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    What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

    Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

    ...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

    Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

    I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

    We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

    Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

    *2 per order. Very limited quantity available.

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  • alvarhanso
    Joined:
    Glad by Traffic is also great

    Steve Winwood is one of the most underrated virtuosos of classic, but especially, British rock. His voice is just astounding 56 years ago when he sounded 50, and now when he's in his mid-70s. His keybord work is top notch, he's on hell of a bass player (Traffic was really lucky), and, in my opinion, he is by far a better guitar player than his bandmate in Blind Faith. I like a lot of things Clapton has done, but mainly through the involvement of others, such as loving Cream with Jack Bruce's awesome bass and Ginger Baker's insane drums; Derek and the Dominos because of Duane Allman, and his addition livened up sessions that had devolved into Clapton shooting up, and napping in the studio. But I've always rated him the third best of the Yardbirds legends. RIP to Jim Gordon. He and Carl Radle and Bobby Whitlock weren't just the Dominos, they had been the rhythm section for Joe Cocker's Mad Dogs and Englishmen, Delaney and Bonnie and Friends when Clapton was playing with them (after George Harrison had a run with the band, and before Duane had a tenure of shows with them as well), and they were also used for most of All Things Must Pass. Pretty impressive. Also, it was Jim Gordon who wrote, and played the piano part for the coda of Layla, which just was gonna fade out rocking (originally it was going to be more like the unplugged version, but everyone including Tom Dowd hated it, and Duane took a John Lee Hooker lick and turned it into one of the greatest rock riffs of all time), but they heard the tape that Gordon had recorded during a night session where he wanted to put something down for a solo album. They convinced him to let them use it for an ending section to Layla, and a magical slide duet was born. A sad story in the end, but for a brief stretch, he was one of the biggest drummers in the world, and his recording legacy is pretty massive.

  • Vguy72
    Joined:
    Traffic....

    ....deep cuts on XM radio played John Barleycorn Must Die on the way home from work today.
    Sometimes I wish it wasn't a seven minute commute. But most of the time I'm glad it is.
    Going home for lunch is awesome.

  • proudfoot
    Joined:
    Last bunch

    First four Black Sabbath albums
    Motorhead another perfect day
    Om advaitic songs
    Megadeth so far so good...
    Megadeth peace sells
    GD 8 23 69
    GD 6 22 69
    Double dutch bus
    Funkytown
    Safety dance
    Melvins lysol
    Tom Tom Club genius of love

  • alvarhanso
    Joined:
    Mr. McBeevee

    That's great, indoctrinated to Andy Griffith Show as I am, and knowing that episode well, I never noticed that lyrical echo! Wonder if Robert Hunter in his early 20s watched Andy Griffith? May have liked him because of What It Was Was Football, No Time For Sergeants, or A Face in the Crowd, which I could see as being more up Hunter's alley.

    On a somewhat related note, I was actually thinking of learning the Matlock Theme this weekend. That bassline is pretty funky, especially later seasons where they play it a little slower, little funkier. But I also wanna learn the trombone part.

    And on Cucamonga, I caught one with the Phil Lesh Quintet in 2001, had no clue what it was, but dug it. I miss that band; wish I had caught the Capitol shows the last couple years with them.

  • 1stshow70878
    Joined:
    Traffic

    Had Welcome to the Canteen first which led to lots of Dave Mason. Only recently found a good copy of Barleycorn and still looking for a good used Low Spark without going on line. It's out there... waiting for me. Always liked 40,000 Headmen. Can't think of a Traffic tune I don't like. Need to dive deeper there.
    Cheers and RIP Jim Gordon

  • rasta5ziggy
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    Joined:
    Cucamonga

    One of my favorite tunes they never played. I am so glad Phil & Friends do it!!! A certain cover band finds it too difficult to play, along with many other jams ??.......Last night, I heard Opie Taylor say, "He has rings on his fingers and bells on his toes". Did Hunter/Garcia take this from Mr. Vebee?....or was it Mr. Bebee?..........the smoking lamp is lit, and my bracket is already busted.

  • daverock
    Joined:
    Traffic

    The only Traffic album I am familiar with is their first, "Dear Mr Fantasy", from 1967, when Dave Mason was still with them. A great album - but I have always been under the impression they changed after that. A lot of British bands did, going from psychedelia into rock/ blues/soul/folk/jazz or progressive rock with indecent haste. They are like rare jewels, those early psych singles and albums.

