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    Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


    By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


    Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • That Mike
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    Mighty Mickey

    Whenever I take an excursion into some “World music”, as I did this week, I inevitably circle back to Mickey Hart’s discography, and I always gain a renewed appreciation for Mickey’s incredible talent and gifts to drumming. Not just his playing - first rate - but his contributions such as his field recordings, and his own wonderful releases featuring rhythms not often heard in traditional Western music. I played both RAMU and In The Groove, and just incredible the drummers he assembles on these recordings, and evokes this marvellous sound from. Usually any “drum solo” in a concert is washroom break for me, but Mickey really brings something otherworldly into drumming. Posters will argue forever if the Dead were “better” with just Bill, or just different, at a time when the stripped down sound of Beauty/Workingman’s called for less. To me, what always drove the Allmans sound was the duo of Jaimoe & Butch, and I think it more true in the Dead with both Bill and Mickey. He has an incredible catalogue, some really interesting stuff that sometimes is exactly what you need to hear. I could never imagine him just being a drummer in some band, playing a twenty song gig, rinse, repeat.
    Recommended - “Drums of Passion” by Babatunde Olatunji, recorded in 1960, a favourite of Santana and Coltrane evidently. Excellent World sounds.

    Closer to home, my “Next due”: Buddy & Julie Miller’s new release. An understated guitarist I saw once with Plant & Krauss, a fan ever since.

    “Timothy Leary’s dead. No, no. He is outside looking in.”
    And he was a poser, and did nothing for the psychedelic movement.

  • jonathan918@GD
    Joined:
    Dave's #47

    I've been spending a fair amount of time with this one the last couple of weeks and to my ears this thing cooks!! I love the fact that DL and crew plan on hitting this era again when the time is right. 1979 GD has plenty to offer!

    Also, I guess the fact that I didn't start getting tapes from my older brother and friends till 1988 has been a blessing and enabled me to "love it all"

    I seen the band 17 times from 91-95 and loved every minute of it! I loved calling the hot line for set list of prior shows on a tour so i could try and call the openers or encores!

    I know 94-95 was a real hard time for Garcia. I remember on night at Philly Spectrum, 3/19/95 (UNbroken Chain breakout) during Crazy Fingers, that I thought Jerry was going to literally fall right through the mic stand and off the stage!

    As a proud member of Alcoholics Anonymous, I understand the abyss of addiction. It saddens me that Jerry was stuck in hotels and Persian was his refief.

    He was trying to get clean but, it was not to be.

    So, I hope I didn't get to heavy on that topic. Just sitting here drinking coffee and spinning Dave's #47

    Hope all is well with everyone.

    Rock on, gang!

  • JoeyMC
    Joined:
    I'm listening to 47 again,…

    I'm listening to 47 again, it's better than I originally thought. The Black Peter> I Need A Miracle is quite something.

    I see the Jerry people are selling Three Hundred Dollar photographs ? I usually credit them with not charging stupid amounts of money for stuff, like a hatchet for instance...

    Leary is shit.

  • daverock
    Joined:
    Beware of believers

    It seems to me that people who are 100% in favour of anything are a bit deluded. Most things have pros and cons. It pays to be wary of people who think they have the answer and try to influence other people to see things the way they do. There was an awful lot of that in the 60's - including people who were either in favour or against acid. As Charlie Watts once said - it's unfortunately very easy to con the young.

    Mention of the 13th Floor Elevators - hugely entertaining if you like that kind of thing, but whether Roky Erikson would have been happier if he hadn't taken psychedelics in the way he did is a mute point.
    In fact, thinking about it, Roky Erikson, and what happened to him serves as a chilling reminder of the negative effects of simple minded evangelism. He appears to have been used as a mouthpiece for non musician Tommy Hall, about 10 years his senior, to spread the gospel according to Tommy Hall. Which seemed to revolve around taking psychedelics 24/7. This had such a profound effect on Erikson, that by the end of the 60's he apparently took to the stage with a band aid wrapped round his head to close his 3rd eye, and dim the hallucinations. Enter what we used to laughingly refer to as "straight society" who incarcerated him and fed him a diet of their medication. Shocking mistreatment and manipulation all round.

