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    Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


    By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


    Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • That Mike
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    Mighty Mickey

    Whenever I take an excursion into some “World music”, as I did this week, I inevitably circle back to Mickey Hart’s discography, and I always gain a renewed appreciation for Mickey’s incredible talent and gifts to drumming. Not just his playing - first rate - but his contributions such as his field recordings, and his own wonderful releases featuring rhythms not often heard in traditional Western music. I played both RAMU and In The Groove, and just incredible the drummers he assembles on these recordings, and evokes this marvellous sound from. Usually any “drum solo” in a concert is washroom break for me, but Mickey really brings something otherworldly into drumming. Posters will argue forever if the Dead were “better” with just Bill, or just different, at a time when the stripped down sound of Beauty/Workingman’s called for less. To me, what always drove the Allmans sound was the duo of Jaimoe & Butch, and I think it more true in the Dead with both Bill and Mickey. He has an incredible catalogue, some really interesting stuff that sometimes is exactly what you need to hear. I could never imagine him just being a drummer in some band, playing a twenty song gig, rinse, repeat.
    Recommended - “Drums of Passion” by Babatunde Olatunji, recorded in 1960, a favourite of Santana and Coltrane evidently. Excellent World sounds.

    Closer to home, my “Next due”: Buddy & Julie Miller’s new release. An understated guitarist I saw once with Plant & Krauss, a fan ever since.

    “Timothy Leary’s dead. No, no. He is outside looking in.”
    And he was a poser, and did nothing for the psychedelic movement.

  • jonathan918@GD
    Joined:
    Dave's #47

    I've been spending a fair amount of time with this one the last couple of weeks and to my ears this thing cooks!! I love the fact that DL and crew plan on hitting this era again when the time is right. 1979 GD has plenty to offer!

    Also, I guess the fact that I didn't start getting tapes from my older brother and friends till 1988 has been a blessing and enabled me to "love it all"

    I seen the band 17 times from 91-95 and loved every minute of it! I loved calling the hot line for set list of prior shows on a tour so i could try and call the openers or encores!

    I know 94-95 was a real hard time for Garcia. I remember on night at Philly Spectrum, 3/19/95 (UNbroken Chain breakout) during Crazy Fingers, that I thought Jerry was going to literally fall right through the mic stand and off the stage!

    As a proud member of Alcoholics Anonymous, I understand the abyss of addiction. It saddens me that Jerry was stuck in hotels and Persian was his refief.

    He was trying to get clean but, it was not to be.

    So, I hope I didn't get to heavy on that topic. Just sitting here drinking coffee and spinning Dave's #47

    Hope all is well with everyone.

    Rock on, gang!

  • JoeyMC
    Joined:
    I'm listening to 47 again,…

    I'm listening to 47 again, it's better than I originally thought. The Black Peter> I Need A Miracle is quite something.

    I see the Jerry people are selling Three Hundred Dollar photographs ? I usually credit them with not charging stupid amounts of money for stuff, like a hatchet for instance...

    Leary is shit.

  • daverock
    Joined:
    Beware of believers

    It seems to me that people who are 100% in favour of anything are a bit deluded. Most things have pros and cons. It pays to be wary of people who think they have the answer and try to influence other people to see things the way they do. There was an awful lot of that in the 60's - including people who were either in favour or against acid. As Charlie Watts once said - it's unfortunately very easy to con the young.

    Mention of the 13th Floor Elevators - hugely entertaining if you like that kind of thing, but whether Roky Erikson would have been happier if he hadn't taken psychedelics in the way he did is a mute point.
    In fact, thinking about it, Roky Erikson, and what happened to him serves as a chilling reminder of the negative effects of simple minded evangelism. He appears to have been used as a mouthpiece for non musician Tommy Hall, about 10 years his senior, to spread the gospel according to Tommy Hall. Which seemed to revolve around taking psychedelics 24/7. This had such a profound effect on Erikson, that by the end of the 60's he apparently took to the stage with a band aid wrapped round his head to close his 3rd eye, and dim the hallucinations. Enter what we used to laughingly refer to as "straight society" who incarcerated him and fed him a diet of their medication. Shocking mistreatment and manipulation all round.

