• 8,068 replies
    marye
    Joined:
    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

Comments

sort by
Recent
Reset
  • carlo13
    Joined:
    Mini winterland box

    I would buy it too. Plangentized and normanized. It should also be martinized. I love dry cleaning.

  • bluecrow
    Joined:
    Plangentized/Normanized

    that's my mantra
    right there with you Jim - I'm in on a Winterland Feb. 74 box. Same for a BCT '72 box.

  • JimInMD
    Joined:
    Winterland 74

    If they did up a three show mini box and Plangentized/Normanized the whole affair, I'd buy it.

    They missed an opportunity not packaging those three shows together. Just my opinion, but....

    Releasing the stand-alone BCT 72 and Winterland 2/24/74 as Dave's Picks just makes me scratch my head and ponder.

    Anyway, as for a Winterland '74 mini-box... I'd buy it. Especially if they included an oversized, fathead, stick-on Wall of Sound wall cover.

  • bluecrow
    Joined:
    2/22/74 (2/23/74) 2/17/79

    2/22/74 and 2/23/74 are exquisite. A box with 2/24 would easily have been up there with the Winterland Nov. '73 box. Beautifully played, great sound. Among all that beauty my ear was caught up in the keyboard work by Keith. The 2/22 Playing with the Slipknot got my attention back last fall. And then listening to 2/23 yesterday damn its there again in that (if I remember correctly) monster Other One. A full blown pre-1st verse (only verse) meltdown and out of that Jerry's running through Slipknot again (but its a different flavor from 2/22).
    2/17/79 is a one-off crazy good show. Set list caught my eye years ago but only did a bookend run through it today at work (and running through parts again now.) First will say that it does seem to have a sound quality issue - partial show boards from earlier that winter seem cleaner - lineage notes for Clugston seed indicate a Master Cassette so maybe cassette vs reel for master is the issue.
    But that aside, yes, a dreamy set list for that era (e.g. Wheel > Shakedown!!??!! in the middle of a jammed out Terrapin > Playing> Drums ........ > Playing reprise !!??!!) Yeah they cross the center line from time to time in their excitement but all along just a fully out there gorgeous show. To me it feels like the departure of Keith and Donna is an agreed upon thing by the band going in and this is a heartfelt sweet final show.
    RockThing - welcome to the party!!

  • proudfoot
    Joined:
    love your comment about liking licorice, Vguy

    :)))

  • Vguy72
    Joined:
    comparing Keith & Donna's last and Brent's first....

    ....fun fact. They repeated eight songs.
    That being said, comparing the Passenger's alone is....interesting.

  • billy the kid
    Joined:
    Rock thing ,great write up

    Rock thing , that is a great write up on 2/17/79 you did. Big Railroad Blues hadn't been played since 1974.

  • rockthing
    Joined:
    2/17/79 Second Set

    PROUDFOOT, RE relieved to move on: Sounds about right.

    BILLY THE KID: Nice. I thought that Greatest Story does seemed special, too. It's got tight energy, but I also don't recall hearing a Greatest Story with that free-form a guitar solo from Jerry. I was definitely startin' to think I could go for a bit more fidelity on this show, too.

    THE GOOD OLE GRATEFUL DEAD: Yeah, man, from Playin' on, it's anybody's guess. The tape I Downloaded has that tracked as "Playin' >", "Drums >", "Space >", like you say. Playin' isn't really known for its drum solos, but I think I'd just keep all that as Playin' until they made a definitive move into The Wheel. I realize that no one else would ever do that. There's just Space all over the second set after Playin'. The Wheel disintegrates into Shakedown. That Shakedown back into Playin', though, eh? Definitely the stuff. You can hear Jer hinting at Playin' quite a while before they actually get there. Would not want to be responsible for seeding that. Where do I cut it?!?! :)

    Man, this second set jumps like a Willys in four wheel drive.

    Might as Well!!!: Went to a Dead show and a Jerry Band gig broke out! Yeah! Rocketing out the gate for the second set. Might as well. This show has a seriously stacked set list imo.

    Miracle: Damn. No chance to catch your breath tonight! Jerry’s soaring, then doing some crazy runs in the first solo. Pretty manic, really, just trying to make something happen. Nice ending jam too. A drummer seems to be losing his footing or a stick or something, but no one else… Whoa!!!

    Bertha!: I don’t think ANYBODY saw THAT coming, least of which the band. Whoever pulled the tempo back to something sensible is a hero, because that was about to set a record. Ohp, gonna get one of those big unison hits goin’? Not yet. Pickin’ up the pace again. Phil is not giving up on the big bang… unnnnn… not quite….hahaha. Phil’s still goin’ for it. The drummers are just hittin’ all ones like they're wired as hell. This whole second set is coming off with it’s teeth grinding. Crowd cheers an almost earthquake bass bomb, but Phill still can’t quite get everyone there. Test me! GONG. Got it. Memories starting to clear. Synchronization critical. Sounds like double kicks from the drums. What is this? The lets see how many notes we can play contest?

    Good Lovin’: Nice, seamless transition. Just, suddenly their playing Good Lovin’. Nice crescendos. Jerry’s boppin’ along for the solo. One of his more coherent solos so far. They seem to have a better handle on the dynamics now. This is a really, really nice performance of this tune. Bobby’s got just the right atmosphere here. He’s givin’ it everything, but not overblowing. This will be excellent if he keeps the rap under control. No danger of Bobby sellin’ the Brooklyn Bridge. Mickey goin’ crazy with some heavy percussion runs, but they are buried deep in the mix, might not even be goin’ through the main PA. Long cheers ensue. Well deserved. That was excellent. They are taking no prisoners tonight, but that really struck the perfect balance. Wouldn't normally gush over Good Lovin', but that was excellent. At this point, I think I’d almost be wishing for five minutes of tuning.

