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    Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


    By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


    Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • proudfoot
    Joined:
    Slade

    I found a video of them pre-glam in 1969 outfitted in skinhead garb performing Martha My Dear. With a violin, no less.

    Truly bizarre.

    I of course know Cum On Feel The Noize from Quiet Riot's cover in 1984. I've heard of Slade mostly in passing and as an influence on punk's creation.

    Thank you for the insights, gentlemen.

    PS crapcha images have begun showing up again. Please, NO!

  • dmcvt
    Joined:
    Back from Maine

    Been away in Maine for the last ten days, holy smokes 15 pages of posts to catch up. Fishing, light hiking, nearly off the grid, no television, music from WERU Blue Hill and WMEB UMaine Bangor student station, eclectic mix to say the least. At Lobster Boat Races off Long Island Casco Bay, top speed was 63 mph, that's fast for a lobster boat. A very good friend had offered me lawn tickets to Phish SPAC, but that was a show too far. Did listen to the Friday night on the drive back, the noon Serious day after show, really nice version of Velvet Sea. Back just in time for a reggae concert last night, so Vermont, about 100 people dancing on the grass outside an old barn mountainside with a 5 piece band and local brewery, Thai buffet. LIve street music in Hanover today, Della Mae outdoor show Wednesday. Live music is the best! Hope everyone is having a great end of summer.

  • That Mike
    Joined:
    Slade

    DaveRock- I have a retired firefighter neighbour that is crazy about Slade, one of his all time favourites. He plays guitar, even has a small studio in his home, and has everything Slade ever released legally, illegally, or in between. Except for the early 70s when I was in high school, I have never heard anyone ever mention them.

  • daverock
    Joined:
    John Cipollina - Slade

    Not often you see those two names together. Still. It must have been great to see John C. with whatever band he was a part of - I never knew about that gig with Nick Gravenites. It was probably before I started travelling to London. The closest I ever got to seeing him live would have been that tour he did with Man, around 1975. It was over before I knew about it.

    PF - when I first started getting Dead tapes, around 1987,the guy who used to do them for me was also into The Dinosaurs, and he did a few good tapes of their shows for me. Robert Hunter also performed with them sometimes.
    Much later - 2004 in fact, I have it here, a double cd of The Dinosaurs came out - "Friends of Extinction" - one cd live, one studio.

    As for Slade...the first rock n' roll record I ever got, in Fall 1971 was their single "Get Down And Get With It". There is a version of that on the 1972 album "Slade Alive!" that has to be heard to be believed. It has possibly the greatest rock singing I have ever heard from anyone from any era. Incredible tonsils that man must have had. My Dad thought it was hilarious.
    They were desperately uncool at the time though. They started misspelling titles of their songs, and started to seem almost like a comedy act after a while. I still liked them, but I didn't go on about it. If anyone asked me who I liked, I said Gong.

  • alvarhanso
    Joined:
    Hey Vguy...

    You know who was most pumped about Derek joining the boys? Yours truly. He and Jimmy Herring have been my top living guitarists for 25 years, and I was fortunate enough to catch Derek when he last sat in 7-7-99 in Charlotte. Caught him four days later at the same Blockbuster Pavilion with the Allman Brothers, on his first tour after Warren Haynes and Allen Woody left in March of 1997, Derek was wanted then, but was too young, so they had Jack Pearson for a year and a half before Derek got the job in '99, and held for 15 years. He blew me away that first time seeing him, but Dickey Betts was just as monstrous a player beside him, and pushed Derek as much as he got pushed. No matter what they say about Dickey's last year in the Allmans, all four shows I saw him play '98-'99, he was every bit as good if not better than Jack Pearson or Derek, still sharp, no signs of drinking, or being overly loud. Anyway, Derek shows up to jam with Phish was like a dream come true back in '99 at my second Phish show. They did Funky Bitch and Possum, the first a Son Seals blues tune, the second a Phish original that was tonight's encore, a nice easy blues rocker with tension and release. I already dug the show, but him on the encore was delicious cream cheese frosting on top (hate cherries). Five years later, I got to see him guest with String Cheese at the Jerry Garcia Birthday Bash, and it was just as exhilirating. They did a rocking, Allman-esque original into Wayne Shorter/Miles Davis tune Footprints, where Derek really lets loose. The String Cheese guitarist, Billy Nershi, makes a typical sarcastic remark as Derek leaves, that "He'd be good if he practiced more, jeez", which I recall the crowd didn't take as intended. Luckily, Derek didn't seem to mind, as he came back for the encore (after Cheese debuted Deal) of Way Back Home> On the Road, an African-prog tune that went into a middle eastern jam with Derek into another Allmans-esque song (Southbound).

