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    What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

    Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

    ...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

    Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

    I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

    We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

    Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

    *2 per order. Very limited quantity available.

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  • That Mike
    Joined:
    Oroboros

    Great story, well told!

  • 1stshow70878
    Joined:
    The Tale of the Oroboros

    Or is that tail? Epic tale well told Oro-1.
    Thanks for sharing.
    Cheers
    DiP 18 is my favorite Dick's.

  • Oroboros
    Joined:
    45 years ago, Madison Wisconsin!! And the next morning......

    was my 'brush with greatness.' Apologies to you all who have heard this tale, but with this anniversary and the releases of shows from '77 and '78, I want to spin this old chestnut again (hopefully some haven't heard this).

    But first grab a cup of coffee (or your preferred beverage) and get comfy, because this will take a while. Brevity is not my long-suit, so bear with me on this, but the background/back story is info it help it all make sense. Back in 1977, myself and my girlfriend (now wife) and two buddies decided to road trip from Nebraska to a New Year’s Eve Dead show run at the Winterland in San Francisco.

    I toted along with me a clay sculpture that I had made the prior year. It was a one and ½ foot (in circumference) dragon that was biting or consuming it’s own tail. It was fired and had ‘scraffitto’ (my own designs) carved into it’s ‘hide’ and then stained. It was the biggest piece of clay sculpture I have ever made. Anyway, I thought it would be fun to give it to the band on New Years Eve show.

    So away we go on the trip and get there and secure tickets for the shows on that Winterland run. The shows were unbefuckinliveable and that old Winterland was such a great venue. We were all sitting on the sidewalk on Dec 31st waiting for the doors to open early. We heard Bill Graham was going to let us all in early and we were going to play ‘freak’ volleyball until Graham played us movies from his collection (16 MM of Ray Bradbury’s Illustrated Man and the original Beatle’s Magical Mystery Tour) before the start of the show tonight.

    I thought that I better try to unload ‘Oroboros’ now (it was heavy and how was I going to talk that past the gate?) so I spied a door that said Backstage. No answer. The line of people on the sidewalk started getting up and moving to the door. Banged even harder thinking “I got to get this dragon in there so I can go in and play before the show tonight, this thing is heavy”, and as I pound harder the door yanks open so hard it draws me into the doorway, where a gigantic black man in a red Winderland shirt stopped me from being pulled inside with his had on my chest. “What do you want?” he bellowed. Startled, I said “I want to give this to the band” and held out the dragon in both hands. The giant took it in his immense hand and immediately the dragon shrunk to the size of a keychain. And he asked “Wow, what is it, I’d like one” and I explained “it’s an Oroboros, and that is the only one there is”. He grinned and said “Cool, who do you want me to give it to?” and I stated “Garcia, give it to Jerry Garcia.” And the door closed quickly, like in Dorothy’s first attempt to get into the Emerald city in Wizard of Oz.

    So, I happily hurry into the show and needless to say it was a singular experience: with those movies starting in the afternoon, the celebratory/raucous/colorful crowd, and the Grateful Dead 'playing in' the year of 1978. As each of us entered we were handed a piece of paper that had the message "Good things come to those who wait, surprise at midnight" with the stealie logo on it. Once inside I was stopped by ‘Rainbow’ Rose who had an eyedropper of liquid party favor in her hand. She said “ just one dollar per drop, on your tongue or for the adventurous, a drop in your eye.” Wow, this was going to be some night! One on the tongue, please!

    When you entered Winterland, you could go into the 'big hall' surrounded on all sides by an elevated balcony (complete with theater seats). You could also go into a bar, which was playing black and white videos (on an old fashioned 'big screen') of past performances of Hendrix, Airplane, etc from Graham's Winterland archives. Very entertaining, hey, the New Riders are starting to play, I got to get in there, the sound is loud and they are rocking the house.

    Anticipation is high and the Dead came out for the first set. Our party favors are now starting to engage...things began to sparkle and the old Winterland venue takes notice, and her walls start to sweat and then to sway with the strains of familiar music and the Dead coaxes this old hall to join us in our dance.

