn voice ADDs to the affect of the songs, which is perhaps what he did best. And frankly, I’ll take the gravel voice singing in tune over a lot of that 1970 stuff we’re between the guitars and the vocals something is ALWAYS out of tune. That’s torturous for a musician.
    Now I’m not trying to diss anyone’s favorite Dead etc, just stating an opinion that people perhaps overdo it with the voice comments. My favorite is when people say “I can’t listen to anything after 77”....ok, we’ll that’s cool as it’s your choice and all, but I’d say really you just have made up your mind you don’t want to like anything after that, and you probably haven’t heard enough and with the right kind of ears. Seriously, I challenge anyone to pick a “perfect” “best of “ show and if I have time I will find the cracks!
    But that’s missing the point which is ITS ALL GOOD! and every era has something positive that the others don’t have. It’s all ways been yin yang folks, there is no such thing as a perfect show, except in our minds eye, which is quite A ok.
    Ok, rant over, I’m obviously biased about my beloved 85!
    Which brings us back to TOOOOOOOGGGGAAAAA!! Yo Butch, back in your seat, there’s 50 thousand people waiting for you to get back in your seat! Madness, the whole scene there was just surreal fucking madness, but in a good way.
    I’m actually going to try and call my old house/band mates at the time as we all went. 2 I think went to blossom, and Pittsburgh. That one too, like WTF basically could of stopped by on the ride home from Merriweather, idiots! Lol, actually, I’m not sure I could have done another show. I may have caused permanent damage at Hershey, and thank god for that day off that I can’t recall much about, and I did take it a tad easier after, but not much. We ate so many veggies on that run that nobody would believe it. But I know what I came with and what was left after so.....looking back, it’s all kinda scary, we’re lucky we never had any real casualties of any sort. Few close calls, but nothing major, phewwww.
    So going to call the lads, and fire up Toga tonight as We have to do a Zoom wedding this afternoon. We were supposed to be out at the Promised land for said wedding and a actual vacation, first since Seattle in ?? 2012!
    Think Homer Simpson “oohhhh, Ssstttooooopid Covid”
    Speaking of living via the net, was that not a fine show on Shakedown last night! Didn’t have the fire like the night before, but a fine well played outing, thanks so much to Dave and Co. for giving us this nice diversion. It’s getting to b3 a regular weekly thing, and gasp, the Mrs has actually been joining me and digging it! .....as long as I give her a good foot massage (usually during drums). She really digs the trippy graphics and colors which is even funnier as she’s never partaken except booze back in da day, it’s like giving a kid castor oil just getting her to have a beer, lol. So yeah, this Friday thing has been like the “ONE” in our music! Right on! and please keep em coming!
    Ok, gotta try and call the guys and reminisce before the wedding. Then.....drum rolls please..........TOOooooGa!

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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. . . sounds good to me. Despite the fact I love 2/15 and 2/19 I don't really know these shows despite having listened to them at some point.

Oro I hope you don't think i was giving you a hard time. I was just surprised. Lord knows it's hard to keep up sometimes. Almost a full time job to give it all a dedicated listen. There's a lot of music out there!

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Sounds good to me.

Sorry I've been amiss. Struggling with time lately. Between my son playing HS basketball and balancing out surgeries for my folks back East I seem to be treading water just getting my work done. It's sort of put me in a music rut. Funny, you sometimes shun the one thing that can see you through. Spring '73 sounds good.

Edit: I guess it's really Winter '73. A very creative year for the boys.

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Hey there rockers!!

Pick Of The Day: The Warehouse, New Orleans January 31, 1970

The events that begat Truckin’, a well known day in Grateful Dead lore. LOL the revolution is over, everybody go home, remember obedience to the law is the only true freedom. We know the history, but what of the music itself??

The Dead start off nicely with their own unique brand of electric enlightment, including a mid set Morning Dew, Mason’s, and a short but greasy Hard To Handle, after which a “severe technical problem” (Phil’s busted amp) prompts an impromptu acoustic set that is filled with nice oddball tunes such as Long Black Limousine, Seasons Of My Heart, Saw Mill, and Bound In Memories. Maybe not classic, but certainly interesting and worth a listen!

Bear travelled to these shows and we assume he recorded them. Are the reels in those still mysterious banana boxes???

Men who wish to know about the world must learn about it in its particular details…..

Rock on,

Doc
The way up and the way down are one and the same…..

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Mornin’, rockers!!!

Picks Of The Day: Crystal Ballroom, Portland February 2 & 3 1968

Freedom in general may be defined as the absence of obstacles to the realization of desires….

Let’s continue our primal stroll through the Pacific Northwest in early 1968. Dedicated to the memory of Dick Latvala, who showed that releasing early 1968 shows could be done, and done well……..

February 2: Probably just a fragment, but if there are only fragments, Lord let it be like this. Relatively short, sharp, intense Viola Lee followed by the very interesting CE/TOO/CE/Clementine/Schoolgirl sequence.