    Heart of Me. Ahh, nice farewell for Donna. Nice little breather for us, too. She sounds really good. Sounds like maybe Jerry missed a chord change and his fills are a little off key at one point early on. Nice little descending flutter from Jer that one of the drummers picks up on, adding some 16th high-hat cymbal to. Wow. Really nice. The ending was superb.

    Big Railroad Blues. Jerry came to rock tonight, that’s for sure. Goovin’ on the, which solo is this? They seem to have settled down a bit from the insanity that was the teeth numbing first half of the second set.

    Terrapin!: Sorta slips into the hall, almost without being noticed. Not the kind of thunderous greeting it would become accustomed to in later years. This performance seems almost quaint in its simplicity. One of the drummers continues to have happy foot. Cool guitar solo leads everyone out into open space as the various counterpoints begin to emerge, everyone expanding out into their own direction before drifting gently into a little space of equilibrium. Jer’s not quite ready for the big finale. He starts to play the melody that will bring everyone out of their trance, then decides to let the ride get a little more gentle as it drifts along. There it is. Not monumental, just recombining into a gentle reading of the last verse. Ahh.. Jer’s sweet old voice… Nice build up to counting stars, but Jerry’s vocal doesn’t quite soar. Finding the right mix of harmony without building up too dramatically and the finale has begun. This Terrapin seems, somehow, understated, but it’s difficult to say exactly what gives that impression. I mean, Mickey is off the hook as usual. Nice, Phil plays the signature melody line in a high register on the bass instead of Jerry, as Jerry continues to wiggle about with all sorts of lead lines. Mickey gets a bit too tricky for his own good, but that slightly clumsy moment doesn’t trip up anyone else.

    Playin’: Just where you’d expect “Drums” to begin, nice call. Not sure I really dig the four on the floor and the open and closed high hat feel for this tune. Don’t have any particular qualms with disco Dead, or the Disco Cowboy things they did, but it feels like it’s tying Playin’ down too much. And, as soon as I type that, the bottom drops out and they out into an open ended Playin’ jam with Jer out in the echoey distance working’ the envelope filter. Really nice atmosphere here. Jerry’s makin’ sure they don’t get back to the song any time soon. Little too much kick drum in the mix is sorta harshin’ my mellow, but always happy to see a thorough deconstruction of Playin’. …and it seems to be just petering out, but then someone adds some nice textures. Almost sounds like a Fender Rhodes, but I can still hear Keith plunking away, so maybe it was Bobby… Someone in the audience hoping they’ll play I Need A Miracle, forgetting that we already heard that, what seems like several lifetimes ago. Wow. Completely abstract, now. Oh, and there IS a “Drums” track, but this feels like Playin’ with a drum solo (ok, got it), but that Playin’ jam would have definitely qualified as “Space” in a latter day show, albeit out of conventional order. Still an array of all acoustic percussion. Do I smell a Not Fade Away out of the drum solo? I see that someone has tracked this as a transition into “Space”, but all I hear are drums, still. Not hearing any “Space” here. Oh, and just as I type that, Phil joins the jam with Jerry not too far behind.

    The Wheel: This setlist is a dream. Guess they didn’t have to save anything for the next night. This is a nice Wheel. They’ve really settled down into atmospheric mode after the totally outrageous start to the second set. Some cool tremolo picking from Jerry as the song breaks up.

    Shakedown: Starts off a little, not a little, really… er… shaky. Nice echo effect on Jer’s guitar. Drummers haul the tempo up from the crater left by Phil’s opening bass bomb. You really get the impression that they are not working with a set list tonight. Settling in a bit just before Jerry starts the first verse. Whoo! Oh, yeah. Dancin’ shoes on now. Such a contrast. First part of set two could barely stay on the rails, but now they’re so spaced out they forget to put their foot down on the accelerator. Not a complaint, at, all. I usually imagine Shakedown jams to be more rhythmic. There’s sill a hint of the groove in the background, but well, there it went. Phil just introduced a completely different groove. Getting loose like that let’s them slip into other things, which is, I think, what’s happening now…. or not… This must be the most abstract Shakedown jam I’ve ever heard. I mean, there are literally hundreds of tapes I’ve never heard, but still. Jerry really working out now. Super fast little tremolo picking like in the high registers. Drums have started driving again. Sounds like Jerry’s teasing a Playin’ Reprise. Did they even do that in the 70s? No doubt. Jerry is definitely hinting at the Playin’ lick. Either they’re taking the long way home or they’ve given up on it. Wow. Jer getting’ pretty avant garde now. Where. Is. This. Going?! Lovin’ it!

    Playin’ Reprise: Wow, Jer managed to get everyone on board for a Playin’ reprise after all that. And, damn, does it thunder onto the scene when it finally takes form. Still doin’ that insistent four on the floor thing that makes it feel kind of agro.

    Sugar Mag: Love how this comes up for air out of the disintegrating Playin’ reprise. This show has had something for everyone, from super high energy numbers to complete space outs. Even with the free form mood that took over in the second half of the set, this is nice and tight; moving right along. Everyone in. Bobby thanks Bill Graham.

