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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • DeadVikes
    Joined:
    That is Gold Jerry

    OB- Kenny Ban??. The Fatigues episode.

  • Oroborous
    Joined:
    Calling inspector Clouseau

    Man I wish I had time….for anything lol
    I’ll try to check some more of these audio anomalies out this WE.
    Hit me with examples if ya got em.

    Ive noticed this phenomenon with other recordings, think mostly 71-72s.
    Definitely could be tape degradation and/or perhaps a little oversaturated originally, but I think there’s amp distortion going on too? They were still mostly using dirty fender power at this stage. So like any real Rock and roller by the end of the night the amps are on 11 etc and with those old tube power sections/power supplies their easy to overdrive.
    By 73 they had pretty much fully switched to big McIntosh power amps, though they were still using the Fenders for pre amps. Like your pre amp at home though, you wouldn’t be pushing the pre amp that much (let the power amp do the heavy lifting). Think overworking a small car engine versus barely stepping on a big V8.
    Could be compromised cabling somewhere. Could be dirty and/or insufficient venue power too? That’s the problem with E lic tri city though, could be a number of things. Probably a bit of all the above…

    Yep BC, glad your digging the nice February weather. These days where it’s sunny and up in the 30s, “it’s gold Jerry, gold I tell ya! I should try to check out the ole St Louie, Louie, box, another I’ve barely been introduced too.
    Hoping 🤞I might be getting a little quality time off soon.

  • bluecrow
    Joined:
    10/18/72

    The '72 shows from the not quite the Fox Box have been in and out of the disc drive several times the past few weeks. All great for sure. I know first run through that it was the 10/19 jam that really kinda floored me. Yesterday listening to 10/18 again with the sound quality question in mind. One thing that struck me was that Keith sounded muddy and almost sort of kind of out of tune. I pay a lot of attention to Keith's playing, especially the "earlier days." Something was off and my guess was it was a SBD thing, how he was miked, and not Keith. (Edit - or as Jim suggests maybe some tape degradation.) Bobby's guitar also sounded a bit fuzzed in a recording artifact kind of way, though not unpleasant in any sense. But none of that stopped me from a thoroughly enjoyable listen. There was a point during the Dark Star where I was suddenly in a zone of complete wonder - a place that reminded me of my first deep "now I understand" listen to the Rotterdam Dark Star (on my weird balance SBD many many years before the box.) A really very cool place to be inside the music. So yes, that Disc 2 is some serious magic. One thing struck me as funny is Donna's yell in the Playing Reprise. I have no issues with her singing in those early days, truly dig it. And that Donna Playing ROAR was maybe the most primal vocalization I've ever heard from her. She was feeling the "Holy Spirit" big time!! Loved her quick soft little "Thank you Thank you Thank you" after it was all said and done. Another truly epic jam sequence.
    Listening to 10/19 Disc 1 right now this morning. Keith is hard right - i think he was slightly left of center 10/18. A little lower in the mix, tone sounds better to my ear. I'd have to do a hard A / B to be sure that my thoughts are correct on that. Now on Sugaree and Keith's piano and Jerry's vocals have now moved to center of the sound stage. I think Keith sounds a little better than 10/18 but still a tiny bit muffled? Maybe its my brain, who knows.
    Thanks DV for suggesting 10/18 awhile ago. I feel like these are my first really good deep listens to the '72 shows from that box. Like you said, great stuff. I ran through '73 a week or so ago and need to revisit that. At the time I remember thinking that the '72 resonated with me more and given that '73 is generally a big fat sweet spot for me I know that my head may have been ever so slightly out of alignment.
    To echo KeithFan over on the 45 thread - I'm really really digging Dave's 45. Spectacular sound. Great playing. Boy are we some lucky Deadheads. It was 10/1 Set II that really got me first run through. The Black Peter is so freaking gorgeous. And then the "random current" of that CB or whatever for a couple seconds and its like oh my freaking goodness. I can only laugh. Really, Universe? I first heard 1/31 NOLA last year while exploring a little around the 2/6/70 Fox (personal favorite.) I remember being very pleasantly surprised to find that they played that acoustic set. I think every single acoustic set they have in the vault needs to be released. Gave 1/31 acoustic another run through Sunday morning. Woke up from a short nap late Sunday afternoon and had Sawmill chorus running through my head again and again. I"m like "What is this song? where do I know it from? Oh Yeah, Bobby sings it on 1/31!" Talk about a poor boy, talk about a poor boy, let me have a dollar bill.
    Nice Poster Oro!! Your first show! Glad that the Almanac shone a light on your post - hadn't seen it. Another beautiful day here in paradise. Always loved this time of year in the high desierto. Onward!!