February 3: The following night features generous amounts of jamming and a decent dose of grease. Some things have not yet reached expansive lengths yet, but definitely still worth a listen…

The circulating Miller remasters are very nice and highly recommended. Are better quality, more complete recordings in those banana boxes? What are the obstacles? Release the reels!!!

It has been said that man is a rational animal. All my life I have been searching for evidence which could support this…..

Rock on!!

Doc
A hallucination is a fact, not an error; what is erroneous is a judgment based upon it.

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Enjoyed this show. Sound quality was decent. Nice Box of Rain, Sugaree, China Rider. That Half Step Truckin, Eyes, Stella Blue was pretty sweet. Nice Phil funk at the end of Truckin. Moving on to 2/22 next.
Thanks OB and yes, good to see you in The Almanac.

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Smoking! Recording is fantastic. A few minor issues during Wave that Flag, but I would give it 5 dancing bears overall.
Good first set Birdsong. Another fine Box of Rain and a good Playing to close the first set. Shorter Dark Star into Eyes is really good. GDTRFB. Good Casey Jones closer. I would definitely listen to this show again.
Nice job OB. What do you all think?

On to Doc's 70 pick tomorrow.

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This job I gots just a little too hard…

Your synopsis of both shows pretty much covers it.
Can’t get enough of those 73 Dark Stars, Eyes, etc!
I did 2/17 also last WE for extra credit and it’s better than the set list might indicate.
The HCSS>China Cat>Rider is worth the price of admission alone!
Good sheet Mon!

Definitely going to need to fill up the ole dead bank again this WE.
The other one has to work so I’ll be looking for some hi fi Dead like my sanity depends on it…which it does!
Perhaps 45 if the phuching USPS pulls their head outta their arse!

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Hit 10/1 of Vol 45 with a 1/31/70 chaser.
Quite the juxtaposition! From Hollywood smooth clean dead, to raucous ruff & dirty dead lol.
Interesting show. Starts out ruff but builds nicely.
Good Dew, great HTH! Masons always fun, if perhaps a little sloppy, and the acoustic set was awesome!

The warehouse, okay what was this venue? Recording is really good. As you said OB, raw is a good way to describe it, until the equipment blew.
Enjoyed the show, good Dire Wolf, Big Boss Man, Morning Dew. Different acoustic songs in the mix to close the show. Interesting show.
Thank you Doc.

Like the new picture OB. Sweet poster. I hear you on the work front. Hard to squeeze them in sometimes.

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Hit 10/2/77, thinking set one of 11/6 for comparison and/or jam section of 10/18/72 since y’all were sniffing around there recently I believe?
Representing DV after my 15 seconds of fame lol.
Poster came to me outta left field like much of the better things GD over the years!
In 85 I believe my cousin saw it somewhere, snagged it, then later gave it to me for Xmass.
One of my most prized possessions.

EDIT: first set of 11/6 rocks, definitely a difference.
10/18/72 Disc 2, Magnifico! That’s just what the Dr ordered!

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Hey OB, did you notice any distortion on 10/18?

I think 10/17 and 19 sound spectacular.

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I only listened to disc 2, but yeah, now that you mention it…
Seemed to get more noticeable near the end?

I notice occasionally on 71-72s…some is just the actual distorting of the amps from playing loud…

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Thanks for looking into it OB.
I have noticed it on all three CDs from 10/18. I don't hear it on 10/17 or 10/19, which I think are both smoking!

I have to revisit this.. but I think I recalled thinking something similar and attributed it to someone spinning the master reel a couple times too many before they locked it away. All three nights are good, but 10/18 is probably my favorite of the bunch, it would not surprise me a bit that someone on the inside thought so too. That and the BCT shows a month and a half earlier are both special runs from a special year.

For kicks and giggles.. check out the Morning Dew from 5/26/72 at the Lyceum from the E72 box and then listen to it from the version on Europe 72. There is static on the box set version where the original sounds crystal clear. The masters degrade especially when people with two left thumbs (like me) handle them. A lot of the early shows suffer from this, listen to 4/18/70 (the Mountain Girl returned reels) sound and frankly a lot of 69.

Well, at least someone remembered to hit record. Didn't Sony or one of the other music houses have their entire archive burn down a decade or so ago? Image the horror if GD masters were lost in a fire.🔥🔥🔥😭

Been gone a bit lately.. spending quality time in the hospital with my aging parents. They seem to be on the mend though, which puts me back home and in good spirits. I hope to participate more as I get back on line with work and fun.

Thanks for keeping the train a rollin' guys.

