Pick of the Day, with Discussion

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April 6, 2020 - 9:47am

8,084 replies

marye

Joined:
May 26, 2007

Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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September 2, 2021 - 9:40pm

#3251

JimInMD

Joined:
June 27, 2011

I honestly can no longer post complete sentences anymore

Unbelievable.. not trying to embed anything, these guys just suck. I had a two page writeup of 4 25 77 Springfield that will never see the light of day.

Getting horizontal now, great show.

This forum really sucks ass now that we cannot post without getting denied. Over and out.
September 2, 2021 - 9:25am

#3252

1stshow70878

Joined:
September 11, 2014

Dead Doing Hornsby Songs

I know I saw one. 12-9-90 they closed the first set with Valley Road. Excellent and at the time exciting to hear something new. Agree with Rockthing that Mandolin Wind would have fit nicely in the era.
Cheers all!
Oh, and wasn't Jerry on some of Bruce's albums? Can't think of the name of it but on the Muzac at work I would hear one of Bruce's that starts something like "35(?) weeks ago today" and I would just stop under a speaker to hear the guitar solo that, if it wasn't Jerry, it sounded just like him raining triplets.
Edit: Looked it up, it's called Across The River. Watching the video I didn't see Jerry but that sound! Yep the credits say Jerry! Bruce said it was probably only the second time Jerry hit the top 10 charts, Touch of Grey being the other. What about Truckin' Bruce?
September 2, 2021 - 6:32am

#3253

rockthing

Joined:
August 2, 2020

Chapter 1 of my new novel, War and Peace Part 2:

Picasso Moon seemed to sort of disappear from the repertoire. It would have sounded great to hear an evolution of this tune with Brent laying into the B3 instead of the synth sound similar to the studio version. CC Rider is never one of my favorite tunes, but that transition from CC Rider to It Takes a Train to Cry is sublime perfection. Totally did not see that coming. Top marks to both songs for that.

High Time and Black Throated Wind back to back? What was going on here? This is like a dream come true.

Again, Deal. What can I say. This tune is money. Somebody point me to one that /isn’t/ good. This one held my attention yet again.

Help/Slip/Franklins: Help is very cool. The Slipknot! goes into some unusual, very un-Slipknot-like territory during the jam. If I were to pick up midway through I don’t think I’d guess I was listening to Slipknot!. I’m always one for a big jam, but this is one time that Franklins Tower sort of overstays its welcome. I was actually glad to hear Looks Like Rain for once. Those glissando licks that Jerry’s playing are brilliant. I guess they’re the water falling from the sky. I think I like this song better around 90, 91. The Without A Net version that I haven’t heard in ages comes to mind, but this one is a real standout. The ending builds up nicely without becoming melodramatic.

Bobby’s doin’ all his little whammy bar harmonics tricks during Terrapin, and all through the show. These little accents are right on. It’s a great use of texture and controlled overdrive. He’s weaving in all sorts of little licks and fills, almost more of a Stones approach without actually playing things they would play. What’s with that little electronic hand clap around 12 min?! lol. That must’ve been Mickey. Here comes the MIDI… and more “hand claps” as this one totally spaces out before Drums. Definitely like that. Jury’s out on the hand claps, but I think Jerry must have been giving Micky a sly look over his glasses, and Mickey was probably grinnin’ like the Cheshire cat that ate the canary. Then there’s a little samba groove that pops up out of nowhere. So adventurous, and playful. Despite Brent being gone less than a year, Bruce Hornsby brought in such a positive vibe… and also refuses to let that samba idea go away even as the drummers switch to hand percussion… or perhaps because of it. It sounds like Jerry may have left, or started to leave the stage, but then came back. I think that melody is a quotation from an actual composition, but the title isn’t coming to me. So much things to say. So much things to say right now.