    Bill Graham got into the act dressed as Uncle Sam and he rode his motorcycle down a cable suspended high above us from the back of the Winterland auditorium to the stage. As the Dead improvised/noddled into the New Year Uncle "bill" Sam slowly moved above us illuminated by a spotlight. The hilarious part was as Uncle BoBo (as Bobby called Graham) was on this motorcycle, and as he approached the stage, the combined weight was too much and he sagged below the lip of the stage. So as the stagehands ran out and to drag ‘Uncle Sam’ onto the stage, Jerry and the band were all laughing as they saw his hilarious arrival to the stage. Then they burst into Sugar Magnolia, along with confetti explosions, as balloons dropped from the ceiling of the Winterland for our NYE celebration. Also on stage flanking the Dead were a gal and guy dressed in diapers as the new year's babies, dancing their asses off.

    And as I squinted at the band, I noticed in between Billy and Mickey’s drum set, sitting on a monitor with a white candle by it was the Oroboros ! ON STAGE with the Dead. Then I watched as Jerry walked over to it and he lit his cigarette off that candle. And when the stage lights went down between songs, the Oroboros was illuminated by the candlelight. I was 'on top of the world' (dead reference intended). If you google the song 'Fire on the Mountain' from the NYE show in 1977 on Youtube and at the conclusion of the song (7:20 or so), the camera focuses on the Oroboros by the candle (as we hear Bobby waxing about 'technical difficulties'). It is an old black and white movie/video, but I did show that to my three sons to prove the old man's story was true. But the boys still rolled their collective eyes at me, but I am used to that.

    We walked out into the cool San Francisco early morning and drove through the fog back to Nebraska. Now fast forward to Madison, Wisconsin 2-3-78 and I made the road trip to catch the show. It was a killer night and the Dead were in fine form (second half was in DP 18). The 'Cold Rain and Snow' was thunderous and Phil's bass boomed out to shake that snow off the roof of the venue.

    The next morning before I left the hotel, I got a wild hair and called the front desk “Could I have Jerry Garcia’s room please” and the phone rang and Jerry answered! I said “Hey, I’m that guy that brought that dragon to the New Year’s show” and Garcia said “Meet you in the coffee shop in 20 minutes”. I couldn’t believe it what was happening but stumbled into the Madison Hotel coffee shop at the appointed time and looked around and saw Jerry Garcia seated at a table with a ravishingly beautiful raven-haired Gypsy woman.

    I walked over an introduced myself and ‘shook the hand, that shook the hand of PT Barnum and Charlie Chan’. Jerry beamed that smile and gestured for me to sit down. “Man, how did you fire that dragon, so that it didn’t explode in the kiln ?” Jerry asked me. I told him that I had cut it in half lengthwise with a guitar string (that a friend had given me) and then put it back together. We locked eyes and he exploded with laughter and I followed with “Ironic, huh?” And he said “No, not at all, that makes perfect sense.” And we laughed some more. Then the Gypsy Beauty said “where are you from” and I replied Nebraska. And she stared at Jerry and stated “He came all the way up here from Nebraska to see the band”. Jerry shrugged his shoulders and raised his eyebrows and said “we didn’t ask him to come” and looked at me and we both howled with laugher. No deadhead was she!

    We talked more about art and the dragon, I didn’t know at that time of Garcia’s interest and practice in art. He was completely engaged in the topic of art, but quick witted with ‘turn on a dime’ twists, turns, and little quips. (Sound familiar to a band we know/love) Garcia was so focused on listening, not acting like he was the center of it all. He was locked in on taking time with me and talking about our shared interests, along with side commentaries on a variety of topics. The Gypsy woman asked “You went out to San Francisco and then traveled here?” and I stated yes and turned to Jerry and asked why don’t you come back to Lincoln? He said “you mean to Perishing Auditorium?” and I corrected him “no it is Pershing Auditorium, after the General” and he quickly retorted “no man, it was Perishing, really.” And we erupted in laughter again. There were some drunk frat boys yelling ‘boogie” at the top of their lungs at that ’73 Lincoln show, but the music was still topnotch! Anyway, I asked Garcia “could you bring your Circus back to Nebraska?” and Jerry grinned his Cheshire cat grin and said “who knows”.