  • JimInMD
    Joined:
    With a tip of the hat

    and a wink to Bear, Skully, Sands and the Brotherhood of Eternal Love. Honorable mention to the Jimi Hendrix, the 13th Floor Elevators, the Grateful Dead, the Jefferson Airplane, Monterey Pop, Woodstock,.. (this list could get long). It would have happened without Leary, once the CIA opened the spigot to the general public, it was game on.

    I blame my brother and my friends.. but Mama Tried to raise me better....

    True, Leary did not help psychedelic research one bit.. nor did Nixon, Manson or Altamont. For good or for ill, the War on Drugs was the nail in the coffin that closed the door for scientific research for more than four decades.

  • Vguy72
    Joined:
    Barnum....

    ....spot on review. Good job.

  • daverock
    Joined:
    Tangerine Dream

    PT - great review, cheers. The last time I saw them was the last time they played in England with Edgar Froese - must be about 10 years ago. Good to read that they are still out there.

  • PT Barnum
    Joined:
    speaking of psychedelic research

    caught Tangerine Dream Monday night at the Orange Peel in Asheville, Nc. A small to medium sized venue holds 1000 people SRO. There were seats set up on most of the floor and mostly people sat for the show. There were of course several standing as seats were an extra 15 and the standing area was actually a really good view. I ventured back there from my seat a couple of times and the sound was intense but not too loud to annoy, but you could feel the low notes and was said that the room sounded great in E so the ending jam was in E to E flat, some bone shaking vibrations that were tremendous. I hadn't felt anything like it except maybe when Mickey would hit those low notes on the Beam, right through you and could feel it in your chest, so good. There were 2 screens, one on each side of the stage, that had some really cool graphics going on, melting and fractals swirling along with the music.
    The set list was taken from their website as I only recognized three of the tunes that they played. Love on a Train from Risky Business, Raum and Phaedra.
    Improvised intro>Los Santos City Map>Continuum>Love on a Train>Raum. A pause for lots of applause. Then right back at it, No Endings>Betrayal(Sorcerer Theme)>Rare Bird(1st time played on tour)>Portico >Choronzon. More applause as the three members took a slight pause and accepted everyone's love. The band is really jelling now. Logos Velvet (first time played on tour) Tangram Set (another first)>Cloudburst Flight>You're always on Time>White Eagle>Phaedra. Off the three went for a much deserved break as the 400 or so patrons and I voiced our approval of their performance. Right away, not but a minute or two out they came and showered love on us as being an excellent audience who actually listened. Then as is customary with Tangerine Dream, the encore was an improvised session that lasted about 25 minutes, sometimes turning on a dime and leaving the two screens blank or frozen in place. 2 hrs plus a 25 min improv nice show, highly recommended. Check out their facebook page for more info if interested. Quite a trippy show.

  • simonrob
    Joined:
    Personally...

    I never took any notice of Timothy Leary or Ken Kesey when carrying out my own extensive research into the effects of LSD on my grey matter. 🧠

  • daverock
    Joined:
    Psychedelic therapy

    My understanding - which might be wrong of course - was that Cary Grant took LSD as part of what was called "psychedelic therapy" under the guidance of a psychiatrist. He was clearly an advocate, but not a recreational user in the way people were in the 60's and 70's.

    It's curious, reading about the history of LSD, how it became almost appropriated by Timothy Leary, and to a lesser extent Ken Kesey, who went on to define it's culture, and to some extent how it should be taken. There was nothing in the 1950's to suggest it would become a recreational drug of choice associated with rock music and young people. There is a school of thought that says Leary and Kesey were partly responsible for knocking psychedelic research back decades.