    One More Saturday Night: Solidly above par. Wailing sayonara for Keith and Donna. I’m exhausted. What a show!

  • Vguy72
    Joined:
    4.22.79 New Kid on the block....

    ....sounds like he fit right in and liked licorice.

  • billy the kid
    Joined:
    2/17/79 4/22/79. Two great shows

    2/17/79 & 4/22/79 are two great shows that should be official releases. I went to 2/17/79, it was a benefit to stop environmental cancer called Rock for Life. The show started with the lights all on in the house as the Dead blasted out a killer version of Greatest Story. The version of Don't Ease Me In was great, they reworked it when Brent joined the band and it was never the same. I didn't make 4/22/79, it was my moms birthday, we were having a party. Charlie Daniels and Greg Kihn were both on the bill before the Dead. It's so nice to hear Brent's organ playing on Jack Straw for the the first time. The Dead seemed really pumped up and into it for the whole show. This show at Spartan Stadium wasn't to far away from where the Dead played their first show as the Grateful Dead, at the San Jose Acid Test on 12/4/65.

user picture

Member for

17 years 4 months
Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
user picture

Member for

10 years
Permalink

The reverent tones for 2-14-68 got me to go primal today.
And while not a primal guy (blasphemy again!) I finally got into it around Viola Lee Blues (disc 1 bonus material). The 2nd set does look killer. And you sure get your share of Dark Stars in this Road Trip. While most of the first disc was playing I was also reading about the history of S.F. back then and particularly the Carousel Ballroom (El Patio) and it's history before Bill Graham changed it to Fillmore West. Kinda helped flesh out the scene a lot more for me. 1968 must have been a tough time to be a hippy as a lot of stuff was going down. I think I had it easy by comparison in the mid-'70s.
Following this up with Ledded's desert island, and if I could only have one GD album, pick of Ladies and Gentlemen, The Grateful Dead from April 1971, going trans-continental to NYC. Onward!
Cheers

user picture

Member for

17 years 4 months
Permalink

To be honest, the only one I can think off of the top is Richfield 3-21-94. I'll have to listen back to some others to see how they're holding up, but 10-5 is another I liked. 10-1 was an official pick.

user picture

Member for

17 years 3 months

In reply to by wilfredtjones

Permalink

A lil bit of something better than all of nothing…

I know 7/31 is decent, and 8/1 is good, cus I was there ; )

Anyone else? Bueller…?

user picture

Member for

10 years
Permalink

Because you asked Oro:
Only listened to this once since seeing it (my final show).
Starts off good with a Help>Slip>Frank but has it's share of mediocre moments too. To my ear Jerry just wasn't at top form that night. After H>S>F an interesting combo of Spoonful>Jack A Roe, Masterpiece, B. E. Women, and a rousing Let it Grow to finish set one. Set two pre-jam had sound issues as I recall with only Easy Answers, Lazy River Road then the jam of Playin'>Eyes>Drums> Wheel>Last Time>Attics>Good Lovin' brought it home in good style and the Liberty encore was new to me. The whole thing seemed short and a little tired but the 2nd set jam was worth the price of admission for sure with that interesting combo. Last Time> Attics really was a surprise in there.
So there ya go amigo. Cheers
Going to Aspen Sunday for the free Los lobos concert? Can't beat the price!

user picture

Member for

17 years 3 months

In reply to by 1stshow70878

Permalink

It’s on my recon list!
Hey, it’s 94, so expectations are low, hopefully then I get surprised like 93.
But my quest is to hit as many as I can from all the years combined…

If it keeps on raining, the levees going to break!
But hey, better than fire!

Outta be fun boogieing in the rain to the Lobos!
Even if I could make it, not sure I could make it…canyon closed last I heard…

user picture

Member for

9 years

In reply to by wilfredtjones

Permalink

Seattle - 6/13 & 6/14
Eugene - 6-17 (and 6/18 & 6/19)

Honestly feel that the late years (93 - 95) Northwest Coast shows were not like most other shows of their era. At the 94 and 95 Seattle shows and all the Autzen shows from 90 to 94 but one. .6/13 and 6/14 (Seattle 94) very different in their song selection and both excellent in their way. Dew that closes 6/13 Set II was way awesome and excellent jammed out second set.. Jerry was into the cool temps of Memorial Stadium in Seattle and played 6/13 in a leather bomber jacket (photos out there.). 6/14 they dropped into That Would Be Something which I loved though didn't recognize and my thought was "Hunter wrote a lyric so simple that Jerry couldn't forget it!" Later discovering it was Paul and "Bowl of Cherries" (McCartney). What a treat! 6/17 Eugene (first of three show run at Autzen that year) was the only show I missed during my years in the NW, and missing it was much to my regret. Rained hard that night and the other 2 shows were daytime with lots of sun. Close friend from CA who made it got a "drop" maybe 2 in the eye - it had been awhile but he was well versed in navigating that space and once he settled in loved that show. No SBD for 6/17, unfortunately. Set II Rain opener in the pouring Oregon night rain, Eyes, and Wheel > Attics out of Space. 6/19 with the fat 2nd set because they knew they would never play Autzen again because scene in camping and town etc. was rife with clueless rude slobs. huge shift in that regard from '93. Had to play Portland Meadows, a racetrack, in '95.

user picture

Member for

17 years 3 months

In reply to by bluecrow

Permalink

Anyone else, keep ‘em coming…
After checking my Deadbase, looks like I hit Richfield and a couple that ole BC mentioned.
Hopefully I’ll get a winter hiatus and do more recon next year!

