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    What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

    Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

    ...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

    Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

    I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

    We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

    Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

    *2 per order. Very limited quantity available.

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  • daverock
    Joined:
    Welcome to the future

    Gary -those were great visions of the future that you mentioned people had in the 1960's. The idea that robots would replace humans in the work place, and increased, improved technology would mean we wouldn't have to work so much. They went on to assume that when this happened, we would all be living in some kind of Utopia. Walking round my home town yesterday - it's very evident that people are working much less than they were 50 years ago partly as a result of improved technology. It's also very evident that the 1960's vision as to what would happen socially as a result of this hasn't come to pass.
    Just this week a friends neighbour died following a botched attempt to burgle her home. Yesterday we saw a security guard smash a woman to the ground after he had apparently caught her leaving one of the poorest shops in town with something she hadn't paid for. Welcome to Utopia !

  • Jake R
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    84/85

    I’m still waiting on any Merriweather shows from 84 or 85 to come out. Some great playing and interesting set lists there for sure.

  • Angry Jack Straw
    Joined:
    Traffic revisited

    All of the discussions a few weeks ago, got me into listening to a lot of their material again. Man, that band was really good. For those of you who are interested, use your Google machine to look up Traffic Live 1973. There’s a half a dozen or so, high quality videos. Great stuff.

  • billy the kiddd
    Joined:
    Anniversary show 3/29/83. Warfield Theatre

    40 years ago today I was up at the Warfield Theatre for another fun night with the Good old Grateful . The Dead could have played at the 20,000 seat Oakland Coliseum and sold it out, but they played the 2,000 seat Warfield Theatre for a much cooler experience. Fun times!

  • Gary Farseer
    Joined:
    BTW, Sixtus Great Post & Voo Doo Nola!

    You sort of almost comment on it but from my myopic thinking, I always looked at changes in their styles over the years was always based on one factor. That factor being: We have to entertain ourselves first, then the crowd will follow. Of course, it always did.

    Just finished my 5th listen thru the MSG box. Great Box. Also ran thru some tube videos.

    Voodoo Nola!!! If you see this thanks so much for your incredible work!!! Check out his 8-9-89 of the Greek and 9-12-85 from Kaiser/AO. Was at the Greek show but the 1985 show, I finally got to see the 20th Anniversary Screen behind them in full bloom. Wow good stuff. I had seen pictures of the screen but never it coming to life, animated. Just love it, and the boards are crispy.

    G

  • Gary Farseer
    Joined:
    DaveRox!

    I think that is the same Haight Ashbury documentary made in March 1967. There is a moment in there where a gentleman is speaking and he is so prescient. He is discussing the massive changes to the world coming as computers (think AI) and robots will eventually do all work for mankind. Interesting (recent: think last 5 years) the calls for a universal income and how do we live without work. He discusses universal income back in March 1967. Just WOW. Not sure it is the same documentary but think it is. I think I watched on Amazon a few years back.

    Cheers!!! More Beer, Less Work.

    G

  • Gary Farseer
    Joined:
    Moon Times & Vault Lists

    Moon Times R Good Times, and Vault List heck yeah.

    Just a quick update:

    I just scored this, after several years of hunting:

    9-disc Fleetwood Mac / Grateful Dead 1970 Opening The Warehouse Live CD Series

    It finally was released. Cant wait. I was posting to alert, but as of now sold out again.

    And for The ABB: This looks great!

    Please spread the word and join us on Munck Music Radio everyday this month at 12 & 6 pm (cst) as we welcome spring with some of our hottest Allman Brothers Band shows.
    Today's show: 3-23-2009
    with Jimmy Herring, John Bell, Susan Tedeschi and more!
    Buy Now
    Even after the epic Clapton shows and a Beacon run full of special guests and surprises, this show stands out from the crowd! This may be the most guest-packed show of all, with everyone from harmonica master Thom Doucette and saxophonist supreme Ron Holloway to Susan Tedeschi and the Kingpins of King Curtis fame joined the fun, and that was just the first set! As always, some of the best highlights belonged to a recharged Gregg Allman, who sang his heart out on "Desdemona," which also featured some tasty sax licks from Holloway.