The '72 shows from the not quite the Fox Box have been in and out of the disc drive several times the past few weeks. All great for sure. I know first run through that it was the 10/19 jam that really kinda floored me. Yesterday listening to 10/18 again with the sound quality question in mind. One thing that struck me was that Keith sounded muddy and almost sort of kind of out of tune. I pay a lot of attention to Keith's playing, especially the "earlier days." Something was off and my guess was it was a SBD thing, how he was miked, and not Keith. (Edit - or as Jim suggests maybe some tape degradation.) Bobby's guitar also sounded a bit fuzzed in a recording artifact kind of way, though not unpleasant in any sense. But none of that stopped me from a thoroughly enjoyable listen. There was a point during the Dark Star where I was suddenly in a zone of complete wonder - a place that reminded me of my first deep "now I understand" listen to the Rotterdam Dark Star (on my weird balance SBD many many years before the box.) A really very cool place to be inside the music. So yes, that Disc 2 is some serious magic. One thing struck me as funny is Donna's yell in the Playing Reprise. I have no issues with her singing in those early days, truly dig it. And that Donna Playing ROAR was maybe the most primal vocalization I've ever heard from her. She was feeling the "Holy Spirit" big time!! Loved her quick soft little "Thank you Thank you Thank you" after it was all said and done. Another truly epic jam sequence.
Listening to 10/19 Disc 1 right now this morning. Keith is hard right - i think he was slightly left of center 10/18. A little lower in the mix, tone sounds better to my ear. I'd have to do a hard A / B to be sure that my thoughts are correct on that. Now on Sugaree and Keith's piano and Jerry's vocals have now moved to center of the sound stage. I think Keith sounds a little better than 10/18 but still a tiny bit muffled? Maybe its my brain, who knows.
Thanks DV for suggesting 10/18 awhile ago. I feel like these are my first really good deep listens to the '72 shows from that box. Like you said, great stuff. I ran through '73 a week or so ago and need to revisit that. At the time I remember thinking that the '72 resonated with me more and given that '73 is generally a big fat sweet spot for me I know that my head may have been ever so slightly out of alignment.
To echo KeithFan over on the 45 thread - I'm really really digging Dave's 45. Spectacular sound. Great playing. Boy are we some lucky Deadheads. It was 10/1 Set II that really got me first run through. The Black Peter is so freaking gorgeous. And then the "random current" of that CB or whatever for a couple seconds and its like oh my freaking goodness. I can only laugh. Really, Universe? I first heard 1/31 NOLA last year while exploring a little around the 2/6/70 Fox (personal favorite.) I remember being very pleasantly surprised to find that they played that acoustic set. I think every single acoustic set they have in the vault needs to be released. Gave 1/31 acoustic another run through Sunday morning. Woke up from a short nap late Sunday afternoon and had Sawmill chorus running through my head again and again. I"m like "What is this song? where do I know it from? Oh Yeah, Bobby sings it on 1/31!" Talk about a poor boy, talk about a poor boy, let me have a dollar bill.
Nice Poster Oro!! Your first show! Glad that the Almanac shone a light on your post - hadn't seen it. Another beautiful day here in paradise. Always loved this time of year in the high desierto. Onward!!

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Man I wish I had time….for anything lol
I’ll try to check some more of these audio anomalies out this WE.
Hit me with examples if ya got em.

Ive noticed this phenomenon with other recordings, think mostly 71-72s.
Definitely could be tape degradation and/or perhaps a little oversaturated originally, but I think there’s amp distortion going on too? They were still mostly using dirty fender power at this stage. So like any real Rock and roller by the end of the night the amps are on 11 etc and with those old tube power sections/power supplies their easy to overdrive.
By 73 they had pretty much fully switched to big McIntosh power amps, though they were still using the Fenders for pre amps. Like your pre amp at home though, you wouldn’t be pushing the pre amp that much (let the power amp do the heavy lifting). Think overworking a small car engine versus barely stepping on a big V8.
Could be compromised cabling somewhere. Could be dirty and/or insufficient venue power too? That’s the problem with E lic tri city though, could be a number of things. Probably a bit of all the above…

Yep BC, glad your digging the nice February weather. These days where it’s sunny and up in the 30s, “it’s gold Jerry, gold I tell ya! I should try to check out the ole St Louie, Louie, box, another I’ve barely been introduced too.
Hoping 🤞I might be getting a little quality time off soon.

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So I saved.. squirrelled, pinched pennies for 45 years and finally dropped the dime on my dream system I have been planning for all these years. I went completely with Fender Amps on the recommendation of some guy named Hal and now I read this.

What are these McIntosh items of which you speak?

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Appreciate the insight Jim, BC and OB.
I have found sometimes, for whatever reason I hear differently after the first go around with the Dave's and the Box sets. Most of the time, I think damn this sounds so good, once in a while I think, this sounds a little off. Sometimes I panic and think my speakers must be blown. I need to go out and replace them.
Of course, yes, we are lucky they recorded almost all these shows. We all know there are all kinds of different results of the shows and recordings for various reasons. I would think there is no way Norman finished mastering 10/18/72 and texted Dave and said you can't believe how good this sounds. I could be wrong.
I totally hear what you are saying on the 71 shows OB. Some of them definitely have a different sound to them, Dick's 35, RT#1.3. Great, but different. And then I compare them to the 71 Port Chester shows which sound incredible and are some of my alll time favorites.