Hit the 88 shows from the Crap center this week, solid, mostly good, the 3rd and 5th I think I liked best.

EDIT: wasn’t feeling up for full on GD yesterday, so hit the psychedelic goodness from 6/27/15.
It’s a shame they didn’t rehearse more, especially this cool early stuff, but it’s still surprisingly good sans a few transitions etc.

user picture

Member for

10 years
Permalink

Pre-Dead & Co., still the GD?
Cannot believe it has been that long since Fare Thee Well.
All the songs played were from 1970 or before! Almost fossilized.
I can see why they were a bit rusty.
Dust off those rusty strings just one more time.
Cheers

user picture

Member for

17 years 3 months

In reply to by 1stshow70878

Permalink

Yeah 1stshow, my understanding from my insider source was they didn’t practice as much as they were supposed to (imagine that lol) and especially all that old stuff, since those shows got added sorta last minute. Phil, and Bob somewhat in Furthur, were playing much of that, but not sure how up to speed the rest of the crew was?
But my goodness, what a set list!
I’d take this set list, rust and all over the stuff they did in Chicago!
One of the very few times What’s Become of they Baby was performed perhaps topping the list.
Wish they would have released a video of this one, though guessing it’s out there somewhere?

user picture

Member for

7 years 11 months

In reply to by Oroborous

Permalink

Finally finished this one up today OB. Another fine 79. I thought the sound quality was good for what it is .
PT Barnum and the Shah of Iran!
Nice energy through out the first and second set. Enjoyed the Shakedown, High Time, Estimated. I thought the Eyes was a little off, seemed disjointed and too fast and not up to that spectacular version from 11/5. Good finish with BP, JBG and US Blues.
Would definitely listen again.
Love this period.

user picture

Member for

10 years
Permalink

11-29-79 in this week's Taper's.
From Black Peter to U.S. Blues.
Oh, duh. The other 2nd set chunk was on last week's Jam-o-week.
Yeah, I keep forgetting how that works.
That Eyes was weirdly fast (but lengthy), like where's the next gig fast. And you'd think with all those verses of don't tell me this town don't have no heart they could have worked in some Huey Lewis, the heart of rock & roll is still beating, in
Cleveland, you known, rap like Pig man. Oh wait, Huey comes later. Never mind.
Cheers

Maybe at top of my list of GD songs I never heard live. I think I knew Phil did it at least once. Didn't realize the FareTheeWell group performed it. I'll check 6/27 - sweet set list indeed.

I think I saw Further do this. I have to look.. it might have been at Radio City Music Hall the week after Bear died?? I might have seen Phil do Rosemary too with P&F, likely also in NY. Of all the spin off bands, I have always liked what Phil is doing the best. He had an interesting approach and brought in top shelf talent. Plus, I always had a good time and made plenty of phriends.

If I had an opportunity to see him tomorrow, I'd take it.

I don't recall either of these being exceptionally good, but they were exceptionally weird.. which counts for something, right? There was an Alice D. Millionaire mixed into one of these shows and a few other oddities. You gotta give Phil credit for embracing the weird and embracing those old primal songs. Bobby brought a few back also.

DV, yeah it’s not the Rectum (personally I dig 11/6) but how would you compare to 31 and 47?

6/27/15: yeah, that’s a set list! What’s become isn’t mind blowing performance wise, but talk about weird and a WTF, moment! I remember watching at my cousins and hearing it before they started it and thinking, na, no way, then Holy Crap! Lol
I remember being ecstatic at the P&Ph Denver Philmore in 99 I think, because of 2 things: one, the music was in good hands and going to live on, and two, those of us who unfortunately missed the early years were finally getting the goods! They were breaking out all the old chestnuts, not JUST Dark Star, SS etc, but New Potato, Born Cross Eyed, all the sweet early weird shit, frickin Daverock would have been outta his mind hearing all these old gems live! Lol
So yeah, the 6/27 show was perhaps a bit tepid and unpolished at times, but it was fun as hell and shows the potential of what might have been again, and was by far my favorite from the five shows. It also set the bar for D&C as now it was not only a possibility that they play these nuggets, it was now expected again! So thanks again Phil!
The weirder the better I always say…

user picture

Member for

7 years 11 months

In reply to by Oroborous

Permalink

OB-Would have to give the nod to the Kiel show, #47.
Of course 11/29/79 isn't a polished up version either. But I don't think this one will ever be released.

Looking for a good 1980 show for today. Hard to find good recordings for 1980.

user picture

Member for

13 years 3 months

In reply to by DeadVikes

Permalink

Have we listened to 8/26/80 Cleveland Public Hall here yet? They played the next night (Pine Knob) on Today in GD History a few days ago, but this one might be just a touch better. They both are nice mid to late 80's shows. (full disclosure, I'm a sucker for a good Comes a Time)

user picture

Member for

7 years 11 months

In reply to by JimInMD

Permalink

I don't think we ever listened to this one Jim. Cleveland.

Will get it going today.

Thanks!

user picture

Member for

17 years 3 months

In reply to by DeadVikes

Permalink

Hmmmm?
Can’t recall and not home to check so…guess we’ll give it a whirl.

