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    Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


    By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


    Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • That Mike
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    Mighty Mickey

    Whenever I take an excursion into some “World music”, as I did this week, I inevitably circle back to Mickey Hart’s discography, and I always gain a renewed appreciation for Mickey’s incredible talent and gifts to drumming. Not just his playing - first rate - but his contributions such as his field recordings, and his own wonderful releases featuring rhythms not often heard in traditional Western music. I played both RAMU and In The Groove, and just incredible the drummers he assembles on these recordings, and evokes this marvellous sound from. Usually any “drum solo” in a concert is washroom break for me, but Mickey really brings something otherworldly into drumming. Posters will argue forever if the Dead were “better” with just Bill, or just different, at a time when the stripped down sound of Beauty/Workingman’s called for less. To me, what always drove the Allmans sound was the duo of Jaimoe & Butch, and I think it more true in the Dead with both Bill and Mickey. He has an incredible catalogue, some really interesting stuff that sometimes is exactly what you need to hear. I could never imagine him just being a drummer in some band, playing a twenty song gig, rinse, repeat.
    Recommended - “Drums of Passion” by Babatunde Olatunji, recorded in 1960, a favourite of Santana and Coltrane evidently. Excellent World sounds.

    Closer to home, my “Next due”: Buddy & Julie Miller’s new release. An understated guitarist I saw once with Plant & Krauss, a fan ever since.

    “Timothy Leary’s dead. No, no. He is outside looking in.”
    And he was a poser, and did nothing for the psychedelic movement.

  • jonathan918@GD
    Joined:
    Dave's #47

    I've been spending a fair amount of time with this one the last couple of weeks and to my ears this thing cooks!! I love the fact that DL and crew plan on hitting this era again when the time is right. 1979 GD has plenty to offer!

    Also, I guess the fact that I didn't start getting tapes from my older brother and friends till 1988 has been a blessing and enabled me to "love it all"

    I seen the band 17 times from 91-95 and loved every minute of it! I loved calling the hot line for set list of prior shows on a tour so i could try and call the openers or encores!

    I know 94-95 was a real hard time for Garcia. I remember on night at Philly Spectrum, 3/19/95 (UNbroken Chain breakout) during Crazy Fingers, that I thought Jerry was going to literally fall right through the mic stand and off the stage!

    As a proud member of Alcoholics Anonymous, I understand the abyss of addiction. It saddens me that Jerry was stuck in hotels and Persian was his refief.

    He was trying to get clean but, it was not to be.

    So, I hope I didn't get to heavy on that topic. Just sitting here drinking coffee and spinning Dave's #47

    Hope all is well with everyone.

    Rock on, gang!

  • JoeyMC
    Joined:
    I'm listening to 47 again,…

    I'm listening to 47 again, it's better than I originally thought. The Black Peter> I Need A Miracle is quite something.

    I see the Jerry people are selling Three Hundred Dollar photographs ? I usually credit them with not charging stupid amounts of money for stuff, like a hatchet for instance...

    Leary is shit.

  • daverock
    Joined:
    Beware of believers

    It seems to me that people who are 100% in favour of anything are a bit deluded. Most things have pros and cons. It pays to be wary of people who think they have the answer and try to influence other people to see things the way they do. There was an awful lot of that in the 60's - including people who were either in favour or against acid. As Charlie Watts once said - it's unfortunately very easy to con the young.

    Mention of the 13th Floor Elevators - hugely entertaining if you like that kind of thing, but whether Roky Erikson would have been happier if he hadn't taken psychedelics in the way he did is a mute point.
    In fact, thinking about it, Roky Erikson, and what happened to him serves as a chilling reminder of the negative effects of simple minded evangelism. He appears to have been used as a mouthpiece for non musician Tommy Hall, about 10 years his senior, to spread the gospel according to Tommy Hall. Which seemed to revolve around taking psychedelics 24/7. This had such a profound effect on Erikson, that by the end of the 60's he apparently took to the stage with a band aid wrapped round his head to close his 3rd eye, and dim the hallucinations. Enter what we used to laughingly refer to as "straight society" who incarcerated him and fed him a diet of their medication. Shocking mistreatment and manipulation all round.

