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    Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


    By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


    Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • #361
    daverock
    Joined:
    JGB and The Dead

    Doing...I got the impression that somewhere along the line, for Jerry, The Dead became a job and the JGB a hobby. That is purely on the basis of listening to recordings, and probably has no basis in fact. Towards the end of my working life, I enjoyed my hobby more than my job- but I was better at my job.
    I had never heard of Bruce until I saw him with The Dead, so it felt mighty strange at Wembley 10/30/90, when he started playing that solo piece. Who he?

    Gary - yes, it seems to me that it can be a mistake to over identify with our bodies.

  • #362
    Vguy72
    Joined:
    Turned that game off....

    ....I love discovering new bands. Somali Yacht Club was recommended by a friend.
    Pretty cool, pretty cool.

  • #363
    Angry Jack Straw
    Joined:
    Al Michaels

    Seemed to be as bored as the rest of us during the 49ers - Giants game this evening. So he started talking about some of the older stadiums where the 49ers played.

    That prompted me to listen to 3/23/75 at Kezar Stadium. The SNACK benefit show.

    A short set, but Good Lord. I can’t imagine what the Doobie Brothers were thinking to themselves when they had to follow that performance.

  • #364
    Doingtheneedful
    Joined:
    Random Candidates

    Purely for personal feels… Two shows I’d love to have as Dave’s Picks.

    Merriweather Post 06/30/85
    Richfield Coliseum 09/08/90

    I suspect these are well embedded in many tape collections. They were two early entries during my burgeoning tape trading forays. Both are available in exceptional quality at the usual repository. These facts lead me to believe that even if folks were like minded in their appreciation of the two performances, no official release will happen any time soon. Too available and too good a quality of sound to warrant special treatment. Mores the shame.

    Merriweather’s Shakedown could be on repeat all night long and I’d be happy. The Richfield, in my mind, is just about THE perfect home stretch Dead show. I have enjoyed Bruce’s tenure, but I find myself less enthusiastic as time passes for some reason. Like many a Dead phenomenon, when he hit, he really nailed it. But when he was hovering I find his playing just adds a distracting layer in the “jangly” part of the mix. He’s just a little too percussive and concussive too often, and it almost feels like there needs to be a “Hornsby Dolby Reduction” setting that needs to be switched on. He, dare I say, grates! To the point of distraction. In fact I’d be comfortable enough to say that it’s my opinion that there isn’t a Dead show that would miss him. Yes, there are some great moments, but they don’t warrant the detracting and distracting “crunching tin foil” mush that he brings to the table nearly 100% of the time. And, how many times do we need a bloody squeezebox solo tearing a new one through yet another generic standard. The novelty wears thin quickly. Again, just one chaps opinion and no malice intended. Hey, I’d give body parts for an 11/01/90 release because that was my one and only show (and an absolute maelstrom of primal electronic bedlam)! Seriously, any bad (and there’s enough of it believe you me) is more than balanced by the sort of Dead show you really didn’t get “to that extent” once the basic first set - second set start - drumz - and night y’all format became the template. That show is not that show without Bruce.

    However! Richfield is not Richfield with Bruce… And Richfield is sublime! Fluid, beautifully improvised, absolutely THE show to demonstrate that 90’s Dead was yet one more brilliant facet of this bands prowess and heart. No Bruce. Just Vince, riding shotgun, occasionally spelling when the journey demanded it but otherwise content to listen and compliment and learn. The mix is stunning. I don’t think you could get closer to a “Whithout a Net” like sound field if you tried. The jams are long and liquid. The whole second set is seamless. The Space is scary and haunting and the old warhorse of Stones/Fade is so solid it demands to be listened to, hard. Likewise the Deal set one closer… Perfect! The MIDI work is sublime and complimentary with Eyes and Estimated clocking in almost a half hour of faultless and considered playing before we ease into yet another perfectly realised little ditty. Terrapin… OK I’ll just get it off my chest and say it… yes, I would shag this show if it were possible (and consensual… obviously. Come on, I’m not an animal!) So, as you can probably tell, I really, really like this show. A LOT!

