• 8,079 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Forensicdoceleven
    Joined:
    Chances are that the universe neither treasures nor regrets us

    Rockers!

    Lunch time. Death takes a breather. We're in the land of the living, gotta eat lunch.

    The "new, fixed" 2/17/73 was up at Lossless Legs first thing this morning. So, it sometimes pays dividends to get up early............

    So, one can get it there, or I can supply it to anybody who needs/wants..............

    The wise man does not lay up his own treasures. The more he gives to others, the more he has for his own......

    Rock on,

    Doc
    It is by going down into the abyss that we recover the treasures of life. Where you stumble, there lies your treasure......

  • DeadVikes
    Joined:
    2/17/73

    Hey Doc,

    Where is the new Miller for this show? I see a 2020 transfer from Miller on the archive as of this morning, and this one has issues.

  • Forensicdoceleven
    Joined:
    I met her accidentally in St. Paul, Minnesota......

    Mornin', rockers!!!

    For all you completists out there----as well as Row Jimmy fans----the talented Mr Miller just put out a "fixed" version of the fine St Paul show from February 17, 1973. Would make up part of a nice box set from early 1973----2/9, 15, 17, 19............

    Ah well, one can dream..............

    Rock on, happy Friday!

    Doc
    Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before........

  • Forensicdoceleven
    Joined:
    Music is the best means we have of digesting time......

    ROCKTHING.............

    Check your PMs...........

    Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend........

    Rock on,

    Doc
    I frequently hear music in the very heart of noise.......

  • Forensicdoceleven
    Joined:
    I have just got a new theory of eternity…...

    Hey rockers!!!

    Pick Of The Day: Austin, Texas February 23, 1970

    I reluctantly discussed this at the end of last year. Here I am again. It appears that I’m stuck in a time warp. The galactic rock and roll union. I have no special talent, I am only passionately curious…..

    It appears that the currently circulated recording of this show is the only surviving audio document from the Dead’s four show excursion through Texas in February 1970. It’s tough coming right after the wonderful, brilliant Fillmore West/Fillmore East shows earlier that month, and perhaps it’s not unexpected that the intensity level might come down a bit. That being said, this is still interesting, enjoyable, and worthy…..

    The band is in 1970 electric/acoustic/electric mode. The circulating recording appears to be missing part of the first electric set, coming in during Know You Rider. For fans of acoustic Dead, this set is nice---Monkey And The Engineer-Little Sadie-Me And My Uncle-Black Peter-Seasons Of My Heart-Uncle John's Band. The festivities are completed with a jammy NFA and Mason’s Children.

    The monotony and solitude of a quiet life stimulates the creative mind. I live in that solitude which is painful in youth, but delicious in the years of maturity……

    Did Bear travel to Texas, and did he record? Banana boxes, reveal thy mysteries…..

    Rock on,

    Doc
    Whoever undertakes to set himself up as a judge of truth and knowledge is shipwrecked by the laughter of the gods……

  • rockthing
    Joined:
    5/19/74 > 2/22/69

    >daverock>

    The vocal dropouts are not evident in the audience tape, so that must have happened on the way to the board tape.

    That said, the recording is slightly overpowered by Jerry and Bob's guitars from the taper's vantage point, but a little time with a simple Equalizer was enough to bring more Phil and better presence to the vocals. I do recall a few lyric flubs with the new material, but in the overall mix it didn't really jump out at me. Probably much more obvious in the official release/soundboard recording.

    2/22/69>
    Oh, my. I can see this is gonna send me on a primal quest. I have all these fall '69 and fall '68 shows that I've never listened to, but I don't have much from the spring of those years. I love this gentle psychedelia. It's really these delicate type of sounds that really trigger the senses. I'm only up to Dark Star at this point, but what a beautiful way to start a show.... oops, "The transitive diamonds?" Haha. I'd probably have trouble remembering my name if I were there, so whatever.

    It's such a shame that we're restricted to streaming this show. Imho, if the official release isn't so significantly better sounding than one of these circulating boards that it isn't a no-brainer to buy it, then what's with the classism, eh? I know the boys need a retirement plan... but... --mini rant off--

  • daverock
    Joined:
    5/19/74

    Rockthing - good notes on this show - cheers! I'm going through it very slowly, but it's the L.P. I am listening to. Although it has the famous vocal drop outs, the sound and balance of the instruments sounds fine throughout to me. I have just played the side with Loose Lucy and Money Money on. A short side. The lyrics are a bit naff on both of them - but I like the music, and they were both played so rarely that when they do crop up, it's a welcome surprise to me.
    I presume the version you have listened to has the earlier vocal dropouts too.