  • JimInMD
    Joined:
    With a tip of the hat

    and a wink to Bear, Skully, Sands and the Brotherhood of Eternal Love. Honorable mention to the Jimi Hendrix, the 13th Floor Elevators, the Grateful Dead, the Jefferson Airplane, Monterey Pop, Woodstock,.. (this list could get long). It would have happened without Leary, once the CIA opened the spigot to the general public, it was game on.

    I blame my brother and my friends.. but Mama Tried to raise me better....

    True, Leary did not help psychedelic research one bit.. nor did Nixon, Manson or Altamont. For good or for ill, the War on Drugs was the nail in the coffin that closed the door for scientific research for more than four decades.

  • Vguy72
    Joined:
    Barnum....

    ....spot on review. Good job.

  • daverock
    Joined:
    Tangerine Dream

    PT - great review, cheers. The last time I saw them was the last time they played in England with Edgar Froese - must be about 10 years ago. Good to read that they are still out there.

  • PT Barnum
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    speaking of psychedelic research

    caught Tangerine Dream Monday night at the Orange Peel in Asheville, Nc. A small to medium sized venue holds 1000 people SRO. There were seats set up on most of the floor and mostly people sat for the show. There were of course several standing as seats were an extra 15 and the standing area was actually a really good view. I ventured back there from my seat a couple of times and the sound was intense but not too loud to annoy, but you could feel the low notes and was said that the room sounded great in E so the ending jam was in E to E flat, some bone shaking vibrations that were tremendous. I hadn't felt anything like it except maybe when Mickey would hit those low notes on the Beam, right through you and could feel it in your chest, so good. There were 2 screens, one on each side of the stage, that had some really cool graphics going on, melting and fractals swirling along with the music.
    The set list was taken from their website as I only recognized three of the tunes that they played. Love on a Train from Risky Business, Raum and Phaedra.
    Improvised intro>Los Santos City Map>Continuum>Love on a Train>Raum. A pause for lots of applause. Then right back at it, No Endings>Betrayal(Sorcerer Theme)>Rare Bird(1st time played on tour)>Portico >Choronzon. More applause as the three members took a slight pause and accepted everyone's love. The band is really jelling now. Logos Velvet (first time played on tour) Tangram Set (another first)>Cloudburst Flight>You're always on Time>White Eagle>Phaedra. Off the three went for a much deserved break as the 400 or so patrons and I voiced our approval of their performance. Right away, not but a minute or two out they came and showered love on us as being an excellent audience who actually listened. Then as is customary with Tangerine Dream, the encore was an improvised session that lasted about 25 minutes, sometimes turning on a dime and leaving the two screens blank or frozen in place. 2 hrs plus a 25 min improv nice show, highly recommended. Check out their facebook page for more info if interested. Quite a trippy show.

  • simonrob
    Joined:
    Personally...

    I never took any notice of Timothy Leary or Ken Kesey when carrying out my own extensive research into the effects of LSD on my grey matter. 🧠

  • daverock
    Joined:
    Psychedelic therapy

    My understanding - which might be wrong of course - was that Cary Grant took LSD as part of what was called "psychedelic therapy" under the guidance of a psychiatrist. He was clearly an advocate, but not a recreational user in the way people were in the 60's and 70's.

    It's curious, reading about the history of LSD, how it became almost appropriated by Timothy Leary, and to a lesser extent Ken Kesey, who went on to define it's culture, and to some extent how it should be taken. There was nothing in the 1950's to suggest it would become a recreational drug of choice associated with rock music and young people. There is a school of thought that says Leary and Kesey were partly responsible for knocking psychedelic research back decades.

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Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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Thanks for the reminder of the TAMI show. I had a VHS tape of it a long time ago, really enjoyed it. Just ordered the "collector's edition" from Amazon.

Dang might have to drop to take away fear of heights...

I couldnt go there if it has height and no hand rails.

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In reply to by icecrmcnkd

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One of the best things about the 50th Anniversary release of that David Bowie show from 1973 is that it is of the whole show. It includes the "Jean Genie" with Jeff Beck that has never officially been released before. I haven't bought this yet - but hopefully the picture will be a bit better than the dvd, which I thought was a bit grainy.
A good recent live concert on blu ray is "Meltdown" - King Crimson Live in Mexico a couple of years ago.