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Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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In reply to by Nick1234

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Charley Patton

Robert Johnson

Leadbelly

Beatles at Cavern

GRATEFUL DEAD AT MAGOO'S PIZZA PARLOR

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It was decades past his peak - one of the last performances he ever gave, I think - but I would loved to have seen Son House at the 100 Club in London during the summer of 1970. He was joined on harmonica by Alan Wilson on a couple of songs. Mesmerising. a great cd of this called "Delta Blues and Spirituals" came out twenty odd years ago.

To me Robert Johnson had more sensitivity, and a more highly developed sense of rhythm than earlier country blues singer/ guitarists. But there are many, many wonderful musicians from the 1920's and 30's that are worth checking out.

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It is hard to nail down just one must-see show, so:
- Dylan goes electric at Newport
- Gram Parsons’ era Flying Burrito Bros
- Garcia & Saunders at Keystone
- Hank Williams (sober)
- Dylan & The Band 1974 Tour

Some great suggestions have been previously listed.

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Nick's choice led me to look up my Hughes Stadium Ft. Collins, CO show.
Apparently I have been conflating my two shows seen a year apart at that venue for years. I thought I had seen The Beach Boys and Bob Dylan on the same day. Turns out that Chicago/Beach Boys show at Hughes was 7-6-75 and Bob's Rolling Thunder (aptly named as it rained for that show) was 5-23-76. How in the world I ever thought Bob and the Beach Boys were on the same bill is laughable. But I have read that Bob claimed to be able to sing any Beach Boys song from memory and was a fan of Brian Wilson so maybe not that far fetched.
The Rolling Thunder Review was panned by some for the different arrangements but that's just "Judas" talk. He was always mixing it up and admired the GD for never playing a song the exact same way twice. My memory of the show is obviously a little mixed up but at the time I thought it was very cool and hip. Very long show with a helluva set list. I had just turned 19 and caught a ride with a neighborhood classmate from high school who was a cute little cheerleader and way above my pay grade and social group but she had a friend we could stay with in Ft. Collins and was willing to drive so away we went with three others. We camped in a side yard and were harassed at midnight by cops who said there was no camping allowed on city right of way (which we were not on) so we all packed back into the party house on the floor. It rained later so it worked out OK. I guess I can check out the show on video as it was filmed for the Hard Rain thing. Not sure I've ever watched it so thanks Nick for the reminder. Highlight for me at 19 was that little cheerleader riding on my shoulders so she could see as we were back around the 50 yard line. The rain had stopped, sun came out and a girl is riding my neck. Not bad!
Cheers

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1st Show - The Rolling Thunder tour would have been great to see. A high school pal got to go and said it was awesome, for all the reasons you listed. I know film of the show you saw exists, but I’ve never seen it, and I’m not sure it is commercially available, save the Hard Rain soundtrack.

I am quite pleased with all the shows I have seen. Still an acid test would be great, especially the one at Big Nig's house. Reading about that one over at (jerrygarcia's brokedown palaces) makes me wish I could have been there. Stones the same night, city on fire, (although Stones near San Jose?)!

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In reply to by Gary Farseer

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Great article on Panther, she is quite the work of art! Thanks! I am also on email list for Meyer Sound.

Quote from Article: Company founders John and Helen Meyer, who attended the final shows in San Francisco, celebrated their past relationships but also looked forward to new possibilities. “This final tour closes an important chapter in the story of the Dead in its many forms,” says Executive Vice President Helen Meyer. “But it’s not the end of the book. There’s still more to come, with the people and the music"

I am also on Meyer Sound's mailing list, need to see if Ultrasound has a mailing list.

My rocknroll fantasy: Work for Meyer or Ultrasound. Both engineering Monsters!

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I'll look for that soundtrack.
Better check my collection first, lol.
Cheers
Just ordered newly reissued vinyl from RGM: Aereo-Plain by John Hartford.
Considered the first "newgrass" album by none other than Sam Bush.
"Without Aereo-Plain there would be no newgrass."
Has Vassar, Tut Taylor, Norman Blake, and Randy Scruggs on it.