11/29/79: hmmmm again, you don’t think it passes muster?
Guess I’ll have to check it out again? Think I recall there were some “spots” but they all have em, and overall my recollection was that it was crackling with energy?

user picture

Member for

17 years 3 months

In reply to by Oroborous

Permalink

11/29/79: awright, just listened again and I’m not changing my mind lol
I can’t find anything wrong with it?
Bama is Hot, Promised land is good cept Bob has slight vocal miss early. Candyman is sweet, Mama/Mexi is good, TLEO is nice, Minglewood’s good, Bobs not too bad on slide, Easy To Love is nice, god Brent sounds higher range AND better than DG (it’s a shame how much his voice deteriorated, though it gained a new goodness, like JG imo), Hot Brown Eyed, Looks like was ok, but not great, Jers first solo is oook, and not much outro? Did like Brent’s attempt at storm sounds on the synth at beginning. Decent Dough Knees closer.
Second opening Shakedown starts oook, but builds up nicely, though not a rager. Hot Samson, followed by High Time. Ok but not great, nice Brent harmonies, but JG doesn’t solo much? Good Estimated into a good Eyes. Yeah it’s faster than those awesome 73s we’ve become a custom to recently, but I’ve heard way faster, so I didn’t find it too fast: it didn’t seem to mess up his vocal phrasing etc. Cool jam out into drums with a sorta pre drums space like they wanted to keep going…so then immediately into a decent Black Pete, ok A&A, and then a hot JBG closer. Good US Blues calling out the Shah lol. Yeah, I still like 11/6 tops, but this is at leases as good as 47 if not better, again, imho, no offense intended!
Since we could be running outta releases, I’m not sure I’d go with this for a single shot, but part of a good box with Pittsburg x2, Indianapolis, KC, something from those good Nassau shows, and a ? (not at home so no notes)…
Ok, 80 next…
8/26/80: a solid, well played show, nothing flashy, no big moments, only one lil muff in UJB.
Just stays quo 1980…
The set list is fun though, including the first Rooster since 64, 65? (I think?) and in the second set!
(Actually, second rerooster, first on 8/19 according to DB 10)
Comes a Time and Casey J we’re nice, if not highlight real worthy. That kinda sums this one up, good show, few flaws, good sets, hard to criticize anything, but…..? Perhaps lacking a little fire? Hmmmmm? Whatevs, good sheet!
ONWARD!

user picture

Member for

7 years 11 months

In reply to by Oroborous

Permalink

Love your passion for the Cleveland show OB. It is good. The Eyes just didn't do it for me. Rest of the show is good. Might be nit-picking a bit, just my opinion.
If they gave me the keys to 1979, the second night at Cape Cod, the three nights at Nassau, Providence and the two nights at the Spectrum. 7 nights in late 79. How does that sound.

user picture

Member for

7 years 11 months

In reply to by DeadVikes

Permalink

Fine show Jim. Really good audience recording. Brings me back to me roots with these recordings. I love the energy of this show. Nice Sugaree opener into El Paso. Dig the Althea. Shorter first set. Yes OB, interesting second set Rooster. Good UJB and Playing. Love that Comes a Time, Lost Sailor SOC, great Casey Jones and close it out with a rocking JBG.
Might have to continue on with some 1980, was also thinking about dipping into some E72 shows.
Edit-8/27/80 Pine Knob seems like a good possibility.

user picture

Member for

10 years 1 month

In reply to by DeadVikes

Permalink

I'm not expecting anyone to follow suit necessarily, but I happen to be half way through the first Wembley show, 4/7/72, at the moment. It's overshadowed by the following night...in fact it's overshadowed by virtually all the other shows on the tour. But it's well worth a listen if you fancy going for one of the less celebrated shows from this tour.

user picture

Member for

10 years
Permalink

I'll be headed down that EU72 tour rabbit hole starting in a couple of days.
Interested in what you hear on the the first one.
Cheers

user picture

Member for

10 years 1 month

In reply to by 1stshow70878

Permalink

1stshow - thanks -I don't know whether it's because this is the first 72 show I have played for a month or so, but it sounds spectacular. The first date on the tour, and they maybe felt they couldn't afford to take things too easy. Every song hits the spot. This period is usually marked by the great jams, and the tracks that stand out here are Playing, China-Cat and The Truckin'- Other One jam - but it's not just the improvisations that shine. The whole band rocks much more convincingly with Keith in the ranks - checkout Beat It On Down The Line. Sugar Magnolia really comes into it's own here too, moving on from it's country feel of 12 months ago to pure rock n' roll. I was going to miss out the last few songs on this set - it all looks very, very familiar on paper. Don't be tempted - it's a great celebration after the intense jamming on The Other One. The crowd are asked to move back to their seat towards the end - so the joint was obviously rocking all right.
And to think this is one of the also rans of the tour-incredible!

user picture

Member for

10 years
Permalink

OK, here I go into the EU72 22 show breech.
Thanks again to a friend.
Excited to get started after DR's review.
Going in sequence seems to make the most sense.
May have to do some non-Dead palate cleansers in there too.
Cheers

user picture

Member for

17 years 3 months

In reply to by 1stshow70878

Permalink

Yeah 1stshow, I don’t care what anyone says that guys awright! ; )
Yep, I’d say do em in order and no other dead in between. I find that’s the best and most satisfying way to do a tour.
It’s cool to see the little nuisances and changes that happen along the way that might get missed with Just a cursory spin. Though sometimes ya might feel ya need a Dead change, I find that mucks up the above.
Don’t think I’ve done a tour this big, yet, but it’s a satisfying accomplishment upon completion!
So you go, we’re with ya and look forward to posts from the road ; )