VGuy, the Chase Center in San Francisco is also very steep. We saw D&Co there for NYE and I was stunned at the height of the nosebleeds.

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In reply to by nitecat

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....the upper bowl at T-Mobile is also pretty steep. But after about ten minutes, I don't even notice.
The Miami Marlins can punch their ticket to the post-season today btw. October is a sports fans favorite month.
Plus, Halloween decorations are awesome.
Chase Center. Heard it's steep as hell with a three foot barrier apparently. A person at a Phish show there in 2021 jumped off it. A bunch of spun fans there witnessed it and decided to leave. Look it up.

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In reply to by proudfoot

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PFoot I am a big fan of SCTV. Recently bought most of their dvds. silly stuff, but really out there. John Candy.

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When the world is running down, you make the best cup of stew around.
Police fans will know.
Loved the Dylan Farm Aid appearance! Mike and the lads were sublime in backing the Bard. He threw a few curveballs. Old ass Bob playing a lot of electric solos - the old bastard found his way around the fretboard and for a guitar player it was an absolute joy to see him get reacquainted with his instrument. I don't think he spent weeks shredding to prepare for this event. It was clumsy as fuck but so endearing. Like an elderly uncle who one cannot get enough of even if he does tell the same stories over and over and certain details change...

Bob is old. The Stones are old. Most of you are fucking old. I'm 54. I'll carry the torch for the Stones and Bob and U2 until the cows come home. Anyone see that U2 thing in Las Vegas at the Sphere? Jesus Christ. Christ himself may book a residency and Elvis and Frank Sinatra and the Stones and everyone else will - just watch. The Beatles were the guinea pig with "Love" and that didn't hold a candle although charming. Orb will be booked solid months in advance. This, my friends, is the future of the live concert experience.

It's not like artists of this caliber or genre are coming along again. It is what it is. Be glad you lived through the golden era of the finest rock musicians that have ever taken the stage.

And btw... what are the chances of a Jerry Garcia led Grateful Dead residency there?

\m/

....for the first time in twenty years.
2020 doesn't count. Shortened covid season.
Been a fan since 1993. Because I didn't have a favorite baseball team then. But I was a Dolphins fan.
Figured I'd get in from the ground floor.
Watching some more of Sphere videos. You want cameras and chompers? You got it. I get it though. Sign O' The Times.
There appears to not be a lighting truss.
At least for The Edge & Co.
The sound sounds good on cellphones though. I will reserve to pass judgment until I witness it firsthand.
It's only a matter of time. I will walk though. There's a secret parking lot less than a mile away that's free. I could use the exercise anyway.

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The Jays just made the playoffs by their chinny chin chins.
We once saw a guy fall from the upper tier of the old Buffalo Aud at a Dead show. No idea how badly they were hurt. Help Is On The Way!
Eight more sleeps until puck drops, boys!
(Sorry DaveRock)

Very impressive. I think at first it will be a novelty. The vids from U2 were nice, but I don't need to see landscape shots while listening to music. This is gonna take someone with vision to show us what it can really do. Pink Floyd could do some wild stuff. The Dead could be awesome. If you could make a moving tie-dye that varies to the music that be way cool. A screen that big should have motion and NOT distract from the music.

The video for With or Without You was cool when it got the part of entering "the eye". The one for streets have no name, so so,,, very nice picture, but, a landscape?

What were tickets going for Vman?

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In reply to by That Mike

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Baseball....the perpetually cruelest mistress known to the sports world

Hockey....two statements: "Let's go Kraken" and "Oh no, not again"

Football....no hate on the Dolphins, but it would be wild if they got shut out today.

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…and for what it’s worth (about 2 cents), I’ve been going to Orioles games since 1968, got ticket stubs to prove it. Go O’s!!
Got my first SERIOUS listen to WOTF bonus disc yesterday. Loved it, but I want to play it at least 8 more times!! I look at it as if it’s an appetizer. Sure , a meal would be great, but sometimes an appetizer is JUST right. Band & recording sound good!!
Let’s go Dead, Orioles, Ravens & Capitals, it’s Fall baby!!

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In reply to by Mr. Ones

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Looking forward to this one.

