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    marye
    Joined:
    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • rockthing
    Joined:
    Oh, my. My 1973 homework is…

    Oh, my. My 1973 homework is cut out for me. A(nother) very weak period for me.

    What can I listen to immediately?*

    I can cue up 2/28, 3/24 (Oh yeah, that's a good one! Looks like I snagged a Betty reel before the dark times)... Heart marks from He's Gone all the way through Sing Me Back Home. Another in the first set for Playin', and 5 stars for the Loser that precedes it. Nothing else is marked, but a first set Stella Blue? Sure!

    Getting into summer/fall, 7/28, 7/31, 8/1, 9/8, 9/17, or 12/4 and I actually have Dicks Picks Vol. 1, for a change. lol :-)
    Some of those I really haven't listened to much. Roosevelt Stadium seems to have had some mojo, but I think I only listened to Jerry's birthday show for the first time last year, and then probably only once.

    *Btw, my Internet was down for 24hrs yesterday. First there was electrical work being done on the building, so no power from 9 to 5! Then, they managed to screw up the phone lines and couldn't get it fixed until well after 9am this morning. So glad I don't depend on Spotify! lol... or streaming from the Archive ;-)

    I had a taste of that mind bending Playin > Wharf Rat > Playin' from 6/8/74 last Sunday, which must be somewhere in the ballpark of the 73 scene we're about to get into. I can't even remember when that had been Pick of the Day.

    Sorry, my listening notes are now way out of sequence as I'm trying to keep pace.

    In the meantime I have been thoroughly obsessed with the 2/22/69 Dreambowl. That was a fantastic pic.
    It's almost been on repeat. Someone needs to make a meme with the (apparently) famous guy on TV getting more and more blown away in each picture. Cool. early '69 show... An acoustic set! ...Mountains of the Moon, too... Mountains of the Moon sequeing into an interplanetary Darks Star... back to back with The Other One!!!!! Mind blown.

    Whole show is excellent. Many many thanks for the "liberating" experience, too.

    Also, RE QC at Deadville... I discovered last year that nugs net has 16b441 downloads of a ton of official albums, some not even available for download here. Shipping kills me, so even though I love physical media, I go for data. Anyway, even some of the downloads have had some dodgy editing or sonic anomalies. I gave nugs a FYI, but they said that's how the data comes and they aren't cleared to mess with it.

    I had the 11/30/80 Fox Theater 2nd set in my music player while I was out yesterday. Lovely, lovely Ship of Fools. Brilliant Playin' into drums into, not quite space, it almost sounds pre-composed, but I kept hearing these Uncle John's Band hints, then it ended up being The Wheel and for a while I thought I was losing my mind, but then they finally get to UJB to close the show. Although I was listening while mainly focussed on work, there were a few points were I wondered if someone ought to make a loud noise because it seemed as if the band was about to doze off. Super mellow mood, which has its merits. Not knockin' a laid back show.

    The real revalation, though, was the 2/19/71 recommendation, which I finally listened through last night.

    2/18 will always be like a favorite sweater or comfort food. However, I can see why you might say the19th is stronger. The 18th is definitely a bit tentative by comparison, what with all of the new songs and Mickey leaving the band, it would be. Although the first part of the 19th didn't really jump out at me, possibly, psychologically, I could have been a bit standoff-ish knowing this show was challenging one of the most nostalgic tapes from my meagre old collection. However, right away it struck me how different the feeling of the new tunes were even though they had only debuted the night before.

    By the time they hit China/Rider on the 19th, though, they seem full of confidence and it sounds like they have found their feet with the new/old lineup. This tune is grooving hard.

    The main thing that struck me about this show was how much it is a Pigpen showcase. Pig is always on it, but the band is rockin' hard behind him on every number from the gritty It Hurts Me Too, to Good Lovin', and beyond. This may be the heaviest Easy Wind I've ever heard. It may be the somewhat gnarly sound quality of the Vadnais transferred audience reel that really adds a welcome taste of foreboding evil to all of Pigs tunes. Probably it's the comparatively sparse arrangements that allow the listener to take a quick breath and really find themselves inside the song. I don't know. Caveat: I did tweak the EQ a bit, but the jury is still out about whether my adjustments improved the sound or not. lol.

    Anyway, just wanted to get out that note about how f'n heavy the Pig tunes are on 2/19. Really felt it.

    Thanks again, everyone!

  • bluecrow
    Joined:
    2/22/69, 4/24/78, 2/23/74 et al

    it had been a long time since I'd spun 2/22/69 from 30 trips. everything you'd expect from a show from that time. really enjoyed it and will revisit fairly soon as is my want with shows that tickle my fancy. thanks Doc! on a side note, the one technical difficulty with that listen is that there is something about those discs that my external disc drive (LG M-Disc) really didn't care for. at one point it flat out quit reading Disc 1, something I've never had happen, and while it didn't quit during Disc 2, at several points towards the end it made noises that I've never heard from it before that seemed like the electronic equivalent of an old man wheezing up a hill who was barely going to make it (or maybe not!) this isn't disc rot, its something in how the discs were manufactured i'm guessing. from time to time I've had various weird issues with playability of discs from the GD folks that I've never experienced with any other CDs I've bought. it's very odd. And on the QC issue, I recently pulled out a disc from the Giants box to play it for the first time and there was a big splotch of an opaque light gray liquid on the playing surface, sorta looked like white out except for the gray color. i have never seen anything like it CD-wise and i haven't the faintest idea what the hell it could be or how it could have gotten there. I have a CS request in with Dr. Rhino -we'll see what happens.

    DV - 4/24/78 (DaP 7) was a show that had never really resonated with me - not when it was first issued, and not on subsequent revisits. And I've really gotten into the other released shows from that tour, Nashville and William and Mary. Well, finally got my head properly calibrated and my ears on straight and had an excellent listen. And then I spun it again. Full speed ahead Spring '78 Jerry and the Wolf with that excellent Betty sound. Thank you for suggesting that one.