I was lying down sort of half dozing off by the time I got to Space last night, but I was impressed by how involved everyone was in it. It wasn’t just a couple minutes of aimless noodling before the climactic rave ups. They were really working out the improv and investing some ear time to this Space. I wish I’d been as invested in taking notes about it. Some more eloquent thoughts wafted through my inner monolog that have been lost this morning as I relisten to the Healy SBD.

Not much to say about the rest of the second set. Solid, I suppose is the best way to describe it. The crowd seemed relieved to hear the GDTRFB riff emerge from a pretty long space, which I personally had thoroughly enjoyed. We’re definitely in Beam solo territory here with Drums, though, so Space probably felt more like 20 minutes than 10, which might seem like an eternity when you’re standing on the floor rather than sitting in a comfy chair at home. Nice organ solo from Vince followed by a piano solo from Bruce, then Jer, I mean, everybody’s getting’ some. It’s great. Throwing Stones was obviously very dear to the band as a well-written manifesto of, at the very least, John Barlow and Bob Weir. It really is a great song, and a very groovy jam develops around Jerry’s guitar solo here, but not being confined to one day a week it suffers somewhat from over saturation. Personally I’ve always liked the vocal effects Dan Healy added to Bob’s vocals, but I guess Bobby wasn’t too fond of it. I liked that you could hear the murmuring of the crowd in the MK4.DAT.CDR AUD as The Weight was beginning, either recognizing it, or wondering what it was gonna be.

Bruce Hornsby must have seen or sensed the disfunction in the organization even in ’91 or so, or maybe just really felt the need to be THE leader of his musical direction, rather than an ensemble player. He fits in so seamlessly, yet brings so much to the table not only in terms of musicianship, but just adding a little light to the atmosphere. This really was a golden renaissance for the band. I love the sparseness and swing of the ’71 bar band period, but the grand expansiveness of this seven piece instrumentalist line up must be the pinnacle of the band’s evolution.

4/23/77? I'm not familiar with that one either. I see 4/22 at The Spectrum in the library, so my interest is piqued. Got some stuff to do the next couple days, though. Might add a few late comments if I get enough done.

:) :) :)
September 2, 2021 - 5:19am

#3254

Thats_Otis

Joined:
May 12, 2011

Shoreline 5/12/91

Really enjoyed this pick! Some flubs from Jerry lyrically in Terrapin, but more than makes up for it with the jam that follows. Overall good second set (GDTRFB), but I really enjoyed the first set. I love CC Rider>Train to Cry, and the Deal was HOT STUFF! Nice stuff!

I am hoping to have a chance to listen to 4/23/77, but it is not looking likely today :( Perhaps tomorrow.
September 1, 2021 - 9:42pm

#3255

JimInMD

Joined:
June 27, 2011

Springfield

Sounds good.. Enjoyed this one also. The Jam out of Terrapin was a treat. Jerry played his heart out in Deal too. The Althea and GDTRFB had their moments. The transition into Slipknot! was unique.. I think of the three the levels were highest in this one, perhaps a bit saturated especially for the Picasso Moon. Bob was real high in the mix too, so we got to hear his angular take on rhythm. Bruce really filled in the empty spaces nicely.. thinking a few parts in Franklins and throughout.. Looking forward to Rockthings more detailed listen, I was out and about but did fit in the whole show. Only half way through yesterdays.....

Onward to '77 (or do we mean backwards?).
September 1, 2021 - 9:27pm

#3256

DeadVikes

Joined:
October 26, 2016

5/12/91

This show is as good as the previous two nights at Shoreline. Man, to live in CA back than.
Althea, CC Rider into It takes a lot to Laugh, fun great music. Black throated wind.... Nice HelpSlip Franklins. Terrapin!

I always thought the band reached another gear in 91! Songs were definitely shorter but the music was good and they sounded great. I really didn't feel that way in fall 1990. These shows to my ears do not match what they did in 1991. I think they had to feel their way back after Brent died and had been with the band for 11 years.