Mr. Ones, we cannot forget the Terrapins, my favorite mascot in all of sports - beware the turtle. A good year for MD all around. Was at the 7th game of the '71 World Series. Roberto Clemente and those damned Pirates; missed it by that much.

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Went to The Sphere opening night. Phenomenal! Out of body experience with the the portal during with or without you. Get section 305 row 20. You have a wall behind you to get up and boogie without harshing anyone out. The sound is unmatched for any venue even upstairs. U2 did a fantastic show with amazing visuals. Going closing night too in December. A truly unmatched event. Took a taxi, but it was a pain getting one back to Mandalay Bay, but worth every second and every penny! Shout out to Raphael ushering that night. A really nice u2 fan who came out of retirement to apply and work in hopes to see these shows. A good story for a good guy and a real fan. Better than the Silicon Valley Posers in their special luxury level.

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In reply to by JimInMD

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Ummhhmmm, that’s what I’m takin about!
Can you Diggs it!!!
Go Bills!

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In reply to by That Mike

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ThatMike - hey, don't mind me- I'm just peeved cause I can't join in!

Sphere - is this recorded music played in a large venue with visuals projected on to a screen? If so, I'm not so sure it would appeal to me. I like random images on T.V. while I am listening to music - but I have never been too keen on images chosen by other people to go along with music. I was never too keen when they started imposing vaguely psychedelic images onto the screen during those films of Dead shows in the View From The Vault series. Light shows at gigs are another matter.

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In reply to by daverock

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....not worried.
There is this band called Goose playing tonight. Gonna see what all the hub-bub is about. Going in blind. I'll figure it out on the way.
Can you Diggs it. That's the fifth time I've heard that today.
KEMO was present and accounted for.
I do not doubt the sound. I search for it all the damn time. I saw that portal btw. Oh shit.
So many possibilities regarding what an artist/band can put up on that 360 degree screen. It's only just begun.

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Someone mentioned the new British Blues collection here a while back can’t remember who. It came today quite nice. There could be a lot of why nots and how comes but I have most of them on old vinyl , The Anthology of BB from the late 60s is a favorite and plays great after 50+ years. Last century and beginning of this they released a lot of stuff on cd. Graham Bond Cyril Davies Tony McPhee JoAnn and Dave Kelly as well as the usual suspects TYA Animals. Anyway this 3cd set has a bunch I don’t have and a nice booklet. Good price and worth getting if you’re so inclined

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I just went to buy a coffee mug no PayPal? What’s up with that

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Jim, my Maryland brother, of COURSE I cannot forget U of MD. Over the last 50+ years, I have rooted for and enjoyed their men’s & women’s BB soccer & lacrosse teams. In addition to football, baseball & softball teams.
Got my 2nd listen of WOTF Disc 2 tonight (saving Disc 1 for tomorrow), and I’m liking it more than yesterday. Nothing negative to say. It’s a much welcomed snippet of ‘73 greatness.
I attended the 7th game of the 1979 World Series, which we ALSO lost to Pittsburgh, and I ALSO missed it by that much. Damn, only 1 series victory since then, but I’m feeling one this decade for sure, maybe this year, more likely ‘24 or ‘25.
Music is the Best!!
Sports isn’t too shabby either, especially if you love constant heartache!! 😭😱🤷🏼

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Experience vinyl (and others) are offering a 5 lp box of GRATEFUL DEAD - TRUCKIN UP TO BUFFALO: JULY 4 1989.

Looks like it originally came out in 2015,,,, but it's back again. Supposed to be limited and numbered.

Well see,,, coming in two weeks.

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I think it would have to be; 26, Albuquerque - epic show - plus a disc with Pigpen.. 29: Swing - great, great 77 show with the possible greatest "Dew" of them all as bonus.. and (drumroll..) 37; William and Mary 78 - only "dew" of that year and some strong bonus - my farvorite Sugaree..

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having recently defected from the working world, I am beginning to appreciate the need to spend some time & space filling that void; I've spent many a year (lol decades) collecting "live dead", and appreciating the only band in American covering all american music genres: blues, country, disco, folk, jazz, ragtime, rap, rock...my friends always busted on me when I would tell them to listen to Pigpen's rap...so hey now, "the time is right" to join, and maybe share some interesting or laughable comments, remarks, or just utterances. Peace! PS always have enjoyed reading members "last 5"

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I see 3/2/69 and Pure Jerry 8 are being vinylised for Black Friday release.