    Now on maybe my third run through past few days of 2/23/74 (DaP 42). It sounds freaking fantastic! All of it! Blowing my mind! Nothing left to do but smile smile smile!! (Yeah I'm really digging it.) Still haven't cued up the next night, cause I keep getting distracted by all the other good stuff. Maybe tomorrow.

    Gonna have to visit those shows from late February, that one from Austin and Doc's most recent POTD from the Family Dog.

    Take care folks. And great to hear from you Rocktihng!. Rock on!!

  • Oroborous
    Joined:
    RE: spring 73 etc

    I’ve enjoyed them all so far DV, but maybe it’s me, some seem to sorta plod for a awhile before they pick up steam in the second set. Recordings were inconsistent too…but?…maybe it was me, as Jim just said so we’ll, sometimes set and setting can have as much influence as the music itself! I actually got to sit a relax and listen to most, a couple I had on while doing household stuff, but I don’t think thats it?
    I’ve always been a huge fan of fall/winter 73, one of my personal top tours, and I purposefully haven’t dug into summer 73 too much as you’d think we’d get some of those sooner than later, but until I got the spring 73 Dave’s, I knew nothing about that tour. 21 With 21, I was a tad nonplused at first, probably just hung up on no Dark Star or other head noise nonsense, but it’s grown on me a lot since. That whole jam sequence is superb, and I’ll take a HCSS anytime!
    16 is one of my favorite Dave’s, so much so I purchased a copy off the black market! 32s good, actually need to listen to that as I’m not as familiar as I should be. I haven’t gotten to Crotchfester or Bu faf a lo yet…
    Every show has a nice big jam sequence, many killer 73 Eyes, a couple ridiculous PITB, some good HCSS, and the Dark Stars and accompanying jams etc, so worth it even just to check those out. Sorry to be so vague but it’s all kinda a blur. As I say, all very similar: relaxed with mostly good playing, until the big jam goes through the roof, rinse and repeat…lol.
    So far, I think the February shows are a bit more to my liking?

    Spring 78: of the dozen and a half or so on this tour, I think I’ve hit 10 so far. Some of the Beatty’s are spectacular and this tour took me by surprise. Getting the big blown away surprise of 4/15 (DaP 37) opened up that flood gate as the only official release I have is 37. I had no clue about this tour before, so yeah, big surprise!
    Hoping Realgone spits out Dicks 18 and that I can get disc copies of the other 2 Dave’s as long/short I don’t do files…actually might try to get 15 off the black market as sometimes those aren’t too outrageously expensive. Didn’t get subs until 21, but since I have a few others, thinking someday I’ll try to get real copies of the few missing so I’ll have 13 onward, with hopefully copies of the rest. I have at least copies of all but 5.
    I still think, partly due to the fine Beatty’s that there’s a potential for a spring 78 box, but maybe not enough interest for that?
    Awright, gotta head to the mine, staycation is over for now : (

  • Forensicdoceleven
    Joined:
    I know nothing, except the fact of my ignorance…..

    Hello, rockers!!!

    Pick Of The Day: Family Dog At The Great Highway, February 28, 1970

    As a matter of self-preservation, a man needs good friends or ardent enemies, for the former instruct him and the latter take him to task……

    In November, we were teased with the Little Sadie and Black Peter, so we know that an excellent recording is in the vault. As far as early 1970 goes, the “big guns” of the Fillmores get most of the love, respect, and recognition, but this Family Dog run has some doggone good music!

    Call it a Lovelight sandwich, a grateful buffet with something for almost everybody. Electric/acoustic, grease, jams, old and new, all laid out as if on a platter. Dig in and enjoy!!!

    Those who have virtue always in their mouths, and neglect it in practice, are like a harp, which emits a sound pleasing to others, while itself is insensible of the music…..

    Rock on!

    Doc
    Most men are within a finger's breadth of being mad…..

  • JimInMD
    Joined:
    Nashville v Normal

    mmmm..... I might have to compare and contrast. It went down in my ever changing mind that Normal was, well it has that Scarlet Fire & Terrapin into drumz.. but Nashville had a crisper sound and better separation between the instruments, plus a really good Peggy-O and Estimated Eyes. Both shows have a good Lovin', but full disclosure the Bobby GL's never did it for me, too formulaic and his rants did not come across as genuine as Pigs. So a little hotter v better sound. But don't consider this an analysis, my listens tend to be more influenced by focus and frankly my mood and receptiveness.

    I did both all 73 shows consecutively years ago and '78 through May.. but I am always doing stuff so I don't have the rabbit ears of OB and Rock Thing; their attention to detail is most appreciated and enjoyable to take in. Plus.. I'd gladly pay the price of an IMax theatre experience to listen to a show in casa Oroborous just to take in his personal, home edition Wall of Sound. I forked out big bucks 20 years ago for my system but it pales in comparison.

    As for March '73, I walked away big on Philly and Baltimore but Boston Garden did not register and in hindsight it's hot, hot, hot. When I weigh on a show, it's an opinion at a point of time that can be bribed by party favors and mood for the day. A mortal flaw.. first world problems.

    So I am to revisit 4/78. I think I need to work a little less and live a little more. I pulled down the new 2/17/73, that's on my list. I'd like to take in some Fall and Winter '73. A compare and contrast of the last two shows of the year perhaps.. Did Dick pick the right show for DiP1? Inquiring ears want to know.

    I'd like to contribute more.. but it's been a challenging year full of distractions. Summer is coming, so there's that.

  • DeadVikes
    Joined:
    April 78, March 73

    You don't have #7 OB? We need to change that, I think you would really like this show.

    I will definitely go back and listen to #37 again. I know I had it up within the last couple of months.

    I did listen to #15 from Nashville over the weekend and I don't think Bob was happy with the first set, "That's it, we quit" Good show and the sound quality is as good as #7. Nice Estimated Eyes and Wharf Rat.