  • JimInMD
    Joined:
    10/18

    I have to revisit this.. but I think I recalled thinking something similar and attributed it to someone spinning the master reel a couple times too many before they locked it away. All three nights are good, but 10/18 is probably my favorite of the bunch, it would not surprise me a bit that someone on the inside thought so too. That and the BCT shows a month and a half earlier are both special runs from a special year.

    For kicks and giggles.. check out the Morning Dew from 5/26/72 at the Lyceum from the E72 box and then listen to it from the version on Europe 72. There is static on the box set version where the original sounds crystal clear. The masters degrade especially when people with two left thumbs (like me) handle them. A lot of the early shows suffer from this, listen to 4/18/70 (the Mountain Girl returned reels) sound and frankly a lot of 69.

    Well, at least someone remembered to hit record. Didn't Sony or one of the other music houses have their entire archive burn down a decade or so ago? Image the horror if GD masters were lost in a fire.🔥🔥🔥😭

    Been gone a bit lately.. spending quality time in the hospital with my aging parents. They seem to be on the mend though, which puts me back home and in good spirits. I hope to participate more as I get back on line with work and fun.

    Thanks for keeping the train a rollin' guys.

  • DeadVikes
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    Listen to the River 72

    Thanks for looking into it OB.
    I have noticed it on all three CDs from 10/18. I don't hear it on 10/17 or 10/19, which I think are both smoking!

  • Oroborous
    Joined:
    Yeah

    I only listened to disc 2, but yeah, now that you mention it…
    Seemed to get more noticeable near the end?

    I notice occasionally on 71-72s…some is just the actual distorting of the amps from playing loud…

  • DeadVikes
    Joined:
    10/18/72

    Hey OB, did you notice any distortion on 10/18?

    I think 10/17 and 19 sound spectacular.

  • Oroborous
    Joined:
    Today

    Hit 10/2/77, thinking set one of 11/6 for comparison and/or jam section of 10/18/72 since y’all were sniffing around there recently I believe?
    Representing DV after my 15 seconds of fame lol.
    Poster came to me outta left field like much of the better things GD over the years!
    In 85 I believe my cousin saw it somewhere, snagged it, then later gave it to me for Xmass.
    One of my most prized possessions.

    EDIT: first set of 11/6 rocks, definitely a difference.
    10/18/72 Disc 2, Magnifico! That’s just what the Dr ordered!

  • DeadVikes
    Joined:
    1/31/1970

    The warehouse, okay what was this venue? Recording is really good. As you said OB, raw is a good way to describe it, until the equipment blew.
    Enjoyed the show, good Dire Wolf, Big Boss Man, Morning Dew. Different acoustic songs in the mix to close the show. Interesting show.
    Thank you Doc.

    Like the new picture OB. Sweet poster. I hear you on the work front. Hard to squeeze them in sometimes.

  • Oroborous
    Joined:
    Yesterday

    Hit 10/1 of Vol 45 with a 1/31/70 chaser.
    Quite the juxtaposition! From Hollywood smooth clean dead, to raucous ruff & dirty dead lol.
    Interesting show. Starts out ruff but builds nicely.
    Good Dew, great HTH! Masons always fun, if perhaps a little sloppy, and the acoustic set was awesome!

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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DL has the post-drumz section on this week's Tapers Section, with Believe It or Not in the ballad slot. I'm not familiar with any of the mid-summer West Coast '88 shows and this slice sounded really fine. When I've got more time will head back to the whole show. Also this week has the '74 Dark Star from the International Amphitheater, a personal favorite. Enjoy the rest of the weekend folks.