Looking at a 77 pick for tomorrow.
I don't think we have ever hit up 4/23/77, Springfield. Let's do it.
September 1, 2021 - 5:03pm

#3257

rockthing

Joined:
August 2, 2020

Listening for the sound

> DeadVikes

Will do. Part of the fun for me is analyzing the various audience sources. I'm old fashioned. I still wanna download one for the home collection's virtual tape wall. ;-)

The show is hot, hot, hot. I wrote a bunch a stuff last night, but I'm holding off to let someone else get a word in edgewise.

I'd forgotten how much I liked this period. It's a real shame Hornsby couldn't have stuck around. He and Vince made a good team, but Bruce left a deep impression to climb out from. The "solo career" story line feels kinda odd when he could have contributed some great material to The Dead, and an even larger audience. They never did any of his tunes, did they? Can you imagine the jam they could have gotten into on Mandolin Wind?
September 1, 2021 - 8:26am

#3258

DeadVikes

Joined:
October 26, 2016

5/12/91

You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

Check it out people.
September 1, 2021 - 7:31am

#3259

rockthing

Joined:
August 2, 2020

AUD Choices

Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

I’ve not yet listened to the latest and greatest Miller SBD transfer.
August 31, 2021 - 7:47pm

#3260

DeadVikes

Joined:
October 26, 2016

5/12/91

Yes! For sure Shoreline 91 sounds fantastic for tomorrow. Thanks Jim.

John Perry Barlow

John Perry Barlow

Forums

Currently Listening To...

Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

One man's atrocity is another man's art

I like long Pigpen songs.
That Good Lovin' on L&G is a good one.

I like Brent too.

And last night I listened to a Vince show, 9-10-93. I was at that show, on the floor with mail order tix.
It has an Attics, sung by old worn out vocal chords.

5/3/72

Ah Paris, what a show. Can't pass this one up.

WTJ, I have a good eighties pick that I don't think we have hit yet. I will be back.

The Atrocity Exhibition

Well, hopefully there are no Pigpen haters on here, or haters of any kind come to that. If such a beast exists, I would definitely advise him or her not to skip the Lovelights from the Europe 72 tour - all very differently styled to the ones played in 1971. Or any of the preceding years come to that.

I'm obviously only expressing one view point when I post on here, incidentally. In no way would want anyone to think I disrespected the opposite view - or that I expected them to agree with the one I expressed. The great thing about being on here - in theory - is that everybody loves the same band - but often for radically different reasons . And the more varied the views are that are expressed, the more interesting things become. The problem is never in seeing things"your" way, but in expecting others to as well.
Anyway - this isn't my natural habitat, so I'll shuffle off now, and leave you in peace. Hope it continues to grow in this space.

Paris

And if we are doing 5/3 might as well stick around for the jazzy Dark Star from the 4th. Other Ones and Dark Stars and Gargoyle's Oh My!

hey... it looks like the renovation of Notre Dame will conclude sometime next year. A crazy celebration will likely ensue probably without fireworks and assorted celebratory acts.

non fumeur s'il vous plait

5/4/72

Another monster show. Let's do it Jim.

For Friday I was thinking 2/26/81 from the Uptown Theater. Hopefully this one isn't a repeat.

2 Weeks Late...

and a dollar short. Did DaP20 12-9-81 Boulder today.
My short review would be meh, pretty good.
While many songs were good versions, overall not terribly impressive.
Typical sound issues at first and got worse into second song and then the Jack Straw how does this song go meltdown was almost humorous but as Jer said in an interview, "We cling to each other in moments of horror". Nice long set though. Has both the China/Rider and the Scarlet/ Fire on either side of the set break for those still trying to decide which is their favorite, but again nothing that really had the secret sauce. Seemed to go matrix sounding with audience audible in second set? 7 inch reels and not cassette though.
Just didn't seem to have that ephemeral thing that makes you say, yes that's why they picked this one. Only the second or third 80's release by then maybe? Could be a distracted listen is at fault but any listening is better than none.
Cheers
Edit: Cue the Twilight Zone music, this is post 7006 on this thread, my childhood address in Littleton, CO

12-9-81

I didn't start subscribing to Dave's Picks until the following year, so DaP #21, but when I saw this show was an official release I went and tracked down a copy. Back in the day, my intro to 1981 GD had been 7/5/81 Zoo Amphitheater, and that made me wake up to the possibilities (my collection at that time was mostly '68-'78) so when the next person I traded with sent me his list and he had a bunch of early 80s boards I said, basically, "pick the hottest show of '81 and send it to me" and this night in Boulder was his choice.