    Do you have any recommendations from your recent tour of March 73?

    I mean, this is a hot period. What a tour this is. More from this tour would be welcomed.

    Slow day on the site.

  • Oroborous
    Joined:
    Recents

    Continuing on with 73:
    3/16/73
    3/19/73
    3/21/73
    3/22/73
    2/22/69
    Plus miscellaneous spins of DaP 45
    Now playing 3/27/83, followed by 2/23/70.
    Don’t have Dave’s 7, one of 5 I don’t have copies of…
    Hmmm, that’s a bold statement DV as DaP 37 blew me away.
    Perhaps because I was not expecting it to be and sound as good as it was?
    Every show I’ve heard so far from this tour is good, highly recommend 4/11 and 4/16 too!

    Agree, like DaP 13 better than DaP 42.

  • DeadVikes
    Joined:
    Dave's Picks #7 4/24/78

    Haven't listened to this show in a couple of years and wow, I think I like it even more now. A+ on sound quality and both sets deliver high energy Dead. Love the NFA, Black Peter, Around and Around and close it out with Werewolves of London. I went back and read the liner notes again and low and behold, they were written by Blair Jackson. Since I have 78 on my brain, I think I will check out Dave's 15 from 4/22 in Nashville. Of the three released from this time period 4/24 seems to be the top dog in my book. The William and Mary show is good, not great. On to Nashville.

    Hope you all have a great weekend.

  • rockthing
    Joined:
    1970-02-23

    You cats are already on to 1973. I'm still savoring the gentle respite in the oasis of Austin.

    Death don't have no mercy, but there's always time for lunch.
    Thanks for reminding me of LL. I need to see if I can get reinstated over there.

    Grateful Dead Live at The Auditorium, Austin, Tejas on 1970-02-23
    Harpur College was another of my heavy, heavy rotation tapes back in the day, along with the 2/18/71 Capitol Theater show I've already mentioned numerous times. Both were massive inspirations. For what seems in hindsight like a fairly significant period of time, if it wasn't one of those, it was Reckoning.

    I Know You Rider: Lovin' the energy and grit of this Rider. It's almost angst.

    High Time: This is a song! It's a pretty weird song, too, and after attempting it several times, myself, I must say it isn't surprising it wasn't played often. Damn, it's hard to sing. I submitted a completely deconstructed version of this for the February Dead Covers Project a few years back. I made a point of not revisiting to the original before recording, just going off memory and some notes left in an old binder of songs. I'm sure the ever-growing defenders of canon were thinking, "You ain't doin' it right if you ain't readin' it off a teleprompter." It was an "interpretation". Lol.

    Dire Wolf: What a lyric. An electric version, no less. Pretty mellow electric set, almost acoustic.

    Yellow Dog Joke… ah… well way to go for completely screwing up the joke, Bobby… actually, I'm not sure I've ever heard him make it all the way to the punch line. We should all heed Jerry's advice and "Don't encourage him." Everything was so light and positive in these days. Phil could be a bit surly, as we've already heard in this tape.

    Monkey and the Engineer: This was a standard in my old folk-rock duo. My partner played it and I just followed along. I'd have to start from scratch to figure out how to play it again. Such good stories in these tunes.

    Little Sadie: Nice. This wasn't on the Harpur College tape or Reckoning. Another dark story. I don't see how they could possibly be breaking strings playing such gentle music.

    Me and My Uncle: I don't recall hearing an acoustic version. It's a great song and works in any format. At this point everyone hadn't already heard it a million times. Imagine that!

    Black Peter: One of my favourite tunes ever. Doesn't get much darker than a song from the point of view of a death bed. Started doing this one myself occasionally a few years ago, but I always need a cheat sheet for the bridge. Nothing repeats. There are some interesting mnemonic connections between the chords and the words that help. Just have to sit down and do my homework. Ahh… yeah, Pig sittin' in nicely on the organ. This song needs a really delicate hand, but the organ adds a nice little gospel flavour. If only Pig coulda added just a touch more flair to his playing to fill in some lines before Jerry takes his solo. Pig's got the tone.

    Seasons of the Heart: Never heard this before. Great pick! Thanks.

    Uncle Johns: Have heard this one a few times. 😉

    Not Fade Away: I'm gonna call the union! The Galactic Rock'n'Roll Union! That needs to be a band name, or a song, or something! Crazy to think this tune was in their set their entire career. Some good ol' primal energy here. Jerry's "wild" tone. He must've had the amplifier turned WAY up, cause it sounds like he's not in the mix at all. His guitar is just being picked up by a vocal mic, or something. Basically, no drums, either. I can't keep track of which guitars he was playing in the early years. He seemed to play whatever was available after giving up the Starfire. Sounds kind of like a Stratocaster, The Graham Nash Strat, perhaps? Alligator did not come on the scene until later, if I recall correctly. This tone has even more of a stereotypical Stratocaster sound than Alligator, which retained very little Fender electronics by the time it gets heard on Europe '72. Anyone? Oh, cool call and response with Pig. TC has already left at this point? I need to get my timelines straight. Bobby diggin' in with some soulfully aggressive singing, rather than simply aggressive.

    Mason's Children: I can't recall ever hearing this, either. The name comes up often, but it's not on anything I've listened to regularly. Again, thanks for this pick! As you say, not exactly high-energy stuff, but some very rare pieces here. Always appreciate the chance to learn something new about this fascinating family.

  • Forensicdoceleven
    Joined:
    Chances are that the universe neither treasures nor regrets us

    Rockers!

    Lunch time. Death takes a breather. We're in the land of the living, gotta eat lunch.

    The "new, fixed" 2/17/73 was up at Lossless Legs first thing this morning. So, it sometimes pays dividends to get up early............

    So, one can get it there, or I can supply it to anybody who needs/wants..............

    The wise man does not lay up his own treasures. The more he gives to others, the more he has for his own......

    Rock on,

    Doc
    It is by going down into the abyss that we recover the treasures of life. Where you stumble, there lies your treasure......