  • rockthing
    Joined:
    5/19/74 (Part II)

    Wrote these notes on Monday morning while drinking my coffee and getting ready to do some work from home. After a while I was mostly distracted by the show.

    I'll get to that Feb. 22 '69 show if I can, but I don't have that one handy. Hafta stream it.

    The ETree identifier of this source is 115876, btw. I don't have the box set, so these are my first impressions.

    It Must Have Been The Roses: Ok. /Now/ I'm awake. Possible tape change? There is suddenly a big improvement in sound quality for this hauntingly sensitive rendition. Jerry's voice is now clear above the guitars. Everything, save Phil, is suddenly much clearer and the sound field feels wider. Up to this point the tape had sounded like the tape the biker is listening to at the beginning of the Dead Movie. Nice harmony work during the refrain, blended well in the house mix.

    Loose Lucy: Gettin' in the funk. Jerry's just perfectly behind the beat to make it nice and nasty. If the syncopation isn't just right, this tune can completely lose all form really quickly. Loose Lucy must be a pretty new song at this point. I have no idea when this tune debuted. They didn't do this in concert much, as far as I know. I was lucky enough to see'em do it once, but the performance I saw was almost unrecognizable. Something was wrong with the timing, so it sounded all backwards. I was embarrassed to not even recognize it until Jerry started singing. This is a nice treat.

    I Know You Rider? Something seems to be wrong here. The info text says Money Money should be next followed by China/Rider, but we're just dropped into IKYR. Looks like some minor surgery might be needed on the meta data.

    Money Money: Ok. Someone's just mislabelled these files. Man, this has always been one of my least favourite songs in the Dead's catalogue. I rarely skip songs on albums, but being the album closer on Mars Hotel makes it easy. I don't think I've ever heard a live version of it, so this is kind of a treat, in its own sort of way. Having not heard it in such a long time, I guess it's not such a bad song. The negativity of the lyric just sems to strike such a contrast to most of the other stuff in the repertoire. John Lennon, for example, has a lot of negativity in his lyrics, but when I listen to him, I expect that.

    China Rider: Yeah. They're keepin' that funky groove going that was working so well during Loose Lucy. The transition jam seems to go almost immediately to an I Know You Rider feel. The guitar tone is very unusual here. It almost sounds like Bobby's Gibson 335 tone. He's playing lots of double-stops, where he plays two notes at a time even while soloing… wait… maybe that /was/ Bobby!? Some very cool interplay between Bobby and Phil before a guitar sound that is unmistakably Jerry joins in just ahead of the trademark unison bit before I Know You Rider. What is now clearly Jerry's tone keeps it going after the unison part, and now there's a Feelin' Groovy jam. I can almost see the smiling faces and twirling homemade sun dresses with flowers in the hair right now. Big, big ovation from the crowd as they settle into the Rider vamp before going into the first verse. They know what they've just heard. That was sweet, breezy, and smooth as can be. I'm guessing Jerry had some sort of equipment or other issue causing him to stop playing for a bit at the beginning of the transition. Oh, yeah, Jer, dig into that "On a north bound train" line. This and the out-of-place IKYR are going to get merged into one track when I get a chance.

    Set II:
    Promised Land: Yeah. Everybody's definitely up off their blankets now.

    Bertha: Got a little "Yee Haw" from someone nearby for "All night pouring, but not a drop on me." It's quite amazing how inobtrusive the audience is, considering this was recorded with a handheld mic by someone just hanging out in crowd.

    Greatest Story: Nice wah wah Jerry licks. Jerry's wah is so bubbly and has a rich swell, like the sound of a wave on the ocean. Using the rocking motion of the foot pedal definitely puts the player physically off balance, so I can understand why he seemed to abandon it later in favor of the Mutron "auto-wah" tone filter. Sounds so good here, though. Jerry's volume sounds cranked, though, totally drowning everything out. I ain't complaining. Oh, yeah. A little jam in GSET? They seem to have gone into something altogether different. I'm not sure if this is a set piece, but it feels unfamiliar to me. I know that I've heard occasional jams in Greatest Story, but they seem rare. This is definitely no longer the Greatest Story chord progression, but I don't know what it is, and then Wamp, Wamp-Wamp, right back into it. Now I'm gonna hafta start checking out Spring 1974 Greatest Stories. That was hot and adventurous, like maybe something went wrong and they fought through it… but maybe there was just a jam in this song back then.