    Thom "Ace" Doucette played harmonica on the classic Live At Fillmore East album, so it's only fitting that he joined the band for "Done Somebody Wrong" and "You Don't Love Me." This Ace still has a few tricks up his sleeve! It was also a great tribute to Duane to feature the members of the Kingpins (Jerry Jemmott - bass, Bernard Purdie - drums and Jimmy Smith - keys), on the King Curtis classic "Soul Serenade," which took the whole Beacon to church. "Memphis Soul Stew" added Mike Mattison to the mix and took it even higher. Have mercy!

    As if determined to outdo the remarkable first set, the second set opened with a "Little Martha>Blue Sky>Little Martha" sandwich jam that showcased some of the prettiest guitar playing of the entire run. John Bell of Widespread Panic added soulful vocals to the Blind Faith classic "Can't Find My Way Home" and a downright nasty "Walk On Gilded Splinters," and WSP guitarist Jimmy Herring was on fire all through the second set. Check out this extended jamathon of a "Les Brers In A Minor," which shows Derek and Jimmy playing together with the special telepathy only they have. Did we mention the extended "Statesboro Blues" encore, Ludlow Garage style?

    What are you waiting for? Get this one today!

    1. Don't Want You No More (2:49)
    2. It's Not My Cross To Bear (5:25)
    3. Done Somebody Wrong (6:53) @
    4. Can't Lose What You Never Had (6:11)
    5. Announcements (0:22)
    6. Desdemona (15:10) &
    7. New Instrumental (10:46)

    1. Announcements (2:25)
    2. Soul Serenade (9:42) *#^
    3. Memphis Soul Stew (5:33) *#
    4. Them Changes (9:20) *#
    5. You Don’t Love Me (6:27) @
    6. Little Martha (8:08)
    7. I Walk On Gilded Splinters (6:54) $%
    8. And It Stoned Me (5:22) $%
    9. Can't Find My Way Home (6:31) $%

    1. Leave My Blues At Home (2:33)
    2. JaMaBuBu (8:49)
    3. Leave My Blues At Home - reprise (4:51)
    4. Les Brers In A Minor (16:31) %
    5. Crowd Noise (4:23)
    6. Statesboro Blues (12:45)

    @ = w/ Thom Doucette, harmonica
    & = w/ Ron Holloway, saxophone
    *= w/ Jimmy Smith, organ; Bernard Purdie, drums; Jerry Jemmott, bass
    # = w/ Susan Tedeschi, vocals
    ^ = w/ Mike Mattison, vocals
    $ = w/ John Bell, vocals
    % = w/ Jimmy Herring, guitar
    Check out the Best of the Beacon Section and Sets Section on our homepage. We have added some previously unavailable shows in our Hidden Gems Section.

    From the guys at Munck Music.
    I Post because last month when all the postings on Weather Report (love), and drummers, I dont think anyone mentioned Bernard Purdie. An incredible drummer, inventor of the Purdie Shuffle, and the master of ghost notes. The easiest way to recognize him is think in your head "Babylon Sisters" by Stealy Dan. He played his shuffle on that track. Always have way more than I can post, hope I can do better. Has the new Dave's rumors come forth yet?

    \/

    Edit: the 1970 Warehouse show is brand new. It is listed every so often on ebay, but you have to hunt a little bit. Guessing they are batch processing small runs of it new.

  • billy the kiddd
    Joined:
    DMCVT. Vault List

    I'm with you 100% on this one, lets get that vault list out, it will make for great conversations on here. For the people who don't want to know what's on the list, you don't have to look at it.

  • daverock
    Joined:
    Much joy

    Sixtus - good stuff, I also like noticing the the ups and downs ( more the ups) as the Dead wended their way through the years. I was listening to the Newcastle show from 4/11/72 last night, with that incredible Truckin'-Drums-Other One jam. It's amazing how they redeveloped The Other One around this time. And it was not as though it ever sounded as though it needed redeveloping in it's earlier incarnations. The first side of "Anthem Of The Sun" is a psychedelic masterpiece. If you watch a documentary of the Haight Ashbury in the mid 60s', you could turn off the commentary and listen to anyone of The Other Ones from 1968 in it's place. On through it's maturation during 1969 to the rock powerhouse of 1970, and then this one I heard yesterday in 1972, which defies categorisation. So far away from how it sounded in 1968. It's even got a Feeling Groovy jam in it !