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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The reverent tones for 2-14-68 got me to go primal today.
And while not a primal guy (blasphemy again!) I finally got into it around Viola Lee Blues (disc 1 bonus material). The 2nd set does look killer. And you sure get your share of Dark Stars in this Road Trip. While most of the first disc was playing I was also reading about the history of S.F. back then and particularly the Carousel Ballroom (El Patio) and it's history before Bill Graham changed it to Fillmore West. Kinda helped flesh out the scene a lot more for me. 1968 must have been a tough time to be a hippy as a lot of stuff was going down. I think I had it easy by comparison in the mid-'70s.
Following this up with Ledded's desert island, and if I could only have one GD album, pick of Ladies and Gentlemen, The Grateful Dead from April 1971, going trans-continental to NYC. Onward!
Cheers

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To be honest, the only one I can think off of the top is Richfield 3-21-94. I'll have to listen back to some others to see how they're holding up, but 10-5 is another I liked. 10-1 was an official pick.

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In reply to by wilfredtjones

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A lil bit of something better than all of nothing…

I know 7/31 is decent, and 8/1 is good, cus I was there ; )

Anyone else? Bueller…?

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Because you asked Oro:
Only listened to this once since seeing it (my final show).
Starts off good with a Help>Slip>Frank but has it's share of mediocre moments too. To my ear Jerry just wasn't at top form that night. After H>S>F an interesting combo of Spoonful>Jack A Roe, Masterpiece, B. E. Women, and a rousing Let it Grow to finish set one. Set two pre-jam had sound issues as I recall with only Easy Answers, Lazy River Road then the jam of Playin'>Eyes>Drums> Wheel>Last Time>Attics>Good Lovin' brought it home in good style and the Liberty encore was new to me. The whole thing seemed short and a little tired but the 2nd set jam was worth the price of admission for sure with that interesting combo. Last Time> Attics really was a surprise in there.
So there ya go amigo. Cheers
Going to Aspen Sunday for the free Los lobos concert? Can't beat the price!

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In reply to by 1stshow70878

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It’s on my recon list!
Hey, it’s 94, so expectations are low, hopefully then I get surprised like 93.
But my quest is to hit as many as I can from all the years combined…

If it keeps on raining, the levees going to break!
But hey, better than fire!

Outta be fun boogieing in the rain to the Lobos!
Even if I could make it, not sure I could make it…canyon closed last I heard…

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In reply to by wilfredtjones

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Seattle - 6/13 & 6/14
Eugene - 6-17 (and 6/18 & 6/19)

Honestly feel that the late years (93 - 95) Northwest Coast shows were not like most other shows of their era. At the 94 and 95 Seattle shows and all the Autzen shows from 90 to 94 but one. .6/13 and 6/14 (Seattle 94) very different in their song selection and both excellent in their way. Dew that closes 6/13 Set II was way awesome and excellent jammed out second set.. Jerry was into the cool temps of Memorial Stadium in Seattle and played 6/13 in a leather bomber jacket (photos out there.). 6/14 they dropped into That Would Be Something which I loved though didn't recognize and my thought was "Hunter wrote a lyric so simple that Jerry couldn't forget it!" Later discovering it was Paul and "Bowl of Cherries" (McCartney). What a treat! 6/17 Eugene (first of three show run at Autzen that year) was the only show I missed during my years in the NW, and missing it was much to my regret. Rained hard that night and the other 2 shows were daytime with lots of sun. Close friend from CA who made it got a "drop" maybe 2 in the eye - it had been awhile but he was well versed in navigating that space and once he settled in loved that show. No SBD for 6/17, unfortunately. Set II Rain opener in the pouring Oregon night rain, Eyes, and Wheel > Attics out of Space. 6/19 with the fat 2nd set because they knew they would never play Autzen again because scene in camping and town etc. was rife with clueless rude slobs. huge shift in that regard from '93. Had to play Portland Meadows, a racetrack, in '95.

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Anyone else, keep ‘em coming…
After checking my Deadbase, looks like I hit Richfield and a couple that ole BC mentioned.
Hopefully I’ll get a winter hiatus and do more recon next year!

Hit the 88 shows from the Crap center this week, solid, mostly good, the 3rd and 5th I think I liked best.

EDIT: wasn’t feeling up for full on GD yesterday, so hit the psychedelic goodness from 6/27/15.
It’s a shame they didn’t rehearse more, especially this cool early stuff, but it’s still surprisingly good sans a few transitions etc.

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Pre-Dead & Co., still the GD?
Cannot believe it has been that long since Fare Thee Well.
All the songs played were from 1970 or before! Almost fossilized.
I can see why they were a bit rusty.
Dust off those rusty strings just one more time.
Cheers

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In reply to by 1stshow70878

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Yeah 1stshow, my understanding from my insider source was they didn’t practice as much as they were supposed to (imagine that lol) and especially all that old stuff, since those shows got added sorta last minute. Phil, and Bob somewhat in Furthur, were playing much of that, but not sure how up to speed the rest of the crew was?
But my goodness, what a set list!
I’d take this set list, rust and all over the stuff they did in Chicago!
One of the very few times What’s Become of they Baby was performed perhaps topping the list.
Wish they would have released a video of this one, though guessing it’s out there somewhere?

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In reply to by Oroborous

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Finally finished this one up today OB. Another fine 79. I thought the sound quality was good for what it is .
PT Barnum and the Shah of Iran!
Nice energy through out the first and second set. Enjoyed the Shakedown, High Time, Estimated. I thought the Eyes was a little off, seemed disjointed and too fast and not up to that spectacular version from 11/5. Good finish with BP, JBG and US Blues.
Would definitely listen again.
Love this period.