Sounds good Bluecrow. Will definitely have time for this one today.

I am pretty sure we will get some sort of announcement this week.

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Right on BC, we are indeed getting some tasty official clips recently, aren't we? 8-1-73, too on JOTW....

I wore the heck out of my XLII S tape of 7-31-88 especially because it was a 1st gen DAT to cassette transfer and was so delightfully crispy...7-29 has that complete PITB officially enshrined on the SMR compilation, 7-30 tends to be the one I've not tapped into yet...

I still have 4-14-71 set for a headphone listen and, since it's been a while, the legendary Princeton Rap will be on deck after a revisit to Monterey California 1988.

P.S. Not Robotic

Really fun show - glad to finally hear that and whets my appetite to hear other 2 shows plus those from the Greek previous week. WTJ - did not realize the Playing was from SMR box (don't own) but listening to it last night I was like damn this one is pretty crazy and then it came back to the reprise! Jerry also went off on the Deal! Greek and LS had the West Coast debuts for all those songs like Foolish Heart that they broke out in the Midwest a few weeks earlier. Like i mentioned, the post drumz segment is really fine - Wheel > Gimme Some Lovin > Believe It Or Not . Sugar Magnolia

Went with the Miller SBD - sounds very fine but still a couple gens from the masters. Be aware that the track listing is off after Set I with a crowd noise > Black Muddy River encore dropped in before Set II but not reflected in the track listing (a not uncommon problem I've found.) Phil is solid in the mix and aggressive in his playing.

and, keep your cool, Dave is serving up some Vancouver '66 as the first clip on this weeks Tapers.

gotta head down to the mine . . . . have a good week folks.

Enjoyed the show Bluecrow. Recording is good, has it moments as you stated. I like the IKo IKo start, nice Queen Jane. Interesting China-Crazy Fingers-Rider, can't remember a sequence like that. That Playing was funky. Thanks BC.

Announcement tomorrow?

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Good morning, fellow rockers!!!

Pick Of The Day: Purdue University April 18 1969

I want to go ahead of Father Time with a scythe of my own…..

There were many fine shows in April 1969, all of which get substantial love and respect. So instead of discussing those, let’s try something a little different………….

Greasy Hard To Handle to open, followed by a powerful Dew, after which the band dives deep into a raucous CE/TOO/CE suite, exiting seamlessly into Sittin’ On Top Of the World. The wonderful wired weirdness continues with King Bee, Doin’ That Rag, Lovelight (27:27), and Cosmic Charlie. The Dead then close out the festivities with Beat It On Down The Line—an unusual occurrence in 1969, or any other year…………..

Miller’s remaster is very decent and worthy of a listen……….

Beauty is in the heart of the beholder….

Rock on!

Doc
After people have repeated a phrase a great number of times, they begin to realize it has meaning and may even be true......

I was able to get a headphone listen in yesterday, something I do when I want a closer listen and am not in a position to play it loud on a stereo. Soundboard could use some professional cleaning up but was decent if not a little distorted at times. I would call it a good, solid show but not with many moments that stood out more brightly than others. A show like this would be a swell addition to an April 1971 boxed boxy box set.

Anyway, I have a lot on the table with 7-29-88 I wanted to check out and 4-17-71 which I haven't listened to in forever and is a classic. Looking forward to more FUN picks.

Maybe we can do this Day in Grateful Dead history as an alternate for POT Day when we are in line for extra credit?

Here's some Grateful Dead you HAVE to hear!!! 8-14-81 is a permutation...(not calling it, but you see what I did there)

:-) :-) :-) Have a Grateful Day

P.S. Not a Robot

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I am convinced this show is being saved as the centerpiece of an April 71 box, or series of boxes. It has x factor. What exactly remains from April, a lot is my back of the napkin.

The start of set II on 4-17 is sui generis and all of set I is on target. I am in the return jam after the drum solo in Good Lovin right now and I am going to stay tuned in. It has been a while for me on this one but it is a known classic.