    I saw it was time for me to leave them to eat as their breakfast arrived and excused myself and took off. Jerry brought the Dead back to Nebraska, that summer on 7-5-78. I taped them on my Nak 550 (my best aud tape of all) and then I had to follow them to their (and my) first Red Rocks shows.

    So that is my story of that time in space (or space in time). Garcia was totally a gracious, engaging, and kind man to this DeadHead who approached him for a moment in time. So to make a long story short (which I am constitutionally incapable) Jerry was focused on what he could learn, not what he could teach, on humor/laughter and valuing another person and really listening to their experience. He was so inquisitive, asking questions and then sharing his own thoughts. I have often thought about that lesson he taught me that cold Wisconsin morning. And for the rest of my life.

    Apologies for the thread hijack, so everyone can return to your regularly scheduled programming.

    Teachers open the door, but we must enter by ourselves

  • Angry Jack Straw
    Joined:
    Insomnia

    Is the worst. I’ve had it for years.

    Melatonin will help you temporally but it wears off after a short period of time as your body acclimates to it. Chamomile tea is mildly effective. Of course the best remedy is a couple of shots of bourbon.

    I’ll reuse an old joke and tell you to put on some Dead and Company. You’ll be asleep instantly.

    In all honesty it sounds like you might have something else going on there with your legs. Probably worth going to get checked out by a doctor.

    Good luck.

  • That Mike
    Joined:
    Proudfoot Counting Sheep

    Proudfoot - Everyone has a remedy for insomnia, here is mine, and you’re right, insomnia sucks. There is some science to the “478” Rule, which works for folks with insomnia, or anxiety. Breathe in deeply through the nose for 4 seconds, and hold it for 7 seconds, then exhale deeply through your mouth for 8 seconds. Repeat. Studies have shown lower blood pressure and reduces heart rate, leading to greater relaxation. I’ve tried it myself, with success. Good luck.

  • proudfoot
    Joined:
    Insomnia bites

    Hard.

    Lie down CANT SLEEP TWITCHY LEGS CANT BREATHE
    Get up sit there DROWSY AF think I will lie down
    Repeat

    Ever since fookin' Covid

  • rasta5ziggy
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    Joined:
    Random Stuff

    Loving #45. Starting 2nd set, 1st show now. Great music. I was a 1-3 show/year person beginning in the early 70's, and I got to wondering if I ever caught a '77 show. My only one was in Bloomington, IN on the IU campus on 10/30. I always wondered why they never returned to do another show there.
    Also, I read a lot of chatter here about an Ark box. Curious if anyone here ever attended a show at the Ark, or is this just an urban legend of a great venue. Lots of places I would have loved to have seen a show but never got the opportunity (Labor Temple, Electric Circus, Thelma, to name just a few).
    I've never heard a bad Passenger, either live or on CD.....really allows Jerry to make that guitar scream.
    I love all the DaPicks, because I prefer full shows. That was my issue with Dick's Picks is that you rarely, if ever, got a full show. And I loved the Road Trips series, even though I got in on that party too late and only have 2 (Big Rock Pow Wow and Valentine's Day), and those are full shows.

  • Vguy72
    Joined:
    Norman is a genius....

    ....as is Betty. As is the best band in the land. Hit the spot. Can't go wrong with Drumz -> The Wheel imo.
    Onto some Doors. People ARE Strange indeed. Especially these daze lol.
    10.1 this weekend.

  • carlo13
    Joined:
    Holy mackerel

    That DITS jam is sweet as honey. Eyes too. A spliff is needed for that dancing jam.

  • Vguy72
    Joined:
    #4773....

    ....gonna start with 10.2.
    Checked out the following show in Phoenix off and on at work earlier. Good shit.
    Edit....check out Donna on Duprees 💎 Blues. Very nice.

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What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

*2 per order. Very limited quantity available.

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No? Well somebody shoulda.