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Not sure where else to put this, but I am looking forward to 30 Days of Dead almost more than Dave's 48. Let me smoke about it for a while, then I will decide. I've kept my records the past few years, and I usually average about 33%. I don't use enough of the available tools, but I just enjoy the ride.

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In reply to by Colin Gould

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Great news that 3/2/69 is coming out on vinyl.

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In reply to by rasta5ziggy

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Excellent catch on the when the world is running down...had to chase that rabbit.

I always thought (when I was a kid) that it was..."you make the best lover still around."

Dang now "Canary in a coal mine" in my head.

Havent listened to Zenyatta Mondatta in many years.

DR: when was the Police's first English Tour? 1976? or maybe 1977...

Sure the Cramps were full of piss and vinegar. We have something sort of similar: A Band Named Southern Culture on the Skids. They are touring east coast. I saw them several times in the most dive bar you can imagine. Basically a bar around here that I would say, reminds me of CBGB's. Fun as hell, nasty as sh!t.

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In reply to by Gary Farseer

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....the s comment make me laugh.
Goose? They are pretty good, but tend to noodle just a wee bit much. No offense Sixtus. The peaks, however, were very.....peaky and the bass player can drop some legit Bombs. I can appreciate that.
Was talking with a younger couple from SLC. Told them it was my first Goose show, however, I did manage to catch the Dead sixty times. Blew their minds. Older music fan telling tales. I felt like Galdalf. We talked until the start of the set. Hello Anthony & Jacqueline. Y'all cool as fuck.

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In reply to by Gary Farseer

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Gary - I think The Police formed towards the end of 1977. Curiously the three band members, together with Mike Howlett of Gong, played as Strontium 90, and supported Gong at their reunion gig May 1977. So I would think they chnged direction and renamed the band towards the end of '77.

The other day I was listening To Curved Air's excellent Live, from1974. Stewart Copeland was the drummer at this time, as well as being married to stunning vocalist, Sonja Christina. I don't know if Curved Air were well known in America - they were a prog band from the early 70's. A few great tracks-"Vivaldi-Everdance" from this live album is great.

Truth be told, I was more interested in The Cramps than The Police. I saw them in 1981 for the first time, and then about another 6 times after that. I remember the name of Southern Culture On The Skids, but never got round to checking them out. Maybe my job for this morning. It's great when you're retired !

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Hi Dave - first 6 songs from 3/10 - 87 were on VFTV 3.. when do we get the rest of that show.. ? BW

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In reply to by daverock

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AMEN!

Just a note - I have an extra copy of 3/1/69,,,, not so much for sale, but I trade for something good,,,,, Like 5/9/77 Buffalo!

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In reply to by Oroborous

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The remastered 50th Blu-ray looks and sounds great.
Haven’t listened to the CD’s yet.

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Elvis Costello-All This Useless Beauty
West Coast Pop Art Experimental Band-A Child’s Guide To Good And Evil
Grateful Dead-Wake Of The Flood-Disc 1 (see my enthusiastic review in WOTF thread)
Blind Melon-Nico (a fucking great album and artifact and loving tribute)
Miles Davis-Live Directions (boot of ‘71 Swiss concert)

And for the record, I also LOVE when y’all post your last 5’s-sometimes it gives me a direction to go in.

Music is the Best!!

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Last 5
Buddy & Julie Miller - In The Throes
Byrds - Byrd Parts Vol 1
Jesse Ed Davis - S/T
And some “live” music, because sometimes you gotta get your Ya Yas out:
Talking Heads - Stop Making Sense
Steve Miller Band - Live Breaking Ground 8-3-77
(Recorded in Landover, Mr Ones!)
On Deck: Wilco - Cousins
Reading random stuff about the El Mocambo nightclub, it’s history, past musicians who passed through in its history since it opened in the 1940s. U2, who recently wowed at the Sphere, played the El Mocambo in 1980 right after their first release - “Boy”. They were paid $500, and tickets were $3.50. I’ll bet tix at the Sphere were a touch more.