Stay Grateful all :-)

-edit- Sold! Brooklyn Bridge for a buck and a quarter. What more you want for a buck and a quarter? :-)
-edit 2- Backing vocals in SMBH, is that Weir on falsetto?

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To me, music is that which connects human hearts, it is something that takes you to unknown levels...........

Day off, up too early, walked dogs, not enough coffee, let's roll!!!

Providence Civic Center, April 20, 1983. The first of five shows we saw on the tour, and after the fine Boston show in the Fall of 82, the first tour where we really worked hard to see more than one show. Were parts of New Haven and Philly better, musically speaking? Maybe. As I recall, Providence was tons of fun and a fine show.........

A Cumberland that maybe even JimInMD could love. Fine China/Rider to close the first set. Esau---new to us but enjoyable---to open the second set. Ho hum, another Estimated/Eyes. And Morning Dew. I never saw a Star but I caught lots of Dews and enjoyed them all..............

Miller's remaster has some glitches and patches, but overall listenable and worthy.........

Not all the 80s were bad, in fact we saw lots of fun shows and even a couple of classics..........so.......

Rock on!!

Doc
Music is the expression of the movement of the waters, the play of curves described by changing breezes......

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Has WilfredTJones fallen into the 1971 rabbit hole? Sir, what's gotten into you?!!!

Some people never go crazy, what truly horrible lives they must live.....

Rock on, more coffee,

Doc
I've been so busy I haven't had a chance to go crazy..........

it's a good day to have the day off! Happy 420 to all. Been traveling, catching up now. Looking forward to 46.

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Day late, but 4/20/83, now you're speaking my language. mmmmmmmmmmmmm...coffee. ;-)

-edit- It's been a while since I listened to 4/8/71 Boston, so I was thinking about hitting that big one if possible after 4/20. April '71 has been nice, but I've only done 4/14 and 4/17, with 4/17 getting the big nod from me.

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Hey rockers!!

Dare I mention Providence 1971? No, let's wait until next year...................

Although it is super crunchy!!!

Here is your throat back, thanks for the loan.................

Rock on!

Doc
You should be made to wear earphones

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It's been a holiday as far back as I can remember.

Which was yesterday.................

A good memory is one trained to forget the trivial............

Rock on,

Doc
A retentive memory may be a good thing, but the ability to forget is the true token of greatness......

4/19 just rolled on by - thought I might go with Dave's 20, 12/9/81 Boulder, which had cover art that referenced that momentous occasion. Not sure if its been a POTD anytime halfway recent. Doesn't seem to get much love as a release. I saw the Rosemont show 3 nights earlier with that gorgeous To Lay Me Down. High school buddy was at Boulder and he loved it. Remember getting a letter from him a few weeks later, written as he listened to a tape of the show with a big old smoking crater Other One.

4/20/83 was a fun listen. Will revisit.

Have a great weekend folks. With the hockey playoffs underway, and as a lifelong Blackhawks fan, all I gotta say is Go Cubs!!

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In reply to by bluecrow

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Hey BC, #20 is a great release and I believe I offered it up a couple years ago. Would love to listen to it again. Let's do it.

Gave 4/20/83 a listen. Good show. Recording was in the decent range.

Minnesota's old team, Dallas at the Wild tonight in St. Paul, and still cold as hell here.

Hope you are all enjoying some warm weather.

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I hear there's a great Ollin Arageed Space>Shakedown from Fall 78, I'm not sure which show that is yet, 11/13/78?, 11/23/78?

Anyway, Happy Weekend! Stay Grateful :-)

-edit- Checking out the new Moskel Audience transfer of 11/23/78, the show before the well-known FM 11/24/78. Someone calls out for St. Stephen in the first set. Donna is in fine voice on the Looks Like Rain. May save set II for tomorrow, but that set II looks like a doozy... ;-)

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Set II Samson for a Sunday, Rare set II FOTD (for a Sunday), Dancin' is catching fire on the AUD tape, eliciting a hearty East Coast cheer - we'll see what the rest of the evening brings.... ;-)

Nothing left to do but :-) :-) :-)

-edit- Oh, there's a Joani Walker. I just have to see how it compares, because the Moskal has been grate so far on a headphone listen. The East Coast crowd is psyched...traversing the drum solo now, on the way to.... :-)

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I think there were a few set II versions. One from Cleveland in March of 81 comes to mind. Maybe I'll tune into that or sleuth out some more just for fun.