Herbie Hancock is to me one of the great geniuses of American music. Everything he did is worth a listen, and a lot of it is as Good As It Gets. All the stuff he did with Miles, and all the albums he made for Blue Note are stone classics. But my absolute favorite period from him is the Mwandishi stuff: ie, the period when HH was calling himself Mwandishi and (perhaps not coincidentally) rumored to be consuming mass quantities of LSD). He kept the same band together for a few years (Bennie Maupin, Eddie Henderson, Julian Priester, Buster Williams, and Billy Hart), touring the world and blowing minds, before he finally ran out of money and had to go a more commercial (though still great) direction with Chameleon.

Official albums include Crossings, Mwandishi, and Sextant, which are quite literally the bridge between the fusion-y free jazz of the late '60 and the straight up funk of Chameleon. There's a few live boots out there that are pretty good, too. (As well as Fat Albert Rotunda, a soul jazz record with mostly the same personnel that's not bad.) If you are the kind of Head who enjoys a good 30 minute Dark Star, you want to check the Mwandishi out sometime.

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You guys and gals just continue to floor me. I know there’s a lot of non-Dead discussion here but my God. It’s just so fantastic!!
THATMIKE-I have about 20 Cannonball discs, including the one you so kindly recommended. I generally prefer live stuff-Cannon is SO generous & descriptive with his introductions and banter. I especially like the 66-71 period. Which ties into the one Cannonball album I have not found on cd. Experience in E. I have a 2-disc compilation that has both songs off side 2 of that album, but none with side one, the 20 minute version of Experience in E. Anyone have or seen this on cd?? It comes up because that song (a Zawinul composition of course) is the 3rd track disc 1 of Forecast: Tomorrow. This and 2 other Weather Report compilations are prizes of my WR collection. A 2-disc set called “Live and Rare” (I believe) and a 4-disc set of live stuff from ‘78-‘81, mind blowing stuff!!
Mwandishi you say?? There was a 3-disc box called The Warner Brothers Years (again, I think that’s the title) that has Fat Albert Rotunda, Mwandishi & Crossings. Also great.
So what did all that inspire me to play??
Miles Davis Black Beauty!! Again, truly mind blowing stuff (Chick Corea setting the keys ablaze!!).
One last thing I want to add, for those of you with the high end stereo/sound systems. My favorite album of the Century (so far) is just chock-a-block full of amazing/interesting/ head spinning things in the stereo spectrum that I would be shocked if most (all??) of you wouldn’t enjoy. It’s not jammy, instrumental, weirdness, but I play this more than once a year. I recently had a co-worker ask me an interesting question:”what one album would you tell EVERYONE you know that they need to hear??” I thought for a bit, and came up with Iron And Wine “The Shepherd’s Dog”, which I have just played another 5 times in the last 3 days. I’m sure it may not be for everyone, but it’s one I brought to a friend’s house 4-5 years ago to show off his mucho-expensive sound gear. Even your wives may love this. So, I stake my (non-existent) reputation on this one. Feedback (good or bad) is welcome.

After Miles, I’m putting on Herbie’s Sextant album!! You all are the best!! (after music, of course) 😃

Mr Ones - I have both those Weather Report live collections, too, and they are incredible. If you want some great reading on WR, Pete Erskine wrote a great bio on the band from the drummer’s seat, especially in their heyday, called “ No Beethoven: Autobiography & Chronicle of Weather Report”, and an even better book came out about a year ago called “Elegant People”. Fascinating read, and a deep dive on their recorded works. A fantastic band I never tire of hearing.
As for Miles, he made so many great recordings from the Fillmores, and Black Beauty smokes. A stripped down electric live band, Chick is very prominent on this recording. I think Miles is my top jazz pick, his whole career, but I’m endlessly fascinated by his electric bands and recordings.
I still think how amazing Bill Graham was - genius, really - with some of his billing lineups, mixing different sounds or genres, but Miles Davis & the Dead on the same bill - Wow. Just wow.

As Mr Ones says,,,, this is one of the reasons I come here. Talk about other music.