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In reply to by That Mike

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....are you sure about that Mr. Ones? I list a lot of metal.
Cheapest tix for U2 at the Sphere that I read about was $145 in a lottery. Average seems to be around $300.
Phillies are good. C'mon Marlins seeing as how the Dolphins came back down to earth after facing a legit defense.

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4 years 3 months

In reply to by Vguy72

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Rush 2112 side one (like, 4 times)

Black Sabbath Master of Reality (like, 6 times)

Black Sabbath Vol. 4

Motorhead Kiss of Death

David Bowie Diamond Dogs

I did Diamond Dogs at karaoke last month.

Rant

WHY DOES THE U.S. DO DATES 10/3/87 AND OTHER PARTS OF THE WORLD DO 3/10/87???

is it a metric thing or something? U.S. pride and smugness?

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Pretty much since late afternoon on Saturday, all I've listened to is the first 6 discs of the Who's Next | Lifehouse box, mainly the 5th and 6th ones, the Olympic Sessions from May 1971 and the Singles and Sessions across 1970-72. I listened to the remastered album, then the two discs of Pete Townshend's amazing demos for Lifehouse songs. It is just astounding how fully realized his demos were. And the rare songs that were B sides, like Entwistle's When I Was a Boy, and even Daltrey's Here For More are as much a treat as legendary demos tracks like Mary and Greyhound Girl, but even ones I'd never heard of like There's A Fortune In Those Hills and Finally Over. The Olympic disc features a newly returned tape of Naked Eye with Nicky Hopkins and Pete on acoustic. Which reminds me, the acoustic driven songs and Keith Moon's thundering stampede throughout them is simply delightful. Entwistle's genius shines on his wonderful basslines, great horns arrangements and playing, and love the single tracked vocal versions of My Wife. Notably, the Record Plant Sessions of March 1971 have a lot of the chatter left, demonstrating the fraying relationship with Kit Lambert. After those sessions, he never actually produced the band again. There's also an April 1971 show at the London Vic, and December 1971 at San Francisco Civic Auditorium. The talk on the Steve Hoffman forums has me leery of diving into that. But I must say, the balance of the studio stuff and demos of the first 6 discs, I'm more pleased with the sound than their chatter on those led me to believe I would. But gonna approach the live recordings with open ears. Maybe their audiophile ears aren't as adaptable as mine, thanks to years of listening to the worst Duane Allman era ABB tapes (or Derek & the Dominos for that awful sounding Tampa recording), or even Who tapes (my dad's first in Charlotte November 1971 on this tour), so it sounds good to me. Moon sounds great, as does Entwistle. So, I'm loving it thus far.

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10 years 9 months
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I'm so jealous you saw that. That must've been one of Entwistle's last performances. I have the dvd of the Mike Gordon film Rising Low about that album project and bass legend tribute to Allen Woody. Great stuff. Think there were deleted scenes that made it much better, could only interview that many bass players for so long in the movie. Not a huge Mule fan, but Warren is a great guy, and he's really been a bridge to different worlds of music for a long time, that project brought together guys nobody would ever think of playing together. Unbelievable that you got to see the culmination of all of that! Lucky dog!

GD didnt play Scarlet Fire in 76.

I also see how you put 76 at the front of the date. You clever....

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17 years 4 months

In reply to by proudfoot

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....habits man. Took out the political rant as well Butthead. Huh, huh, huh. Edited.
I'll shake your hand one day dude. We're in the same time zone ya dingus!

Here's my last 5

World Music - Goat

Real Men's Guts vs. The Smell of Female live 2/26/83 - The Cramps

Classic Early Recordings 1948-1951 - John Lee Hooker

Rubbles Vol. 18 Rainbow Thyme Wynders - Various

The Future Never Waits - Hawkwind

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9 years

In reply to by daverock

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The correct way to write dates is year-month-day.
1987-10-03.
That way a computer will keep the list of all the shows on your hard drive in chronological order.

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10 years
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DaveRock- I saw AllMusic has a review for a newly released box set by Hawkwind, called “Space Ritual (50th Anniversary Edition)”. Per the write up: This massive 11-disc package offers exhaustive evidence of the band's early period, showcasing remastered sound and many bonus concerts.
I personally don’t know their music, had a Prog-loving buddy in high school all those years ago that liked them. Enjoy!

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