Now obviously that's debatable, and when I played the first cassette and heard that Jack Straw, I thought maybe the guy had been having a laugh at my expense. At the time I didn't even have a Deadbase so I didn't know this was the final night of that short winter tour, but I feel like it shows. That setlist looks like a reward for the folks who came out on tour in the cold rain and snow. Personally I love the Drums->Space->Other One->Stella Blue...

Yes Obeah

I agree, the best part of the show that I forgot to mention.
They finally caught fire, as often happens, in the crux of the jam.
We need more '80s Dave. Throwing one out there, Santa Fe '83?
Cheers

keep em coming

Based on choices here, I was able to tune into 9-10-93 and 2-27-81.

I'll be checking out that E72, 5-3, 5-4 and for extra credit 5-10 (dynamite). I also wanted to check out 2-26-81 and Richfield 1991. What's the pick of the litter there? 9-6-91?

E72 etc.

Been busy and out in the field. I'll try to work in the 2 Paris shows, at least the deep jams, this weekend. I had the 3 lp E72 album in my early days and it very much informed my listening, but it was an n-th generation cassette SBD from Rotterdam 5/11/72 that had me really and truly grok what the Europe tour was about. Dark Star > Sugar Magnolia > Caution (Who Do You Love verse) > Trucking > Uncle Johns. That's my fave jam from the tour. A mid-summer night listen back in summer '87 or so that will forever be burned in my memory as to how profoundly it influenced my "ear" for the Dead.

Always up for some Uptown Theatre (2/27/81). Before I headed out last week I marveled at the 1st set of 8/6/82 St Paul, which was in the Tapers Section. JOTW as of today is 8/14/71 BCT (haven't gotten to it yet.) Sweet pair of shows 8/14 and 8/15.

Here Comes Sunshine, 5 shows from late spring '73, is a "dream" box for me. I'm sure I suggested it here in the semi-regular what-box-would-you-like-to-see sessions. Never thought it would happen in this purest of forms, all 5 shows!

Take care folks.

Bluecrow

Hey Bluecrow, could not agree more, super excited for Here Comes Sunshine and love the fact we should have it maybe before the fourth of July. Extra bonus we get a MUATM in June and Wrigley June 91!
Yes, the St. Paul show in August 82 is really good, right before those Alpine shows, which I believe you were at. You lucky guy.

Be well all.

Education is the movement from darkness to light……

Hello once again, rockers!

Pick Of The Day: MIT free show May 6, 1970

What sculpture is to a block of marble, education is to the soul…..

May in New England. The weather was cold, but the music was hot…………

Not much wasted time, or space, here. Opening with Dancin’, there’s decent grease, jamming, and rock and roll. Who couldn’t go for a short, sharp shot of 1970 good old Grateful Dead on a blustery Spring day?

Apparently some smart folks at MIT had the foresight---and ability---to record this little gem, which has circulated since the dawn of time. Much to our advantage, and might even make a nice little official release some day………..

Rock on!

Doc
The love of learning, the sequestered nooks, and all the sweet serenity of books……

rock on man

That 5-6-70 Dancin' is positively anthemic.

Currently making my way through 2-26-81 en route to Paris and Amsterdam 1972... :-D

5/6/70 Dancing

Damn - it is a great one!! Love the sound of those early Dancings! Love the later ones too like 10/1/77. Alas, never got one in my GD concert days.

2545 DaP46 arrived this morning ahead of schedule (was due Monday) and right on time for a weekend listen!!

5/7/23 …hmmm…how ‘bout 12/28/69 ?