Thanks Crow for pointing out the Herbie Hancock stuff. Turned out I have most of the stuff mentioned. Listened to "You'll Know When You Get There". What hit me most on first go round was the quality of the recording.

Found I did have a chunk of Iron and Wine which included Sheppard's Dog. What hit me on first go round was how the recording did not compare with Herbie. Recording levels too high? Little muddy to my ears. Could be my copy of course.

Cannonball's Experience in E,,,, I have a live copy off "Live at Pleyid 69",,,, it's only 14 minutes long.

Deadheads, what a musical bunch!

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Have any of you fine folks seen him in concert? If so, any thoughts.

I understand that he is very good, but seems to have tailed off a bit more recently.

Thanks.

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In reply to by Angry Jack Straw

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AJS - I saw Elvis open for Dylan one time, in Syracuse. He played solo - no band, just an acoustic guitar, but my memory was that he was really entertaining.

Dennis - I am with you - the folks on this site are first rate musical fans, and plugged in to some really great musical tastes, and I enjoy reading - and occasionally buying - the recommendations. It is not surprising, given our common admiration for the Grateful Dead, who could play it all. You often hear of this “Great American Songbook”, which is the recognized mainstays by Gershwin, etc, but to me, the term Great American Songbook applies equally to the Dead canon. They distilled so many influences and styles into their songs, and created music we are still raving about 28 years after they last played collectively .
Remarkable.

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In reply to by That Mike

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Ha, ya got me lol.
I didn’t see AJS post, just “Elvis opened for Dylan”, like whaaa??
Imagine that!

Big ole howdy do to Great North Mikey.
Thanks to you and all the hep cats here with this fine jazz talk.
Still digging what Santa brought, but it’ll be time soon to go back to the well, so now I have more groovy intel…
Shanks All!

EDIT: captcha cheats! Asked for cars but was showing big vans, which captcha insisted was cars, Doah
The Convergence is eminent…

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In reply to by Oroborous

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There you are Amigo! Your mother and I have been worried sick!
Seriously, I hope all is well. Because one of my kids is getting married this year, and we are planning to move, I’ve not been buying very much at all, just enjoying the collection. But I feel the levee is not going to hold much longer…! I see Mick Taylor playing on a new Ron Wood tribute album to Jimmy Reed. Larry Campbell has a release. A new Dave’s is being cued up….

Mike - Thanks for the feedback. The last time I saw Elvis, he joined the Cowboy Junkies on stage for a rendition of "Blue Moon." Not really, of course.

Congratulations on getting Austin Matthews back. I am counting on you to take out the Bruins. Now that the warmer weather is almost upon us, I will follow the NHL a bit more closely. Nice win by the Jets last night over the Rangers.

Being an avid hockey fan, I have another question for you. Do you prefer the white or red Red Wings jersey? Please don't be offended. I wore a Maple Leafs jersey during my entire scrub hockey career. The reason I ask is that I am in the market for a new rollerblading jersey. I wore my Reggie Dunlop jersey last week and everyone thought I was a Kansas City fan.

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In reply to by Angry Jack Straw

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Hey Jack - always great to have Auston back in uniform. As for beating the Bruins, the Leafs have to get by Tampa first, and…well…time to buff up the golf clubs. Jerry always said the Dead would blow the “big” shows - Woodstock, etc - well the Leafs fold like a pup tent on Everest when the playoffs start.

As for uniforms, I’ve always said there are only 2 in the NHL - Chicago’s jersey, and everyone else’s!!

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My DaP 45 has two tiny skips at the end of the encore.
Oh well, no big. The rest is fine.
Cheers

Both DaP 45 and DaP 23 Vinyl still around.
Alvar may be right. There are other Dave's that may have done better. But the series in vinyl is young and there's room for many more releases.

Time too short for me to delve into jazz talk, trying to head south again before a big snow. However the Herbie conversation has me thinking back in the day when Herbie rocked my world with his work with Miles and his album Head Hunters. And the mentions of Weather Report as well, fan of Jaco. There's a semi obscure recording by Airto Moreira must mention, and for those who want to see how good their victrola is, Airto Moreira and the Gods of Jazz, Killer Bees. Check out who is jamming with Airto and the rather incredible audio tracks to be found there. Not something you might listen to often, well worthy of a journey.