    It would be great if/when the final FW69 show comes out on vinyl. I also wondered yesterday if 4/11/72 would ever come out on vinyl - a nice complement to the two Wembley shows that preceded it. After that - Bickershaw. And then look to Germany.

  • hb672
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    Dave's 46

    First things first...

    Sixtus...great post. Years vs. eras (vs tours...)...spot on! Top companies re-invent themselves over time to remain relevant. During different years/eras, listening to different interpretations of the same song has attracted me to the band since.

    I digress.

    Dave's 46 September 9, 1972. Well, I cannot say I was there but I was for the following night. I started to see the Grateful Dead late one night (or, actually, early one morning) after I went to a party in early 1971 and a friend of mine offered me something small and orange ...said I would like it ( I did!)...and a bunch of hours later i'm home and put on Live Dead...Dark Star. That was the real introduction for me .

    First time I actually saw the Dead was June 17, 1972 at the Hollywood Bowl...Pig's last performance. (I think some of you who post were there too!). While it was a fine show, it really had not fully hit me. Here comes the Hollywood Palladium shows in September. A couple of friends of mine and I went to the 9/10/72 show. Wow!!!

    IF my memory serves me...opening act was a bluegrass band called High Country. They came on at 7:00 pm and they were great. The Dead come on somewheres around 8:15-8:30 or so with a wonderful first set. A long, fabulous Bird Song is about all i can recall. We were towards the back of the floor at the Palladium...festival "seating". During the break, we moved up front and ended up around 10 feet from the stage in front of where Garcia would be. Second set started. As the music played the band, Garcia just seemed to be smiling, looking into the audience. We would smile, Garcia would grin, nod his head and, I'd swear, look at each of us directly on the eye. Probably too may recreationals but i know he was looking at us. (actually, all of us) We noticed behind the speaker bank on our left was a crew member rolling joints. One of my friends said, upon closer inspection, "doesn't that look like David Crosby?" Hmmm...couldn't be.

    Well, as we all know now, during that "era", one nights The Other One was the next nights Dark Star. And it was. The band went into Dark Star and a bit into it, some other musician was on stage...between Bill and Keith with Phil bobbing around. It was David Crosby! The band did not mention his presence to the crowd, he left the stage before the end of Dark Star...geez. Garcia smiled all the way through it!

    Show ended at 1:00 am. Staggering out, we all looked at each other and wondered if what we just experienced really happened. The bus really came by and I really got on...

    I will be looking for the September 9, 1972 Hollywood Palladium show...and my order will be in.

    Thanks, Dave. And, thank you, to the other regular posters who generate such wonderful content. I do not post often, but I do check the site daily.

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What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

*2 per order. Very limited quantity available.

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In reply to by dmcvt

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???

We want DARK STAR!!!

but they didnt ask me

Addendum
Theres the Dark Star
9 10 72
With David Crosby (ugh)

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To my simple ears, Jackson Browne's "Redneck Friend" remains David Lindley's greatest rock moment. It is just so kick ass, that song lifts me up every time and I never tire of it. Sizzling slide lines throughout.

Lazy day. Best kind, IMO. Been plugging a '52 Tele tribute into a Carr Skylark with an MXR Carbon Copy delay into an old MXR script Phase 45 on the front end. Magical... glass like tones that ring for days and the spring reverb on the Carr is to die for.

Last five:

Led Zeppelin - Led Zeppelin III
Grateful Dead - Dave's Picks 45
Sonny Clark - Blues in the Night
Lenny Breau - Guitar Sounds
Beck, Bogert & Appice - Beck, Bogert & Appice

\m/

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In reply to by LedDed

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so lucky to see him on tour with Jackson Browne years ago... nice notes Ledded, love that one too, Redneck Friend, a sort of anthem of my late teens. Great music and interview/stories of blues and bluegrass with Peter Rowan just streamed on KPFA, when they asked him to play more, he said let's get back to the music of the Dead... roll right into He's Gone.