  • JimInMD
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    With a tip of the hat

    and a wink to Bear, Skully, Sands and the Brotherhood of Eternal Love. Honorable mention to the Jimi Hendrix, the 13th Floor Elevators, the Grateful Dead, the Jefferson Airplane, Monterey Pop, Woodstock,.. (this list could get long). It would have happened without Leary, once the CIA opened the spigot to the general public, it was game on.

    I blame my brother and my friends.. but Mama Tried to raise me better....

    True, Leary did not help psychedelic research one bit.. nor did Nixon, Manson or Altamont. For good or for ill, the War on Drugs was the nail in the coffin that closed the door for scientific research for more than four decades.

  • Vguy72
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    Barnum....

    ....spot on review. Good job.

  • daverock
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    Tangerine Dream

    PT - great review, cheers. The last time I saw them was the last time they played in England with Edgar Froese - must be about 10 years ago. Good to read that they are still out there.

  • PT Barnum
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    speaking of psychedelic research

    caught Tangerine Dream Monday night at the Orange Peel in Asheville, Nc. A small to medium sized venue holds 1000 people SRO. There were seats set up on most of the floor and mostly people sat for the show. There were of course several standing as seats were an extra 15 and the standing area was actually a really good view. I ventured back there from my seat a couple of times and the sound was intense but not too loud to annoy, but you could feel the low notes and was said that the room sounded great in E so the ending jam was in E to E flat, some bone shaking vibrations that were tremendous. I hadn't felt anything like it except maybe when Mickey would hit those low notes on the Beam, right through you and could feel it in your chest, so good. There were 2 screens, one on each side of the stage, that had some really cool graphics going on, melting and fractals swirling along with the music.
    The set list was taken from their website as I only recognized three of the tunes that they played. Love on a Train from Risky Business, Raum and Phaedra.
    Improvised intro>Los Santos City Map>Continuum>Love on a Train>Raum. A pause for lots of applause. Then right back at it, No Endings>Betrayal(Sorcerer Theme)>Rare Bird(1st time played on tour)>Portico >Choronzon. More applause as the three members took a slight pause and accepted everyone's love. The band is really jelling now. Logos Velvet (first time played on tour) Tangram Set (another first)>Cloudburst Flight>You're always on Time>White Eagle>Phaedra. Off the three went for a much deserved break as the 400 or so patrons and I voiced our approval of their performance. Right away, not but a minute or two out they came and showered love on us as being an excellent audience who actually listened. Then as is customary with Tangerine Dream, the encore was an improvised session that lasted about 25 minutes, sometimes turning on a dime and leaving the two screens blank or frozen in place. 2 hrs plus a 25 min improv nice show, highly recommended. Check out their facebook page for more info if interested. Quite a trippy show.

  • simonrob
    Joined:
    Personally...

    I never took any notice of Timothy Leary or Ken Kesey when carrying out my own extensive research into the effects of LSD on my grey matter. 🧠

  • daverock
    Joined:
    Psychedelic therapy

    My understanding - which might be wrong of course - was that Cary Grant took LSD as part of what was called "psychedelic therapy" under the guidance of a psychiatrist. He was clearly an advocate, but not a recreational user in the way people were in the 60's and 70's.

    It's curious, reading about the history of LSD, how it became almost appropriated by Timothy Leary, and to a lesser extent Ken Kesey, who went on to define it's culture, and to some extent how it should be taken. There was nothing in the 1950's to suggest it would become a recreational drug of choice associated with rock music and young people. There is a school of thought that says Leary and Kesey were partly responsible for knocking psychedelic research back decades.

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Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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In 11/20/71. When I first saw this rumor a couple hours ago here, I looked up the setlist hoping it had a Dark Star. Nope, almost the same setlist from Albuquerque. Which, I loved DaP 26 11/17/71 and 12/14/71. I'd be surprised if this is better, and if it's not, then I'd have rather had something from earlier in 1971, before Keith. April or something from summer, as those August shows on DiP 35 are smoking. But also admit to wishing that crap about 48 rhyming led to a release from 1968. This is also another missed opportunity for 8/4/76 to come out of the Vault. If there's a grayed-out silver lining, I hope Bill Walton again submits the liner notes. He'd be happier, as his team went undefeated that year, as opposed to the crushing defeats to come in the season following the 1973 show, which I think he brought up in those liners. Love Walton and his thirst for life. Wish I had that attitude about this release, just nonplussed about it.

