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    Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


    By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


    Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • #511
    Gary Farseer
    Joined:
    Jimi/Thangs

    Wish they could grab Phil and Friends along with Warren Haynes.

    Been playing around with The Dead a touch. Fired up an old computer and rediscovered a file from 2008/09 with a lot of shows in it. Forgot about that. They had some very good shows with Warren Haynes.

    And the continuation of the drums thread, they had some awesome drum/space during this 2008/09 period.

    Wrote on here years ago about how I felt drums/space was a kind of replacement for Dark Star. As an aside, I think it matches up with "Where's the dog star?" Or, Where is your night time Compass? Many used D/S as a rest room break. In the shows which I saw, I never took a bathroom break at any shows, ever, except one which I plan to write about next year. If I, and we, make it.

    It is interesting that Sirius, aka, Alpha Canis Major, or A CMa, is a binary star having Sirius A & B (to keep things easy). I have spent years reading on this type of stuff and believe with many, that our solar system maybe be binary, or bipolar. Is there a planet x out there, some of the math says so. I believe it could be true.

    So any way, I think the fellas played around a lot with the next psychedelic jam. Where can that dog star be in our shows. Most of the time, in later years, it was that one hour nugget in almost every show centered around drums/space. Now sometimes that was off and the started the show blazing psychedelia from the get go, for me 1982-09-21, MSG, with Playing>Crazy opener. My point, even when you are way over-dosed, and questioning decisions made, the fellas had a guide star. After all, Sirius A is a fixed star, a Compass. They always lead you out of the psychedelia so that you can go back into the real world, and do your best to function/not get caught.

    All of this, points to the true meaning of Grateful Dead, much like the Phoenix rising. Each show day they set-up and take down the System (life/death). They move on down the road and set-up again. Each show, they almost always recreated the Tests, by initiating new partakers to play in the swirling chaos of a show, the chaos of life and death for all of us. Many would come and the experience would overwhelm them, scare the shit out of them. That is, they always maintained the joy and fear of life as we know it. for me, let's say a show with 10,000 has a 5% or 500 new participants, I always believed only 10% of those continued on. Many were just trying to get a bucket list item checked off. Again, the mysteries dark and vast, have never been captured even closely by any other band or other forms of art.

    Have a great friend see his one and only GD show on October 8th, 1989. He had a great time, but he was like "look at the dude in a skirt!" Great friend, but never attached or understood. This same friend I saw a Yes show in Nashville April 1984, one of his closest friends went to Hampton GD, that same weekend.

    She dont lie, she dont lie, she dont lie...Cocaine. If memory is correct, I think it was on Long Strange Trip, Wiz says he left in 1976 due to the increasing amounts of Cocaine. That it was changing the band and the music. I dont think GD could be GD without psychedelics, cocaine, and heroin. All three stages provide me with differing styles and points of entry.

    Have more thoughts on all of this but need to post before computer fouls up and lose it.

    G

  • #512
    rasta5ziggy
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    CHUCK

    In the nice little Rolling Stone/Special Collectors Edition magazine, the introduction, by Bobby, includes this quote....."For me, the shows we did in the late Eighties were our peak, our best era." Interesting how the musicians have different interpretations of shows/eras than the fans. I like them all, but since I missed the beginning through late 1973, I only have 1973-1995 as my reference point for the live experience. Would have loved to seem live in the late '60's, but soooo thankful for all the archival music.

  • #513
    daverock
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    They were still good, though

    I don't think anyone is suggesting that they didn't play any great shows after 1975, or that they are not worth listening to after that date. Chuck couldn't have put in any clearer - and that from first hand experience.
    I got Dicks Picks 33 on vinyl earlier this year - 10/9 and 10/10/76. They are both great - 10/9 is really good !

  • #514
    JimInMD
    Joined:
    9/3

    An excellent show, I remember when that first came out.. I was in heaven. It's got one of the better examples of the faster tempo Eyes of the World. That outro jam from He's Gone is special too, and who doesn't like the 77 Terrapins.

    Good points all around. I'm partial to 68 through 74 also, but I have to admit I like a good show or even good moments from any era or configuration. Listening to the Jam out of He's Gone from Englishtown as I write this. A great piece of improvisation.

  • #515
    Dennis
    Joined:
    Heads Up Stuff

    Two things -

    On the archive there is a user/member - "Top Hat Crew". Guy has great recordings.

    From the guy I've gotten all of his "Terrapin Flyer" stuff. These guys are pretty damn good,,, seem to be out of Utah. Worth checking out in my book.