Mason”s Children alone is worth the trip … (btw, anyone ever notice they revamped the intro on it just after the next time they performed it ?) .. listen to the …Good Lovin’ on… quality prior is mediocre .. the banter is classic, too.. one of my 1st 5 bootlegs

hmmmm Berman.

Int'l Speedway, Hollywood, Florida 1969. Sounds legit. Which source are you checking out?

-edit- I'll give a shot to the cotsman uploaded to archive in 2009

2/26/81

Circling back on this show from last week. Definitely worth a listen. Recording is great. First show of 1981 coming off a banner year in 1980. Solid first set with Feel Like a Stranger, Althea, throw in a Birdsong, Peggy O, TMNS. Start the second set with an explosive China Rider, Samson, He's Gone, Truckin, Black Peter, GDTRFB, and finish it up with JBG and US Blues encore. What a show. I will have to take a look at the other shows from the Uptown.

2/28/81

I'm going to give a shot to that one and with that I will have completed the opening trio of shows from 1981.

So far 2/26>2/27 for me...

Going with the Seamons matrix on 2/28.

Uptown Theater 81

Nice work WTJ.

Thoughts?

I will get the other two going.

nothing specific

Just enjoying the jams. Hollywood was a nice diversion, btw. Definitely a festival tape.

Up to drums and space on 2/28 now and the sound on the Chappell matrix is fine.

Happy weekend, folks :-)

How do we transform loss?

Happy Sunday, fellow rockers!!

Pick Of The Day: Merramec Community College May 14 1970

Loss and possession, death and life are one, there falls no shadow where there shines no sun…..

This was such an appealing format. We’ll start you off with some mellow acoustic tunes, and then finish you off with some highly charged, highly amplified psychedelic electric Grateful Dead. And THEN maybe toss in an acoustic encore. A format lost but not forgotten.......

The five song acoustic set is short by sweet. The electric set crackles with energy, with a really good dose of greasy Pigpen (including back-to-back Good Lovin’ and Schoolgirl [one of the last pigpen versions]), substantial country-westernish stoner Americana, the first Attics Of My Life, a fully electric New Speedway that includes a short Nobody’s Fault jam, and a St Stephan. And for all you Lovelight haters out there, short at a mere 17 minutes. And they send everybody home with a lovely Cold Jordan…..

Not as famous as Harpur College or the Fillmore East show the following night, but without a doubt worthy of a serious listen!!!

There's a bit of magic in everything, and some loss to even things out……

Rock on!!

Doc
There's death and there's loss, but there's also celebrations, right?

2/24/74

A top tier Dave's Pick and a good one to reel in some newbies.

Dave's #13

Alright WTJ, I am in on that great show for tomorrow.

Thanks.

Also, can't say enough good things about that Uptown Theater February 81 run. 2/27 is even better than 2/26.

DV 81 uptown run; need more shows

Hey now DV, I went through all 3 Chicago Uptown 1981 shows. I thought they were all strong with the bookend shows catching my ear in a different way on my relistens. It would take several more listens to refine my position, really though all 3 shows are strong and, in my opinion, really benefitted from the matrix treatment by Chappell or Seamons.

As for more show reccos, over on the SHF they are offering up 'Alternative 30 Trips'. Here's an example of a dead freak created list. Some good, and in some cases, lesser known gems in there.

1966 - 11/19/66
1967 - 11/11/67
1968 - 10/12/68
1969 - 4/22/69
1970 - 6/24/70
1971 - 8/6/71
1972 - 9/10/72
1973 - 12/1/73
1974 - 5/12/74
1975 - 6/17/75
1976 - 10/15/76
1977 - 6/4/77
1978 - 6/4/78
1979 - 12/1/79
1980 - 10/31/80
1981 - 8/28/81
1982 - 4/19/82
1983 - 9/11/83
1984 - 12/29/84
1985 - 7/1/85
1986 - 4/19/86
1987 - 9/8/87
1988 - 7/2/88
1989 - 8/19/89
1990 - 7/12/90
1991 - 10/31/91
1992 - 12/3/92
1993 - 8/21/93
1994 - 10/17/94
1995 - 6/25/95

2/24/74

I would have enjoyed chipping in on that one. As it happens, though, Daves 46 arrived yesterday, and from the early hours of tomorrow I will be spending 24 hours in a music free zone. Its unlikely it will still be on the agenda after that, but if it is..