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9/10/72 Dark Star> Jack Straw> Sing me Back Home, what a show! 10/31/70 they say the tapes have been found, Viola lee Blues > Cumberland Blues> Uncle Johns Band, lets hope for a release. KPFA, Fantastic Dead marathon.

I didn’t listen but checked out the setlist.
Piece these back together:

cloudsurfing

.gdhour.

com/kpfa-grateful-dead-marathon-3-4-23

Looks like DaP50 with bonus disc should be 9-9,10-72.

The returned reels list indicates 2 reels from 9-9, but nothing from 9-10.

09-9-72 Hollywood CA 1 x 10" REEL = + 1 REEL NOT ON INVENTORY*

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They said on the Grateful Dead marathon yesterday that the reels for 10/31/70 had been found.

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In reply to by billy the kiddd

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I've just had a look at the set lists and noticed that there were two shows played on this date - an early and a late. "Viola Lee Blues" seems to have been played at the early show.That would be worth the price of admission alone. It must have been one of the last times they played it.

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Daverock, I it was the last one, they jammed it into Cumberland Blues.

Last night was listening to KPFA with the Viola Lee without knowing the show and when it segued into Cumberland I was totally WTF?? is this magic?? Then a killer fall '70 Uncle John's. Went to my very dog-eared copy of deadbase for guidance.

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In reply to by bluecrow

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Sounds like a candidate for a future Daves Picks to me.

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Dark Stars are just mind bending!! The best KPFA Marathon ever, IMHO. Started with 11/24/79 and just took off from there.

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In reply to by wissinomingdeadhead

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....help me find it.
If Halloween '70 gets the nod, so help me.
If they have all of this, good lord....
Early....
Til The Morning Comes
Hard To Handle
Mama Tried
China -> Rider
Dire Wolf
Cold Rain & Snow
Me & My Uncle
Dark Hollow
Brokedown Palace
Viola Lee Blues ->
Cumberland ->
Uncle John's Band
.
Late....
Casey Jones
Sugar Magnolia
Next Time You See Me
Cryptical ->
Drumz ->
TOO ->
Cryptical ->
Cosmic Charlie
Big Boss Man
Mama Tried
Hard To Handle
Drumz ->
Good Lovin'
St. Stephen ->
NFA ->
GDTRFB ->
NFA
.
Sign me up! And don't you dare tease me.
I found my old tape of it. Unfortunately, I need a cassette player.

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In reply to by proudfoot

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It's starting to read like an obituary column on here.
But no disrespect intended - RIP Gary Rossington. I sort of saw Lynyrd Skynyrd at Knebworth in 1976. A massive festival headlined by The Stones. I had never heard Skynyrd before, and I was so high I couldn't tell my elbows from my knee caps. But I heard "Freebird" on the radio a few months later, and immediately dropped back into the zone - even though I had no conscious memory of having heard it before.
I have heard it since, a couple of years ago I got great dvd/cd of their show that day. It's an incredible live performance - no two ways about it.

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Being a transplant to Florida back in 72, Lynard Skynyrd was huge back then. Their first lp released on Sounds of the South records was all over the radio and Free Bird (worn out) was the Florida national anthem. These guys knew how to party and most of them loved to fight. Knock down drag outs that would usually end up with everyone bloody and laughing. Ronnie was their leader and a hard drinking fist fighting rebel if there ever was one. The first time I saw them was their welcome home tour back in 74, right after second helping had been released. Jo Jo Gunne opened the show. That's another story as they were the most professional rock band I had ever seen to that date.
The stars and bars was lowered and the William tell overture starts to play. As it reaches its' peak, Skynyrd comes out playing the opening song to their first lp, I anin't the one with that killer guitar sound that only Gary Rossington had at the time. Laid back and never flamboyant Gary could play the prettiest solo's you ever heard. After the plane crash that sidelined him for over a year, they regrouped as the Rossington-Collins band, released a lp and had a chick lead singer because they felt that no one could replace Ronnie. They did Freebird as an instrumental with a lone spotlight on the empty mic.
The story goes that Ronnie and Steve might have survived that plane crash if only they hadn't been up in the cockpit choking the shit out of the pilot for taking off without any fuel. RIP brother Gary, play it pretty.