    Ship of Fools: Giving the manic dancers their first break of the second set. The taper is stopping the tape between songs, though, so who knows how long they spent tuning in between. Very nice harmony work from Bobby and Donna.

    Weather Report: Seems a bit tentative in the earlier segments, but the Let It Grow jam is developing interestingly. The whole band just seems sort of in a gentle mood this night. Everything is soft and malleable, and most of all, creative, when they go off into improvised sections. The straight tunes are tight and, well, straightforward, but I'm hearing all sorts of novel ideas coming through during the instrumental segments. There seems to be a completely different confidence at work during this jazzy work out. You can hear Billy getting back to his swing roots and playing off Keith. This is fantastic. Such subtle interplay. Normally when I hear the full suite performed I wonder why they didn't continue to use the first parts, but in this case I didn't feel that way.

    Peggy-O: Jerry's picking is quite aggressive, and his tone is very chimey, even behind his vocal. Relaxed tempo, even by Peggy-O standards. In this recording it sounds almost like Billy and Jerry doing a duet, but Keith adds some accents here and there.

    ??: What is this? A playful little jam and some quiet noodling where the audience's shouts and requests become more prominent. Bobby announces technical difficulties.

    Truckin': Nice buildup, but not the major bomb drop I'm used to, and from there things start to get really weird. It's not spacy weird, just, "Whoa, what the heck is this?" weird. Some of the early 70s Truckin's could get totally abstract, so this is just the way they rolled back then. Great stuff. Gettin' that funky groove goin' from the first set again, even as the changes take on some jazzy influences. Bobby is very clear in the mix, and my oh, my it's gettin' Weir'ed. Jerry busts in with a burst of guitar feedback which seems to shock everyone for a moment, but they're still groovin'. This is the gold I look for in any show. It's funny because Mind Left Body actually sounds a lot like Loose Lucy. Billy and Phil getting' into a little funky-drummer exchange. Finally Phil breaks through in the mix with some space for him to hit that Bootsy one. In the info text "Jam" and "Mind Left Body Jam" had been listed separately, but they're actually all included in the Truckin' track, which is my preference. Cousinit made a real mess of this file set, but I can fix it. Rarely are there such glaring mistakes on the Archive, but this one has definitely been put together somewhat carelessly.

    NFA: This interesting because I've been listening to a lot of Alligator era NFA's or Bean era NFA's, and that gives a nice context to compare to this Wolf tone… of course, there is a LOT of recording tech affecting the sound here, but even though there's a nice honk, everything seems so nice and round and gently muted. Hey. What's this breakdown in NFA. Pretty sure I've never heard that before… and GTRFB. THAT, was an interesting transition.

    GTRFB: Nothing to worry about here. The old standby. Billy's hi-hat figure during the breakdown is, again, getting really funky with a swinging 16th note feel, or something. Very cool.

    US Blues: Mars Hotel weighted setlist. What month did that come out? Good, tight version.

    Johnny B. Goode: Full colosseum clap along for a high energy reading that does justice to the Check Berry original. Sometimes this can get a bit too languid. This one is rockin' hard.

    On repeated listen, I've messed with the EQ some. First of all I bumped up the EQ preamp level, I dunno, about 10db, I guess. I then added a further 12db of 64Hz, and 125Hz on the 10 band EQ to bring Phil nicely into the mix, but also lowered almost everything else about 6db on frequencies that had been flat to make the bass frequency differential greater. The bass still isn't terribly defined, but it at least brings Phil into play. He was completely inaudible without EQ. Got just a touch more vocal by giving the 1KHz and 2KHz about 1db. The tape has a sort of nostalgic cheap car speaker sound, so I actually wanna preserve a bit of that… not that I could really get rid of it. There's quite a nice venue ambiance, especially when there is more space in the arrangements, like during the Mind Left Body Jam.

    The vocal drop-outs others have mentioned were not audible to the audience.

  • daverock
    Joined:
    2/22/69

    That is a great show. According to the cd notes it was recorded, along with shows in late January and the Feb-March shows, for possible inclusion on Live Dead. It probably won't happen - the song lists are obviously very similar, but it would make a great box set to release all the shows recorded.
    The shows from 1967-1971 inclusive are the main ones for me in 30 Trips.