Alternate 30 Trips Part Deux

1966 - 7/16/66
1967- 5/5/67
1968 - 3/16/68
1969 - 6/7/69
1970 - 9/19/70
1971 - 2/20/71
1972 - 9/16/72
1973 - 2/15/73
1974 - 9/20/74
1975 - 3/23/75
1976 - 6/3/76
1977 - 10/12/77
1978 - 11/23/78
1979 - 10/25/79
1980 - 9/6/80
1981 - 9/26/81
1982 - 10/10/82
1983 - 4/12/83
1984 - 11/2/84
1985 - 11/21/85
1986 - 4/21/86
1987 - 7/8/87
1988 - 9/16/88
1989 - 6/19/89
1990 - 9/14/90
1991 - 4/28/91
1992 - 6/17/92
1993 - 3/17/93
1994 - 9/17/94
1995 - 6/2/95

30 trips part duex

wow, now I could go for another 30 trips box, the first one was soooo cool. I got to say this, What about Gainesville? 1980 show that still has not seen the light of day, the one before and the one after but not Gainesville. So that would be my pick for 1980, for 95, I got to go with 4-1 or 2 or the Birmingham show. 94 Spring any. More but that's just off the top of me head. Again, anything from 67-70 would be mighty fine.

WAG

What about Gainesville? I always thought it was funny that in the 30 trips liner notes from the Lakeland 1980 trip, Dave either on purpose or by sheer coincidence completely ignores Gainesville. Anyway, I always thought that November SE 1980 set ran together better as a group of 4, kind of like 5-5, 5-7, 5-8 and 5-9-1977 FWIW

Also, FWIW just wrapping up 9-26-81 with the Encore on Chuck Berry's B-Day no less. Where'd Weir get that, his trusty almanac? I like the idea of 30 Alternative Trips and I wanted to hear a Shakedown Street, so picked a dead freak curated one for today.

Have a Grateful Day everyone. :-)

Common sense is often underrated...........

Mornin', rockers!!!

Pick Of The Day: Munich May 18 1972

Just before the supernova Lyceum shows. Quite substantial. Dark Star. Dew. Sing Me Back Home. Underrated and absolutely worth a listen...........

Off to the morgue......

Rock on,

Doc
Whoever you talk to, I'm either overrated or underrated, it's all who you to talk to.........
P.S. I forgot to add:
Last 5:
Dead 5/18/72
Ellington:
1943-12-11 Carnegie Hall
1945-09-24 New Zanzibar
1948-12-10 Cornell. Now there's a Cornell worth listening to!!! LOL...........
1949-02-xx Hollywood Empire
Simply amazing stuff, maybe I was born too late.............

Munich

Munich, what a monster show. Yes, I think I will pop this one in today.

WTJ, I am assuming you listened to a audience version of the September 81 show?

Buffalo 81

Went w/ the Chappell Matrix. I'm a sucker for a good matrix and am usually quite satisfied with them. Early 80's benefit most from the matrix treatment imo. Why did Rhino/GDP go with a matrix on DaP 8 and not on the 1980 Lakeland Trip?

headphone listening

There's nothing like it for me, because you can really hear the nuance. For me today it's 6-17-92 (first half of set II virtually identical to 6-28 Deer Creek) and if I have time on deck is, 12-3-92. I swear I'll get back to E72. Isn't Munich Moses Quasar's favorite? Just like Lille is Bolo's??

:-) :-) :-) It's Friday. Make it Grateful today all!!!!