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Will be playing Pronounced and Second Helping.
Recent new copies of the LPs replacing my long lost originals.
Pronounced was pressed in Czech Republic. 2nd was USA.
Songs of the South and MCA label on both.
Here's to Gary. Cheers

Edit: Listened to the new copy of Pronounced from Czech Rep. and was totally unimpressed with the pressing. Only heard it once before. Very dull sounding albeit clean. While getting that album out I also found an MCA reprint from BITD of the same album. Doesn't have the gatefold with the lyrics/notes inside like the original. Must have found it thrifting and didn't remember that when I bought the two new ones last year. Lo and behold the old MCA reprint totally killed the new one! Way more dynamic, louder, and so much clearer in the mids and highs. Just goes to show. The new Second Helping is much better. 180g and impressive sound from Analogue Productions pressed in USA by Quality Record Pressings from original analog masters and authorized by the record label. Got Needle & the Spoon cranked right now. What a difference!

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2nd helping, nice and clean for sure. Another one I pulled out of the back is Gimme back my Bullets, another great record. Ronnie didn't mind fighting, he liked to fight, but he did not like hand guns, worthless pos he used to say, always ruined a good fight,

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Available for pre-order.

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I love vinyl but I've got good tapes and the box set that has it. Gotta be better than the 4 LP boot that's missing songs at least. What else ya got? We need an announcement.
Cheers

Edit: So the resupply pre-order sold out in one day? How many? Stealth announcement too. Keep the presses rolling, at least so Kemo can get one.

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… how about another “New Years” performance release?! That would be very grateful!

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In reply to by wissinomingdeadhead

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...JFC. Buffalo is better.
Yawn.
Yeah. I said it. PM me your discord.
The jerking over a show that never happened is....interesting. jk

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In reply to by Vguy72

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They are all overrated, lets face it. Still, at least something has sold out pretty soon after it has gone on sale. Even if it is a recording of a show most people have already had for years. On the positive side, it bodes well for re-releases of other shows that in the past have only been partially released. Like Fillmore East February 1970 and Winterland October 1974.

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Mornin', rockers!!!

I had intended to post this yesterday, but got caught in a massive traffic jam and didn't have time. So here we are........

Was driving to work and cranking 10/31/70 and smiling............

Decent recordings of both Stony Brook shows have been around for a long time, and the top notch DeLuca-Miller remasters of both shows (including the NRPS sets) have been around for several years, and are highly recommended. For anybody who needs/wants and doesn't feel like waiting until they're officially released, you know where to find me...........

Although they don't capture the over-the-top craziness of the Port Chester shows of a few days later, both Stony Brook shows are solid and perhaps the most complete audio artifacts from the Fall of 1970. Everything you expect from the Dead in 1970---rock and roll, Bakersfield, greasy Pigpen, jams, occasional oddball tunes woven tastefully into the audiuo tapesty. I would prefer that both nights be offically released as one issue, and it would probably sell out fast........

Also noticed that the GEMS remaster of 9/10/72 just hit general circulation...........

Music is the best means we have of digesting time...........

Rock on,

Doc
Music comes from an icicle as it melts, to live again as spring water........

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You mean like punching and kicking and gouging eyeballs? Never enjoyed it much myself. Maybe that's why I never really got into Skynnrd. But don't tell Skynnrd cause they probably come kick my ass.

Interesting that a reissue of Cornell, a show that I would've assumed everybody and their moms already owned, evidently sold out in a couple hours, while meanwhile the new DaP which offers not one but two new very very good '77 shows for a fraction of the costs hasn't sold out yet. I guess Cornell is just that much of a THING now. Even tho Buffalo's better. (Yeah, I said it, too.)

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Any 1968, 69 or 70 box set is gone in a heartbeat. The complete Oct. 1974 Winter land shows, audio & video is gone in a flash., Dave that hint wasn't to subtle was it?

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With the Cornell 5-LP. Lots of confusion yesterday.
What is up with the "store" side of deadnet?
Typical don't have their stuff together roll out.
Would be helpful to know how many will be pressed this go-round.
Just another grateful day. Cheers

On the Cornell vinyl board I posted in 2018 that I wasn’t impressed with the vinyl release.
That’s because when I opened it the side with Scarlet->Fire had a huge smudge across it.
I eventually got it clean.