46 was by far the Pick of the Year, and among the best in the series, IMO. That was a tentpole show I didn't know I needed to know. I like it better than the Baltimore (9/17?) DiP and Waterbury (9/24?) from 30 Trips. Wonderful companion to 9/21/72 DiP 36 (which didn't really need a companion with that excellent filler from Folsom Field). Off to pick up my replacements for HCS, minus d1 of 5/13, which they ran out of replacements for... But well under the 8 weeks they told me it could take, so that's good.

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Boy howdy and hot damn but didn't Billy Strings do a show in Sacto last night. Three and a half hours of music, with no break.

(At what would've been the set break, he just walked to the front of the stage, said he felt like picking, and asked the fans for requests. He wound up doing ten songs, completely off the cuff, mostly bone-basic roots stuff like John Henry and Beaumont Rag. All great!)

Man, that cat can play some guitar. And his band really jams: they took numbers like Turmoil and Tinfoil and turned them into 20 minute improvisations that went from traditional blue grass breakdowns to the surface of Jupiter. And beyond. Some of it sounded, I shit you not, like EDM.

He also seems like a very humble guy, somebody who just loves the music so much he would literally play all night if they'd let him. Kind of reminds me of another blue grass-inspired guitarist we used to know.

One of the best shows I've see in years. (Disclaimer: I was high AF, but I'm pretty sure it would've actually still been really good regardless.) Sky's the limit for this guy. Check him out if you haven't already. Like all musicians worth talking about, he's way better live.

But not a raging doozy

Oh well. Maybe because I am in one of those "anything but GD" phases, I am hohum about this new one. I don't wanna whine....

41 years of consuming mass quantities of GD....have I hit my limit? Or are there still diamonds in the mine?

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In reply to by proudfoot

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....I've been there. Just one thin mint.
Last Five.
The Who - My Generation
TOOL - 10,000 Days
GD - Wake Of The Flood 50th
The Cult - Sonic Temple
Blue Oyster Cult - On Your Feet Or On Your Knees.
The Who ended. Went to you toob. This guy Keith is eating the best of everything at this place called Pike Place in Seattle.
I need to go to Seattle now. Yum.

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In reply to by adedhed68

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but I love 71.

I have spent a fair amount of time recently watching videos of people listening to the Grateful Dead for the first time. Pretty cool stuff as most of them are younger. It brings me back to the time when I first heard the band. I give a lot of credit to Jamel. Good job, young man.

This band was a gift to mankind.

Thumbs up for mentioning Donovan. One of the real greats - sadly overlooked. Amazing that he recorded Sunshine Superman as early as 1965.
Blue Oyster Cult too - I played "Spectres" the other night. I'd forgotten how good it is. I like all there albums up to "Fire of Unknown Origin",but if you were only going to get one, "On Your Feet..." would be that one.

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Last week, I think it was, I listed my "Top - 3-non-Dark-Star-Daves".. Albuquerque was one of them - it is THAT good.. Hopefully 48 will be as hot.. It can fit on 2 cds, I think - so maybe we will get the Felt Forum Dark Star.. ? Bw to all, from not so sunny Copenhagen.

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In reply to by Danehead

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From what I recall of hearing it when I did all the 71s in order in 2021, this show is above average for 71, but not RJ.
Another missed opportunity for top shelvers like:
11/7/71 DS
12/5/71 DS
12/15/71 DS
12/31/71
10/26/71
10/24/71
Or even perhaps 12/2 or 12/4…

EDIT: 10/26 should have been 10/29

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In reply to by Oroborous

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Oro- any of those first three 1971 shows from November and December that you,list with DS, would have made a great release. There might be a risk with 11/20 that it satisfies few people -obviously not the ones that want 80'-90's shows - and maybe not even ones who want more Keith era shows. Some seem happy enough though, so who knows?