-edit- What the heck melody is it they're toying with before Jackaroe on 6-17-92 set I?

Willy and What Tune

Is it Inspector Gadget? I'm seeing a cartoon.

thee tune(s)

Sounded like it could be a jazz standard to me, but TBH my knowledge of classical music is far greater than my jazz chops. Vinny brought some classical chops back to the dead as I listen back. He was pulling out all sorts of Chopin and Beethoven here and there if you listen for it. And now, to chip away at the list. I know I will not be able to get to it all. The nuggets I've extracted thus far are 6-3-76, 6-17-92, 12-3-92, 9-26-81 and 11-23-78 (a couple weeks ago)

Finding I am enjoying Vince's contribution to the band more than I used to. Anyway, Staying Grateful here. 5-18-72 was nice for yesterday. I listen to 5-19-77 all the time. One I don't is 6-4-77. Hmmm. Something I might remedy later :-) :-)¯ :-)

WTJ

Yes, 6/4/77, at one point we were searching for the lost soundboard. Not sure if they ever found one or had one returned. The audience is a little rough.

Atlanta

I thought I read (New Yorker? Nick P. article?) is that one big reason for the matrix release on DaP8 was because of the standout quality of the AUD. But that's 10 years ago, and my memory isn't to be trusted.

But speaking of the Fox, WTJ mentions that 5/19 show! Ahhhh. I, too, have that one in very regular rotation. It was like this back in the day, as set II was the very first tape I ever had from 1977. It was probably 20 years later before I ever heard the first set, and when I finally did it was so lovely to realize it was a cracklin' hot show from start to finish. I was glad that confirm that I hadn't placed a sort of 'newbie bias' on the show simply because it was a really early tape in my collection. I have the May '77 boxset that covers the week before, and it's all good stuff -- but I always come home to 5/19.

47 years ago

I just realized that I have Don't Let Go in my collection (aka JGB 5/21/76 at the Orpheum) and I've never listened to it. Got it playing now. I see it was a Friday night show, but it's working wonders for my Sunday afternoon. Cheers all

The weather in England can really darken your spirits.....

Good morning, rockers!

Pick Of The Day: Newcastle-under-Lyme, England May 24 1970

They'll always be an England, even if it's in Hollywood…………

A year after the Big Rock Pow Wow and here we are at another festival. From West Hollywood Florida to the Hollywood Festival, it’s the Dead’s first live appearance in Europe, and they deliver a fine show.

Decent amounts of grease. Two big jam sequences. A rare Attics Of My Life. There are some audience patches on circulating copies, but still worth a listen!

England is the paradise of women, the purgatory of men, and the hell of horses…..

Rock on!!

Doc
Whatever was the conduct of England, I am equally arraigned……..

Picks

Needed a boost today. Decided to fire up 8/13/1975 or One from the Vault.
Who is with me?

A few years ago I bought the remastered version they put out in 2007, man is it good.

Just love that introduction! The anticipation of breaking into Help on the Way.

Hey Now DV

It's been a while since I fired up 1ftv. I have the original GDM cds ripped to my FIIO X5. I'm hitting the road tomorrow so I will definitely tune into that since it has been a while since I did. Anyway, yeah that Bill Graham intro. sets the stage nicely. Are the remastered discs out of order, too? I should do something about that in my digital files....

Thanks for the picks and Have a Grateful Day all. :-)

P.S. DV have you ever been to or heard of the Casey Jones memorial trail near Pipestone? That's somewhere I will be visiting someday since I'm just a state over....

One from the Vault

Out for the afternoon, set this up for this evening. Funny yesterday, thinking of this very one for H/S/F. Dan Healy's intro text ends with: "This represents the beginning of the release of the vault tapes". Who knew, the music never stopped.

8/13/75

In the top 10 of all-time Dead shows.

8/13/75

Still hits the spot. Such a unique show and the recording is so good. Thank you Don Pearson and Dan Healy.