Jim, sorry to hear about the issues you are having, definitely hard stuff to deal with.

Let me offer up Charlie Miller's 100th show for tomorrow, 6/16/90. There is a newer version from the man himself from 2019 and the version from VFTV III.

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For me there's a certain point where both the right brain and left brain agree that it's kick ass Grateful Dead I am listening to and recording anomalies fade into a blissfull background.

Let it be known i am a recording snob.. so it hurts by my left and right to commit to great performance vs. great recording.

I still think so highly of this run. Warts and all, it's classic Fall '72 GD.

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That image that shows either two faces or a chalice depending on how you look at it.
If I try to hear those anomalies I can, but if I just crank up some tunes and don’t try, then I only notice when it gets bad, if that makes sense. Another variable: plangent etc. Those old Road Trips and Dicks didn’t have the benefit of Plangent.
Capitol 71 bonus disc did, AND, their multitrack so if say Bobby had some weird noise issues on his line, it couid isolated and messed with. Wood really love to hear some of that deconstruction tech they used on the Beatles…

St Louie: going in I thought I was going to dig the 73 the most, and that one disc probably is my pick of the litter. I thought I’d dig the 71, but comparatively not as much as the other 2 years. But at first the 71s really stood out to me.
I love when that happens!
I think I recall thinking the music was great overall, but that there were some unfortunate anomalies.
I guess to get full shows that’s going to happen sometimes especially in years that have been mined more extensively.
To me when it comes down to it and your properly prepped and ready, once you settle in it’s all about the music!
Like the band entraining, after a while it all becomes one…

DV with a call for 6/16/90. That sounds good, just not sure if I should wait and watch it, or just fire it up now?
Thinking I might dabble this WE with the Louie…still have some primal Doc to catch up on too.
Finally getting a few extra days off, then one last push at this job swapping out net and installing new Cisco stacking tech. Owners are supposed to be gone so maaaayyybbbeee I can catch some tunes. I really need to get a portable personal rig but I’m such a snob that would get pricey and more importantly I don’t have time, err, if /when I do have time I’d rather just sit and listen to tunes!
So 6/16/90, think that was my 86th show, weird/cool vibe, you had to be there, or maybe it was the roses ; )

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Howsa bouta a little 83 energy for a Fri yea?

6/16/90: good call DV! Haven’t heard this since the Shakedown Stream, man those were fun.
Needed some kind of ritual at the time, even TOO watched and she ain’t really into the dead.

Always dug a good Good Times Roll opener, usually a good sign. Fun Truckin if not mind blowing, solid Touch O,
Nice FOTD, hot Cassidy, fun but perhaps trepid Big Boss, but fun non the less, and another slightly unusual and fun OMSN to close a fun set.
Though the first might not of been thoroughly consistent, the second set gets going nice, good versions of most songs, and a nice China Doll in spite of Jerry struggling a bit. Rousing Mags and and always welcome sweet Baby Blue encore. But!…But, to me that whole sequence from Estimated, terrapin and all that awesome psychedelic goodness that follows is what makes this show stand out for moi.
For a while I was thinking “this shows ok but..?, “ by half way through the second those thoughts were gone baby gone. It’s a shame JG didn’t fully nail the China as that would of really took it up a notch overall.
Good show, even better in person, first trip to the promised land, hot 20 year old GF along, tripping the light fandango in the cool California night sea breeze. What a trip that was, sighhhh.
Dems we’re da daze…

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I have always liked this show and the video. And you were there OB, that is great. Sounds like fun. Are you in the video?

Yes. the first two songs get the show off to a great start, Truckin, at the number 2 slot! That second set jam/space after Terrapin is interesting. Charlie Miller has the whole sequence as Terrapin, but I think it moves out of Terrapin. Anyway, great stuff. Love those Baby Blue closers. If you stay tuned in after the encore they have some great bonus footage from 10/2/87 from Shoreline. Another great show.

Alright, count me in on the 83 show!

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Though 3/29/83 is a decent enjoyable show, it unfortunately was only a mediocre aud, not a SB as advertised?
Liked the Miller a little better than the other one.
Ok Jack, and Bird song in cool spot, some status quo first setters, interesting early, alternate lyric 4th Easu, another Bob song I always liked but perhaps didn’t understand fully, lol. Nice Big RR, though not quite like those ripping 81s! Into GSET for another interesting fun set.

Second we get the second time out for H/S/F since 77. Good, welcome effort but all three songs had some ruff spots.
Rest pretty typical for the time with still sorta new feeling Stones and haven’t nailed the slick Segway into NFA yet.
Rocking JBG and another sweet Baby Blue. 83 has some nice ones!
So not a mind blower, and the Aud might scare some off, but hey, that’s what happens sometimes “when we just ride”
Some times you eat the Baaaarr, sometimes the Baaarr eats you. But nothing ventured, nothing gained…
Going next night, 3/30/83 for extra credit since it appears to be a SB…maybe hit Docs primal I’m behind on later?