    PS - Like Jim in MD, I say the 80's hold a lot of gold. I only saw during the 80's. The sound may have changed after 75, but wasn't worst. They seem to turn on a dime in my book. As Jim once pointed out,,, if you stop at 75 you miss a lot of great tunes.

  • #516
    Chuck
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    the psychedelic dimension

    Daverock You Nailed it From 1976 onward they lost something. They were still GREAT!! But the shows from 1968 to 1974 were the Best (In My Opinion ) I remember Phil saying something like.......When we came back from the year off (1975) we never got the Magic back that we had before. I saw them 40+ times before 1975 and 60+ after They changed as everything does and they were always Great, but to me pre 1975 was Magical like Daverock says the psychedelic dimension

  • #517
    proudfoot
    Joined:
    9 3 77

    Coke show

    Especially 2nd set

    Deadbase sez they left the stage for a short bit after Samson and then did the monster rest of the show.

    Hmm.

  • #518
    daverock
    Joined:
    Samson

    Yes, that song did benefit from having two drummers. I don't know, but I would have thought heroin, and to a lesser extent alcohol, also led to a simplification in style. Not that I'm saying there weren't still great shows, but they seemed to lose the psychedelic dimension from 1976 onwards. It's not easy to say what that dimension is exactly - it wasn't a formula - but you can recognise it when it's there. And when it's not.

  • #519
    billy the kiddd
    Joined:
    Anniversary show 9/11/81. Greek Theatre

    42 years ago tonight I was at the Greek Theatre for an absolute knockout show with the Good old Grateful Dead. This was my favorite Dead show at the Greek, and also my favorite year that the Dead played there. Joan Baez brought a birthday cake out for Mickey Hart and the crowd sang him happy birthday. Where is that Complete Greek box set. Killer Morning Dew, Cumberland, and Other One.

  • #520
    JimInMD
    Joined:
    Sampson and Delilah

    Sampson benefited from two drummers.. if they ever performed the whole Terrapin Station Suite, I'm sure that would have rocked with two drummers. They had less of a turn on a dime, jazzy, all for one - one for all feel post haitus.

    No one ever mentions this.. but I suspect cocaine really piled on after their hiatus (pun intended) and this had more an effect than people realize. Not that it was a stranger prior to 1976, but I suspect this substance is more a distraction to the kind of focus it takes to get the full value of having two percussionists, whereas lysergic might have been a better mixer for that kind of sound.

    It's all history at this point, but we got Scarlet Fires, Help/Slip!/Franklins, Estimated>Eyes and a louder more forceful GD post hiatus. Sometimes you take what you are given for good or ill.

    Looks like a damned good lineup in Mexico this winter. Alumni of the GD, ABB, TTB and Goose playing under the billing of Dead Ahead. If I was lighting up hundred dollar bills to pass the time I'd be on that train, especially after the recent Wolf Bros reviews and the high energy of the last D&C tour. I kinda lost interest when the ticket prices went up and the energy and speed declined. Now I feel like I am missing something, which is a good thing.

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Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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Submitted by proudfoot on Sun, 10/08/2023 - 20:21

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:)))))))))))))))))))))))))))
:)))))))))))))))))))))))))))
:)))))))))))))))))))))))))))

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Submitted by proudfoot on Sun, 10/08/2023 - 21:28

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What would yo mama think
Pretty Peggy-O

Acid Mothers Temple

"Pink Lady Lemonade"

I discovered this walking Green Lake yesterday after a snack

Veeeeerrry nice

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Submitted by Cousins Of The… on Mon, 10/09/2023 - 08:35

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Did I beat BTK to the punch with this one?
Two great shows I was lucky to attend. 76 was just exactly perfect. 1982 is the last year I really enjoyed, just couldn't take Jerry's voice, health and appearance going downhill after that.

Last 5(all vinyl):
Caravan: For Girls who Grow Plump in the Night
Misfits: 12 Hits From Hell
Jefferson Airplane: 9-30-66 boot
GD: 10/9/76
Motown Chartbusters Vol 4

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Submitted by 1stshow70878 on Mon, 10/09/2023 - 09:25

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Good choice Cousin! I forgot that had been issued. RGM?
10-9-76 set 2 with a 10 song jam. And what a jam.
Cheers

It is indeed possible (and quite quick 'n easy) to download the JotW @ForensicDocEleven

However, I cannot seem to post instructions, nor even DM it to you; I tried my level best, removed all l1nks etc but it just kept saying that the site won't allow embeds or lnks and it even flagged me when I tried to send you my emial addr (misspellings deliberate). UPDATE: I finally got a DM sent w/ my contact info

Oro - what a great tape to get practicing on! I love to hear how 12/5/71 has stirred people, their hearts and minds or their souls or their ears or their hands. Or all of it. There's just some powerful magic radiating from that night's efforts. God Bless the Good ol' Grateful Dead

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Submitted by billy the kiddd on Mon, 10/09/2023 - 22:10

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41 years ago today I was up at the Frost to see the Dead put on a fantastic show. This was the first time the Dead played at the Frost and it might have been my favorite. This one is a must release, if they ever release any shows from the Frost.