When I discovered the Dead in 85 and eventually picked up Blues for Allah, I remember thinking, wow, this release is definitely out there and at the same time so good. I used to have a Blues for Allah tapestry, loved it. I think it was thrown away during our last move.

Anyway, enjoyed the revisit today. Hope you all enjoy it as well.

If you don't have the remastered version, it is worth picking up.

WTJ, I didn't know the song order was off?
Never been to the Casey Jones Trial in Pipestone, but it looks fun.

8/13/75

This was possibly the first live Dead I heard apart from the Dark Star from Wembley 4/8/72, on the Glastonbury Fayre triple album. About an hour of it was broadcast on the radio, which I taped. I think it was this recording that was then circulated as the bootleg "Make Believe Ballroom." I'll dig it out later - the official recording I mean. It's lasted the distance better than most music from 1975, that's for sure.

In this bright future you can't forget your past.....

My friends!!!

Pick Of The Day: Lyceum Theater, London May 26 1972

The wise man must remember that while he is a descendant of the past, he is a parent of the future.......

The last show of the great and powerful, best ever Dead tour, and the last classic show with Pigpen still on board. Every show on the tour was a gem, but somehow the band really kicked it into overdrive for this one. Sides five and six of the original release were so intensely burned into our memories during those Saturday night tripping parties in high school, starting when it originally came out in November of 1972. It's been my favorite E72 show since forever, and yes I revisit it frequently. You should too!!!

In fact, I'm going to crank it up, way loud, on my morning commute today..............

The distinction between the past, present and future is only a stubbornly persistent illusion...........

Rock on, rockers!!!

Doc
Fear not for the future, weep not for the past......

8/13/75

According to my DeadBase X after a cursory look, the set break should be after Stronger than Dirt. Around and Around opens set 2. Not sure if there are other differences, but I might sleuth it later.

Stay safe all and Best Wishes. :-) :-) :-)

5/26/72

Have it going now, how could you pass it up. Disc 3 is some of the best Dead music you will ever hear.

Interesting WTJ, I have never owned a Deadbase.

Enjoy the weekend out there. Finally nice here in MN and plan on enjoying it to the fullest.

8/13/75

A great sounding show, and one that has grown on me over the years. It doesn't really sound like any other show to me. The first set - second set structure doesn't seem to apply to this one, with Help-Slipknot-Franklins being maybe the highlight of the show, as well as the first numbers played. Great bass on Eyes of the World, and that's only the 5th song of the first set. I'll listen to the rest this evening.

Ahhhhh yes

The Great American Music Hall.
The very first peak into the vault, truly a mysterious wonder in those daze…
Hadn’t heard this in forever. It really doesn’t sound like anything else does it?
Not like WOS 74, and not too much like post hiatus 76? So, in other words, cool sheet Mon!
Fully dug, especially the aural bliss. This one’s so clean extreme volume is easily obtainable lol.
Yassss, the H/S/F is magnificence. The other newbies are clear, precise, and fresh, if not the fully formed transporters they’d grow into. The old standbys are same mo as above, good but…?. After such a long listening absence, fresh perspective noticed the somewhat lack of extension on many of the songs. Remember thinking this would be top shelf if there was only a big, then…then, we get that sweet awesome Allah!!! This is the GD at their finest, matching the spaciest Other One or the scariest DS! I’ve felt and said all along, though they have so many great songs, everybody has songs, only the Dead can pull this otherworldly goodness off, and, not have it just sound like noodling.
Cool pick, fully dug!! And hey, it didn’t require a calendar ; )
Now where did mama hide those cookies up here?

EDIT: oh, can’t forget to mention 2 of my favorite Dead songs here, Stronger Than Dirt, and Sage and Spirit!
Boo yah!

Rarer than hen's teeth

Yes, I like Stronger Than Dirt and Sage and Spirit a lot, too. Pity they got retired off so soon. I might dig out the cd with the acoustic Sage and Spirit on later - 2nd disc of the cd of "Reckoning". 10/31/80 Radio City, New York. I've got it here, in my hand.