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Perversely fascinating intrusions, but thanks for the quick boot! Sheesh.

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I was getting creeped out.
Cheers to Marye

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In reply to by JeffSmith

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Well done Mary.

Looking at 3/21/90 for tomorrow. Copps Hamilton.

Any shipping notifications out there yet?

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In reply to by wilfredtjones

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My guess is 12/30/78. I am not seeing those songs played in the order listed, the second set comes pretty close here and the Space/Ollin Arrageed is indeed out there.

Set 2:
I Need A Miracle
Bertha
Good Lovin'
Scarlet Begonias
Fire On The Mountain
Playin' In The Band
Shakedown Street
Drums
Ollin Arrageed
St. Stephen
Not Fade Away
Goin' Down The Road Feeling Bad
Around And Around

Sure glad they got the spam thing tamed.. We Don't Need No More Trouble.....Trouble we don't need.

Check it out, 11/23/1978 Capital Centre in Landover, MD. Really nice little Thanksgiving show. It was on a Thursday and Bob wishing the Audience and crew a happy Thanksgiving before the encore.

I went through it with the Moskal source and wasn't disappointed except the cut at the end of Playing into Around. The Joani Walker is complete and does not cut.

Have a Grateful Day all. :-)

Setlist
Mississippi Half-Step
Franklin's Tower
New Minglewood Blues
Stagger Lee
Looks Like Rain
Tennessee Jed
Passenger
Brown Eyed Women
Music Never Stopped

Samson and Delilah
Friend of the Devil
Dancin' in the Streets
Terrapin Station
Playin' in the Band
drums (Ollin Arageed Space)
Shakedown Street
Playin' in the Band
Around and Around

U.S. Blues

P.S. They were jamming on Ollin Arageed out of drums quite a bit in 78 especially in Nov./Dec.

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Hey rockers!!!

If you haven't listened to April 25, 1971, then get crunchy!!!

You will find truth more quickly through delight than gravity. Let out a little more string on your kite......

Rock on,

Doc
I'm so down to earth, I'm bringing gravity back.......

about 3-21-90 :-D COPPS

-edit 3-21-90 set I Intense and Satifying, Loose Lucy stole my face. Tight Victim>SOTM combo. Set II I saw Estimated>He's Gone. Oh, and it's got a set II...you know what ;-)

Thanks DV make it grateful :-) :-) :-)

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In reply to by wilfredtjones

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A local show for me.. but a couple years before I got hooked.

I was looking at a stale screen and replied before I saw your subsequent post. Ooops..

Funny thing about the Capital Centre, the tapes sound fine but unless you are in the sweet spot, that venue had terrible sound. Oh, and the Maryland State Police had a thing for the GD. Parish talks about Maryland having a phonebook thick document detailing the shinanagans that came with dead shows and the Capital Centre filled the parking lot with police on horseback to make sure we weren't smiling on a cloudy day. Saw quite a few shows there but was happy when they blew the thing up in December 2002.

Just getting back from a little time away. Mucho yardwork awaits.. then life as normal.

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4-21-71. Going to hit it...

May be my inaugural listen here...

-edit- Truckin'>Drums in the first set, 5 songs in?!? Talk about youthful energy and exhuberance...I see what you mean FD (the) 11....

-edit 2- It's got a Cumberland and where the heck is the set break?!? I'm going with a blind inaugural listen here.

Have a Grateful Day all....

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Hey rockers!!

April 26 beckons...........

4/26/69-can't go wrong with April 69
4/26/70-the great unknown
4/26/71-crunchy, greasy, jammy
4/26/72-creamy smooth gooey goodness

Decisions decisions decisions, take your pick. I went with Europe 72, a tour that never fails to deliver. I was going to listen to York Farm, but I seem to have misplaced it......