8/29/80: after 8/27 yesterday, I figured I’d hit the next one as it fit into what I’m doing, and it fills in a hole that completes the 8/24 through 9/6 sequence…
Another, similar to the 2 proceeding: mostly good solid, few misses, though no real fireworks, just grinding it out on the road Dead. The next night (8/30) is on Dave’s list, and I found that one to be perhaps a slight step up, though it’s been awhile…9/2 is very good, though I’m biased, and then the next 2 from DL 7 (haven’t heard those in forever), capped off by the glorious 9/6 Lewiston show!
Onward!

user picture

Member for

11 years 6 months

In reply to by Oroborous

Permalink

Another synchronicity there, Oro. Was just over in Maine with old friends, one of whom I had not seen in many years, he was on stage security that night at the racetrack fairgrounds and helped us get down front for the zenith of my too small handful of Dead shows. He reminded me that Roy B was feeling no pain but still played Nancy like no one else ever could, Levon and the Cate Bros, what a show. End of summer, end of tour, just could not have been better. Many recordings but apparently no clear SBD, otherwise mandatory for release. That friend had been searching for the lyrics for Jaime Brockett's Legend of the Titanic, pleased to locate for him.

user picture

Member for

10 years 1 month

In reply to by 1stshow70878

Permalink

I would have thought that was essential if your going through a box the size of E72. You don't want to put yourself off it. Obviously very different following a tour at home than it would have been in the flesh. But even if you had been following this tour in real time, as it happened, you would have heard other music in between shows. Unless you're a monk.

user picture

Member for

14 years 10 months
Permalink

has passed. Used to see him regularly in Florida, every year for many years. A great excuse to get out there and have a little fun and get a great buzz. Been a while since I saw him, he got real busy there after a while and wasn't around the local bars that he used to frequent back in the day. Many a time down in the keys he would be there and he would discuss those "square groupers" that had been seen floating around back then. After one peeled off the outer layer that most were wrapped in what was inside was usually "gold". I remember a great show back in 1980, Jimmy opened for the Eagles and he had a broken leg. Of course he did "Margaritaville" and had changed some of the lyrics to include his mishap. Blew out my flip-flop, stepped on a pop top, broke my leg had to crawl on back home, man I'm in real pain, wish I had some cocaine, but that's been gone since early this morn. a gifted wordsmith for sure. RIP Jimmy, may those Jamaican winds blow you safely home.

user picture

Member for

10 years
Permalink

I won't try to do reviews on every one but maybe in groups of a few at a time.
DR was spot on. 4-7-72 gave me a new perspective of that year. It was:
- Polished, energetic, and played with stamina.
- Darn near perfect, as if trying to impress.
- Had a religious experience moment for me in GDTRFB where I kept saying Jerry is a monster by '72, and how does he do that. Just keeps coming up with a new riff every few seconds. Unbelievable. Rivals anything I can think of from any era.
Cheers

RIP Jimmy, always liked him even if he didn't get played at my house as the wife didn't care for him.

user picture

Member for

17 years 3 months

In reply to by 1stshow70878

Permalink

…just not Dead. But hey, that’s just my methodology.
If I start listening to other Dead, I lose my hyper focus of the tour and all the little things, the nuances. I need to marinate in the shit lol
It’s like sometimes you switch to a different kind of beer midstream, one you know you really like, but because of the style of the one you were drinking is so different, the new one doesn't taste right. It’s your taster is off…
Best example is in 2021 when I did all of 1971 in order, listening to Phil figuring out his line in PITB. Every one was a bit different until he had what he wanted. If I was listening to other dead I might have missed that…
It’s hard to go a whole tour and not switch it up, but I think it’s the best way to do it!
Now a little Jazz or something else now and again,sure, but no other Dead!
But again, that’s just me…
I did hit the 4/7 stuff from Steeping out. The energy is like a fright train. You can tell they were itching to play!
But I think their holding the stick a little too tight because of that. I can hear JG saying something like “we have the whole Europe scene watching us so we can’t Fuck up…no pressure or anything lol”
So to me sometimes it’s a bit off the rails. But I like em when their going beyound the comfort zone, that’s why I like 85 so much. Sure occasionally there is an accident, but that’s ok when yer riding the edge!
The amazing part is, as good as this one is, it’s kinda just a warm up and indicator of what’s ahead!
Just amazing they could play that consistently at that level for 2 months straight AND get into all the shenanigans!

And yaassss, ole Jimmy Bufet, may the Caribbean winds blow him safely home to the big Cheese Burger in Paradise!
A son of a son of a son of a son of a son of a son of a sailor! Now you and Hunter behave now ; )
I

user picture

Member for

10 years 1 month

In reply to by Oroborous

Permalink

There's clearly no right or wrong way in how we listen to all these shows. For me, with E72, I have started to think of them in terms of the few shows in one country, and listen to them before moving on towards something else. For example, the first three shows in England stand as a whole for me. So I listen to them one after the other - then take a break. Then go on to Denmark and do the same thing. The first three shows are so good I defy anyone to just listen to just one of them without listening to the next. But I don't want to over do it, so a break comes in handy - then the next one sounds fresh and will blow my socks off like the first one does.