    Tonight's sit in with Phish was the last hour of the show. They could've whipped out a Derek and the Dominoes tune, an Allmans tune, hell, Joe Cocker. In the first set in Twist, I think (after they did a pronounced The Wheel Jam), Trey teased With a Little Help From My Friends, the Cocker version, just the Jimmy Page opening riff. Nice serendipity there. But the whole first set was quite good, from the rocking, classic Free opener to funky Wolfman's to solid Maze, the newer tunes were good, Pillow Jets sounds like a Who song and Sigma Oasis sounds a lot like Runaway Jim at the beginning. But Tube was nice and funky, a little spacey jam with Page on clavinet, then the Twist with Wheel Jam into the Hood I wanted. And I mean that, as it was a delightful Hood all the way through. Second set started nice and deep jam in Down with Disease (my personal first in 20 years, just 11 shows since then), but a smooth as silk segue to Ghost then led right to a major key switch a few minutes in, and thought they were gonna do Sweet Jane, nice jam into 2001, which basically served as an Elvis-like intro to Derek freaking Trucks.

    He came out, they did Golden Age, a TV on the Radio cover, they killed that, then they did the newer Phish song Everything's Right, and had a raging guitargument onstage. It was glorious! A Life Beyond the Dream featured more measured fills by Derek on slide and standard. He was quite interchangeable. Most improbably after he handled two, obviously rehearsed newer Phish songs, they came to the end of the set for a raucous finish with First Tube. Never in a million years would I have guessed this one. They do the first "verse" of this funky, endlessly grooving instrumental with Derek accentuating, they get to "verse 2", and he plays harmony, and the crowd flips out. The encore break after the Jedi Trey feedback and general cacaphony of that crescendo had my ears ringin' somethin'awful in the long, quiet encore break. A lot of people were leaving to beat the traffic, but it seemed as if people were stunned silent. Anyway, they come back, and luckily, Derek is in tow again, and they launch into Possum, which was a fitting capper to an awesome night.

    I stopped seeing Phish in 2003 after a terrible couple of shows in a row. Their breakup in 2004 didn't change that, but I did go to Knoxville 2009, it was great, Trey was sober, and they had obviously rehearsed and practiced the crazy difficult songs, so saw them basically annually when they came to NC. When I moved north a few years ago, thought I'd see tons of shows, but just two. And these are my only shows since COVID started. But since 2009, I've only seen one bad show, and one mediocre show, the rest have been good to excellent to legendary (for Phish). Those legendary would be 8-26-12 and 6-21-19, missing out on 6-17-11 by a Maxwell Smart that much. Just hope it doesn't take more devastation to get more shows.

    By the way search the interwebs for tonight's show, the video may stay up on the youtoobs, last night is still playing, so tonight should be up permanently one would hope, especially since people might still give to the benefit linqs. Check it out, some awesome music tonight. At least, I thought so.

  • Vguy72
    Joined:
    Derek Trucks sat in with that band from Vermont....

    ....outstanding and epic. Golden Age.

  • proudfoot
    Joined:
    Yo British people on this site

    Slade

    Big in the UK back in the day?

    I just flashed on them and am looking up stuff about them. Apparently they were quite a big deal.

    I know just a few tracks at the moment.

  • proudfoot
    Joined:
    I was lucky enough to see John C...

    in 1987 methinks when he played as part of the Dinosaurs. North of Seattle, a place called Parker's.

    He, Barry Melton, Country Joe McDonald, and several others. Maybe Merl Saunders and Peter Albin.

    I'm very glad I went to that show.

  • billy the kiddd
    Joined:
    John Cipollina Documentary

    Great John Cipollina Documentary called Recoil, check it out. What a great guitar player!

  • Oroborous
    Joined:
    Will Do NC

    bout due for another binge, dug the 89 stuff I’ve seen so far!

    Need to learn more about ole Batman, another great, and great band that I’m way behind the curve!

    Bob Barker. Ever since I saw Happy Gilmore, I’ll never think of him otherwise again, which is nice!

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3 years 4 months

Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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Looks like the bases have been covered.

I never think about selling (yet). I guess it depends on if she wants maximum return on dollar or wants to brighten a heads day. Selling here would offer followers a good first shot. You hate to think you're doing a good deed passing something along to someone who really wanted it, only to see it on ehay for twice that the next day.

I saw a week or so back someone had their entire collection up (decent collection),,, they wanted 17K.

I leave the selling to my son. If he has kids someday, he can pass down,,,, if he wants to sell off,,,, well that's 100% profit to him regardless of price obtained.