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11-29-79 in this week's Taper's.
From Black Peter to U.S. Blues.
Oh, duh. The other 2nd set chunk was on last week's Jam-o-week.
Yeah, I keep forgetting how that works.
That Eyes was weirdly fast (but lengthy), like where's the next gig fast. And you'd think with all those verses of don't tell me this town don't have no heart they could have worked in some Huey Lewis, the heart of rock & roll is still beating, in
Cleveland, you known, rap like Pig man. Oh wait, Huey comes later. Never mind.
Cheers

Maybe at top of my list of GD songs I never heard live. I think I knew Phil did it at least once. Didn't realize the FareTheeWell group performed it. I'll check 6/27 - sweet set list indeed.

I think I saw Further do this. I have to look.. it might have been at Radio City Music Hall the week after Bear died?? I might have seen Phil do Rosemary too with P&F, likely also in NY. Of all the spin off bands, I have always liked what Phil is doing the best. He had an interesting approach and brought in top shelf talent. Plus, I always had a good time and made plenty of phriends.

If I had an opportunity to see him tomorrow, I'd take it.

I don't recall either of these being exceptionally good, but they were exceptionally weird.. which counts for something, right? There was an Alice D. Millionaire mixed into one of these shows and a few other oddities. You gotta give Phil credit for embracing the weird and embracing those old primal songs. Bobby brought a few back also.

DV, yeah it’s not the Rectum (personally I dig 11/6) but how would you compare to 31 and 47?

6/27/15: yeah, that’s a set list! What’s become isn’t mind blowing performance wise, but talk about weird and a WTF, moment! I remember watching at my cousins and hearing it before they started it and thinking, na, no way, then Holy Crap! Lol
I remember being ecstatic at the P&Ph Denver Philmore in 99 I think, because of 2 things: one, the music was in good hands and going to live on, and two, those of us who unfortunately missed the early years were finally getting the goods! They were breaking out all the old chestnuts, not JUST Dark Star, SS etc, but New Potato, Born Cross Eyed, all the sweet early weird shit, frickin Daverock would have been outta his mind hearing all these old gems live! Lol
So yeah, the 6/27 show was perhaps a bit tepid and unpolished at times, but it was fun as hell and shows the potential of what might have been again, and was by far my favorite from the five shows. It also set the bar for D&C as now it was not only a possibility that they play these nuggets, it was now expected again! So thanks again Phil!
The weirder the better I always say…

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In reply to by Oroborous

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OB-Would have to give the nod to the Kiel show, #47.
Of course 11/29/79 isn't a polished up version either. But I don't think this one will ever be released.

Looking for a good 1980 show for today. Hard to find good recordings for 1980.

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In reply to by DeadVikes

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Have we listened to 8/26/80 Cleveland Public Hall here yet? They played the next night (Pine Knob) on Today in GD History a few days ago, but this one might be just a touch better. They both are nice mid to late 80's shows. (full disclosure, I'm a sucker for a good Comes a Time)

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In reply to by JimInMD

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I don't think we ever listened to this one Jim. Cleveland.

Will get it going today.

Thanks!

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In reply to by DeadVikes

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Hmmmm?
Can’t recall and not home to check so…guess we’ll give it a whirl.

11/29/79: hmmmm again, you don’t think it passes muster?
Guess I’ll have to check it out again? Think I recall there were some “spots” but they all have em, and overall my recollection was that it was crackling with energy?

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In reply to by Oroborous

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11/29/79: awright, just listened again and I’m not changing my mind lol
I can’t find anything wrong with it?
Bama is Hot, Promised land is good cept Bob has slight vocal miss early. Candyman is sweet, Mama/Mexi is good, TLEO is nice, Minglewood’s good, Bobs not too bad on slide, Easy To Love is nice, god Brent sounds higher range AND better than DG (it’s a shame how much his voice deteriorated, though it gained a new goodness, like JG imo), Hot Brown Eyed, Looks like was ok, but not great, Jers first solo is oook, and not much outro? Did like Brent’s attempt at storm sounds on the synth at beginning. Decent Dough Knees closer.
Second opening Shakedown starts oook, but builds up nicely, though not a rager. Hot Samson, followed by High Time. Ok but not great, nice Brent harmonies, but JG doesn’t solo much? Good Estimated into a good Eyes. Yeah it’s faster than those awesome 73s we’ve become a custom to recently, but I’ve heard way faster, so I didn’t find it too fast: it didn’t seem to mess up his vocal phrasing etc. Cool jam out into drums with a sorta pre drums space like they wanted to keep going…so then immediately into a decent Black Pete, ok A&A, and then a hot JBG closer. Good US Blues calling out the Shah lol. Yeah, I still like 11/6 tops, but this is at leases as good as 47 if not better, again, imho, no offense intended!
Since we could be running outta releases, I’m not sure I’d go with this for a single shot, but part of a good box with Pittsburg x2, Indianapolis, KC, something from those good Nassau shows, and a ? (not at home so no notes)…
Ok, 80 next…
8/26/80: a solid, well played show, nothing flashy, no big moments, only one lil muff in UJB.
Just stays quo 1980…
The set list is fun though, including the first Rooster since 64, 65? (I think?) and in the second set!
(Actually, second rerooster, first on 8/19 according to DB 10)
Comes a Time and Casey J we’re nice, if not highlight real worthy. That kinda sums this one up, good show, few flaws, good sets, hard to criticize anything, but…..? Perhaps lacking a little fire? Hmmmmm? Whatevs, good sheet!
ONWARD!

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In reply to by Oroborous

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Love your passion for the Cleveland show OB. It is good. The Eyes just didn't do it for me. Rest of the show is good. Might be nit-picking a bit, just my opinion.
If they gave me the keys to 1979, the second night at Cape Cod, the three nights at Nassau, Providence and the two nights at the Spectrum. 7 nights in late 79. How does that sound.

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In reply to by DeadVikes

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Fine show Jim. Really good audience recording. Brings me back to me roots with these recordings. I love the energy of this show. Nice Sugaree opener into El Paso. Dig the Althea. Shorter first set. Yes OB, interesting second set Rooster. Good UJB and Playing. Love that Comes a Time, Lost Sailor SOC, great Casey Jones and close it out with a rocking JBG.
Might have to continue on with some 1980, was also thinking about dipping into some E72 shows.
Edit-8/27/80 Pine Knob seems like a good possibility.