  • Forensicdoceleven
    Joined:
    You can't blame gravity for falling in love…..

    Mornin’, rockers!!!

    Pick Of The Day: Dream Bowl February 22, 1969

    Relatively speaking, the yang to the yin of February 21, 1969. True art is characterized by an irresistible urge in the creative artist…..

    I have the space, you have the time, let’s revisit. Officially released in October 2015 as part of Thirty Trips Around The Sun, one almost never hears about this show, possibly because it gets overshadowed by the blazing white hot glare of the Fillmore West Shows of February 27th to March 2nd. This is very much “of a kind” with those shows, featuring the typically sweet Mountains Of The Moon (always loved that song!), a long exploratory Dark Star, a fierce, crunchy Other One, a deathly Death Don’t, a fine Eleven, and a greasy Lovelight that clocks in at a mere 21+ minutes.

    Great music, great sound quality, I suggest you find the time…..

    The only reason for time is so that everything doesn't happen at once…..

    Rock on,

    Doc
    There comes a time when the mind takes a higher plane of knowledge but can never prove how it got there…..

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by wilfredtjones

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DL has the post-drumz section on this week's Tapers Section, with Believe It or Not in the ballad slot. I'm not familiar with any of the mid-summer West Coast '88 shows and this slice sounded really fine. When I've got more time will head back to the whole show. Also this week has the '74 Dark Star from the International Amphitheater, a personal favorite. Enjoy the rest of the weekend folks.

Sounds good Bluecrow. Will definitely have time for this one today.

I am pretty sure we will get some sort of announcement this week.

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In reply to by DeadVikes

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Right on BC, we are indeed getting some tasty official clips recently, aren't we? 8-1-73, too on JOTW....

I wore the heck out of my XLII S tape of 7-31-88 especially because it was a 1st gen DAT to cassette transfer and was so delightfully crispy...7-29 has that complete PITB officially enshrined on the SMR compilation, 7-30 tends to be the one I've not tapped into yet...

I still have 4-14-71 set for a headphone listen and, since it's been a while, the legendary Princeton Rap will be on deck after a revisit to Monterey California 1988.

P.S. Not Robotic

Really fun show - glad to finally hear that and whets my appetite to hear other 2 shows plus those from the Greek previous week. WTJ - did not realize the Playing was from SMR box (don't own) but listening to it last night I was like damn this one is pretty crazy and then it came back to the reprise! Jerry also went off on the Deal! Greek and LS had the West Coast debuts for all those songs like Foolish Heart that they broke out in the Midwest a few weeks earlier. Like i mentioned, the post drumz segment is really fine - Wheel > Gimme Some Lovin > Believe It Or Not . Sugar Magnolia

Went with the Miller SBD - sounds very fine but still a couple gens from the masters. Be aware that the track listing is off after Set I with a crowd noise > Black Muddy River encore dropped in before Set II but not reflected in the track listing (a not uncommon problem I've found.) Phil is solid in the mix and aggressive in his playing.

and, keep your cool, Dave is serving up some Vancouver '66 as the first clip on this weeks Tapers.

gotta head down to the mine . . . . have a good week folks.

Enjoyed the show Bluecrow. Recording is good, has it moments as you stated. I like the IKo IKo start, nice Queen Jane. Interesting China-Crazy Fingers-Rider, can't remember a sequence like that. That Playing was funky. Thanks BC.

Announcement tomorrow?

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Good morning, fellow rockers!!!

Pick Of The Day: Purdue University April 18 1969

I want to go ahead of Father Time with a scythe of my own…..

There were many fine shows in April 1969, all of which get substantial love and respect. So instead of discussing those, let’s try something a little different………….

Greasy Hard To Handle to open, followed by a powerful Dew, after which the band dives deep into a raucous CE/TOO/CE suite, exiting seamlessly into Sittin’ On Top Of the World. The wonderful wired weirdness continues with King Bee, Doin’ That Rag, Lovelight (27:27), and Cosmic Charlie. The Dead then close out the festivities with Beat It On Down The Line—an unusual occurrence in 1969, or any other year…………..

Miller’s remaster is very decent and worthy of a listen……….

Beauty is in the heart of the beholder….

Rock on!

Doc
After people have repeated a phrase a great number of times, they begin to realize it has meaning and may even be true......