In the end,,, I'm dead and it don't matter. Could be a song there.....

It don't matter to me if you sell my collection
and it don't matter to me, because I'm dead and gone
don't need money no more. Dead and gone, can't spend no more.
Time ain't on my side.

something like that anyway :-)

Thanks for the heads up - I’ll check it out later tonight at home.
This site is getting pretty psychic lately - last week Gary and I are “hearing” the same song earworm, and now I’m driving playing Phish (“New Years Eve 1995”) when DMCVT’s note comes through.
(Twilight Zone theme)

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10 years

In reply to by Mr. Ones

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I missed 100's of band in the 70's, but the ones I saw or got albums by keep cropping up on here. Like Uriah Heep. They were a great live band and whenever they came to Manchester between 1973 and 1975 I traipsed off to see them. "Gypsy" was their magnum opus - very powerful live and the original version on "Very 'Eavy, Very 'Umble" is still jaw dropping. That's a great album by my 1970's standards - and "Look At Yourself" is also worth checking out, with the title track and "July Morning" featured. Life was so much simpler then. And so much louder.

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In reply to by JoeyMC

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Wow, there’s a blast from the past.
One of my first concerts in 78 was Jethro Tull with UH opening.
At one point, probably near the end of their set, UH were playing so loud they blew the power on the stage lol.
Still have a little piece of the big balloons JT sent out into the crowd…

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17 years 3 months

In reply to by JoeyMC

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Double post, haven’t had that in awhile.
Double the pleasure, double the fresh…

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For fans of the great Wayne Shorter, Amazon Prime is showcasing a 3 part documentary on his extraordinary life & career, entitled “ Wayne Shorter: Zero Gravity”. To me, Shorter was one of the top figures to emerge from jazz.

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Oro ! I saw Tull twice in 77 (almost back to back, once in LA followed immediately by a show in the midwest)... featuring those huge white balls being thrown around! I have exactly 4 photos of those shows that have survived all these years ... was intrigued by the music, the Thick as a Brick newspaper album, and Aqualung of course. They, and a few other Tull albums stand the test of time IMO........tcc

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36 years ago we were at the Greek Theatre to hear Garcia play a gig. Bonnie Raitt was the opening act and she sat in with Garcia for a couple of songs. We were at the Electric on the Eel the day before, so we were beat, but it was a nice way to spend a Sunday afternoon.

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In reply to by Vguy72

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So sad
So young
So talented

I never got to see him live but did see him perform streaming on multiple occasions. From the first notice, I liked this guy. He was fucking awesome. To see him perform and sing Dear Prudence with Phil was a delight. An excellent saxophone player also. I'm pretty sure I posted something about the next day on one of these forums. ....and I just recently got turned on to him.

Wow.. so sad, I'm a little bit depressed now. A tip of the glass to Mr. Casey. A great loss.

BTK, I was at those 87 Greeks also. The only time I made to the Greek. I came with memories and one of my favorite T-Shirts, a dancing bear being lifted up over the crow at the Greek with a big ass smile on his face and the caption "I Peaked at the Greek"

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41 years ago today we were up at the Oregon Country Fairgrounds for a rocking day with the Good old Grateful Dead. It was a cool scene, the Dead played really good . They were going to play there in 1992 for 3 shows but Garcia got sick . I still have my tickets for the cancelled shows. Robert Cray and Peter Rowan both played before the Dead.

James Casey Phil Lesh and Dear Prudence, I think it will bring you to a capitol theatre show on Phil's (belated) party there this last March. None of us knew it but he was dying of cancer as he performed it. Rick Mitarotonda from Goose slips in some tasty lead guitar, the guy from Goose is just getting started and finding his stride. Wonder high he will soar?

Anyway.. Casey plays a mean sax also, was so fun to watch. Big smiles and overflowing with raw talent and raw emotion. At 40? Guess it's better than 27.

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It's terribly sad to constantly be reading about the deaths of SO Many musicians that we all love. But we still have the music!! So, I choose to play the music and celebrate the life!!
DAVEROCK-so funny to me about Uriah Heep. Friends of mine that love the same bands rarely agree on favorite song or album. The 1973 Live album (Black Cover) is my shining Star of U.H. albums. Demons and Wizards is a close second.
In America, Very 'Eavy Very '`Umble was titled "Uriah Heep" with an abysmal cover. I never bought it. "Look At Yourself" is indeed a fine record also. "Horses for Courses".