Love..."When a Man Loves a Woman." I very much enjoy her discussions on the documentary "Muscle Shoals." "From the Heart of Me" lyrics sound so close to what she described in the documentary. So a huge "Happy Birthday" to you this day. Been a while since I went to Muscle Shoals, wonder if you still live around there or hang around there...also loved her on "In the Ghetto" "Kentucky Rain" and "Suspicious Minds."

Saw the Swampers a few years back (like spring 2016, maybe 17) back when they played kind of ending show for/with Cowboy at a local watering hole. It was really good!

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Heading out to LA to see Metallica at SoFi Friday night. I'm not crazy about Pantera but I'm down to see Ed's kid again. He's a special one. Doing dumb tourist shit like hiking up to the Hollywood sign, hanging out at Capitol Records and getting loaded at the Rainbow. Hitting Norm's Rare Guitars. Say what you will, Hollywood is never boring.

Speaking as a dirty old man, Taylor Swift has really nice thighs. I'm not woke and I will not apologize for that, ever. Go ahead and cancel me I never cared about anyone who does anyway. About the highest backhanded compliment I can pay her. Actually, she seems like a decent human but the disconnect between my reality and her product is ocean-sized. The Swiftie phenomenon is just like Trumpism - there's nothing there but mass hypnosis and needy people needing to belong. That being said, I'd vote for her and her thighs to be President over Dump every time.

There's a "desert island top 5" going around another site I peruse. My biggest hang-up is, can one include box sets? Because if one was a) on a desert island, where does the electricity and playback apparatus come from? and b) I guess this assumes "name only 5 albums you can listen to for the rest of your life."

I think this puts box sets out... I mean, a 17 disc Dead box is kind of cheating, isn't it?

I'm going to cheat anyway, sort of, with my first pick which, by the way, would be the one Dead album I'd choose over all others ever if I could only have one. But it fits in a double wide cd case which is the limit for this exercise.

Desert island top 5:

Ladies and Gentlemen... the Grateful Dead - Grateful Dead
Best of the Doors - The Doors
Aerosmith's Greatest Hits - Aerosmith
Kind of Blue - Miles Davis
Wish You Were Here - Pink Floyd

I think there's enough rock, enough jazz and enough space to get me through... hopefully I'll find a Wilson volleyball and learn to like eating fish before it's all said and done.

Peace.

\m/

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In reply to by LedDed

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...."awake to social injustice and
racial persecution". I guess I'm woke. Poor me. How will I survive.
The GOP is too busy butting heads to even care.
Good for them I guess.
Anywho. Walking the dogs on a very nice evening here.
Ledded. I went and saw Metallica streamed live from a Dallas concert at a movie theater this past weekend. They are actually mixing up sets! And they've been practicing. Ignore Lars's tongue. Thank God it wasn't in 3D.
They played Leper Messiah and Orion. Always welcome. Enjoy Hollywood. Buy a flower from the street vendors. I did.

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In reply to by daverock

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Yeah, so lame/limiting…
Over 60 years upon my head, and I’ve come to the conclusion there’s basically only two kinds of people in this world: aholes and folks who give a shit. Race, sex/gender, socio economic status, culture, all boils down to empathy and caring! All that hippie dippy cool GD cultural stuff.
I went to school, even a year of grad school, for Social research etc, and even with all their classifications and stratifications etc, that seems to be it, are you kind? Ole Hunter yet again!
Used to seem like most folks were more of the latter, nowadays, unfortunately, it seems like there’s more of the former?

GARY et el, calling all geeks!
You probably caught these, but I just checked out GOGD podcast fir first time yesterday, specifically the cool Long Strange Tech, parts 1 and 2 I think it was called? Holy guacamole Batman, good sheet Mon!
The Acid test Hug a cop episode was pretty fun too!

EDIT: Our very own Mary E talking with Jer on episode 2 of Long Strange Tech!