I was able to get a headphone listen in yesterday, something I do when I want a closer listen and am not in a position to play it loud on a stereo. Soundboard could use some professional cleaning up but was decent if not a little distorted at times. I would call it a good, solid show but not with many moments that stood out more brightly than others. A show like this would be a swell addition to an April 1971 boxed boxy box set.

Anyway, I have a lot on the table with 7-29-88 I wanted to check out and 4-17-71 which I haven't listened to in forever and is a classic. Looking forward to more FUN picks.

Maybe we can do this Day in Grateful Dead history as an alternate for POT Day when we are in line for extra credit?

Here's some Grateful Dead you HAVE to hear!!! 8-14-81 is a permutation...(not calling it, but you see what I did there)

:-) :-) :-) Have a Grateful Day

P.S. Not a Robot

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I am convinced this show is being saved as the centerpiece of an April 71 box, or series of boxes. It has x factor. What exactly remains from April, a lot is my back of the napkin.

The start of set II on 4-17 is sui generis and all of set I is on target. I am in the return jam after the drum solo in Good Lovin right now and I am going to stay tuned in. It has been a while for me on this one but it is a known classic.

Stay Grateful all :-)

-edit- Sold! Brooklyn Bridge for a buck and a quarter. What more you want for a buck and a quarter? :-)
-edit 2- Backing vocals in SMBH, is that Weir on falsetto?

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To me, music is that which connects human hearts, it is something that takes you to unknown levels...........

Day off, up too early, walked dogs, not enough coffee, let's roll!!!

Providence Civic Center, April 20, 1983. The first of five shows we saw on the tour, and after the fine Boston show in the Fall of 82, the first tour where we really worked hard to see more than one show. Were parts of New Haven and Philly better, musically speaking? Maybe. As I recall, Providence was tons of fun and a fine show.........

A Cumberland that maybe even JimInMD could love. Fine China/Rider to close the first set. Esau---new to us but enjoyable---to open the second set. Ho hum, another Estimated/Eyes. And Morning Dew. I never saw a Star but I caught lots of Dews and enjoyed them all..............

Miller's remaster has some glitches and patches, but overall listenable and worthy.........

Not all the 80s were bad, in fact we saw lots of fun shows and even a couple of classics..........so.......

Rock on!!

Doc
Music is the expression of the movement of the waters, the play of curves described by changing breezes......

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Has WilfredTJones fallen into the 1971 rabbit hole? Sir, what's gotten into you?!!!

Some people never go crazy, what truly horrible lives they must live.....

Rock on, more coffee,

Doc
I've been so busy I haven't had a chance to go crazy..........

it's a good day to have the day off! Happy 420 to all. Been traveling, catching up now. Looking forward to 46.

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Day late, but 4/20/83, now you're speaking my language. mmmmmmmmmmmmm...coffee. ;-)

-edit- It's been a while since I listened to 4/8/71 Boston, so I was thinking about hitting that big one if possible after 4/20. April '71 has been nice, but I've only done 4/14 and 4/17, with 4/17 getting the big nod from me.

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Hey rockers!!

Dare I mention Providence 1971? No, let's wait until next year...................

Although it is super crunchy!!!

Here is your throat back, thanks for the loan.................

Rock on!

Doc
You should be made to wear earphones

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It's been a holiday as far back as I can remember.

Which was yesterday.................

A good memory is one trained to forget the trivial............

Rock on,

Doc
A retentive memory may be a good thing, but the ability to forget is the true token of greatness......

4/19 just rolled on by - thought I might go with Dave's 20, 12/9/81 Boulder, which had cover art that referenced that momentous occasion. Not sure if its been a POTD anytime halfway recent. Doesn't seem to get much love as a release. I saw the Rosemont show 3 nights earlier with that gorgeous To Lay Me Down. High school buddy was at Boulder and he loved it. Remember getting a letter from him a few weeks later, written as he listened to a tape of the show with a big old smoking crater Other One.

4/20/83 was a fun listen. Will revisit.

Have a great weekend folks. With the hockey playoffs underway, and as a lifelong Blackhawks fan, all I gotta say is Go Cubs!!

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In reply to by bluecrow

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Hey BC, #20 is a great release and I believe I offered it up a couple years ago. Would love to listen to it again. Let's do it.

Gave 4/20/83 a listen. Good show. Recording was in the decent range.