They must be saving 1968, primal 1969 -ie from the first 5 months, and 1970 for the beginning of next year.

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Hey rockers!!!

Only time for a short response..............

11/20/71 is a decent, solid, good show. No classic, but not junk either. Personally I would be happy with its release, but I have a big biased toward 1971. One thing working in its favor is the fact that really high quality copies are not commonly circulating, fair-to-middling FMs are pretty much what's out there.

As many others have said, there are many other better 71s, but TPTB don't always release what we think is "best". I'm still waiting for a release of full soundboard 12/5/71---one of the great Holy Grails of a very fine year. 12/1 would also be an interesting release, especially if they could find the "missing soundboard" of the first set.

Have really been in serious lurker mode recently due to health issues with myself and my wife, but I still check in occasionally.............

Rock on!!

Doc
Music comes from a place we don't know......
P.S. Been digging the newly released 11/1/1973...............

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It's the best, the food is outta control. Sushi, chowder, salmon, all incredible. For out of towners, I take them to Matt's at the Market. When I'm down there by myself, there is a hole-in-the-wall named Oriental Mart. They won a James Beard for authenticity or something, been there like 30 years. Top it all off with a beer at Old Stove Brewing you got a day! Only bummer is the city started allowing cruise ships to dock at the pier (2014ish) where Pike is, and man do they crowd the place up. It's always been crowded, but now it's insane, at least until cruise ship season ends, which I think was Oct 1. Moved here from MD 26 years ago and loved it from day one, I also enjoy rain though, so.....

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In reply to by itsburnsy

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Hey Doc wishing you and the Mrs a speedy recovery!
I’m glad you got another official 71!

SEEEEEEAAAATTTTLLLLLEEEE!
Love Seattle, our last real vaca, in 2013.
As well as many wonderful sights, a Beer Mecca!. TOO kept giving me grief as I constantly wanted to check out brewpubs. Her: “I didn’t come here to watch you drink!” Lol, ok luv, point taken lol.
Pike place was mobbed, we did have a fine Bfast at some place there overlooking the water?

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OROBOROUS................

10/26/71 was released long ago, it was in the digital download series. Second set a bit "short" but has some great playing. The October Detroit show with the Dark Star would be a good release----Latvala himself rated that Star very very highly. New Years 71 is the typical loose, fun New Years show, with some very fine moments.

Interesting that several Fall/Winter 71 shows have been released, but except for the FE mini-box nothing from April has popped up. Perhaps a box set one of these years? I would recommend second Music Hall, Pittsburgh, Bucknell (ethereal and we know it's in the vault), Cortland, Providence (delightfully crunchy), and Bangor (one of my little guilty pleasures and such fun). A Manhattan Center mini-box would also be nice.

You can't depend on your eyes when your imagination is out of focus............

Rock on,

Doc
Be careless in your dress if you must, but keep a tidy soul.........

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It was actually the announcement in late 2016 (that Dave's Volume 22 would be 12/7/71 Felt Forum) that finally got me to become a Dave's Picks subscriber.

But I'm still waiting for 12/5/71. I can cite several shows that basically changed my life... 8/27/72, 2/9/73 and 5/26/73. But if we go back to '71, this second night of four at the Felt Forum is my pot o' gold at the end of the rainbow. Please please please Dr. Lemieux, let this one see the light of day. The FM has sustained me all these years, but...

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Yeah OBEAH, part of 12/5 was one of my first tapes. We actually learned to Play I washed My Hands in my first real band off that tape lol

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If fall 71 is the pick, bring it on! It's kinda funny this date has been "leaked" as DP #48, as i've been spending some time with the fall 71 releases the last week or so. The 11/15/71 Road Trips release is a favorite, Absouloutly amazing stuff! A very Jerry show indeed!

I gave the 2015 bonus disc from 3/27& 3/21/72 a spin today on my walk. This is some absoultely primo stuff. If you haven't broken this one out in a while, do so! ASAP

Rock on, gang

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In reply to by jonathan918@GD

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....is that Phish's show tonight in Nashville is officially their 2000'th.
Shazam I say!!
Oh. And trump looks fucked. As is the circus that is the GOP.
Get that reality show crap out of the country. It's embarrassing.
Never liked reality shows from the start.
Shazam I say! Squared!!