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In reply to by daverock

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Also uses a huge Meyer Sound sound system. Not sure why...It's not like they are trying to project halographic or as OB called them, I think, psycho-accoustics. Are they becoming a metal jam band?

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In reply to by Gary Farseer

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I think of an old commercial jingle from childhood

"When it says Libby's Libby's Libby's
On the label label label
You will like it like it like it
On the table table table"

Advertising is a sinister business, I tell ya

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I am with Vguy. 100% sure my maker wants me to be a decent and kind human being. So yah I am going with that. Thx.

Sweeney Todd says it best

Because in all of the whole human race
Mrs. Lovett, there are two kinds of men and only two
There's the one staying put in his proper place
And the one with his foot in the other one's face

Truth can be dark.

Luckily we're a cheery bunch :-)

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10 years 1 month
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“Time Of The Season” by the Zombies.
Playing it twice in a row didn’t help. A somewhat spacey tune in just over 3 minutes.

“Courage is what it takes to stand up and speak. Courage is also what it takes to sit down and listen.”
– Winston Churchill
There is always two sides to a story, both worth hearing.

I always thought there was three sides to every story: his side, her side, and the truth somewhere in the middle ; )

RIPPLE, in still water, when there is no pebble tossed.
I’ve always felt like folks would go to a dead show or two or six, and then take that loving, peaceful easy feeling and spread it round out in the world, like that ripple in still water. Consciously or not, it always felt like that group consciousness we’d get at shows would be integrated into the world at large. Might be real subtle but it felt real…
Now I know this will sound goofy to some, but it seemed like after JG passed, and those big waves stopped going out into the world, the world seemed to step up its pace down the road that has proceeded and increased into much of the darkness that is prevalent today. It’s not like black or white, but subtle. I mean how many million? people a year (in the nineties anyway) per year, times 30 years experienced the Dead. Obviously not all we’re changed/influenced, but I’m sure the percentage was very high. So it’s not crazy to think that all those folks taking that “it” with them back out into the world, could have helped balance some of that negativity/darkness, even if just a little, then…..poof
Like what Mickey spoke of at the last Fare Thee Well show…

Speaking of ear worms, thanks for putting that in our head all day PF, lol

That song has been in my head today. Did someone post a few days back about it? Did I see some music documentary, like on AXS TV, that talked about the Zombies? I am pretty sure on the second question but will have to go backwards to go forwards on the first question. Meaning, I am pretty sure I saw something on AXS TV.

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In reply to by Gary Farseer

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This place always makes me feel better. Thanks to all (Or almost 100% all)!
Making me Smile right now!

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In reply to by Gary Farseer

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I can only think I heard a snippet on the radio or something, or read something. That’s the thing about earworms - they come and go in their own time.
But very weird we get the same one at the same time. Now, about those winning lottery numbers…

5 28 95

good stuff so far:

Jack Straw
Let It Grow
Crazy Fingers -> Corinna (yes, Corinna) -> Drums -> Space -> (time will tell)

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17 years 5 months

In reply to by proudfoot

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....going with 3.19.90 Hartford Civic Center.
Did not peak at the set list.
Hell In A Bucket raging right out of the gate. Coincidence??
Oh, and the bottom of the box tore on the edges on both sides. First world problems lol. Got glue?
I am a Corinna fan yes. And I was at that Portland Meadows show Stoltz. Chuck Berry bitches! That was the first one. It was the better of the two and the fraying of the edges of the Persian rug was becoming apparent at that point in time. But goddamn if I didn't enjoy the ride.
Damn. They were on 🔥 in 1990. ❤️ the second set Cumberlands. Kudos to whoevers idea that was.
33 years later, Brent's We Can Run....still applies.

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In reply to by proudfoot

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It seemed to me at the time - 1975-1995 roughly, that listening to The Dead had a very positive effect on my life, and did influence the way I worked in my own very different sphere. But that influence came from listening to their records - on my own. Specifically, Anthem and Live Dead for the emphasis on improvisation, mind expansion etc, and American Beauty - for obvious reasons. I don't think seeing them live influenced me a jot though.