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saw them in Oct. of 73, opening for Joe Walsh and Barnstorm. The only thing I can really remember about them is that they were annoying. They had this hit out called "Were all crazee now" and was real big in UK but never made it here in the US. They played the crazy song and expected everyone to get up and flip out, didn't happen as we were all there to see Joe. As they were playing the song, they kept flipping off everyone, all of them were giving the audience the bird. This is Tampa Florida in 1973, needless to say, the locals did not appreciate the bird and began booing and screaming cat calls and other forms of displeasure at their performance. After their set, and many boos, they came out for what was going to be an encore, but they got booed right off the stage.
Later after Joe had done this killer set and the entire place was vibrating he comes back out for the encore and says "You guys are crazy" which did not go over well as we had just been flipped off by this band who's big hit was about being crazy, Joe apologized and tore into a killer version of Funk 49 to close out the show. That Barnstorm line up was just so good, with another Joe, Vitalie on percussion, drum kit and flute and vocals. After the show the topic never returned to slade, the overall consensus was that they sucked. Early punk did not go over very well in Florida.

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In reply to by PT Barnum

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I have listened to a bunch of their stuff over the past few days. Some good stuff, some so-so.

Get Down and Get With It
Cum On Feel The Noize
Run Run Away (I realized that had filtered down to me in the early 80's, but didn't know who it was by)

a good time band. loved by many apparently, not loved by a few apparently.

You toob allows for historical musical research. I love it.

Mr Ones - I will have been at the Manchester show on the tour that Uriah Heep Live 1973 was recorded.Yes, that's another really good one. I haven't heard it since the 70's - it was really expensive last time I looked online for a copy. I remember they had a moog synthesizer . In the ear,y 70's, all sorts of unlikely, hard rocking bands, did. Black Sabbaths
mid 70' s albums had them - The Groundhogs...it was as though no one quite new what to do with these new fangled things, and what sort of music they could fit into. After "Low" by David Bowie they seemed to be taken over by new wave pop bands. And we don't want to go there. And disco - which I never listened to at all - although "I Feel Love" by Donna Summer now sounds like one of the best records of the decade.

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In reply to by daverock

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I love it!! David Byron calls it a "Moog Simplifier" and also complains about getting chewing gum stuck on his boot. 2 of my fave examples of "stage banter"!!

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In reply to by daverock

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2 nice phish shows this weekend. (donated to WW)

Then, of course, Veneta. Man that is soooo goood.

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In reply to by Gary Farseer

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Posted on utube, check out
SPAC Foundation Acoustic Pre Show with Trey Anastasio and Page McConnell

....I bought a cap and donated $25.
The Waterwheel Foundation is a good one.
And unlike some certain former presidents with mug shots, it's a legit place to donate. But that's just me.
Gonna check out those acoustic sets soon. Thanks for the tip.
Derek. Trucks. Still blown away.
Edit. Very nice acoustic set so far. I was blessed to see the entire band play an acoustic set on the last day of Festival 8 back in 2009.
Hating on Farmhouse is an inside joke amongst fans.
Trey has apparently had a vocal coach for a few years now. And it shows 🍻
And to the fans that saw that last show, I'm super jealous. Good job.
One of the best stories ever is when Page saw them play in 1985, and told Jon Fishman, "I'm going to play in your band". They were only two years old at that time. He looks like an accountant, but rages. Love this band. 40 years and still killing it. Much props.
I have noticed that they are starting to use teleprompters. Whatever works. They are pushing 60 and have a huge catalog to remember. Shit. I'm 55 and lost my car the other day. Long story. I'll just say this. Be careful with edibles. They either kick your ass or laugh at you.

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On this week's GD Hour. Some interesting mash-ups.
6-24-23 Boston - DS/ Big River Jam>TOO Jam
6-27-23 Noblesville - Big River>DS (in big river groove time)
Some Bob and John M. interviews about these.
7-1-23 Boulder - Sugar Mag>Scarlet Begonias>Sunshine Daydream
Nice fresh little taste for those of us who didn't go or stream.
Cheers

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The last 5, including some “deep dive” Phish
- Page McConnell - S/T
- Trey Anastasio - Paper Wheels
- Oysterhead - The Grand Pecking Order
- Wayne Shorter - Native Dancer
- Grateful Dead - DaP 47

Two cents - I really like a concert, or an album, that comes out of the gate charging, like race horses at the starting line. Fast, grabs you right from the get go. While DaP 47 certainly is a decent release, and I was excited for the Alabama Getaway opener, the song really sounded anemic, almost mailed in, and a lot of that had to do with Brent’s rinky dinky keyboards on the tune. IMHO, I really thought his keyboard choices took great performances down a notch.