Husker Du zen arcade
Black Sabbath first album
Motorhead overnight sensation
Motorhead bomber
Motorhead ace of spades

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If it really is going to be 11/20/71, I recall it was broadcast live on FM radio. I was a senior in high school living in the LA area at the time and just getting into the Dead (Dark Star on Live Dead did it - with some help from the orange). My friends and I were at a house for a typical party (beer, weed and in search of the allusive females). The concert was on the radio and we were not really listening to it but we all kind of enjoyed it.

Turns out a friend of mine had his reel to reel going and caught the Truckin-TOO-Ramble on Rose part. We listened to this a lot and thought it was fantastic. I guess most (if not all) the concerts on that tour were broadcast live so I expect some other releases down the road (Dave's 79?).

This should be a fun companion piece to Dave's 46...both in LA a little less than a year apart. Same lineup. Someone else here mentioned they thought 46 was the highlight of the year and I would not challenge that.

Thanks Dave and all the Powers that be for the incredible releases. What other musical institution does this kind of thing? History at our fingertips.

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In reply to by hb672

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HB672 - you're not wrong there. An avalanche of Dead FM recordings - quite a few from 1971, have been released in Europe over the last 5 years or so. There was a bit of chit chat on here a few years ago about one of these - a box set of
7 Dead shows from 1971 referred to as the Yellow Box. To me, they are in the same bag as bootlegs - they are alright if you have everything officially released and want more on cd or vinyl, but they aren't up to the standard, sound wise, of Dave's Picks or anything released on here. I would replace any of one the shows in the Yellow Box if it was to be released as a Dave's Picks.

It's not just the Dead that have shows released in this grey area, of course. A heck of a lot of live Pink Floyd from 1970-1972 has also been released recently. Again FM recorded shows mainly. The same seems to apply - not the greatest sound quality, but interesting enough. Occasionally there are reviews on Amazon, where someone complains about the sound quality - which does suggest they think they are buying something the bands in question have approved. Which is clearly not the case.

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There is a great bootleg of 10/12/68 out there.

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In reply to by billy the kiddd

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Yes, that's a cracker. It would be great if something like that could come out as a Dave's Picks. Never mind 3 cds of really well played shorter songs, with a bonus disc and merchandise. Just a single disc of pure gold.

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Morning, rockers!!!

The yellow box of 1971 FM broadcasts is a bootleg and should be avoided. Especially because very high quality copies of those shows freely circulate, and there's people willing to share. Hint hint..............

Two other 1971 Dead shows were widely bootlegged---the 12/5 Felt Forum show and the 7/2 Fillmore West show. Yes, I had those way back in the day..............

As far as the recent live Floyd releases, those are well circulated and pretty much all audience recorded shows, except for one very early 1972 partial show, which is a sub-par soundboard. Decent enough sound, and some of the earliest live Dark Side material out there. As a huge Floyd fan, these are interesting historical documents, but almost all have been around for quite some time. Not sure why the Floyd released all these, but I think it has to do with some quirky European copyright issues.

Off to the morgue, hafta take care of a double homicide.............

Music, the greatest good that mortals know and all of heaven we have hear below........

Rock on!

Doc
Music is the great equalizer.............

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The show I more than anyother would like to see released (my birthday..). Hey "Bluecrow" - what is JOTW.. ? BW..

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In reply to by Danehead

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Jam Of The Week - on the home page under Features.

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In reply to by bluecrow

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Beavis voice: "YES! YES!"

good taste, Danehead.

Gotta hear JOTW....

And applause for BTK as always and for Daverock for the quote of the day and for Bluecrow for directing me to JOTW

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In reply to by proudfoot

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Doesnt include what I _want_ it to include, but no complaints.

And NO TALKERS!!! :)))

Just be ready for an early withdrawal

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Just heard the 45 minutes or so of 1/21/71 - great, great sound, fun set-list - never heard Pig on harmonica on Truckin before.. And that all-time stage-remark by him.. Hope they have the full show - thanks Bluecrow..