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In reply to by Vguy72

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Hate to disagree, but the Tim Burton/Johnny Depp version of Sweeney Todd sucked big moose dick!!!

I don't and never will understand why you make a musical with people who can't sing!!! My Fair Lady anyone?

Just for arguement sake I saw the original cast twice on Broadway. Johnny who?

And the very worst part, the unforgiveable part, is that they cut the first act ending song, A Little Priest!!! Arguably the BEST song of the show.

Now take this Burton/Depp abortion of a movie and never darken my doorway again with this kind of talk!

:-)

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Rex Reed has got nothing on you, Dennis!

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17 years 6 months

In reply to by Dennis

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Ha, I knew Dennis was gonna say that lol
Don’t be messin with D trains musicals ; )

DR: I think it was more about the group consciousness obtained from being with all those like minded people, especially when so many were in a “heightened” state of consciousness, all extremely focused on the same thing, and the emotional influences of the music, and how it was taking place in that particular time and space…
It’s a sociological phenomena that can be experienced in similar ways among any large, like minded crowd.
A football stadium full of rapid fans for instance, though their group consciousness is probably not expanded in the same positive way exactly. From what you’ve described of your limited show experiences I fear you missed some of that? Getting snockered on depressants in the balcony and passing out probably didn’t facilitate this experience, but I’m sure many people go just to listen to music, not experience it on another level.
Like, it doesn’t matter what you ware, just as long as you are there …it’s a about tge overall experience as much as tge music, if that makes sense?
OK, this isn’t coming out right, it’s too early to think this much lol, somebody who “knows”, please help us out here, or DR is gonna take this all wrong and we don’t want that…

How bout,

My baloney has a first name
It’s O S C A R
My baloney has a second name it’s
M E Y E R …
Ha take that PF! ; )

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10 years 3 months

In reply to by Oroborous

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Oro - yes, I think I know what you mean. I have experienced being in large crowds of people at celebratory events, although the 5 Dead shows I saw didn't quite affect me like that. When I was very young, still a child, seeing Manchester United, when George Best and Denis Law were still playing was amazing. I had never been amongst such a large crowd, and had only seen football on a tiny little black and white television-so the colours and sound of the crowd, even before the players came, out was amazing.
In my mid teens, the early rock concerts I saw had an energy about them - again incredible volume, power, songs I liked, and a sense of having found "my people". Of all bands, Black Sabbath were maybe the most like that -a truly joyous occasions. You'd never guess it, just listening to the albums. Seeing The Stones had that vibe for me, too.

It can also go badly wrong, of course, this group mind thing, as I am thinking about it. Gangs of people have committed all sorts of crimes and atrocities that individually they would never have done otherwise.
I also often have a tendency to stand outside things I am a part of - and maybe that happened when I was on my own at the Dead shows. When I wasn't on my own, I was falling out with my girlfriend or some damn thing. I really enjoyed the shows - but the most pleasure I have had listening to the Dead wasn't actually at live shows, but has been at home. Long may it continue !

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In reply to by daverock

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Yes that’s it. And I didn’t mean to insult you or sound elitist, it’s just your descriptions of your live Dead experiences, compared to as you say other concerts etc, made me think you unfortunately didn’t get to enjoy the full Monty.
Again, no offense but I imagine seeing them under less than ideal circumstances in England, probably was not the same as tripping in the dust with several tens of thousands of dancing freaks all peaking simultaneously with the band and song, at say Hampton, or Philly, oye all that positive energy…
The example that immediately pops into me noggin is the Shakedown from 6/30/85.
I can still see and feel the multiple peaks that rolled through the dust stomping crowd completely being driven by the music. Basically, like 30k people having a simultaneous orgasm!
But you understand the point, and it’s awesome that you get some of that from just the music, but I’m bummed for you that you may not have gotten the full Dead experience.