Minnesota's old team, Dallas at the Wild tonight in St. Paul, and still cold as hell here.

Hope you are all enjoying some warm weather.

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I hear there's a great Ollin Arageed Space>Shakedown from Fall 78, I'm not sure which show that is yet, 11/13/78?, 11/23/78?

Anyway, Happy Weekend! Stay Grateful :-)

-edit- Checking out the new Moskel Audience transfer of 11/23/78, the show before the well-known FM 11/24/78. Someone calls out for St. Stephen in the first set. Donna is in fine voice on the Looks Like Rain. May save set II for tomorrow, but that set II looks like a doozy... ;-)

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Set II Samson for a Sunday, Rare set II FOTD (for a Sunday), Dancin' is catching fire on the AUD tape, eliciting a hearty East Coast cheer - we'll see what the rest of the evening brings.... ;-)

Nothing left to do but :-) :-) :-)

-edit- Oh, there's a Joani Walker. I just have to see how it compares, because the Moskal has been grate so far on a headphone listen. The East Coast crowd is psyched...traversing the drum solo now, on the way to.... :-)

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I think there were a few set II versions. One from Cleveland in March of 81 comes to mind. Maybe I'll tune into that or sleuth out some more just for fun.

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Perversely fascinating intrusions, but thanks for the quick boot! Sheesh.

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I was getting creeped out.
Cheers to Marye

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Well done Mary.

Looking at 3/21/90 for tomorrow. Copps Hamilton.

Any shipping notifications out there yet?

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In reply to by wilfredtjones

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My guess is 12/30/78. I am not seeing those songs played in the order listed, the second set comes pretty close here and the Space/Ollin Arrageed is indeed out there.

Set 2:
I Need A Miracle
Bertha
Good Lovin'
Scarlet Begonias
Fire On The Mountain
Playin' In The Band
Shakedown Street
Drums
Ollin Arrageed
St. Stephen
Not Fade Away
Goin' Down The Road Feeling Bad
Around And Around

Sure glad they got the spam thing tamed.. We Don't Need No More Trouble.....Trouble we don't need.

Check it out, 11/23/1978 Capital Centre in Landover, MD. Really nice little Thanksgiving show. It was on a Thursday and Bob wishing the Audience and crew a happy Thanksgiving before the encore.

I went through it with the Moskal source and wasn't disappointed except the cut at the end of Playing into Around. The Joani Walker is complete and does not cut.

Have a Grateful Day all. :-)

Setlist
Mississippi Half-Step
Franklin's Tower
New Minglewood Blues
Stagger Lee
Looks Like Rain
Tennessee Jed
Passenger
Brown Eyed Women
Music Never Stopped

Samson and Delilah
Friend of the Devil
Dancin' in the Streets
Terrapin Station
Playin' in the Band
drums (Ollin Arageed Space)
Shakedown Street
Playin' in the Band
Around and Around

U.S. Blues

P.S. They were jamming on Ollin Arageed out of drums quite a bit in 78 especially in Nov./Dec.

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Hey rockers!!!

If you haven't listened to April 25, 1971, then get crunchy!!!

You will find truth more quickly through delight than gravity. Let out a little more string on your kite......

Rock on,

Doc
I'm so down to earth, I'm bringing gravity back.......

about 3-21-90 :-D COPPS

-edit 3-21-90 set I Intense and Satifying, Loose Lucy stole my face. Tight Victim>SOTM combo. Set II I saw Estimated>He's Gone. Oh, and it's got a set II...you know what ;-)

Thanks DV make it grateful :-) :-) :-)

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In reply to by wilfredtjones

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A local show for me.. but a couple years before I got hooked.

I was looking at a stale screen and replied before I saw your subsequent post. Ooops..

Funny thing about the Capital Centre, the tapes sound fine but unless you are in the sweet spot, that venue had terrible sound. Oh, and the Maryland State Police had a thing for the GD. Parish talks about Maryland having a phonebook thick document detailing the shinanagans that came with dead shows and the Capital Centre filled the parking lot with police on horseback to make sure we weren't smiling on a cloudy day. Saw quite a few shows there but was happy when they blew the thing up in December 2002.

Just getting back from a little time away. Mucho yardwork awaits.. then life as normal.

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4-21-71. Going to hit it...

May be my inaugural listen here...

-edit- Truckin'>Drums in the first set, 5 songs in?!? Talk about youthful energy and exhuberance...I see what you mean FD (the) 11....