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In reply to by Danehead

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Danehead - from what I see, 2 of the sbd reels from this show have been circulating for awhile but not the one on JOTW. Notes regarding the earlier circulating reels state that Latvala couldn't find others from this show in the vault so maybe the JOTW is returned reel(s), possibly one of several for the show (fingers crossed). You can stream those early circulating bits on either relisten or the archive, plus there's an audience tape of whole show that to my ears sounds okay for the era (okay, at times a bit too "audiency.") Of note, show had last Cosmic Charlie until 1976. A lot of Pig harp playing on Trucking! And yeah PF, that's very much a harsh cut at the end. Sigh.

Decided to spin 11/17/71 ABQ in anticipation of the new DaP coming our way.

Enjoy the Fall weekend folks. It's sweet weather here in the Desert Southwest.

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Hey rockers!!!

Doers anybody know how to "capture" that 1/21/71 from JOTW? And what about the "other two reels" that somebody mentioned????

Sorry, I've been outta touch...............

Rock on,

Doc
The past is the beginning of the beginning and all that is and has been is but the twilight of the dawn......

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The release that really turned me on to '71! Shines something raw and brilliant. Also my favorite artwork for the DaP releases. Especially that hologram version.

Lightnin' Hopkins, Live at the Rising Sun
Bob Dylan, Fallen Angels
Bob Dylan, Rough and Rowdy Ways
Bob Dylan, Love and Theft
Bob Dylan, Nashville Skyline

(getting ready to see our Bard next Saturday)

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In reply to by FiveBranch

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....they have plateaus and clouds and green chilis for dayssss.
And a top five state flag to boot.
The Santa Fe shows will eventually be officially released. Mark my words.
Dave! Do it! It would be welcomed with open arms! Trust me.
Vguy72 drops the gavel. End of session.
I'll even put up a petition to be signed if that's what needs for it to happen.
Sign here please. Thank you. Here's your sticker.
Who's with me?

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I haven't met a NM show I didn't like.
Cheers

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"Oracle Rising: the Re-issue of the "San Francisco Oracle"
"San Francisco Oracle" Publisher Allen Cohen was a psychedelic pioneer during the wild days of the 1960's Haight/Ashbury. In this DTV interview we are re-releasing this week, he describes the rainbow-colored newspaper of art, poems and insightful articles as "the Rosetta Stone of the forgotten civilization called the Hippies."

Find it at dreamswedreamed dot com.

A personal note: this is the last video we released from episode 17 of Dead Head TV. When Brent Mydland passed suddenly in July 1990, the DTV crew put aside several upcoming video projects to produce during several months a half-hour tribute to Brent, which would become episode 18, the last episode of Dead Head TV. Stay tuned, we will release the Brent Tribute very soon.

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We're currently in Lake Tahoe, California, and we're going to see Billy Strings tomorrow at the brand new Tahoe Blue Event Center, located barely past Stateline. I saw him last year at Frost, right before Hardly Strictly weekend. Great show, electric bluegrass with a touch of psychedelia. We have the ultimate nosebleed seats, all we could get, but Billy has a fine light show and projections so I think we'll be alright. I'm looking forward to checking out this brand new venue!

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Just finished my first listen to this release. Love the tiger artwork. Really strong release, Jerry sounds great. The bonus stuff from The Stone is an extra treat, a little looser with great jamming. Jerry's guitar tone is exquisite. KInd of surprising to see Jerry with two keybordists, Melvin on B3 and Jimmy Warren on Keys. Adds another dimension, I think. Time for me to listen to this again.

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12 years
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Got Third Man's Vault 57 in yesterday. (all the Syd Barrett solo albums)

Very nice job on the packaging.

(also the shipping box was GREAT. Be very hard to damage in a box like that)

Come on. Why have there been no Greek releases? 10/20/68 not included.

9 11 81 BTK and Marye RAVE about this show
9 12 81 LOADED
9 13 81 yup
5 21 82 tasty
5 22 82 is playing as I write this
5 23 82 yowzah

And many more

Either not in vault (boo)
Saving for a box set (saving up for that in my wookie bank)
Or the honey badgers dont care.

I will go with the second option to win and the first to place.

The third option is unthinkable.

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9 years

In reply to by proudfoot

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