My apologies for the misspelling. You can blame auto correct for that one.

Totally agree on the Blackhawks jersey. The greatest jersey in all of sports. Not even close. I already own two of them, just in case one breaks. Or if the politically correct people make them change it.

I held off on the Leaf jokes simply because the playoffs haven’t started yet. But, I do appreciate your candor.

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In reply to by Angry Jack Straw

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Jack - I’m laughing at the politically correct comment!! Best. Jersey. Ever.

DMCVT - Thanks for the heads up on the Killer Bees. Quite an impressive lineup playing on this release. I’ll watch for an available copy.

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Mr. Straw, I saw Elvis a handful of times from 1982-1990ish. And most relevant, I saw him last Summer in Virginia. He and his band are (still) great!! A monster band.
And I am sick of this “Elvis has lost it and can’t sing anymore” crap. Folks, it’s been 45 years!! Of course his voice has deepened some, and like most everyone else, doesn’t have the range of yore, but he still sounds great!! His voice is an instrument and he is a true artist. I’ll take Elvis’ pure adrenalized vigor over any honey-voiced boring ass crooner (Michael Buble or Josh Groban anyone??).

I may even see Elvis again this summer, if my money situation loosens up a bit.

Music is the Best!!

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In reply to by Mr. Ones

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....currently playing the Golden Knights.
Little Feat announced their tour. Playing Vegas in August with The Dirty Dozen Brass Band at The Smith Center, which I thought odd, because that venue is more of a Broadway type show setting. Oh well. Not complaining.
Edit.....Chicago won in a shoot out. All my homies hate shootouts.

Amazing Quicksilver Messenger Service show from 12/28/75 I came across on youtube last night. I assumed they'd well and truly lost their mojo by then, but this is great. Both Gary Duncan and John Cippollina are present and in tremendous form. Gary Duncan sings a few songs as well, which is handy in keeping Dino Valenti out of the spotlight for a bit. Even Dino's whiny vocals don't pall quite as much by the end of the show-about 1hour 34 minutes in all. Top stuff - really good sound too.

Strange coincidence - listening to Quicksilver 07 for the first time in years - a live instrumental album showcasing Gary Duncan - I notice that there are two versions of Herbie Hancock's Maiden Voyage on it. Very underrated guitarist, Gary Duncan.

Nice heads up. I downloaded the show from u tube.

FYI - found a new program for pulling stuff off the tube for free.

YtMp3 - YouTube to MP3 Converter --- I think it will down the video , but I never download video (almost). Gets me a mp3 cut of tube at a 128 level. Maybe if you pay you can get a 320 level,,, don't know,,, I'm cheap.

But I did order the complete Doonesbury strips on a memory stick!

Dennis - it was free to me when I watched it last night. I got me a "smart telly" last October, and I'm still finding what it does that a dumb telly can't do. Youtube, by the looks of things. I'm going to have a poke around, and see what else I can dig out off the radar. The only Dead I've watched is an excerpt of them arriving in England in May 1970, and then at the festival. Not much music - a Bob Weir interview. I think this was in the "Long Strange Trip" film, but I hadn't seen it before.

If you see this, thanks for the 12/31/81 pick. I plan to watch again in the next week or two. Good stuff...

Never knew Bootsy was so recognized. Thanks for all the great discussion. Absolutely awesome! I do need to go read some more though. Seeing Parliament Funkadelic in 1978, I think, was freaking incredible.

Any other funksters out there? Try some Ohio Players, most know things like Fire and Love RollerCoaster. Try looking up "Far East Mississippi". Saw Ohio Players play that one. Can't remember, did they open for p-funk?

G

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I love the episode when Tony took peyote buttons with some hot chick in the desert. I'm sure someone on here saw that episode.

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DAVEROCK, I’m surprised to learn that there is a good QMS show from 1975. I will look it up and listen. Thanks for the tip.
Waiting to see your feedback from #45. Did I miss it already??