EDIT: DHB hat trick?…technically probably not, but did complete 3/29/83, 3/30/83, 2/2/68, and 2/3/68!
All were dug, some more than others. 3/30 seemed a step up from 2/29/83 and the 68s were proper, forgot how much Clemtine has an ABB vibe to it, good sheet Mon!

Don’t think I’m in the video? We were center lawn in fairly close.
Went with the CD this go round…

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Shoot OB, you were busy this weekend. Nice work. Yes, the aud recording for 3/29/83 is an okay audience recording. A little rough.

I have been digging into some past box sets. Enjoyed the tour through LTTR. I really like the MSG box. I keep listening to all six shows periodically. Love them! Such a different time period than all the past box sets. Hope we get more of these in the years to come.
Going to hit 5/19/74 from the PNW box today. Interested? I think this might be my least played show from this box.

Looking forward to this year's box. Wish we didn't have to wait so long to find out what it will be. Not sure where Dave is going this year. I do think they will release the October Winterland shows for the 50th anniversary next year (at least I hope it happens) Enjoy your Superbowl Sunday out there.

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Fo sho.
That’s the by product of too many shows…

I’m actually half way through 3/15/73, but I’ll hit some 5/19/74 after.
So far this show is good but maybe not great, though after a nice HCSS and now this sorta frenetic jazzy PITD, things are picking up!

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Hey rockers!!!

Pick Of The Day: Carousel Ballroom, February 14 1968

And the early Grateful Dead, primally speaking, were very good at it. Dedicated now, as it was then, to the memory of Neal Cassady……

I only said I would try to avoid the classics. It’s open to debate, but this may be one of, if not the first, classic Dead shows. Sorry but I couldn’t resist. Back in high school Anthem Of The Sun was some of the first truly weird Dead we ever were exposed to, and this show is Anthem in extremis…..

Back in my tape trading daze, excellent copies of the second set circulated widely and were revered for their primal stupendousness. Flash forward to March 21, 2009, when the complete show (along with some crazy good “bonus material”) was released as part of the Road Trips series. That series gets shit on a lot, but actually featured some really excellent releases, this perhaps first and foremost. In fact, this may be one of the most important Dead releases ever. Of course, just one man’s admittedly biased primal opinion……

Cue it up, find a comfy chair, add some green leafy material, and voila!! Happiness!!!

To understand a name you must be acquainted with the particular of which it is a name…..

Rock on!!!

Doc
In all affairs it's a healthy thing now and then to hang a question mark on the things you have long taken for granted…..

I'm in.

Been busy lately and gone a bit. But I'm home today and queueing this one up.

Thanks doc and thanks to all. We truly have a lot to be grateful for.. I was just reading up on the history of Valentines day. Most of these ancient holidays seem to end with a beheading or crucifixion. I guess we have evolved a little, although it doesn't seem that way when I watch the news. Baby steps over the centuries. Whoever invented the electric guitar and recording devices needs a medal.

Can't leave 2/14/70 off the list of classics either. How cow, February packs in a punch. Nothing wrong with the classics, in fact.. I kind of like them. 2/14/68 is certainly one of my favorite all time shows, wowwow stuff.

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Might as well add 2.14.1969 into this mix, Electric Factory show with a nice Dark Star just a couple weeks before the grand daddy FW shows. Hmmmm, maybe this is the year we see a 68/69/70 box?

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and the Big Rock Pow-Wow are the only 2 road trips I purchased. Both are excellent releases.

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What I love about this one are the liner notes/booklet where Bob describes coming up with verse "bus came by and I got on...." , and also this is the first show this verse was performed. I love the RT series but only have 2 also......Big Rock Pow Wow the other.

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Shoot, you only have two? You need more. Real Gone has re-released them all, minus the bonus discs. So much great music to be heard. Season 4 is fantastic with 5 mostly full show releases,. I like the compilations as well, 1.4 from Egypt with Love is so unique and the only release from this time period. Not a dude in the bunch.
Love 3.3 from 1970, four CDs of great acoustic and electric Dead.

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This is a great show, minus the 3 1/2 song vocal drop out in the first set. The first set is really good, with a rocking Half Step, Big Railroad Blues, Scarlet, solid China Rider. Really like the WRS, Wharf Rat, Big River Peggy O into a killer Truckin, long Jam that is really fun. Great closing songs to a great show.

Hard to believe this Box is already five years old. Put me in the camp of wanting more 74.

Okay, all this Road Trips talk makes me want to que up #3.4 from Penn State and Cornell 1980.

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Rest of 3/15/73 seemed to get better as it went. Sweet jam in there.
5/19/74: man I need to listen to this box more.
Awesome jam!