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I'm not expecting anyone to follow suit necessarily, but I happen to be half way through the first Wembley show, 4/7/72, at the moment. It's overshadowed by the following night...in fact it's overshadowed by virtually all the other shows on the tour. But it's well worth a listen if you fancy going for one of the less celebrated shows from this tour.

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I'll be headed down that EU72 tour rabbit hole starting in a couple of days.
Interested in what you hear on the the first one.
Cheers

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In reply to by 1stshow70878

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1stshow - thanks -I don't know whether it's because this is the first 72 show I have played for a month or so, but it sounds spectacular. The first date on the tour, and they maybe felt they couldn't afford to take things too easy. Every song hits the spot. This period is usually marked by the great jams, and the tracks that stand out here are Playing, China-Cat and The Truckin'- Other One jam - but it's not just the improvisations that shine. The whole band rocks much more convincingly with Keith in the ranks - checkout Beat It On Down The Line. Sugar Magnolia really comes into it's own here too, moving on from it's country feel of 12 months ago to pure rock n' roll. I was going to miss out the last few songs on this set - it all looks very, very familiar on paper. Don't be tempted - it's a great celebration after the intense jamming on The Other One. The crowd are asked to move back to their seat towards the end - so the joint was obviously rocking all right.
And to think this is one of the also rans of the tour-incredible!

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OK, here I go into the EU72 22 show breech.
Thanks again to a friend.
Excited to get started after DR's review.
Going in sequence seems to make the most sense.
May have to do some non-Dead palate cleansers in there too.
Cheers

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In reply to by 1stshow70878

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Yeah 1stshow, I don’t care what anyone says that guys awright! ; )
Yep, I’d say do em in order and no other dead in between. I find that’s the best and most satisfying way to do a tour.
It’s cool to see the little nuisances and changes that happen along the way that might get missed with Just a cursory spin. Though sometimes ya might feel ya need a Dead change, I find that mucks up the above.
Don’t think I’ve done a tour this big, yet, but it’s a satisfying accomplishment upon completion!
So you go, we’re with ya and look forward to posts from the road ; )

8/29/80: after 8/27 yesterday, I figured I’d hit the next one as it fit into what I’m doing, and it fills in a hole that completes the 8/24 through 9/6 sequence…
Another, similar to the 2 proceeding: mostly good solid, few misses, though no real fireworks, just grinding it out on the road Dead. The next night (8/30) is on Dave’s list, and I found that one to be perhaps a slight step up, though it’s been awhile…9/2 is very good, though I’m biased, and then the next 2 from DL 7 (haven’t heard those in forever), capped off by the glorious 9/6 Lewiston show!
Onward!

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In reply to by Oroborous

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Another synchronicity there, Oro. Was just over in Maine with old friends, one of whom I had not seen in many years, he was on stage security that night at the racetrack fairgrounds and helped us get down front for the zenith of my too small handful of Dead shows. He reminded me that Roy B was feeling no pain but still played Nancy like no one else ever could, Levon and the Cate Bros, what a show. End of summer, end of tour, just could not have been better. Many recordings but apparently no clear SBD, otherwise mandatory for release. That friend had been searching for the lyrics for Jaime Brockett's Legend of the Titanic, pleased to locate for him.

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In reply to by 1stshow70878

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I would have thought that was essential if your going through a box the size of E72. You don't want to put yourself off it. Obviously very different following a tour at home than it would have been in the flesh. But even if you had been following this tour in real time, as it happened, you would have heard other music in between shows. Unless you're a monk.

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has passed. Used to see him regularly in Florida, every year for many years. A great excuse to get out there and have a little fun and get a great buzz. Been a while since I saw him, he got real busy there after a while and wasn't around the local bars that he used to frequent back in the day. Many a time down in the keys he would be there and he would discuss those "square groupers" that had been seen floating around back then. After one peeled off the outer layer that most were wrapped in what was inside was usually "gold". I remember a great show back in 1980, Jimmy opened for the Eagles and he had a broken leg. Of course he did "Margaritaville" and had changed some of the lyrics to include his mishap. Blew out my flip-flop, stepped on a pop top, broke my leg had to crawl on back home, man I'm in real pain, wish I had some cocaine, but that's been gone since early this morn. a gifted wordsmith for sure. RIP Jimmy, may those Jamaican winds blow you safely home.

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I won't try to do reviews on every one but maybe in groups of a few at a time.
DR was spot on. 4-7-72 gave me a new perspective of that year. It was:
- Polished, energetic, and played with stamina.
- Darn near perfect, as if trying to impress.
- Had a religious experience moment for me in GDTRFB where I kept saying Jerry is a monster by '72, and how does he do that. Just keeps coming up with a new riff every few seconds. Unbelievable. Rivals anything I can think of from any era.
Cheers

RIP Jimmy, always liked him even if he didn't get played at my house as the wife didn't care for him.

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In reply to by 1stshow70878

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…just not Dead. But hey, that’s just my methodology.
If I start listening to other Dead, I lose my hyper focus of the tour and all the little things, the nuances. I need to marinate in the shit lol
It’s like sometimes you switch to a different kind of beer midstream, one you know you really like, but because of the style of the one you were drinking is so different, the new one doesn't taste right. It’s your taster is off…
Best example is in 2021 when I did all of 1971 in order, listening to Phil figuring out his line in PITB. Every one was a bit different until he had what he wanted. If I was listening to other dead I might have missed that…
It’s hard to go a whole tour and not switch it up, but I think it’s the best way to do it!
Now a little Jazz or something else now and again,sure, but no other Dead!
But again, that’s just me…
I did hit the 4/7 stuff from Steeping out. The energy is like a fright train. You can tell they were itching to play!
But I think their holding the stick a little too tight because of that. I can hear JG saying something like “we have the whole Europe scene watching us so we can’t Fuck up…no pressure or anything lol”
So to me sometimes it’s a bit off the rails. But I like em when their going beyound the comfort zone, that’s why I like 85 so much. Sure occasionally there is an accident, but that’s ok when yer riding the edge!
The amazing part is, as good as this one is, it’s kinda just a warm up and indicator of what’s ahead!
Just amazing they could play that consistently at that level for 2 months straight AND get into all the shenanigans!