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"what's this fetish and obsession with vinyl????"

If I had a great sound system and the house to myself on a consistent basis...but I am frequently away from home when I am listening to the GD.

They tried to kill vinyl back in the day and I gave up on it. Besides, vinyl has NOISE and DUST and TIME LIMITS and you CAN'T TAKE IT IN THE CAR.

GRR.

RELEASE SOME FUCKING 1969 GD ON CD, YO!

Grumpy Grumpkins recedes back into his (descriptor of your choice) hole...

....it's actually very surprising to me. Never thought I would see them come back the way they have.
But 180g is nice, as is the larger artwork.
....must. resist....
I have been revisiting a lot of my old records since my wife got me a turntable for Christmas. Probably have over 500.
Tonight is a Dead Kennedys night methinks.

....classic record.
Followed that with In God We Trust Inc.
Realized a song in that it's a 45 rpm LP.
Thought I was having a stroke.
No offense Doc.
You got me DK.
Last five. In a roundabout way, I'm showing my hand.
Peter Gabriel announced his tour today by the way.

If you can get FW 69 shows on vinyl for a good price do it. It’s not just the CD’s copied to vinyl. The vinyl says Plangent which the CD’s don’t say.
A few months ago 2-28-69 was still going for around the original price, but last night I saw it for a lot more, so you may have missed the bus on that one.
11-10-67 also sounds spectacular on vinyl.

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Got my Dap 45 "glass" today. Ok, sure it's my vault, I'm a terrible reader. I guess I was expecting a "rocks" glass, NOT a shot glass!!!

I'm sorry Dave (though I'm sure Dave has no say), but 35 bucks for a shot glass?!?!?!?!?! Nice though the glass is. And it is a very nice shot glass. But 35 bucks. I felt like an idiot buying a rocks glass for 35, but a shot glass!

That picture on the left, that's what an idiot looks like. Sorry, super idiot because I'll probably the next 3 glasses!

Should have gotten the axe.

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In reply to by Dennis

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RIP Ron "Pigpen" McKernan (September 8, 1945 – March 8, 1973)

fifty years ago today me and a buncha other weirdos were driving down from our forestry camp in Big Sur to our main HQ down in Los Osos (in between Morro Bay and San Luis Obispo) when the DJ on the radio station we were listening to announced Pigpen's passing...I was stunned...I had no idea how poor his health had turned and I also had no idea that seeing him perform with the band the previous year at The Hollywood Bowl would be his last public performance...

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10 years 2 months
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Rhino has a 40th anniv.
Anything new in this?
Cheers

Yesterday I asked is that all ya got, we need an announcement. Voila! Bear's Choice 1LP (and maybe a digital download option?). Pigpen lives on!

...The Workingman's Axe is one of the All-Time Greats that I did not pass up on this website; the satisfaction of each chop is deliberate and ever-present.

Long live jerry's 10th finger.

- Paul Sixtus Bunyan

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11 years 1 month
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How is this not yet sold out? I love 10/2 ... 10/1 is nice to have but man that 10/2, especially the 4th disc!!! hottttttttt
25k copies, maybe getting close to a sell out>|? I have never seen a dave's sit this long ...

You are 100% correct.

I buy the vinyl for only stupid reasons. My Collection. I always have this vision that someday my son will either love it or get a small fortune for it.

I too seldomly sit and listen like that anymore. Mostly in front of the computer while working or in car or while cooking.

I think in our old age we look to collection SOMETHING.

Vinyl, cheaper than guns, smaller than cars!

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12 years 3 months
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50th Anniversary download now available for per order!

Based on the continual screw ups by Dead.net over digital downloads, there is no way I'm ordering this until at least June!

We return you now to your regularly scheduled madness.

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Dead & Co. at Barton Hall.
A tie-in to the vinyl release, LOL?
Will they play the same setlist?
March GD Bulletin in email.
Cheers

product sku
081227834586
Product Magento URL
https://store.dead.net/en/grateful-dead/special-collections/daves-picks/daves-picks-vol.-45/081227834586.html