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Portland... Funny, I just did 5/17 Vancouver recently. I'll hit Portland, it's been a while. I might have tossed this show out on this forum sometime in 2020. Hot hot, China Rider and that second set is interesting and pretty hot.

1974 in the air I guess (isn't it always somewhere close?) as out here in the high desert I was reaching for DaP 42 and DaP 13 (Winterland Feb. '74) .

The Road Trips series is chock full of gems. Happy to say I picked up all of them at the time with lone exception of Cal Expo '93. Of course I would love to see some of the partial shows released in full show glory (and run through Plangent) just like some of Dick's Picks need a revisit. But don't take that as a complaint, just a wish.

Edit - DV I need to revisit the Penn State and Cornell volumes, plus the April Fools 88 show - they've been sitting there wondering if they're the chopped liver of RT. They haven't gotten the attention that the early years in that series have.

Sort of almost the weekend. Onward!!

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I forgot about this one.. haven't given it a listen since release time. I'll have to change that.

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Hey folks.
Whew! Wall to wall autumn (deliberately avoiding the overly-insistent rhyme) and have taken the new year winter decompression to track a lot of the transfers of old vinyl I'd made back in August. Thanks to that, The Dead have taken something of a backseat in my listening during the new year as I've now got all of these other things in a convenient format.

While tidying up an old hard disk, I came across a James "Blood" Ulmer show I must've torrented over ten years ago, but for whatever reason never unpacked. No info file, and so far various Googling can't even prove that the concert even happened. The directory is only listed as ulmer2_27_86. Anybody have a suggestion where I might look to find some more info on this? I checked out the taper forum, and the "Looking for..." forum, but there hasn't been a lot of activity over there.

One new Dead show in my library, however:
6/8/74 FOB which I've only had on once, but wasn't giving my full attention. I think I found it also unpacked on a hard disk while "house cleaning". My (slowly) ongoing exploration of Wall Of Sound audience tapes. Any takers?

There is also a trove of late 60s shows that were binge torrented and then never unpacked. Can't wait to get to those.

Well, I'd wanted to recap, but I'm not even out of August, so I'll spare you the flashbacks.

>Oroborous>
Thank you for the acknowledgement so many months ago.

● Just put the 2/24/71 Port Chester show on. This one I'd transferred from an old cassette. Haven't heard it in a really long time, and don't have as many specific memories of it, like the 2/18 tape.

Oooh. This Bertha. Bump! Bump!

Either my cassette was running slow or this is the most mellow Hard to Handle I've ever heard. Dig it.

I love these really slow early Losers, too. It seemed like it might be vying for a spot in the Dew rotation in those days, but they eventually picked up the tempo to a slow trot as the years went by. This being transferred from a tape, it may just be a media issue. I sometimes cover this on acoustic, and always do it real slow and always only ask for 1 gold dollar, not ten. To me, these are the archetypal Losers.

Epic Good Lovin' drum solo!

Thanks for that ranking of that Feb '71 run. Found AUDs on the Archive for the 19th and 21st. Back in the day, I ended up with only 2/18, 2/23, and 2/24 somehow. I was trying to explore as many different eras as possible, I guess, so didn't go for a completist approach... I guess... who knows what I was thinking back then?! lol. I'd take whatever I could get. Those tapes accompanied me on many a road trip cause that period is just fantastic driving music....

● A good buddy lent me the 3/9/81 discs. I don't think he got the MSG box, just the single show on offer. Those were on in the car for quite a while last fall.

My buddy was, like, "Dude. Check this China Cat," and he was not wrong. For me, because I'm less familiar with this era, I felt like there was some really unusual interplay between Phil and Jerry in there. Brent's synth work is pretty novel, too. Sounds like he'd been listening to some Steve Winwood. I could stand for a bit more of it, if I'm honest.

Bird Song was the first tune in this show to really grab me, though.

An electric Deep Elem? I'll take that.

Uncle Johns is kind of a mixed bag. There are some really cool things happening, but it seems a little ragged at times too. That's just how it goes, but that's how I hear this one. No disrespect for hanging it out in front of a huge crowd.

The Drums > Space > Other One is also fantastic. Sounds like someone (I'll guess Mickey) is playing with some microphone feedback, incorporating it into the jam.

That Stella Blue seems to start out a little unsure of its footing, but by the end is soaring. That's a real highlight... I mean, I love Stella Blue pretty much any time you'll give it to me, but after a few listens this one really grew on me.

I think I'm still a little partial to 3/7/81 at U. of Maryland, though.

>bluecrow>
Cal Expo rang a bell, but I've only got 5/26, 27 from 1993.

5/26 is a 3rd gen cassette 1st set and a 4th gen 2nd set AUD. Not sure how that happened. Couldn't tell you anything about it off the top of my head other than that there is a heart mark next to Playin' > Drums > Space > and I tracked that all as just Playin' because that's how I roll.