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Submitted by Forensicdoceleven on Tue, 10/10/2023 - 04:35

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Mornin', rockers!!!

I was able to capture that 1/21/71, anybody who needs/wants, you know where to find me.............

Do not underestimate the determination of a quiet man................

Rock on!!!

Doc
Determination becomes obsession and then it becomes all that matters...............

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Submitted by uncle_tripel on Tue, 10/10/2023 - 04:51

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10.22.83: Carrier Dome

Chet Atkins: Almost Alone

11.23.73: El Paso

Howlin' Wolf: The London Sessions

10.23.73: Bloomington, MN

...leave nothing but footprints; yet in a digital world, one man gathers what another man spills...

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Submitted by uncle_tripel on Tue, 10/10/2023 - 04:52

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10.22.83: Carrier Dome

Chet Atkins: Almost Alone

11.23.73: El Paso

Howlin' Wolf: The London Sessions

10.23.73: Bloomington, MN

...leave nothing but footprints; yet in a digital world, one man gathers what another man spills...

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8 years 8 months

Submitted by viewtiful_alan on Tue, 10/10/2023 - 08:45

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Per Reddit, Dave's Picks 48 is 11/20/71.

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Submitted by proudfoot on Tue, 10/10/2023 - 09:30

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I'll withhold judgement until I hear it in full processed form.

I listened to 11/17/71 over the past few days...it was OK, but no wood.

I hope 11/20/71 remedies that.

(I love ya Dave....1968....1968....1968....1968....1968....)

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Submitted by Colin Gould on Tue, 10/10/2023 - 10:42

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Alan I haven’t rechecked but looking at my subscription order a few days ago the date you mention was shown as DaP #48. Unless this is a cunning plot by deaddotnet to throw us off the scent it would seem that it is more than a rumour.

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Submitted by billy the kiddd on Tue, 10/10/2023 - 15:44

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43 Years ago today, 2 rocking Grateful Dead shows! Casey Jones encore on 10/9, these 2 shows burned! I'm really glad that the acoustic sets for these 2 shows were released, hopefully we will see all these shows put out in one BIG BOX SET. Fun times !!!

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Submitted by Lovemygirl on Tue, 10/10/2023 - 19:04

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… received my Grateful Dead vinyl box set,
Over 5 Lp’s recording of the Madison square garden concert from 3/9/81 and it sounds awesome! Great job on this first pressing. Really nice performance & audio quality is primo! Any one else purchase a Boxset??!

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Submitted by Angry Jack Straw on Tue, 10/10/2023 - 19:58

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Enjoy hoisting the banner.

Connor Bedard initial thoughts. Young and skilled, but smaller than I expected.

Thoughts and prayers go out to Barry Melrose. Tough news. I wish him well.

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17 years 5 months

Submitted by Vguy72 on Tue, 10/10/2023 - 20:50

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....the pre-game was extra over the top. Hey! It's Vegas!
Melrose. Ugh.
Not good news regarding Mary Lou Retton either. But I guess that's on her.

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Submitted by hendrixfreak on Wed, 10/11/2023 - 09:09

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Where's forensicdoc when you need him?

Doc??

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Submitted by 1stshow70878 on Wed, 10/11/2023 - 09:55

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Around comment 62 or so when it first leaked.
Not a full review but it'll do.
We said his name 3 times fast and he appeared.
Good health to the Doc & wife.
Cheers

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Submitted by Dennis on Wed, 10/11/2023 - 11:56

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Anyone else order this disc? Was supposed to release over a week ago,,,, I've had no word, see no tracking on order receipt.

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Submitted by itsburnsy on Wed, 10/11/2023 - 17:29

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The 4th pick of the year is generally good but not grate, seems this year is no exception.

In Burlington, VT visiting my daughter for her 21st and leaf peeping, she's at UVM. Was at Nectar's last night for "Dead Night." It rocked, I was one of the oldest guys there, mostly 20's and 30's. Also, this town is FULL of Dead stuff, Phish music, flags, images, nowhere to be found. Cracking me up

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Submitted by Forensicdoceleven on Thu, 10/12/2023 - 02:00

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Good morning to HF and all you other rockers!!!