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My initial impression was that this was a decent release, but I am now amending my view to state that this is a sub-par release. Outside of the Shakedown Street, this one doesn't offer any superlative versions of anything. I am sure it was a fine concert to attend, but this one just doesn't do it for me. I like the Uptown Theater release and the late December shows (one DiP and one RT) better for late 79. It is ok, but probably won't get a lot of listens over time.

Subscriber since year 3 and this is the first year that has me wondering if I am going to subscribe again next year. I am feeling a bit over-saturated and this year's shows are just not grabbing my attention like others. 2022 was a stellar year with that 'perfect' Baltimore show, Winterland 2/74, amazing newfound gems with the Carousel and SMU 1969 shows, and the Oregon 1990 show is a good late Brent show. I am hardly listening to this year's releases. I may save my funds for the boxes in the future as I end up passing on a lot of those due to familial obligations. That said, I like getting 4 shows in my mailbox throughout the year with minimal effort on my part. We'll see what 48 has in store for us and how 49 looks, but am leaning against a sub again next year.

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I think Dave's #48 will be from 1968 or 1970. If its from 1970, hopefully its 9/20/70, what a fantastic acoustic set!

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I listen to this last night looking at the Blue Moon. Amazing Jerry. This release continues to blow my doors away! Incredible show. Looking forward to that other one Dave teased about!

Good idea Vguy, gonna pop on the SACD version I got a couple years ago, love how those SACDs can play in car, stereo, or DVD/BluRay and still impart some of that awesomeness in the car stereo. If I make the drive long enough, might just take the SACD of Wish You Were Here as well... Shine On and Blues would make for a helluva mashup...

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Fantastic album! I think they only played the song Blues for Allah 3x, I saw them play one of the versions at Winter land on 6/17/75. Very Cool!

Intriguing that Scarlet Rivera has a sticker with this image on the violin she played during the Rolling Thunder Revue in 1975. She is asked about it in the Martin Scorsese film, but disappointingly doesn't mention The Dead.
It is a great picture. And album, come to that.

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Aw man, not Jimmy too?
Weirdly, I just woke from a dream where someone served me a cheeseburger.
But I was not in Paradise.
Cheers to him.

....the beer selection sucked, so I got a margarita.
Found out Buffet passed after the show.
Things that make you go "hmmmm".
Weezer was fun. Spoon, one of the openers, was really fun. I'll be keeping an eye on them. Missed White Reaper, the first band due to major rains here again. Stupid Uber driver went the long way. It was a Tesla. Neat car

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In reply to by proudfoot

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Caribbean winds blow him safely to the Big Cheese Burger in paradise!
Yeah, I had some weird thoughts about him yesterday. Hadn’t thought about him in a long time and my thought was a bit more than the normal quick kinda thing that often pops in there. Like, I was thinking “wonder if he’s still playing, how he’s doing etc, how old is he?” I shit thee not! Outta no where, I started thinking unordinary thoughts about a guy I never think of…

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In reply to by alvarhanso

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I thought I read somewhere that SACDs only play in SACD players. So I've always avoided them, even though it didn't really make sense to me.

I'm listening to Dave's 27 (9/2/83) It actually sounds like a cassette compared to the HCS box...

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In reply to by JoeyMC

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I think Rhino is still using the HDCD format.

It doesn't surprise me that it sounds like a cassette, it was sourced from the Cassette Master. It's a shame they did not continue using Reel to Reels.. hindsight. They had little to no idea this stuff would be so sought after 40 + years later.

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In reply to by JoeyMC

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Hey Joey,

You are correct. SACDs will only play in SACD players. Same principal with DVD audio. I have a Sony system that plays both formats.
There are some SACD Hybrids that will play in all players. When they are in a non SACD player they will play in the standard two channel and when they are in a SACD player they will play in Multi Channel.
I was a big fan of multi channel releases and own quite a few. The only problem for me, outside of a few studio releases, there are of course no dead releases in these formats.

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17 years 3 months

In reply to by DeadVikes

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Yeeesh, where does the time go?
Skipped my first day of college (that was sign right there lol) to see the boys in ole Crotchfester, front row in front of Phil. He came out early to tweak his rig but people were carrying on so much he got pissed and left lol Heineken glued to his arm every minute the bass wasn’t. Killer show, and my first Dew!

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In reply to by DeadVikes

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Thank you for the information. I did see a Garcia/Grisman SACD somewhere, which is what got me looking into it in the first place....

I'm going to break out Dave's 38 (9/8/73) soon, which is one that I listened to more than any other when I first got it. I listened to 42 almost as much...

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