EDIT: I guess what I’m saying is, take what you felt at those other powerful large group experiences, and multiply it logarithmically….tripping on the floor at a smoking GA Dead show back in the day was like a playoff football stadium all tripping, at tge peak of the game…. times 11! And even Nigel can’t go above 11 ; )

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9 years 4 months

In reply to by Gary Farseer

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Little Willy, go home now...

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It depends a lot on the group. Audiences in England are far more reserved than their American counterparts. As a result there is far less of a sense of being part of a group. That doesn't mean that English audiences don't appreciate the music, rather there is less of a vibe from the audience to pick up on.

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10 years 3 months

In reply to by simonrob

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I would definitely agree that American audiences are more expressive than British ones, going off those 3 Dead concerts at Wembley in 1990. It was quite surprising to me how vocal many of them were in there appreciation of the music. Nothing wrong with that at all, either - just different.

There are also, of course, exercises in group consciousness that have nothing to do with sport or music. Group meditation sessions can give you a feeling of being at one with the other participants. Whether that is imaginary or not, I couldn't say. One of my friends recently told me he once went on a Buddhist Retreat, in which all the residents were completely silent for the week they spent together. He reckoned that after a few days, he could tell what people were thinking without talking. Again, I don't know how true that was.

Oro - no offence at all in what you say. Always good to chew the fat, as they say.

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In reply to by daverock

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Yeah, that was my guess as I’ve unfortunately never been to England.
Just thought from all I’ve heard/read that it’s definitely more outwardly reserved there, but of course jumping around like an idiot doesn’t mean yer getting “it” lol In the old days it was definitely more inward. As the crowds grew, that wasn’t necessarily the case. More doesn’t mean better lol.
I guess I mean that as our friends across the pound didn’t get to see as many shows, or travel around with the touring city, (we are everywhere is probably something folks here understand) and deal with redneck ahole cops who wipe their arse with the constitution, or experience days or weeks at a time camping/partying etc, massive Shakedown streets etc, the WHOLE GD experience, experienced from the ground up, versus “going to a concert”, you might not have been able to fully “understand”.
Now I’m not suggesting you HAD to experience all that to understand, just think there’s a socialization that perhaps was different and not as prevalent over there? Just a band/music, and not as much a way of life , and so all the years, milage, adventures, good and bad, perhaps might foster a different kind of knowing?
An Experiential knowledge perhaps, more than just a interested fan, or someone with only unbridled enthusiasm!
Perhaps more like the knowledge obtained from being in a war on the front lines, versus just studying it, or being on the periphery?

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In reply to by Oroborous

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The current Burger King commerical.... don't know how they get away with it....

BJ have it your way....

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In reply to by Dennis

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Brilliant, never put that 2gether!!! Except its BK isnt it??? "You rule!"

haha got me.

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In reply to by Gary Farseer

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He’s a rascally rascal ; ) one might even say a menace yuck yuck. Get it? ; )
My gutter mind didn’t catch it at first either lol
See what you started PF!

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Like a wart, it grew on me. My fav is 5-26-93, but admittedly I rarely dive deep and compare.

Going in to check out 5-28-95; you always steer me right Stoltzie!

How about your fav? Any recommendations?

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I always dug the version on The Other Ones’ release “The Strange Remain”. Like a pot simmering and boiling up…

I am pretty sure in the last 2 weeks I saw a documentary on psychedelic music on AXS tv. I think they may have said that Time of the Season was the first psychedelic hit. To me that doesn't sound right, I mean Magical Mystery Tour was already out. This show is done by a group out of England. They are interesting to listen to, but I question them some. On their show about psychedelia, they followed ELP, the Moody Blues, and one other, maybe Zombies. But yet, no mention of the Beatles, Grateful Dead, Pink Floyd, and for me the Allman Brothers Band. But it is odd, that we had the same song going thru our heads at the same time. According to my Chinese take-out the lotto numbers should be 07-11-67-64-69.

Edit: Sgt. Peppers brain fog

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