● 5/27/93 is a partial board, but 7th gen cassette... only the 2nd set. I was doin' postage and blanks, so ended up pretty far out on a limb a lot. I'm not using headphones, but there's not a thing wrong with the sound quality. Might have just lost the first set, or maybe never had it.

Pretty worthy Scarlet/Fire.

Might skip Wave to the Wind so I can get an ear on the Cassidy > Uncle Johns > Cassidy Reprise > Drums segment. Nah. Wave to the Wind is 7 minutes long. There must be some sort of jam in there. Better be. Certainly are a lot of changes. Jer's on top of 'em. That's about all I can say.

Cassidy is mellow and starting to jam out, but...ah, well, nice try. The seque into UJB comes across pretty forced. A bit more patience, and cooperation might have helped that jam. Good idea.

The UJB jam, however is goin' off! Love how it is deconstructing toward drums. The band is showing a lot more patience here... oh, and the brief reprise of Cassidy is smooth as silk. You can hear Jerry hinting at it for a while. It would have been magic if they'd pulled that off on the way out of Cassidy.

Drums could always be counted on to deliver in the 90s. I'll expect no less here. Nice beam drones. More like space.

Oddly, Space just seems to stop and Jerry's there playing TOO on his own for a bit. Cool super distortion Bobby cutting is the perfect ground for Jerry's crystal clear lines. Don't appear to be any Martian vocal effects on Bobby's voice, which is a shame. I always liked that. Jer digs in to some overdriven runs after the first chorus which are now weaving nicely with Bobby's stabs and dives. Good mix. The drums are touch lost behind the guitars, maybe. Vince is real low in the mix. Say what you want about '93, dudes are goin' for it. Some heavy echo on Bobby's voice for the second verse, which immediately diffuses into Wharf Rat. Coulda dealt with a bit more TOO, but that was as smooth a transition as you can ask for. The thing about this era is that they have the in-ear monitors, and intercoms, so they didn't have to hint at anything musically. All anyone needed to do was call a tune into the ears of the others. Makes the transitions a lot more succinct, which can be both smoother, but also sometimes a little less thrilling.

Wharf Rat is a tune that suited Jerry any day, any year. This tune is gonna be solid no matter what... at least as far as I know. Tape starting to sound a little muddy at this point for some reason. It was fine earlier. Love that Bobby is well-represented in the mix to add his coloring throughout. Is this after they fired Dan Healy? Well, I spoke too soon. The Life I Should found the limit of Jerry's voice on this particular night.

Sounds like Jer's starting GDTRFB, but maybe it's just because this Sugar Mag slides out of Wharf Rat as easy as can be before Bobby takes the lead. Even Bobby's sounding a bit froggy at this point. Musta been something in the air. (Can't imagine what!) Nothing to write home about, but nothing to complain about, either.... Jerry's lettin' some overdrive licks fly throughout the Sunshine Daydream section. It's interesting because it's like you can still hear his clean tone at the core of his distorted effect. Pretty aggressive, if short. No encore on my tape, unfortunately.

● My only May 91 show is Shoreline on the 12th and it's FOB probably available on the Archive. Couldn't tell ya anything about it off the top of my head.

>Forensicdoceleven>
>JimInMD>
>PT Barnum>
RE Woodstock

Perfect back yard recreation. Hahahaha. :)

Just listened to my old, old vinyl copy of the Woodstock Soundtrack a couple weeks ago, and even that excerpt of Hendrix is totally face melting. If I recall correctly this wasn't The Experience.

I'm not sure I've ever heard the Dead's entire Woodstock set. Last year I was surprised to learn that CCR, Mountain, and Johnny Winter had also played Woodstock. I'm pretty sure I'd never known that. They were also not part of the soundtrack or film. Jerry, at least, makes a memorable cameo in the film.

PT Barnum> RE Fall '91
Near miss. I've got 8/16, and 9/17 in the library. Couldn't tell you anything about them off the top of my head. If there's one thing this group always does, it's fill in the gaps. Cheers.

JeffSmith> RE HDTracks

DUDE! Thank you! I've been looking for a site where I can get minimum 16b44.1 quality downloads. Being on the other side of the world, shipping even CDs is murder. One of my favorite things about nugs net is that you can buy, not hi-res, but at least CD quality downloads. I think downloads sound better than CDs, tbh. Something happens during the CD manufacturing process, or at least it has begun to seem that way to me.

There was a good cd of CCR's set that came out a couple of years ago. Apart from Hendrix, possibly my favourite set of the whole festival. "Lovelight" was included on a dvd as an extra, on one of the celebratory reissues of the festival. I don't think I'm being controversial when I say that it wasn't there finest hour. It's about 37 minutes long, but it seems more like an hour when you watch it.
The Dark Star, I've just remembered, was included in the 6 cd 40th anniversary release of Woodstock, too. That's okay. But it's not a show I would suggest as a contender for an official release.

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>DAVEROCK>

"It's about 37 minutes long, but it seems more like an hour when you watch it."

