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    What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

    Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

    ...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

    Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

    I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

    We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

    Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

    *2 per order. Very limited quantity available.

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  • Vguy72
    Joined:
    What does 007's doorbell sound like?....

    ....dong. Ding dong.

  • Crow Told Me
    Joined:
    Breakfast with Jerry

    Cool story, Brother Oroboros, and I mean that sincerely. I never get tired of hearing tales of the GOGD good ol days, and that one’s a double doozy. And I really like how you tied it into the whole thing about being a listener and a learner as opposed to a talk talk talker. I've been guilty of that too damn many times. I heard ten thousand whispers and nobody listenin, somebody sang once.

    So 45 showed up today. For the first time ever, I received my copy before the run sold out. Kind of weird, but I doubt if it portends disaster. Probably to be expected, now that the runs are up to 24,000 and lots of the most essential shows have been issued. Maybe it has something to do with ebay, maybe there’s such a thing as ’77 fatigue, maybe the moon was aligned with Uranus, I don’t know. But I’m guessing it’ll sell out soon.

    Listening to the first disc now: sound takes a long time to get settled, for a Betty board. Even after the audience tape section (which sounds about how you’d expect, ie not very good) balances seem way off for a few minutes, but settle in very nicely during Deal and the fi gets hi. I’m home alone, wife at work, cranking it and annoying the neighbors.

    Sorry to hear about sleep problems Proudfoot and some others are having. Be sure to get checked out for sleep apnea. I got diagnosed, and treated, and it was borderline life changing. For garden variety insomnia, both alcohol and melatonin can be helpful in getting to sleep, but harder to fall back asleep if you wake up a couple hours later, which in my experience is exactly what happens. Cannabis of the indica variety helps. As it does with many things.

  • JeffSmith
    Joined:
    P-Fox

    ?

  • 72LiveDead
    Joined:
    Glorified Bootleg

    DP 45 is a ho hum affair with a few bright spots. If you have as many official concert releases as myself, and it's complete over kill, this release is nothing special. I could have done without it. 10/1 peak moments are the Music Never Stopped, Dancing in the Streets and NFA. Nothing else really stands out. With so many 1977 versions of everything out there times 10, this would be an okay release if your collection needed 1977 shows if not, pass. 10/2 peaks are Casey Jones and that would be about it. Let it Grow is not that intense, well played but not as good as other Dave's Picks from the fall of 1977, so it's not essential. Set 2 does it's thing but really nothing outstanding. Though iv I was there and in the moment it would have been awesome. But time has passed and there are so many other shows to compare it to. It's well played and enjoyable but not essential for an over loaded collection. . Are there any shows that will be released in the future that are better than what was already released for the same year? Precedence would indicate NO. No wonder as of Feb. 3 it's not sold out, it is not essential to have at this point. The Betty Board sounds great except either sometimes Jerry does not feel like signing or the recording just is trouble. Where are the vocals? A glorified bootleg, but better than a tape that was copied 20 times over for sure. Hope DP 46 Picks up the pace.

  • doctoral77
    Joined:
    The concerts in Dave’s Picks Vol 45 are superior 1977!

    The 1 Oct, 1977, Portland, OR, show cooks from the beginning because the Dead play a typical first set list of prime 1977 audio (the magic at Dave’s Picks makes this show so much better than before). The band presents its foundation for all to hear with unmistakeable '77 versions of such great songs as Love Each Other, Cassidy and Peggy-O, then the Dead sprawl into the set's first extended jam, The Music Never Stops. The music really does not stop. With a typical '77 cohesive rhythm, Bobby's drives this jam into rush-hour traffic. Jerry's lead somewhere around the 4-minute mark tosses out a fluent and melodic solo that first Bobby, then the band, recognize. This is where the band pauses and then pursues an intensely wound, therefore loose, Bertha. The band digs in to boogie.