    Second topic. I have been super impressed with the way the Jerry site has been handling its retail experience. Pricing has been incredibly reasonable. Shipping seems to involve a competent courier and they manage things like duty and tax at point of sale which is hugely appreciated by Johnny Foreigners like myself. It’s nice to be able to pick up releases that for the most part aren’t time or volume limited. Being able to pick up the occasional piece of associated art, a t shirt here or there… And to double take at the price not in fear but with incredulity at how reasonable it is… Top marks and I thought I’d just add to the comments bigging up the Jerry releases. You won’t be disappointed.

    I’ll leave you with a remark my wife made yesterday… “I really like listening to the Jerry releases. It just sounds like he’s having a lot more fun than he does with the main band.”

    Now she listens to the Dead because that’s what I play… a lot. And I’m a bastard music tyrant. She’s OK with the Dead, but she likes the Garcia band releases on their own merit, and I think she’s nailed it to be honest. There’s something about Jerry unencumbered by the all consuming Grateful Dead beast that he definitely displays when playing in his side hustle. Feel free to disagree and educate me otherwise.

    PS. I haven’t spell checked or proofed this. It’s too long to do on an iPad and it’s late, and I’m one month away from two years sober and feeling a little chatty. Apologies. If one person enjoys 1% of this splurge… hey. Job done.

    Take care all.

    Peace

    Stephen.

  • #365
    wissinomingdeadhead
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    9/21

    1972

  • #366
    topchinacat
    Joined:
    Hey Danehead!

    Love Denmark! Wife's uncle lived about 15 min from Tondor .... loved Ribe, Skagen, and other ones I can't recall .... and can't get enough of Copenhagen ... been there at least 4x and have a couple of trips planned in the next 2 years .... tcc

  • #367
    That Mike
    Joined:
    Welcome Danehead

    Hi Danehead and welcome! My Denmark anecdote - in the mid 90s my wife was trekking through Europe with her then hubby, and travelling by train in a lovely area just north of Copenhagen, when she runs into her brother-in-law on the train, who was touring over there as a wanna be musician. She had no idea he was there, because he was living in South Carolina (still does), and she was living in Toronto. Small world.

    Gary - Your mention of Oteil makes me think of an album I played the other day that features him - Vida Blue (who was a great pitcher in the day, but I digress). An interesting little band with Page McConnell from Phish, a pretty jazzy sound. Worth a listen if you find it.

    Played Bombino “Live in Amsterdam” this morning- one heck of a guitarist, thanks again DHBrewer for the heads up on this guy.

    As for unruly people at concerts, you see it constantly at movie theatres, but I find venue makes a difference - if it is one of the 100+ year old opera style houses that every town has, with ornate Victorian design, I find the bands they book tend to draw a better group of fans, less disruptive. The arena shows are a free for all. Noise, talking, phones. I don’t go to many shows anymore, more because the ticket business would be more honest if it was run by the Mob, just crazy now, but truth is, most of the performers I like have either hung it up, or shook this mortal coil. I actually feel bad that young people didn’t have the joy of lining up for tickets, meeting other like minded fans in the line (not scalpers), and the joy of walking away with actual tangible tickets you could flash like a badge to your buddies.

  • #368
    1stshow70878
    Joined:
    On Aging

    When we were young, "Why am I here?" was the big existential question.
    Now it's what I ask myself when I walk into the other room and can't remember what I went in there for. Wife laughed when I told her this a few minutes ago and said you gotta tell the Deadheads that. So I did. Pretty good, I remembered why I started this post. Score!
    Cheers

  • #369
    Gary Farseer
    Joined:
    Hallo Copenhagen

    Welcome! As others have said "You Can Jump Right In."

    Speaking of Roger Glover, I post on here about a great show I saw at the Saenger Theater in New Orleans, in May (?) 2003. It was a Govt Mule show in tribute to Allen Woody, bass player for the Allman Brothers Band and then Govt Mule. Allen Woody had passed away three years earlier and it was a devastating loss. So Warren Haynes had this tribute called "The Deepest End." He invited bass players from many genres to join the tribute for Allen Woody. I always recommend people get the dvd/2cd set as it is an incredible journey in music. Here is a list of the bass players that played that night:

    Jack Bruce
    Oteil Burbridge
    Bootsy Collins
    John Entwistle
    Flea
    Roger Glover
    Mike Gordon
    Larry Graham
    Stefan Lessard
    Dave Schools
    Mike Watt
    Willie Weeks
    Chris Wood
    Jack Casady
    Les Claypool
    Billy Cox
    Alphonso Johnson
    Phil Lesh
    Tony Levin
    Me'shell Ndegeocello
    Jason Newsted
    George Porter, Jr.
    Rocco Prestia
    Dave Schools
    Chris Squire

    Maybe that will entice some bass players (Alvarhonso?, maybe OB Wan)) to give it a listen. It was a great show but it was Jazz Fest, so it was long, clocking in at over 8 hours. No way I could do that today.