And yaassss, ole Jimmy Bufet, may the Caribbean winds blow him safely home to the big Cheese Burger in Paradise!
A son of a son of a son of a son of a son of a son of a sailor! Now you and Hunter behave now ; )
I

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In reply to by Oroborous

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There's clearly no right or wrong way in how we listen to all these shows. For me, with E72, I have started to think of them in terms of the few shows in one country, and listen to them before moving on towards something else. For example, the first three shows in England stand as a whole for me. So I listen to them one after the other - then take a break. Then go on to Denmark and do the same thing. The first three shows are so good I defy anyone to just listen to just one of them without listening to the next. But I don't want to over do it, so a break comes in handy - then the next one sounds fresh and will blow my socks off like the first one does.

Oro - I think you listen more deeply than I do!

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More than one way to skin a rabbit lol
My way is hard, but I find it worth it, though perhaps why I haven’t done this whole tour, YET.
In fact, I’m not sure I’ve even heard every show yet? All the Dark Stars to be sure, but not all The Other Ones.
Yuck, yuck, see what I did there ; )
I have this book staring at me I’ve not read yet as I’m probably saving it and the remaining shows for when/if I do take the Pepsi challenge…it’s called Europe 72 Revisited by Howard F Weiner. (Think I have one by him on Cornell too?)
But after just randomly glancing it mentions the first England shows we’re supposed to be 4 at the Rainbow, but the place went outta business right before the tour so ole Cutler had to punt and go with 2 biggins at Wembley. He then starts to mention how good 4/7 is and how he, like many, perhaps overlooked it due to the greatness of 4/8 etc…
Hmmmm, sounds familiar lol
ONWARD! You go 1stshow, man if I knew I had the time I’d be tempted…

I just hit 11/20/73: never heard more than the RT taste. Another looonnngggg but fine 73!
Think I’m down to just a handful of 73s I’ve not heard!
Hmmmm, what now?? The Other One is working this WE so I should probably pick something official top shelf and warm up the ole transistors : )

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In reply to by Oroborous

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So now I have to get another book before I delve into E72. Just great...

If you google Blogspot Europe 72, the first listing is a reprint of the old Europe 72 Notebook that has been floating around on archive dot org for a dozen years or so, except it is in the correct order and mildly edited. Most importantly, it looks like they added many pictures of each venue. It really gives you a better feel for what it must have been like to be there. ...and man, there are some historic venues on that tour. For me, it would be worth it the next time I am in Europe to visit one, three or all of the venues (assuming they all still exist), just for kicks and giggles.

The GD did all kinds of things wrong in their tenure, but this tour was not one of them.

mmm.... The Other One is working this WE, hitting something epic and it sounds like officially released? oh the pressure.. If you're going to warm up the tube amps.. goodness.. the DS>MD from DP19 (hey, it's 73), DP16, DP4, 2/14/68, Feb and March 69, 4x/5x 72 or go for one of the other multi-tracks, any of the From the Vault, the WD or AB 50th's. The picking is the easy part, keeping the plaster on the ceiling, not so much.

I'm also a big fan of 85 for the same reasons mentioned. Also, taking the risk of introducing all those new songs. It was like they were climbing out of a rut and freshening up the place with vibrant and loud electricity.

For the second time this year, JimInMD isn't working. I have no idea why... Why do you mock me so oh dead net website?

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In reply to by MDJim

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Maybe Dennis will let you borrow his wife’s CC lol
Or hey, since yer working too damn much, you should have some extra bread left over, even after the cost of your expanding empire ; ) Pretty soon they’ll be calling it Jimsville! Which is nice….

I went with the 12/26 goodness from DaP 43, and then the Stepping out segment from 4/8/72.
Chefs kiss fo sho!

Bob being his usual youthful self, ready to yell out in front of a crowd of young Christian types about last I saw Phil he was going to the dressing room with some chick lol. You can see why eventually they needed McNally…

Now time to hang it up, and see what tomorrow, oh, wait, that’s today? ,,,oh oh, where does the time go!
Gonna need another RJ caliber shooo…
ONWARD,

EDIT: wonder where 1stshow is, he should of left England by now…hopefully no situations at the border?

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With news from the front lines.
Blaspheme warning: This may contain heresy.
OK, I get why the consensus is that 4-8 is better than 4-7 but....
I like 4-7-72 better. The 4-8 from Dark Star on is amazing and unique but it is more primal. And while I dig Phil's insistent bass groove in the Caution, I mean he's leading the band at that point, but the DS gets a little disjointed at times. And there are better versions of Pig's songs coming later in the tour as well even if that Mojo is darn good. Now Jerry on pedal steel is more my cup-o-tea and even Phil singing a duet with Bob on that LLRain can't spoil that (truth be told he does a good job of it). And of course the MLB jam is great and they had a few notes leaning that way in 4-7 but never got there. But.... I was floored by the 4-7 second set altogether. It just builds and builds and, as I previously said, the Sugar Mag>NFA>GDTRFB>NFA closing just hit me right. Jerry en fuego! And every first set song was done to perfection so it's close but 4-7 edges out 4-8 for me.
So onward to Newcastle! Storm the battlement! And thanks for the support. Cleansing with classical this AM.
Cheers

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In reply to by 1stshow70878

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I also enjoyed listening to 4/7 more than 4/8 this time around. It seemed higher energy all round - a more exciting show. Not that there's anything wrong with 4/8 - very serene Dark Star, I thought. And again, I liked the rocking ending. Caution seemed like a nod back to the 60's to me - back to the acid tests, with a few tasty flourish's on organ, as John Peel might have said. Both Dark Star and The Other One sound very, very different at this stage from the 60's styles- but Caution seems to catch that old groove.