Oro - I think you listen more deeply than I do!

user picture

Member for

17 years 3 months

In reply to by daverock

Permalink

More than one way to skin a rabbit lol
My way is hard, but I find it worth it, though perhaps why I haven’t done this whole tour, YET.
In fact, I’m not sure I’ve even heard every show yet? All the Dark Stars to be sure, but not all The Other Ones.
Yuck, yuck, see what I did there ; )
I have this book staring at me I’ve not read yet as I’m probably saving it and the remaining shows for when/if I do take the Pepsi challenge…it’s called Europe 72 Revisited by Howard F Weiner. (Think I have one by him on Cornell too?)
But after just randomly glancing it mentions the first England shows we’re supposed to be 4 at the Rainbow, but the place went outta business right before the tour so ole Cutler had to punt and go with 2 biggins at Wembley. He then starts to mention how good 4/7 is and how he, like many, perhaps overlooked it due to the greatness of 4/8 etc…
Hmmmm, sounds familiar lol
ONWARD! You go 1stshow, man if I knew I had the time I’d be tempted…

I just hit 11/20/73: never heard more than the RT taste. Another looonnngggg but fine 73!
Think I’m down to just a handful of 73s I’ve not heard!
Hmmmm, what now?? The Other One is working this WE so I should probably pick something official top shelf and warm up the ole transistors : )

user picture

Member for

7 years 6 months

In reply to by Oroborous

Permalink

So now I have to get another book before I delve into E72. Just great...

If you google Blogspot Europe 72, the first listing is a reprint of the old Europe 72 Notebook that has been floating around on archive dot org for a dozen years or so, except it is in the correct order and mildly edited. Most importantly, it looks like they added many pictures of each venue. It really gives you a better feel for what it must have been like to be there. ...and man, there are some historic venues on that tour. For me, it would be worth it the next time I am in Europe to visit one, three or all of the venues (assuming they all still exist), just for kicks and giggles.

The GD did all kinds of things wrong in their tenure, but this tour was not one of them.

mmm.... The Other One is working this WE, hitting something epic and it sounds like officially released? oh the pressure.. If you're going to warm up the tube amps.. goodness.. the DS>MD from DP19 (hey, it's 73), DP16, DP4, 2/14/68, Feb and March 69, 4x/5x 72 or go for one of the other multi-tracks, any of the From the Vault, the WD or AB 50th's. The picking is the easy part, keeping the plaster on the ceiling, not so much.

I'm also a big fan of 85 for the same reasons mentioned. Also, taking the risk of introducing all those new songs. It was like they were climbing out of a rut and freshening up the place with vibrant and loud electricity.

For the second time this year, JimInMD isn't working. I have no idea why... Why do you mock me so oh dead net website?

user picture

Member for

17 years 3 months

In reply to by MDJim

Permalink

Maybe Dennis will let you borrow his wife’s CC lol
Or hey, since yer working too damn much, you should have some extra bread left over, even after the cost of your expanding empire ; ) Pretty soon they’ll be calling it Jimsville! Which is nice….

I went with the 12/26 goodness from DaP 43, and then the Stepping out segment from 4/8/72.
Chefs kiss fo sho!

Bob being his usual youthful self, ready to yell out in front of a crowd of young Christian types about last I saw Phil he was going to the dressing room with some chick lol. You can see why eventually they needed McNally…

Now time to hang it up, and see what tomorrow, oh, wait, that’s today? ,,,oh oh, where does the time go!
Gonna need another RJ caliber shooo…
ONWARD,

EDIT: wonder where 1stshow is, he should of left England by now…hopefully no situations at the border?

user picture

Member for

10 years
Permalink

With news from the front lines.
Blaspheme warning: This may contain heresy.
OK, I get why the consensus is that 4-8 is better than 4-7 but....
I like 4-7-72 better. The 4-8 from Dark Star on is amazing and unique but it is more primal. And while I dig Phil's insistent bass groove in the Caution, I mean he's leading the band at that point, but the DS gets a little disjointed at times. And there are better versions of Pig's songs coming later in the tour as well even if that Mojo is darn good. Now Jerry on pedal steel is more my cup-o-tea and even Phil singing a duet with Bob on that LLRain can't spoil that (truth be told he does a good job of it). And of course the MLB jam is great and they had a few notes leaning that way in 4-7 but never got there. But.... I was floored by the 4-7 second set altogether. It just builds and builds and, as I previously said, the Sugar Mag>NFA>GDTRFB>NFA closing just hit me right. Jerry en fuego! And every first set song was done to perfection so it's close but 4-7 edges out 4-8 for me.
So onward to Newcastle! Storm the battlement! And thanks for the support. Cleansing with classical this AM.
Cheers

user picture

Member for

10 years 1 month

In reply to by 1stshow70878

Permalink

I also enjoyed listening to 4/7 more than 4/8 this time around. It seemed higher energy all round - a more exciting show. Not that there's anything wrong with 4/8 - very serene Dark Star, I thought. And again, I liked the rocking ending. Caution seemed like a nod back to the 60's to me - back to the acid tests, with a few tasty flourish's on organ, as John Peel might have said. Both Dark Star and The Other One sound very, very different at this stage from the 60's styles- but Caution seems to catch that old groove.

I've only played the first cd of the Newcastle show - but that opening "Greatest Story" must be one of the best versions ever.

user picture

Member for

16 years 3 months
Permalink

Morning, rockers!!!

After I bought the E72 trunk I listened to nothing but Europe 72 for about six months. Total immersion therapy. May have warped me a bit, but did make the Europe 72 tour part of my "Grateful Dead DNA".............