We must make the choices that enable us to fulfill the deepest capacities of our real selves.......

Rock on,

Doc
Most consequential choices involve shades of gray, and some fog is often useful in getting things done.....

What a show hey WTJ. Funny to me at least I always thought 3/22/90 was the better Hamilton show, but wow this show is no slouch. But are there any subpar shows from Spring 1990? I don't think so.
Love the start to this show, Half Step with a Minglewood, Queen Jane, Loose Lucy and a first set Standing on the Moon. Love these Hey Pocky Ways, a Crazy Fingers, Cumberland! Yes. Interesting and good Estimated into He's Gone and a good finish after Drums and Space. Love the Multi Track shows from this era.. On my home system I can definitely hear the difference.

Maybe this year we get another Multi Track Box?

Who has a pick for tomorrow? OB? Jim?
No tracking here yet.

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I decided to give this a show a listen, after people here did me the courtesy of listening to a show I suggested a few weeks ago. In truth ( you might need smelling salts now) this is the first 1990 show I have actually listened to for a year or two. Consequently, the songs I enjoyed most are the songs unique to the Brent era, rather than ones I am so familiar with from the Keith era. The highlight of set one, for me is "Victim - Standing On The Moon" a real change in energy from anything in the past. Similarly, I enjoyed "Hey Pock Way" most in the second set. I winced in anticipation, when I saw they were going to play"Crazy Fingers" - a seemingly difficult song to pull off live - but I was pleasantly surprised.
I think I'll look in the Taping Compendium later, and see if my observations tally with what they say.

Postscript - I've just had a look in the Taping Compendium, and I'm way off beam! Quite a short review compared to the others - maybe not the best show to start off with for 1990?

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In reply to by daverock

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It's where I intuitively went this morning. Tightness describes the first 3 tunes so far.

Going to explore furthur... :-D

-edit- fing jerry encouraging bobby with the estimated call out of scarlet . .. .lol haha prankster jerry edit 2 maybe a little too much into ship instead of the wheel big key change. wheel would have flowed smooth

how many estimated>wheels? there's a rabbit hole i'd like to go down :-) :-) :-)

*spoiling the suspense 12-14-80 (1 time only)

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Alright WTJ, 3/16/90 sounds good to me.
Thanks!

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Trying to remember which Jan/Feb. 78 show had that Stronger than Dirt Jam. It's brief, but it's there.

Oh, BTW that Estimated>Wheel from 12-14-80 is pretty well executed, but different than it would have been in Spring 90.

:-) :-) :-)¯

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4/28/71

There, I said it. No regrets. Doesn't get any better.

Music is given to us with the sole purpose of establishing an order in things, including, and particularly, the coordination between man and time......

Rock on, or not,

Doc
Music is my friend, my constant companion......

With appreciation for all you do, have done and will. I always thought time was invented so that everything didn't happen all at once. Which it did 13.8 billion years ago with the big bang. Before that, there was music. Isn't it just so human that up until a hundred years or so ago, we thought the dinosaurs were around until a few thousand years back, we didn't know how old our petroglyphs were... And it's taken almost this long before there's a primal, late 60s box set to be announced...

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Another fine Spring 90 WTJ. Always enjoyed shows that started out with Let the Good Times Roll and then into Touch of Gray. Great Bird Song, Blow Away.
Nice Scarlet into Estimated, Bobby loved the yelling during this time period. Solid finish. The Last Time encore! Great show.

I will hit 4/28/71 next.

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Pre-empting the Doctor. Going with the Moore since the Board is incomplete and the Moore is moore than tolerable...

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Holy Grateful Dead Batman, I've been pre-empted! Ouch, that hurts!!!

Here we are, April 29. The eternal debate, 28th vs 29th. Some shows are Overrated, with a cap O (8/27/72, 5/8/77, etc) and some are overrated-lower case O. I think the 29th gets the lower case version.

Does an Alligator, Midnight Hour, and We Bid you Goodnight trump the best ever versions of El Paso, The Rub, Cumberland Blues, Morning Dew, and Hard To Handler, along with a cracklin' Other One and short yet dreamy Dark Star? Listen and decide for yourself, Miller's remaster is top notch.