  • PT Barnum
    Joined:
    pride of cucamonga

    agree, never saw the Dead do it and it's one of my fav's off of that Mars Hotel lp. I did catch furthur do a great rendition of Pride, it was done just like the lp and done quite well. Phil in phine voice. That was back in...10, 2010, still had the original line up with Jay Lane and Joe Russo on drums. Sunshine on vocals. I liked furthur, they did some great Dead tunes that had never been done by the band before, Silvio, off of Bob Dylan's lp Down in the Groove, penned by Bob and Mr. Robert Hunter, comes to mind.
    Actually, my first Pink Floyd lp was Meddle, then Relics and wham, hooked. Saw Floyd several times, 73, 77, that tour without Waters (still a good one) in the 80's sometime. Then for me it was Roger, saw the Pro's and Con's of Hitchhiking tour, copped tickets day of show, walked right in place only half full. That was back in the day when a lot of people blamed Roger for Pink's demise. Then In 2001 In the Flesh tour, so good had to catch that tour twice back to back. Then Waters did the DSOTM tour in 05 or 07, memory is not what it used to be, and it never was that good, hence, notes, lots and lots of notes. Last time was when he released his new lp, we called it the 'hate stupid trump" tour. All excellent but the last one Roger starting to show his age. Like us all. Now he's on his Beginning of the Final Tour, Tour. Which will eventually lead to the Final Tour.

  • Vguy72
    Joined:
    so, a company called A24 aquired....

    ....the Talking Heads Stop Making Sense movie and is going to restore it in 4K for theatrical release, I'll buy a ticket!

  • That Mike
    Joined:
    Jim Gordon & All Good Things

    Wow, I hadn’t heard about Jim Gordon, but then, he has been incarcerated for so long. Sad ending. I know Chris Hillman (the good looking dude sitting next to me in my avatar) mentioned him in his book, when they played together in that band Geffen put together. He said there were signs even back then in the mid-70s that Gordon had anger issues, which those around him took to be substance abuse, and because he was a physically imposing guy, he was often given a wide berth. A shame.

    My last five are actually my last six - I’m working my way through the wonderful Rhino release “All Good Things”, covering Jerry’s five official studio albums, plus extras, and a bonus disc of amazing odds and ends. I forgot how good this box set was, and how really amazing his first release - “Garcia” - was. His Magnus Opus, really. Lots of gems in this box. I’m sure everyone on this site has it, and I’m not sure if it’s still available, but it was so worth buying. I missed out on the additional bonus disc at the time, though. Snooze, you lose

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3 years 7 months

What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

*2 per order. Very limited quantity available.

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10 years 5 months
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Chill with lambasting the sound quality of Dave's 45. If you only listen to the first two tracks (Promised Land & They Love Each Other), as Dave himself explains on the Seaside Chat, you're listening to Bob Menke's audience recording. There's no soundboard of those two tracks and Bob kindly provided his tape. Some have said that the Smith/Miller/Clugston aud (140589) on the Archive is a little better than the Menke. In any case, once you get past those two, you're hearing "recently" recovered Betty Boards from the stash of soundboards returned by ABCD Enterprises. The changeover to soundboard actually happens before the end of They Love Each Other. Check out Dave's Seaside Chat for more.

The two shows on Dave's 45's 4 CDs are great sounding once they reach cruising altitude.

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10 years 2 months
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I get where you're coming from. My main complaint on sound on many DiPs and DaPs is the drums are too loud. I used to blame Mickey for being involved in the remastering, lol. But to have two shows for the price of one totally outweighs the defects, and frankly that's what the tone controls are for on our stereos. And I also applaud Dave for being brave enough to get us the two shows with an aud. patch at the beginning. Patches are something they don't do very often and only when it's worth it. Especially, these two shows are so worth it. Don't give up on it.
Cheers

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I remember getting this on cassette in the late 80s and loved both shows even if there was "some" missing. I have listened to this release several times and I love it. My question is: how is this still available? I've noticed the last few Dave's releases have been selling at a slower pace than just a few years ago. Just wondering, maybe the uptick to 25,000 units was a bit much? Anyway, have a safe happy holiday.

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