4/7 is a super fine show, as is 4/8. I always had a fondness for Newcastle and Aarhus, lesser known but solid and with some sublime moments. Best show of the tour, May 3, just one man's opinion. Favorite show of the tour, May 26, historic, massive, bittersweet, the end of an era. December 71 great, AOM run greater, Europe 72 greatest.

The anniversary of a certain outdoor Maine show is coming up in a couple of days. Yes we were there and had a blast, one of the "most fun shows" we attended. Would make a fine official release some day.............

Music is the movement of sound to reach the soul for the education of its virtue.......

Rock on,

Doc
Too many pieces of music finish too long after the end...............

5/26/72 is my favourite show from the tour. Has to be one of the best 5 shows ever played.

I play most shows from E72 every year, and have already played most of them this year earlier on. This time around, I was going through my records, having finally got a new stylus fitted - hence a revisit for 4/7 and 4/8. Listening to them logically leads on to the Newcastle show, which would make a great release for a RSD on vinyl in the near future.
I then have the Dark Star from Paris 5/3 and the great 4/5 show that followed. Then the final run at The Lyceum.

I really like listening to these shows on records ( why are records referred to as"vinyl", I wonder? We don't call cds "plastic"?) But you do have to do things like turn the record over half way through Dark Star - which might put some people off.

edit - whoops - it was the other way round - Dark Star being played 5/4, not the day before, with 3/5 being the one put out on vinyl in it's entirety.

Go get them 1st Show. That is quite the project. 5/26, 5/4 and 4/26 have been personal favorites of mine, but that is always subject to change.

Love the 1980 download shows OB. Will have to check out 8/30. Would love to see them release them all on CD.
Yes, Lewiston, that would be a release. 1 1980 show released in 11 years of Dave's Picks. Not much love for this year. Not sure why.

user picture

Member for

11 years 11 months
Permalink

Vinyl Me Please is releasing a Hound Dog Taylor album "Natural Boogie". As part of the advertising they've put up (or someone has) a 73 video of him playing.

On the tube search for

Hound Dog Taylor - 15 minute LIVE Ann Arbor 1973 Video

Thought some would like this.

Thanks for the tip, Dennis. That's a great album - I got a copy on cd second hand, in a cracked case about 20 years ago.
An inspirational figure, Hound Dog Taylor. Proof positive that you don't need a 1954 Gibson once played by Peter Green ( or some such) or a theoretical understanding of music to play the blues. Just a cheap Japanese guitar tuned to an open chord, a small valve amp, a brass slide and a don't stop for anybody kind of attitude. If I had a son or daughter, this is what I would tell them.

user picture

Member for

16 years 3 months
Permalink

Mornin', rockers!!!

It's National Lewiston Day!!! Celebrate!!!

Yes, I do remember..................

Great music is that which penetrates the ear with facility and leaves the memory with difficulty.

Rock on!!

Doc
Music really is our daily medicine.......

Well, we knew this was coming. It's been so long since I listened to this show, it's all but forgotten.

I had this one digitally, but before I documented the source, so it's old... Time to refresh. Alaska 1980 is also undocumented in my files, which means this was some of the first stuff I pulled down when I first discovered the Archive and other sources.

I wish I was at this one. Hey.. it's another 1980 too. I pulled down the Charlie Miller SBD/Aud with the audience portion recorded by Jim Wise. I think this is the best source, is anyone else using a different source? Only a few songs from the soundboard seem to exist.

Would love to see this show as a Dave's, though not sure about that sbd? My last Dead show, was in process of leaving Maine for Vermont where everything changed for a long time. Lewiston and central Maine area was home for ten years from 1970. So many concerts there, between Portland and Bangor: Dylan, BB King, Muddy, Clapton, Mountain, Zappa, Gary Burton, Canned Heat, Nils Lofgren, Mose Allison, Jesse Colin Young, The Eagles, on and on. However this show 43 years ago today, was peak in so many ways.

user picture

Member for

17 years 3 months

In reply to by Dennis

Permalink

I blame management!

Ok, no time to chat, just quick mention that I may or may not be doing the Pepsi challenge…
I only hit partials of 4/7 & 4/8, but everything else through 4/21. Hoping I can get 4/24 in tonight.
Maybe try to remember what all I’ve experienced so far lol ok, gotta go,
Onward!

Hmmm, is that really Jim, or is that his bizzaro Jerry other via MDJim ???

Lewiston: no time now lol, but I did really dig it when we did it here before! That whole fall stretch is good.

user picture

Member for

13 years 3 months

In reply to by Oroborous

Permalink

Yes it was me.. MDJim is my evil twin. JimInMD was in deadnet timeout for some reason and would not work. Initially I thought it was because let a curse word fly.. but I think my password got nuked for some reason and it took me a while to figure out what was going on.

Now that I have this new E72 book (thanks Oro), I will be following along after taking a few steps back. Hitting Lewiston today, what a Sugaree, and I still have half of 6/9 and all of 6/10/73 to squeeze in.

I tell ya, I really got engaged after looking at what all the venues looked like. I've always been a venue snob and have a soft spot for ornate, intimate theatres.. add in the Greek Theatre and Red Rocks for good measure.. come to think of it, Telluride was nice also.

Well.. back to cleaning my house of all things.. and finishing the first set from 9/6/80.

...and Ventura, Riverbend was nice, blossom except for the bottleneck getting into the shows.. Venues are fun (except the Crapitol Centre and those nazi cops on horseback that came with it. Was happy to see that one get imploded).