Mr Ones - I was a bit surprised myself. Apparently they re-grouped briefly to promote the reunion album "Solid Silver"-which I've never heard. Another good clip of late period Quicksilver is a live 19 minute version of "Who Do You Love" from 12/1/73. Good sound, but terrible picture. They seem to have a ghost dancing on stage with them during this one.
I really enjoyed Dave's 45 - both shows. The final cd is the one...but first sets always seem good to me from around this time, too. To be honest, it was a couple of weeks since I played it, and I've forgotten the details ! But I know I liked it all and I'm glad I got it. I would say they are a good couple of shows from the timespan.

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My buddy feeds me all the D&C shows, he missed out on 1/14/23.

Anyone get a copy they're willing to share or trade for?

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I'm surprised this one hasn't sold out yet. Usually, a Dave's Picks sells out in hours or a day or 2.

Thanks, got two different versions of Who Do You Love,,,,, one at 19 minutes and one at 27 minutes.

Both recordings sound alright.

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There is a cool clip of Quicksilver playing Mona 8/15/69 at Sonoma State College. Also the cool video from Monterey Pop Festival, which you probably have seen. When Little Walter came out here in 1966 Quicksilver backed him at the Matrix Club. They brought Pig Pen over to hang out with him since Pig Pen was a drinker, they felt that they would get along.

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This got mentioned to me the other day. I downloaded 3 shows off the archive.

They sound ok, worth checking.

Billy - thanks for the tips -I'll check those out later. I never knew about Quicksilver backing Little Walter. I have noticed that there is an album called "Live at the Old Mill Tavern 3/29/70" on which they jam for about 20 minutes with James Cotton. The reviews of the album I have read say that is the best part of the show. This is the version of the band with Nicky Hopkins, as well as the two dynamite guitarists, so it should be worth hearing.

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On the little system today as the big one sounds muddy lately.
Crikey! There's a rabbit hole waiting to happen.
DR's review pretty spot on. 4th disc has it going on. Love the pace.
Just two great solid shows. Maybe not monumental but good clean fun.
Sound is excellent despite my previously mentioned issue with the bass on 10-1.
Going to keep this in the on deck circle for another listen in a month or so.
Cheers

Need more Quicksilver. Happy Trails LP is all I've got. Has that live Fillmore Who Do You Love and that great western cover art.
Edit: Just cranked that Happy Trails LP on the big system and it sounded great! Very clean LP and no lack of clarity. That rabbit hole is just some little devil on my shoulder saying you need an expensive CD player.

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Oneshow - my favourite live Quicksilver album was recorded at the Fillmore on the above date. It has been released numerous times - the best cd version I have is a double, on the Purple Pyramid Records label. It was played about 5 months before the "Happy Trails" live sections, and features 3 of the same songs, plus 5 from the first album ( also worth getting) and 4 covers. It's higher energy than " Happy Trails" - quite a different feel to it. It hasn't got perfect sound quality - but it's easily good enough to my ears. One of the best live albums by anybody that I've ever heard.

I first got an incomplete version of it on vinyl, about 1983, on an album called "Maiden of the Cancer Moon". That sounds good - but it's not all there.
The worst version I have is on the " Lost Gold and Silver" double cd that came out about 20 years ago.

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Thank you for the feedback on Elvis. I’m debating on whether not to go see him and your feedback likely convinced me to do so.

Gary - glad you enjoyed 12/31/81. I don’t contribute much content of substance on this site, so I’m glad to help out where I can.

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....Elvis Costello was at the Wigan '72 show. And so was Joe Strummer.
Or at least that's what my search engine told me.
That show was what made Costello want to form a band. And the rest is history.
Ok. Time for some Clash. Thinking Sandanista, because there are two records.

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1

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Vguy,

Were you planning to enjoy Sandinista on vinyl? You get to listen to three discs worth. Enjoy......

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Apologies - I got your name wrong yesterday. I also seem to have gone on a bit. Quite surprising sometimes, looking back on what you posted the previous day.