-edit 2- It's got a Cumberland and where the heck is the set break?!? I'm going with a blind inaugural listen here.

Have a Grateful Day all....

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Hey rockers!!

April 26 beckons...........

4/26/69-can't go wrong with April 69
4/26/70-the great unknown
4/26/71-crunchy, greasy, jammy
4/26/72-creamy smooth gooey goodness

Decisions decisions decisions, take your pick. I went with Europe 72, a tour that never fails to deliver. I was going to listen to York Farm, but I seem to have misplaced it......

We must make the choices that enable us to fulfill the deepest capacities of our real selves.......

Rock on,

Doc
Most consequential choices involve shades of gray, and some fog is often useful in getting things done.....

What a show hey WTJ. Funny to me at least I always thought 3/22/90 was the better Hamilton show, but wow this show is no slouch. But are there any subpar shows from Spring 1990? I don't think so.
Love the start to this show, Half Step with a Minglewood, Queen Jane, Loose Lucy and a first set Standing on the Moon. Love these Hey Pocky Ways, a Crazy Fingers, Cumberland! Yes. Interesting and good Estimated into He's Gone and a good finish after Drums and Space. Love the Multi Track shows from this era.. On my home system I can definitely hear the difference.

Maybe this year we get another Multi Track Box?

Who has a pick for tomorrow? OB? Jim?
No tracking here yet.

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I decided to give this a show a listen, after people here did me the courtesy of listening to a show I suggested a few weeks ago. In truth ( you might need smelling salts now) this is the first 1990 show I have actually listened to for a year or two. Consequently, the songs I enjoyed most are the songs unique to the Brent era, rather than ones I am so familiar with from the Keith era. The highlight of set one, for me is "Victim - Standing On The Moon" a real change in energy from anything in the past. Similarly, I enjoyed "Hey Pock Way" most in the second set. I winced in anticipation, when I saw they were going to play"Crazy Fingers" - a seemingly difficult song to pull off live - but I was pleasantly surprised.
I think I'll look in the Taping Compendium later, and see if my observations tally with what they say.

Postscript - I've just had a look in the Taping Compendium, and I'm way off beam! Quite a short review compared to the others - maybe not the best show to start off with for 1990?

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It's where I intuitively went this morning. Tightness describes the first 3 tunes so far.

Going to explore furthur... :-D

-edit- fing jerry encouraging bobby with the estimated call out of scarlet . .. .lol haha prankster jerry edit 2 maybe a little too much into ship instead of the wheel big key change. wheel would have flowed smooth

how many estimated>wheels? there's a rabbit hole i'd like to go down :-) :-) :-)

*spoiling the suspense 12-14-80 (1 time only)

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Alright WTJ, 3/16/90 sounds good to me.
Thanks!

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Trying to remember which Jan/Feb. 78 show had that Stronger than Dirt Jam. It's brief, but it's there.

Oh, BTW that Estimated>Wheel from 12-14-80 is pretty well executed, but different than it would have been in Spring 90.

:-) :-) :-)¯

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4/28/71

There, I said it. No regrets. Doesn't get any better.

Music is given to us with the sole purpose of establishing an order in things, including, and particularly, the coordination between man and time......

Rock on, or not,

Doc
Music is my friend, my constant companion......

With appreciation for all you do, have done and will. I always thought time was invented so that everything didn't happen all at once. Which it did 13.8 billion years ago with the big bang. Before that, there was music. Isn't it just so human that up until a hundred years or so ago, we thought the dinosaurs were around until a few thousand years back, we didn't know how old our petroglyphs were... And it's taken almost this long before there's a primal, late 60s box set to be announced...

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Another fine Spring 90 WTJ. Always enjoyed shows that started out with Let the Good Times Roll and then into Touch of Gray. Great Bird Song, Blow Away.
Nice Scarlet into Estimated, Bobby loved the yelling during this time period. Solid finish. The Last Time encore! Great show.

I will hit 4/28/71 next.

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Pre-empting the Doctor. Going with the Moore since the Board is incomplete and the Moore is moore than tolerable...

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Holy Grateful Dead Batman, I've been pre-empted! Ouch, that hurts!!!

Here we are, April 29. The eternal debate, 28th vs 29th. Some shows are Overrated, with a cap O (8/27/72, 5/8/77, etc) and some are overrated-lower case O. I think the 29th gets the lower case version.