    Edit: Walked away and then confused Roger Clover for Glenn Hughes. Hate that the ole control panel circuits are fraying.

    Dave Rock: I agree 100%. Even though the body breaks down, I too am happier today than any other time in my life. Well, except in shorts bursts of Grateful Dead shows and all its accoutrements.

  • #370
    daverock
    Joined:
    Greetings

    I had a good time in Copenhagen during my brief visit many decades ago. 1981, in fact. Jesu, the days we have seen.

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Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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Submitted by kemo on Tue, 07/18/2023 - 09:41

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My Guess is the bonus material is from 12/4/79 from Chicago after space. We got the Estimated /Frankiln’s / Jam pre drums on No. 31. But it looks tasty. I dig me some early Brent.

Sweet, looking forward to this one. A little December 79.

How did you know LMG?

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Submitted by itsburnsy on Tue, 07/18/2023 - 09:49

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Fall of '79 is super under rated. Jerry was really trying to show the new kid how to play, there was soooo much good music on this tour, really, the best Brent tour until Spring of '90. Been waiting for Fall '79 since the early days of Road Trips. Now what about Pittsburgh Dave? That was the best show of the tour?

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Submitted by alvarhanso on Tue, 07/18/2023 - 10:21

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Of Billerica is only logical, Dave. I have been told by natives (who laughed at my own use of Bill-erica), that it is pronounced Bill-rick-a. They have some strange pronunciations here, I just laugh and move on while trying to make a mental note of that "correct" way to say something.

Was not a huge fan of DaP 31, the Jack a Roe and the filler jam is about all I recall from it. Listening to the Lazy Lightning now, and Bob mumbles through some verses, the sound of cassette hissing away. But will definitely give it a good listen when it comes. Don't think it will get near the workout DaP 45 and HCS box will, but I like random shows to pull out for a change, too. This could fill that need.

Don't Ease is not a favorite of mine by any means, but a band I was in started doing it, and I came to like it more then. Especially when we found it is a perfect way to do a stop on a dime segue into The Other One. So, I could see an encore version working well for a rocking closer. At least it's not yet another Around and Around.

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Submitted by wissinomingdeadhead on Tue, 07/18/2023 - 10:54

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For 12/1 however any fall '79 show is worth a listen or two. I guess it's time to play DEAD & play DEAD loud. Happy Tuesday to all you kind folks out here in DEADLand.

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Submitted by Oroborous on Tue, 07/18/2023 - 11:02

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instead of sea side chat lol

I remain hopeful about this one, but apprehensive…

ha ha, yes you've bottled that up appropriately: Bill-rickaaaah

Others that fall into the same category 'round these parts:

Stoneham = Stone-um
Worcester = Wust-ahhh
Woburn = Wuuuu-bern or just 'The Woooo'
Peabody = Pea-biddy
Cape Cod = Down The Cape

Just to name a few.

Bring on DaP 47!

From Greater Beantown,
Sixtus

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Submitted by jjc on Tue, 07/18/2023 - 11:12

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Dave is Canadian we will give him a break on that pronunciation. God Bless The GD Grateful Dead!

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Submitted by Angry Jack Straw on Tue, 07/18/2023 - 12:11

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Unless I am wrong from long ago. What about

Haverhill: Have - rill

Leominster: Lem-in-stir

Gloucester: Glaw-stir

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Submitted by Thin on Tue, 07/18/2023 - 12:28

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Hi All - Haven't been here forever - hope all's well.

I like the 1979 energy. I just wish they didn't have to use cassette masters...

Most interesting was Dave's tease at the end about DaP48 - he seemed ESPECIALLY excited about that one: "I will see you here in 3 months for the DaP48 announcement. That's a Doozy! Gonna be a lot to talk about on that one!" What is it? Special guest? Special missing reel was returned to the Vault?? What could it BE???