    After what feels like hours, the band takes another turn pouncing from Bertha into Good Lovin'. The audio is unbelievably clean, so it really makes me want this sweet Bertha to carry on for just a few more hours (I think Owsley would love this platform). Sooner or later, of course, Jerry pioneers a direction where Bertha becomes a high-level and hellfire jamming Good Lovin'. To mark the occasion of another fantastic jam near five-and-a-half, Keith kisses the end of Lovin' with a “Tah-dah” two-note tribute which is its own easter egg.

    Then Jerry leads the band into...this is the real deal kind of Roses where the band harmonizes the chorus as the song ripples along. Prophet has its depth and step. From these, Jerry launches into another Eyes with his own blazing melody. Billy and Mickey do such a great job navigating…

    I had not planned to listen to the first show. I had not planned to describe a show. Instead, I planned to interact with the music Dave’s Picks released. As for the description of the show, Ray Robertson describes the scene very well in the liner notes essay, “The Engine Just Gleams”. I just pre-ordered his book, All The Years Combine: The Grateful Dead in Fifty Shows”. As for ’77 Dead, this particular first concert in Dave’s 45 is superior ’77! I'm staying here for a little while. Tomorrow night's show, October 2, 1977, can wait for just a little bit…One more thing comes to mind: Mickey, you created the original “too much cowbell” on this Dancing In The Streets…

  • skwimite
    Joined:
    No stinking patches

    A bit shocking to settle in expecting pristine SBD and getting audience for the first two songs. I'd hoped the rest of the show would be free of patches and it would appear to be, however the vocals are all over the place depending on the song, but whatcha gonna do. 10/1 IS an excellent show (haven't checked out 10/2 yet) and I would have subscribed anyway but one would assume there are enough high-quality complete SBD shows remaining to avoid patch issues. Release those as bonus discs or something. Caveat Emptor but...

  • billy the kiddd
    Joined:
    Cool story Oroboros. 12/31/77

    Cool story Oroboros, I was also at 12/31/77, it was a blast!

  • Vguy72
    Joined:
    Storytime....

    ....that tale never gets old.

  • JeffSmith
    Joined:
    Oroboros in Winterland!

    Great to hear your tale once again! WOW!. . . That's a story that needs to be retold every few years! THANKS!

    I found a new version of the NYE'77 Fire On The Mountain video that shows your Oroboros sculpture starting at around 7:21:
    3w dot youtube dot com/watch?v=SCJJH6MphrQ

    Onward

  • DeadVikes
    Joined:
    Oroboros

    Wow, that is a great story. Thank you for sharing it. It was always a dream of mine to meet and talk to Jerry and you did it. Well done! Love those Nebraska shows by the way.

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3 years 7 months

What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

*2 per order. Very limited quantity available.

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Chill with lambasting the sound quality of Dave's 45. If you only listen to the first two tracks (Promised Land & They Love Each Other), as Dave himself explains on the Seaside Chat, you're listening to Bob Menke's audience recording. There's no soundboard of those two tracks and Bob kindly provided his tape. Some have said that the Smith/Miller/Clugston aud (140589) on the Archive is a little better than the Menke. In any case, once you get past those two, you're hearing "recently" recovered Betty Boards from the stash of soundboards returned by ABCD Enterprises. The changeover to soundboard actually happens before the end of They Love Each Other. Check out Dave's Seaside Chat for more.

The two shows on Dave's 45's 4 CDs are great sounding once they reach cruising altitude.

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I get where you're coming from. My main complaint on sound on many DiPs and DaPs is the drums are too loud. I used to blame Mickey for being involved in the remastering, lol. But to have two shows for the price of one totally outweighs the defects, and frankly that's what the tone controls are for on our stereos. And I also applaud Dave for being brave enough to get us the two shows with an aud. patch at the beginning. Patches are something they don't do very often and only when it's worth it. Especially, these two shows are so worth it. Don't give up on it.
Cheers

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I remember getting this on cassette in the late 80s and loved both shows even if there was "some" missing. I have listened to this release several times and I love it. My question is: how is this still available? I've noticed the last few Dave's releases have been selling at a slower pace than just a few years ago. Just wondering, maybe the uptick to 25,000 units was a bit much? Anyway, have a safe happy holiday.

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