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No worries. I thought it a new nickname.
Cheers
That Happy Trails LP is an original Capitol Records issue and of strikingly good sound quality. Not a scratch on it. And it's heavy, maybe not 180 gram but close. I'm sure I got it at a thrift store or library sale for next to nothing. One can do vinyl affordably if you keep your eyes open and aren't too picky.

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It's very odd that #45 has not sold out??? Every other Dave Picks has sold out certainly within a week, most of the time within a few days at the most....Dave Picks #45 has been for sale now for approx. 6-weeks. It seems a little odd and/or weird...also, why was the setlist(s) never listed on the sale?? Every other show, in fact, every other release on dead.net has complete info with obviously full show setlists details??

Anyway, maybe there is a reason?.....my guess is people have had enough of this series specifically from: 1972, 1974, and 1977. Simply put, it's time to concentrate this series on the 1980s & 1991

Right?
The countless hours I've lost sleep wondering why -- WHY?!?!
DaP 45 should have sold out.
SHOULD have but hasn't!
Is it proof of something?
Does it validate an unsatisfied demand?!?!
Will certain voices finally -- FINALLY -- be heard and sated once and for all?
Only the future knows.

That said, been spinning a lot of 76 lately. Rediscovered how good Dick's Picks 33 really is.

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SOLD OUT I too can only surmise that a message is being sent here, lay off the 70's and either go to the 60's or venture to the 80's & the 90's. With that being said I'd predict that if 9/19/70 or 2/9/73 were give the full Norman either one would sell out quickly. I'm still waiting patiently for 12/1/79 to be set free from the vault. Like I said before on this forum we are due for a stand alone release I say Bear's Choice Volume 2 would be a great choice for 2023 just a one CD release is all I'm asking for.

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I'm wondering if my vinyl "Happy Trails" is an original. I bought it waaaay back - about 1974, but looking on Discogs, I think even then it was a reissue. I'm not sure - it was probably in the record shop a year or two before I happened on it. But it also feels quite weighty. I've noticed with my old albums that they all seem quite substantial-up to about 1975, I guess when cassettes came in, and they started making quite flimsy records. Maybe there was a sudden shortage of vinyl or something. "Happy Trails" also has one of the all time great covers.

Re Bears Choice Vol 2 - I played the final cd of Dicks Picks 4 last night, the late show from 2/14/70, I believe. I tend to overlook this a bit, as it follows on from the more celebrated 2/13. But it's a great set in it's own right.

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Hey rockers!!

All just one man's opinion...........

It may not be a "70s in general" issue, it may be a "1977 specifically" issue. There's been a lot of 1977 shows released, maybe people are oversaturated? Some folks may also be holding back dollars waiting for this year's box set. And, there's been a lot of other non-Dead music released recently, also competing for our dollars. That being said, I think releases from 1970 and 72-74 would still sell out quickly.

I could go for some 84-85 releases, but after that and into the 90s, I would probably pass............

All just one man's opinions......

Of all the logical impasses, unknowings, paradoxes, and terrors that provoke laughter, death by its finality and unsolvable mystery is paramount................

Rock on,

Doc
Until we accept the fact that life itself is founded in mystery, we shall learn nothing......

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My Happy Trails has no year printed on it that I can find. Vol. 2 ST-120 call number with Capitol and EMI symbol. Rear of cover was pasted on a little crooked over the cover art which is folded over about a half inch onto the back. Printed in USA. Has the album designer's small logo "Globe Propaganda" on bottom left of cover art. Red label on LP.

Credits include thanks to many including Alton Kelly, one half of the famous Kelly Mouse. I remember an interview with him on David Gans GD Hour show that described he and Mouse working on the same drawing board at the same time. One being left handed and the other right. He said they were like a two headed monster. I think he came from Detroit and that monster automobile art vein like Big Daddy Ed Roth and Von Dutch (Kenny Howard).

I like the fine print giving their address as Hollywood and Vine streets, Hollywood , Calif. and the info for how to book the band; WESTPOLE, 54 Martha, San Francisco, Calif. 94131 - Tel. 415-333-9400. Yes, hello? Yes, I'd like to book Quicksilver Messenger Service for my son's bar mitzvah. What dates are available?

Cheers

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