HAHAHA

I'll be on the lookout for that CCR set. John Fogerty strikes me a somewhat difficult man. Brilliant songwriter and producer, though. Never get tired of Cosmo's Factory, in particular. Gotta get reacquainted with the first album. I recall it being more psychedelic.

Got a trove of stuff to listen to after yesterday's catch up. Thanks!
Not sure where I'll start, but probably with something that already has ID tags. lol.

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I've got a beta-max transfer of 2/24/74... which stayed in heavy rotation for a long time when it first hit my library, but low and behold Portland 74 has collecting proverbial dust in the old hard disk, too. Time for something brand new (to me).

A Pat Lee master cassette passed down the generations.

It's a little hissy, and I'm not getting much Phil at the start, but Jerry and Bob's gutiars are crystal clear. Jerry's voice coming in a close second in the mix with some occasional Keith flourishes wafting to the fore. Billy's cymbals sound crisp, if somewhat thin. Getting a nice Jamaican dub sound when he switches to the highhat. Kick is in there, clear, but with with a soft tone, and none of the hyper-compressed abrasive contemporary festival sound. Donna's harmonies are on, and blended well with Jerry and Bob for the Across the Rio Grande-oh finale of Halfstep. Jerry plays an aggressive outro solo.

Mexicali: The mix and tape quality remain consistent. It's mostly a guitar oriented sound, but Bobby's voice is clear, if slightly too far back. Even in '74 they could do this one in their sleep. Have you ever heard a real train wreck during Mexicali? I can't recall one. A fan let's out a hoarse, "Whao!" apparently feeling the southwest polka vibes.

Big Railroad Blues. Love me some BRB. There are short pauses in the tape where Pat Lee is clearly well aware of the need to conserve footage. Could do with A LOT more Phil in the mix. Might fiddle with the EQ in a bit.

Black Throated Wind: Awkward song that I sometimes really like, and other times can do without.

Scarlet: Crowd gives Donna a big cheer as the song reaches it's finale. Of course they egged Bobby on with some of his crazy antics, too, but it's nice to hear that early 70s audiences appreciated her contributions.

Beat It On Down The Line: Always love this one. Nice double vocal from Bobby and Donna. Some unfortunate microphone feedback during Jerry's solo. Phil's backing vocals are there. The bass frequencies either never made it onto the cassette, or have evaporated through the generations of open reels and cassettes.

Tennessee Jed: Nice bounce to this laid-back rendition. Another one of my favorite tunes, as I've mentioned before. Another nice, appreciative response from the audience who are almost completely unnoticeable for the majority of the time.

Bobby McGee. I picture the audience mostly having a lie-down on the lawn during this first set. Just a nice day in the park with some live music in the background.

Ok, well, that's as far as I'll get in this sitting, but really looking forward to that big Truckin' jam at the end of the show. Now spoilers! 😉 Just kidding.

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In reply to by rockthing

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Hey Bluecrow, #13 is definitely in my top five. Love this show. Listen to it quite a bit. #42 hasn't resonated with me as much as #13, don't know why. How do you all feel?

I will throw out Dave's Picks #7, 4/24/78, for our old buddy That's Otis. I believe you are fan of this era. Hope all is well out there for you and the rest of the crew!

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In reply to by rockthing

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I haven't played it this year yet, but it has become one of my most played shows from this year - mainly because I bought it on vinyl. But it is really good, too. To me, it's better than its song list suggests - the songs leading up to the Truckin' jam are well played and forward moving, and that final jam is superb. It has been castigated in some quarters for the vocal drop outs. A price worth paying, in my opinion. All three 1974 shows in the box it was culled from are top notch.

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In my experience, any show that starts off with Mississippi half-step uptown toodleloo is usually a great one and 5-19-74 is no exception. That pacific northwest box grows on ya, for sure.

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In reply to by PT Barnum

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That's good to read - they opened with Mississippi Half Step - Franklins Tower the first time I saw them 3/24/81. A great start to the show for sure.

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Mornin’, rockers!!!

Pick Of The Day: Dream Bowl February 22, 1969

Relatively speaking, the yang to the yin of February 21, 1969. True art is characterized by an irresistible urge in the creative artist…..

I have the space, you have the time, let’s revisit. Officially released in October 2015 as part of Thirty Trips Around The Sun, one almost never hears about this show, possibly because it gets overshadowed by the blazing white hot glare of the Fillmore West Shows of February 27th to March 2nd. This is very much “of a kind” with those shows, featuring the typically sweet Mountains Of The Moon (always loved that song!), a long exploratory Dark Star, a fierce, crunchy Other One, a deathly Death Don’t, a fine Eleven, and a greasy Lovelight that clocks in at a mere 21+ minutes.

Great music, great sound quality, I suggest you find the time…..

The only reason for time is so that everything doesn't happen at once…..

Rock on,

Doc
There comes a time when the mind takes a higher plane of knowledge but can never prove how it got there…..