I've only played the first cd of the Newcastle show - but that opening "Greatest Story" must be one of the best versions ever.

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Morning, rockers!!!

After I bought the E72 trunk I listened to nothing but Europe 72 for about six months. Total immersion therapy. May have warped me a bit, but did make the Europe 72 tour part of my "Grateful Dead DNA".............

4/7 is a super fine show, as is 4/8. I always had a fondness for Newcastle and Aarhus, lesser known but solid and with some sublime moments. Best show of the tour, May 3, just one man's opinion. Favorite show of the tour, May 26, historic, massive, bittersweet, the end of an era. December 71 great, AOM run greater, Europe 72 greatest.

The anniversary of a certain outdoor Maine show is coming up in a couple of days. Yes we were there and had a blast, one of the "most fun shows" we attended. Would make a fine official release some day.............

Music is the movement of sound to reach the soul for the education of its virtue.......

Rock on,

Doc
Too many pieces of music finish too long after the end...............

5/26/72 is my favourite show from the tour. Has to be one of the best 5 shows ever played.

I play most shows from E72 every year, and have already played most of them this year earlier on. This time around, I was going through my records, having finally got a new stylus fitted - hence a revisit for 4/7 and 4/8. Listening to them logically leads on to the Newcastle show, which would make a great release for a RSD on vinyl in the near future.
I then have the Dark Star from Paris 5/3 and the great 4/5 show that followed. Then the final run at The Lyceum.

I really like listening to these shows on records ( why are records referred to as"vinyl", I wonder? We don't call cds "plastic"?) But you do have to do things like turn the record over half way through Dark Star - which might put some people off.

edit - whoops - it was the other way round - Dark Star being played 5/4, not the day before, with 3/5 being the one put out on vinyl in it's entirety.

Go get them 1st Show. That is quite the project. 5/26, 5/4 and 4/26 have been personal favorites of mine, but that is always subject to change.

Love the 1980 download shows OB. Will have to check out 8/30. Would love to see them release them all on CD.
Yes, Lewiston, that would be a release. 1 1980 show released in 11 years of Dave's Picks. Not much love for this year. Not sure why.

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Vinyl Me Please is releasing a Hound Dog Taylor album "Natural Boogie". As part of the advertising they've put up (or someone has) a 73 video of him playing.

On the tube search for

Hound Dog Taylor - 15 minute LIVE Ann Arbor 1973 Video

Thought some would like this.

Thanks for the tip, Dennis. That's a great album - I got a copy on cd second hand, in a cracked case about 20 years ago.
An inspirational figure, Hound Dog Taylor. Proof positive that you don't need a 1954 Gibson once played by Peter Green ( or some such) or a theoretical understanding of music to play the blues. Just a cheap Japanese guitar tuned to an open chord, a small valve amp, a brass slide and a don't stop for anybody kind of attitude. If I had a son or daughter, this is what I would tell them.

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Mornin', rockers!!!

It's National Lewiston Day!!! Celebrate!!!

Yes, I do remember..................

Great music is that which penetrates the ear with facility and leaves the memory with difficulty.

Rock on!!

Doc
Music really is our daily medicine.......

Well, we knew this was coming. It's been so long since I listened to this show, it's all but forgotten.

I had this one digitally, but before I documented the source, so it's old... Time to refresh. Alaska 1980 is also undocumented in my files, which means this was some of the first stuff I pulled down when I first discovered the Archive and other sources.

I wish I was at this one. Hey.. it's another 1980 too. I pulled down the Charlie Miller SBD/Aud with the audience portion recorded by Jim Wise. I think this is the best source, is anyone else using a different source? Only a few songs from the soundboard seem to exist.

Would love to see this show as a Dave's, though not sure about that sbd? My last Dead show, was in process of leaving Maine for Vermont where everything changed for a long time. Lewiston and central Maine area was home for ten years from 1970. So many concerts there, between Portland and Bangor: Dylan, BB King, Muddy, Clapton, Mountain, Zappa, Gary Burton, Canned Heat, Nils Lofgren, Mose Allison, Jesse Colin Young, The Eagles, on and on. However this show 43 years ago today, was peak in so many ways.

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In reply to by Dennis

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I blame management!

Ok, no time to chat, just quick mention that I may or may not be doing the Pepsi challenge…
I only hit partials of 4/7 & 4/8, but everything else through 4/21. Hoping I can get 4/24 in tonight.
Maybe try to remember what all I’ve experienced so far lol ok, gotta go,
Onward!

Hmmm, is that really Jim, or is that his bizzaro Jerry other via MDJim ???

Lewiston: no time now lol, but I did really dig it when we did it here before! That whole fall stretch is good.

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In reply to by Oroborous

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Yes it was me.. MDJim is my evil twin. JimInMD was in deadnet timeout for some reason and would not work. Initially I thought it was because let a curse word fly.. but I think my password got nuked for some reason and it took me a while to figure out what was going on.

Now that I have this new E72 book (thanks Oro), I will be following along after taking a few steps back. Hitting Lewiston today, what a Sugaree, and I still have half of 6/9 and all of 6/10/73 to squeeze in.

I tell ya, I really got engaged after looking at what all the venues looked like. I've always been a venue snob and have a soft spot for ornate, intimate theatres.. add in the Greek Theatre and Red Rocks for good measure.. come to think of it, Telluride was nice also.

Well.. back to cleaning my house of all things.. and finishing the first set from 9/6/80.

...and Ventura, Riverbend was nice, blossom except for the bottleneck getting into the shows.. Venues are fun (except the Crapitol Centre and those nazi cops on horseback that came with it. Was happy to see that one get imploded).