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Submitted by Mr. Ones on Tue, 07/18/2023 - 12:33

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In Med-fid.
Grandparants lived in Stone-um
They went round dancing in Woo-bin
Other family lived in Scituate (that's Sitch-you-It)
Vacationed in Barnstable-Bon-sti-bull
Enough!!

I will give Dave's 47 an unbiased listen, and probably tell Y'all what I think. Not that anyone would care!! :)

Music is the Best!!

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Submitted by nitecat on Tue, 07/18/2023 - 13:10

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More Dead Head TV released on DreamsWeDreamed dot com:

Kezar Stadium: Two Historic Grateful Dead concerts (just in time for the 'Sunshine" box!)
Dan Healy interview part three
Spring Tour 1989 Report part one
Dead Base: the Origins of the "Taper's Bible"
The Dead News May 1989

Enjoy!

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Submitted by Edwin on Tue, 07/18/2023 - 16:35

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It is indeed pronounced Bill-Rick-A. I saw that night (from right in front of the very low stage) and the next at UMass. Great shows! Apparently no soundboards exist, but one can hope.

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Submitted by FiveBranch on Tue, 07/18/2023 - 17:29

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I've never heard a late '79 show I didn't enjoy sitting down with and I'm sure this will follow in kind. Regarding DaP 31 (12/3/29), a great show but a recording where the vocals are disembodied from the instrumentation-- reminds me of that Journey arcade game where you have to connect the heads to the instruments. A definite damper when you have so many other official shows to choose from. This release however sounds much more balanced. Not as dynamic as RT Vol3#1 (12/28/79), but nothing that will keep me from giving it a listen when the mood strikes. Looking forward to it. A nice antidote to all that boring '73 stuff!

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Submitted by SPACEBROTHER on Tue, 07/18/2023 - 18:06

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Always happy to see a new Brent era release and 79 was a good year.

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Submitted by Gratefulhan on Tue, 07/18/2023 - 19:06

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I love 1979 Grateful Dead, especially this whole fall tour. I am know I am not the only one who is slightly disappointed about not getting 11/30 and/or 12/1. Again this is minor as this show intrigues me. I have never heard it and now I am really curious about the jam that comes out of Saint of Circumstance. And what about a 2nd set composed 7-8 songs pre-drums??? I don't think that happened too often post-hiatus. I am really looking forward to this one.

The extra nugget is the post drums segment from 12/4/79, at least I think it is. We got the Estimated Prophet > Franklin's Tower > Jam > as bonus material, so now we can close out the 2nd set of that show. We are just missing the China Cat > Rider and LLR that opens the 2nd set. Still with the extra material on this release this is not a bad little nugget to have.

I am glad I have some time before this release makes it to my mailbox as I am still taking in the here Comes Sunshine box. Those shows on that box are wonderful.

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Submitted by DeadVikes on Tue, 07/18/2023 - 19:21

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Hey Thin, good to hear from you.

I think there is a possibility they used Plangent on this one as they did with Dave's #39, the 83 Philly show (MSG box as well). Cassette masters with the Plangent process makes a big difference.
We will see....

#48, I think he breaks into 91.

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Submitted by Lovemygirl on Tue, 07/18/2023 - 19:21

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…in part of the art department. I graduated college, ‘ Cooper Union’ NYC , had full scholarship!

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Submitted by Lovemygirl on Tue, 07/18/2023 - 19:47

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… Dicks picks 5 is a favorite of mine! I Love 1979 Grateful Dead! Every release the Dead has been released to date are All, in Dave’s Words, “top tiers” performances from the Grateful Dead as a whole Band gives me the feeling of opening the “doors of Perception ind my mind! 1979 , especially December of 79’ is filled with’Primo Shows! Betty recorded 12/26/79 , the source used for Dicks Picks #5.
Sure wish this was a Betty board but I’m just grateful for the release no matter who recorded it, Healy, did Dave’s Picks #47, which the Dead uses for our next pick in the series!
“Smile Smile Smile “ my brother and sisters, I believe everyone is going love this latest pick!
Peace be with you all!

