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    What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

    Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

    ...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

    Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

    I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

    We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

    Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

    *2 per order. Very limited quantity available.

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  • Oroborous
    Joined:
    Easy Tiger

    Take a deep breath lol.
    I knew you DR were going to say that.
    My point is only votes are useless if you can’t control the sample properly.
    So if you say everyone at dnet can vote, how will you know that say BTK hasn’t voted 467 times for 1970 etc.
    AND, how many people who buy many of the releases, but don’t ever come hang here would not get represented.
    That’s all I was trying to suggest: if your going to have releases based on votes, then how do you ensure proper sampling? Sorry I didn’t offer a more comprehensive idea, was only trying to show how it might not work. Certainly didn’t mean to exclude or rile anyone up ffs.

    EDIT: Petah, set and setting for sure! That’s why my preference is all the years because “some times you feel like a nut, sometimes you don’t” variety is the spice of life etc. So I’m the same way: different eras for different needs, like choosing different albums to listen to by the same band.

    UPON FURTHER REVIEW: perhaps they use All the mail addresses?
    I believe you have to use an email address to make online purchase?
    If so, then send non manipulative, use by addressee only email?
    That way anyone who’s purchased anything in (imagine you could adjust variable) say the last five years from deadnet would get a vote. Yes the resellers probably have duplicate addresses but again, would they really skew things that much? You’d think resellers would be down with whatever is going to sell?
    It would be nice if we got to have input, I unfortunately don’t see it happening.

  • proudfoot
    Joined:
    5 31 69

    A must-listen

  • PeteH
    Joined:
    voting

    I agree Daverock. Everyone should be allowed to vote. It should just be an open vote on the dead.net. Even if Dave gave us a choice of say 5 or 10 that are releasable quality I think that would be great.

  • alvarhanso
    Joined:
    The marketplace...

    ...Isn't the brightest bulb, nor is that invisible hand so smart. For instance, 3/1/69, one of the premier primal Dead shows is available on vinyl for just $59.99 a year after its release online and in person at Newbury Comics. They also had 4/7-8/72 vinyl sets for $125-135. Just happened to poke around. Too bad the glut in the marketplace for Dead items didn't happen a few years ago, but now that it's here, there are more reasonable prices to be had on vinyl releases one may have missed.

  • daverock
    Joined:
    Votes for everybody!

    I don't like the idea of only allowing subscribers to vote about future releases, if such a thing came to pass. I have been buying live releases by The Dead since 1975 - all the stand alone releases, all the Dicks Picks, all the Road Trips, all the box sets and all the Dave's picks up to around 2020. Then I decided there were some shows from some years I didn't want. I went off the idea of paying for shows before knowing what they were. So I stopped subscribing. This surely shouldn't bar me from having a say about future releases. To say such as me isn't as invested in Dead releases as someone who subscribes is absurd.
    Also, obviously, different people like listening to The Dead in different formats. L.P.s and cds are great for me - but I am not interested in downloads. With some it may be the other way round. It should be a good thing that there are these different formats that cater to differing tastes. I don't think it's wise to assume everyone enjoys listening to the band the same way you do.

  • proudfoot
    Joined:
    4 17 72

    WOW

  • icecrmcnkd
    Joined:
    Voting series

    I’m up for a new series where Dave lists 5 shows to choose from, 1 each from 5 periods:
    65-71
    72-75
    76-Feb 79
    Brent era
    Vince era

    You can cast a single vote after you have paid for your pre-order and there are no refunds if you don’t like the show that gets the highest votes.

    Considering that PNW Box and STL Box didn’t sell out right away, pre-hiatus years may not always get the highest votes.

  • PeteH
    Joined:
    Documentation

    Great Idea Oro! I have a Deadbase around the basement somewhere. Should have been doing it years ago!!! Yeah picking shows is just so subjective. I also find my mood, mellow, antsy, stressed, for whatever reason changes my liking of different shows at different times. Thanks for the help!

  • Oroborous
    Joined:
    Go Leafs!

    LOL…what..?..too soon?

    Gulp, embarrassed to admit, I have no Joni.
    Just was reading about Asylum years reissue and realized I have none.
    Ok sports fans, if you could only pick one or two….?

  • 1stshow70878
    Joined:
    Cheech & Chong?

    Did voices on Joni Mitchell's cover of Twisted from Court and Spark?
    The one I thought was called My Analyst Told Me.
    Never knew that was them. "Chick is twisted, boop shoobie, man."
    All-stars all over that 1974 release.
    Robbie Robertson guitar on Raised on Robbery.
    "A little money ridin' on the Maple Leafs. Along comes a lady in lacy sleeves."
    Cheers

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3 years 6 months

What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

*2 per order. Very limited quantity available.

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10 years 5 months
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Chill with lambasting the sound quality of Dave's 45. If you only listen to the first two tracks (Promised Land & They Love Each Other), as Dave himself explains on the Seaside Chat, you're listening to Bob Menke's audience recording. There's no soundboard of those two tracks and Bob kindly provided his tape. Some have said that the Smith/Miller/Clugston aud (140589) on the Archive is a little better than the Menke. In any case, once you get past those two, you're hearing "recently" recovered Betty Boards from the stash of soundboards returned by ABCD Enterprises. The changeover to soundboard actually happens before the end of They Love Each Other. Check out Dave's Seaside Chat for more.

The two shows on Dave's 45's 4 CDs are great sounding once they reach cruising altitude.

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10 years 2 months
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I get where you're coming from. My main complaint on sound on many DiPs and DaPs is the drums are too loud. I used to blame Mickey for being involved in the remastering, lol. But to have two shows for the price of one totally outweighs the defects, and frankly that's what the tone controls are for on our stereos. And I also applaud Dave for being brave enough to get us the two shows with an aud. patch at the beginning. Patches are something they don't do very often and only when it's worth it. Especially, these two shows are so worth it. Don't give up on it.
Cheers

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I remember getting this on cassette in the late 80s and loved both shows even if there was "some" missing. I have listened to this release several times and I love it. My question is: how is this still available? I've noticed the last few Dave's releases have been selling at a slower pace than just a few years ago. Just wondering, maybe the uptick to 25,000 units was a bit much? Anyway, have a safe happy holiday.

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