In years gone by, Deadbase polls always rated the 29th higher than the 28th, which I never understood. Don't get me wrong, it's fine as fine can be, but even excellent can fall short when it follows sublime............

Honesty is wonderful, but I suspect it's also overrated.

Rock on,

Doc
Whoever you talk to, I'm either overrated or underrated......
P.S. I will be listening---and cranking!!---the 29th on my way to my car dealer in just a few minutes......

Due the fact that I now only ever listen to this 4cd comp of these shows that came out twenty odd years ago, and only ever have done since it came out - I can no longer tell these shows apart. I know the Dark Star jam with T.C. is from the 28th and the Alligator jam from 29th, but apart from that, it's all a bit of a mystery. Strange how they used to release multi show comps like this without indicating which song came from which show.
Goes without saying that everything on it is essential wherever it came from.

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Another one DR has found for me in my collection.
Likewise have not heard it in many years.
An anniversary listen does seem in order.
Thank you Ladies and Gentlemen.
Cheers

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Hey Daverock, the Wikipedia entry includes show dates in the Track Listing. Think I'll head back down that direction myself. . .

Jeffsmith - thanks, I'll have a look later. Without looking, I'm pretty sure the "Cumberland " comes from 28th - I can still remember listening to that on a tape back in the 80's - one of the best versions.
Unfortunately I think I was a bit rash saying everything on this set is essential. While the rest of this first cd is as good as I remember - better if anything - I really can't be doing with the last 15 minutes of "Good Lovin'. To the extent that the next time I play it , I'll miss that bit out. The bit leading into drums is dynamic - but that rap......I notice we have a 22 minute Lovelight on the 2nd cd, which I can't remember. Hopefully more music than vocals.

I was quite surprised looking on wiki how many tracks on Ladies and Gentlemen are actually taken from 4/25. I don't know why, but I had always assumed that nearly all of it came from the 28th and 29th.

To me, the 2nd cd seems to follow the same pattern as the 1st cd. Some really well played shorter songs leading to a really well played longer one that unfortunately degenerates into another Pigpen atrocity. But that doesn't detract from the rest of it - hopefully. I don't know if The Dead ever played with such conviction and power on songs under 10 minutes than they do here. Truly great music that owes nothing to extended jamming. Songs that have become over familiar, like Sugar Magnolia sound fresh and energetic-this one gradually losing it's country stylings on the way to becoming full blown rocker. El Paso is another one - beautifully sung.

There are a lot of covers on this album- I counted 23 over the 4 cds, with Goin' Down The Road cropping up twice.

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An atrocity is when innocents are killed. Which is what I have to deal with today.

A Pigpen song you don't care for is merely that, and nothing else. So next time, choose your words more wisely....

Doc

I am sorry my last post caused offence. And that you have such a difficult job.
I have to say, though, that your own choice of words left something to be desired. I am happy to listen to advice from anyone, but to be talked down to and told what to do? Forget it.

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For some comic relief, google the horse race.

Anyway, who's got an 80's or 90's pick? Anything but Highgate or Boreal?

:-) :0) :-)¯

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Mornin', rockers!!

If it's May 3, it must be Paris in 1972.

The exquisite China/Rider. Garcia's sublime, country-tinged picking in Next Time You See Me. The dreamy, propulsive psychedelia of Playing In The Band. A soulful Sing Me Back Home. The very fine, weaving-and-bobbing, in-and-out, focally intense jamming in the Truckin'/Other One. The Dead never played better, or sounded better. It might not be my favorite E72 show (that might still be May 26), but it is classic. So give it a spin............

Oh, I almost forgot. For all you Pigpen haters, there's 16 minutes of an atrocious Good Lovin'. So you might wanna skip that.................

Somebody said The 80s???? How about Carrier Dome October 1984? Ask Angry Jackstraw about that one. Maybe New Haven Spring 83, that one gave me a brain melt. There is actually much to be enjoyed in the 80s, if I remember correctly.............

Rock on,

Doc
Rick (to Ilse): "We'll always have Paris"..............