Does an Alligator, Midnight Hour, and We Bid you Goodnight trump the best ever versions of El Paso, The Rub, Cumberland Blues, Morning Dew, and Hard To Handler, along with a cracklin' Other One and short yet dreamy Dark Star? Listen and decide for yourself, Miller's remaster is top notch.

In years gone by, Deadbase polls always rated the 29th higher than the 28th, which I never understood. Don't get me wrong, it's fine as fine can be, but even excellent can fall short when it follows sublime............

Honesty is wonderful, but I suspect it's also overrated.

Rock on,

Doc
Whoever you talk to, I'm either overrated or underrated......
P.S. I will be listening---and cranking!!---the 29th on my way to my car dealer in just a few minutes......

Due the fact that I now only ever listen to this 4cd comp of these shows that came out twenty odd years ago, and only ever have done since it came out - I can no longer tell these shows apart. I know the Dark Star jam with T.C. is from the 28th and the Alligator jam from 29th, but apart from that, it's all a bit of a mystery. Strange how they used to release multi show comps like this without indicating which song came from which show.
Goes without saying that everything on it is essential wherever it came from.

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Another one DR has found for me in my collection.
Likewise have not heard it in many years.
An anniversary listen does seem in order.
Thank you Ladies and Gentlemen.
Cheers

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Hey Daverock, the Wikipedia entry includes show dates in the Track Listing. Think I'll head back down that direction myself. . .

Jeffsmith - thanks, I'll have a look later. Without looking, I'm pretty sure the "Cumberland " comes from 28th - I can still remember listening to that on a tape back in the 80's - one of the best versions.
Unfortunately I think I was a bit rash saying everything on this set is essential. While the rest of this first cd is as good as I remember - better if anything - I really can't be doing with the last 15 minutes of "Good Lovin'. To the extent that the next time I play it , I'll miss that bit out. The bit leading into drums is dynamic - but that rap......I notice we have a 22 minute Lovelight on the 2nd cd, which I can't remember. Hopefully more music than vocals.

I was quite surprised looking on wiki how many tracks on Ladies and Gentlemen are actually taken from 4/25. I don't know why, but I had always assumed that nearly all of it came from the 28th and 29th.

To me, the 2nd cd seems to follow the same pattern as the 1st cd. Some really well played shorter songs leading to a really well played longer one that unfortunately degenerates into another Pigpen atrocity. But that doesn't detract from the rest of it - hopefully. I don't know if The Dead ever played with such conviction and power on songs under 10 minutes than they do here. Truly great music that owes nothing to extended jamming. Songs that have become over familiar, like Sugar Magnolia sound fresh and energetic-this one gradually losing it's country stylings on the way to becoming full blown rocker. El Paso is another one - beautifully sung.

There are a lot of covers on this album- I counted 23 over the 4 cds, with Goin' Down The Road cropping up twice.

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An atrocity is when innocents are killed. Which is what I have to deal with today.

A Pigpen song you don't care for is merely that, and nothing else. So next time, choose your words more wisely....

Doc

I am sorry my last post caused offence. And that you have such a difficult job.
I have to say, though, that your own choice of words left something to be desired. I am happy to listen to advice from anyone, but to be talked down to and told what to do? Forget it.

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For some comic relief, google the horse race.

Anyway, who's got an 80's or 90's pick? Anything but Highgate or Boreal?

:-) :0) :-)¯

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Mornin', rockers!!

If it's May 3, it must be Paris in 1972.

The exquisite China/Rider. Garcia's sublime, country-tinged picking in Next Time You See Me. The dreamy, propulsive psychedelia of Playing In The Band. A soulful Sing Me Back Home. The very fine, weaving-and-bobbing, in-and-out, focally intense jamming in the Truckin'/Other One. The Dead never played better, or sounded better. It might not be my favorite E72 show (that might still be May 26), but it is classic. So give it a spin............

Oh, I almost forgot. For all you Pigpen haters, there's 16 minutes of an atrocious Good Lovin'. So you might wanna skip that.................

Somebody said The 80s???? How about Carrier Dome October 1984? Ask Angry Jackstraw about that one. Maybe New Haven Spring 83, that one gave me a brain melt. There is actually much to be enjoyed in the 80s, if I remember correctly.............

Rock on,

Doc
Rick (to Ilse): "We'll always have Paris"..............