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Submitted by Vguy72 on Tue, 07/18/2023 - 21:19

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....there is a Lost Saint.
I kinda forgot about that pick.
And that's on me.
Making up for lost time currently.
#3046.
Refresher course.
Better late than never!!
Lots of good music out there if you look at it right. And I tend to be all over the place recently.
Let's call it a mydland life crisis.
Extra nugget? Well, I've got one right here.

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Submitted by Walstib79 on Wed, 07/19/2023 - 07:57

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My first show was on 11.9.79 and these early shows with Brent are so sweet as he feels his way around with the band. Phil was playing so well in this time period that you can shred your speakers just to add a little more Phil.

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Submitted by Crow Told Me on Wed, 07/19/2023 - 08:41

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The '60s didn't really end until 1974 or so, and the '90s didn't start till about '92. And I think the '80s got started in '79, at least as far as the GOGD was concerned.

It's kinda weird, isn't it, the way we obsess on numbers that end in zero? The way we pretend the world changes every ten years as soon as the calendar flips over to a year with a zero? Too bad our civilization didn't stick with roman numerals, everything would be different,

Anyway, glad to hear 47 is an '80s show, even if this one took place in '79. I think it's appropriate that Dave tries to represent different eras, and we were overdue for an '80s. I also think that, in this case at least, his interest in unusual set lists is likely to pay off: lots of then-new tunes on this one, and the unusual second set will be a breath of fresh air, for me, anyway. Looking forward to this one!

Meanwhile still working through the HCS box. (No defective discs so far, praise ye gods.) Like a lot of people, I was surprised and blown away by the excellence of that Des Moines show! What's that expression about "the strangest of places"?

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Submitted by Jason Wilder on Wed, 07/19/2023 - 08:54

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But we all are waiting for 12/1/79. But still, I am open to more December shows. Good energy. Another tidbit from 12/4/79 (is he gonna piece the whole show together via bits & pieces a la 3/24/90?). But speaking of '79 shows we want, I'd love 2/17/79. K&D's finale.

Still, we have had our 2 K&D shows this year (1 without Mickey, 1 with), and now a Brent. Does he go Pig or Bruce (for the first time?) for 48? A sneaking feeling #48 may be some 1970 Allman Brothers/Dead (2/11 + completing 2/13 or 2/14?). The 1973 HC sunshine box has me hoping that there was a breakthrough with the ABB on some stuff.

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Submitted by SPACEBROTHER on Wed, 07/19/2023 - 10:06

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Also Watkins Glen. I've been getting promotions for a Woodstock type documentary for the Watkins Glen performances coming out this year. Hoping all the music sees a release this year, including the Allman sets from RFK. Wake of the Flood 50th will also be announced soonish so there's definitely more 73 coming out this year.

For completing 79 Dead show releases there are a bunch on that first Road Trips plus hopefully a rerelease of the download shows that came out from that tour that were briefly available.

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Submitted by Edhead70 on Wed, 07/19/2023 - 16:43

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interesting pick, it already floats around freely traded and in good to excellent quality depending your source. same with almost everyting in the 73 box set. i got it, and compared to the bear boards, miller re dos, etc the shows dont sound that much better if they do at all. i have nice 73 box set if anyone wants one... reach out to me.

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Submitted by alvarhanso on Wed, 07/19/2023 - 21:28

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Mid-song second set. Had some friends there. I've always wondered about it, especially with Walnut Creek '97, a legendary Phish summer show in Raleigh on 7/22/97, with an epic thunderstorm and lightning struck the lawn or very nearby during Taste. Nobody hurt, but Phish played to the storm. Then played an unbelievable second set. Sadly, tonight went unfinished. Interestingly, String Cheese made their debut at the same venue in Wilmington last Spring and one night was stopped due to storms with the band playing a set backstage and livestreaming it on Instagram and Facebook. In 2017, was in Atlanta for Cheese and we got dumped on both nights, but the first night was far worse. Full on July Southern Thunderstorm, and my most vivid memory is running back to my car in the pouring rain and feeling I was dodging lightning to put my camera back in my car (them was the rules for my photo pass). When I went back in, I was getting a bit of shelter from the storm for a bit and overheard the stage manager being told they got lucky as the radar showed the storm moving away, one more close lightning strike and they would have shut it down. Luckily for us, it was not. A fantastic show, really inspired, as the band was loving those of us who remained dancing in the pouring rain, while a lot of people crammed under the bit of shelter at the back of the amphitheatre.

Anybody remember any times they personally or knew of Dead shows getting stopped due to storms? I know Red Rocks one year got moved to McNichols Arena in Denver, and SummerFest '78 was cx'd, but they never started.

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Submitted by carlo13 on Thu, 07/20/2023 - 01:45

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I'm hoping the billerica clue will come to fruitation. I'm not sure how many times thy played there, but the 1989? Tape I have has an amazing setlist. That tape given to me in the late 80s? A deadhead friend gave it to me, and I was hooked ever since.

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Submitted by JoeyMC on Thu, 07/20/2023 - 07:49

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#47 is $10 less than #46, so there's that, which I don't understand. I think they'll both be around a while, and I hope I'm wrong. Maybe 47 goes first.

It seems the Grateful Dead played Billerica only once, in May of 79 so I'm not sure whats going on there.
5/11/79

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Submitted by L. Mo. on Thu, 07/20/2023 - 10:11

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Took 6 months for 45 to sell out, and 46 is still available. Take your time. Forget about Dave’s comments about 48, it’s 50 I want to know about.

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Submitted by carlo13 on Fri, 07/21/2023 - 00:01

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You are right. I remember the Estimated on my tape. It's the most incredible Estimated I've ever heard, in my opinion. The tape I obtained was unlabeled, so it was hard to pinpoint which show it was taped from, especially back in the day. Thanks for clearing that up. P.S. - when I mentioned 1989?, I was eluding to the time I obtained the tape, and was clueless to what show was actually on it. I started going to dead shows in 86' but started collecting tapes around 88' or 89'.The billerica tape was the tape that got me to dig my heels in, and really start to collect and trade shows.

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Submitted by Sixtus_ on Fri, 07/21/2023 - 08:07

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Billerica is a good show - I recall this had come up on here a few years back and I dove in then and am re-listening now. Good FOB and I've cranked the sub. Setlist right up my alley; Half Step>Franklins opener, LL>Supp, Peggy'O; a massive Shakedown, Estimated>Eyes and a powerhouse trio to finish it off. No encore this evening.....

...Dave?!?!?

Be Well People!
Sixtus

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Submitted by 1stshow70878 on Fri, 07/21/2023 - 11:09

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Tony Bennett was 96. RIP
The best of the crooners.
Cheers

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Submitted by billy the kiddd on Fri, 07/21/2023 - 14:32

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Carousel Ballroom 1968

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7 years 7 months

Submitted by carlo13 on Fri, 07/21/2023 - 16:19

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Cool. I'll check out the C. Miller Tr. on archives.

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12 years 1 month

Submitted by Dennis on Fri, 07/21/2023 - 16:40

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Third man records is releasing a syd barret collection on vinyl.

Has anyone got their garcialive 20 yet?

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14 years 1 month

Submitted by luis on Fri, 07/21/2023 - 18:43

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Hello. I got a question. Although my "name" is Luis ( in spanish), I've never been in St Louis. I dont know why the cover has what looks like something in honor of a a dog. but I don't know.-:)

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17 years 5 months

Submitted by Vguy72 on Fri, 07/21/2023 - 19:04

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....got it about a week ago. Love it.
The AC broke at work today. Hate it.
Got home. Turned the shower to the coldest I could handle to help cool my core. AC set to 75.
Brain got a little scrambled.
I'm good now.

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9 years 3 months

Submitted by bluecrow on Fri, 07/21/2023 - 19:10

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Luis - that's a Missouri bear sculpted of limestone by Robert Cronbach. One of two, slightly different pose for each, at the entrance to the Kiel Opera House. There are 2 grizzly bears in the Missouri state seal. The Cronbach bears seem a bit chill for grizzlies. One of them in fact reminds me of my (late) dog Spirit, a very good dog, in his demeanor.

Listening to Set II on the Rolfe pull/Miller upload of Billerica 5/11/79. Wowza. Very very nice.

Edit - actually 3 grizzlies in the Missouri state seal. One small representation on all 4 paws, and 2 larger ones standing.

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Submitted by luis on Fri, 07/21/2023 - 19:55

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Yes, I've just Saw It on wikipedia. Also un other article They say that the population of the Missouri Bear is increasing, lately.

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