I am here, but in serious lurker mode. One only has to ask............

IF 11/20/71 is the next Dave's, I think people will enjoy it. I'm guessing it's a returned tapes type of deal, if it's an upgrade I'm thinking of quality comparable to Albuquerque/Ann Arbor. Solid show, especially the second set. The question is, what to put on the third CD? Maybe the recently exhibited 1/21/71? Ah, one can only hope.........

Don't really wanna get into details about health issues just yet, but here's a clue.......H/O.............and I don't mean trains..........

You can find the entire cosmos lurking in its least remarkable objects.......

Rock on!

Doc
There's something about shadows because you make your own mind up about what's lurking in them.....

Maybe it would be as well to ignore the Keith era for the next couple of years. Unless something truly different can be found, like the Fall 73 shows with horns. Otherwise there's a risk we could be getting slightly inferior versions of shows we've already got.
And 10/12/68 would be brilliant way to start. No Dave's Picks released so far is remotely like it.

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Submitted by Lovemygirl on Thu, 10/12/2023 - 09:04

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… on the subject of future Dave’s picks , how about the performance at Tacoma Dome 10//20/85 ?!

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Submitted by marye on Thu, 10/12/2023 - 10:38

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Billy's getting enough love and playing enough incredible stuff that we kinda thought he deserved his own thread.
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Submitted by marye on Thu, 10/12/2023 - 14:59

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I'll see what's up with that...
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Submitted by marye on Thu, 10/12/2023 - 15:05

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but hey, I'm a mod, so if you and/or others continue to have this difficulty I will pass it up the line. Sorry for the trouble! And if you have problems, describe the error messages you're getting and anything else that seems to be going on...thanks!
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Submitted by proudfoot on Thu, 10/12/2023 - 19:00

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10 8 81

From my Craig collection

Worth a listen

Also, another reason why I don't look at setlists: 9 25 81

A few nice surprises in that show

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Submitted by JoeyMC on Fri, 10/13/2023 - 06:40

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I've been listening to a lot of October 83 and now I have Day Job stuck in my head... :(

Why hasn't 10/15/83 ever come out? Maybe Dave doesn't bother if there are already good boards around?

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Submitted by PT Barnum on Fri, 10/13/2023 - 08:36

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I was at this show, lots of fun, th4e sun dome is a great place with a floating dome, place sucked you in and spat you out. Second set here is awesome, with a great Drums>Space into Jerry doing a great reading of "Comes a Time". Gimme some loving too, First time hearing the band doing that one. Good times had by all.

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Submitted by Gary Farseer on Fri, 10/13/2023 - 10:22

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...30 seemed so old.

Just reflecting back over the last few weeks and posts I had not been able to post.

Someone posted about Hampton 1988, specifically 1988-03-27. I went to the Atlanta and then Hampton shows. They were all very good, but the March 27th shows was spectacular. It had the first Space to open a set since 1985-10-31. That one was space>Werewolves of London. Know everyone around here knows that but just thought I would post just in case.

Then was discussed the 1988 Cap. Center shows. We did that run, so I was extremely happy to see the Ripple. One of my favorite songs. Although, it was sad why they played that Ripple. Did those shows, then hit Miami, Tampa-St. Pete, and New Orleans.

Someone posted about Eric Clapton 24 nights. I have the dvd and cd's. Watched the dvd a couple of weeks back. It is very good but has its flaws also.

Seems like there was one more but it slips me.

I also in the last few weeks listened to Chicago's first 2 albums remastered on cd, both are great. The first album is still my favorite.

Oh well, enough for now.

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Submitted by proudfoot on Fri, 10/13/2023 - 13:06

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are relatively brief. But fun.

Ripple....they played that in 88 immediately after the two blechy shows in the Northwest, Tacoma (actually, kind of OK with Touch of Grey out of Space) and Eugene (still annoyed by that show in 2023)

I like the idea of it. I am half way through Paris 9/18/74, so I will be having my brain drilled by Seastones later tonight. That opens set 2, as it did for a few other 74 shows, so maybe that was a sort of precedent for the set opening Spaces.

Too busy lately, whats happened to our daylight. Thank goodness for GOGD. Have been trying to review much of E72, including the couple shows never heard before like Newcastle and loving every minute. As much as I have banged on the primal drum and would love to have more 1968, 71-73 is such peak period too, E72 monumental. Just had the extra fun and unlikely experience of running into John Scott of Deadbase fame a few minutes ago in a place so close to my home as to be almost next door. John is a friend of a friend but we had never met, a student at Dartmouth, where I later worked. Quickly traded stories, both at the 1980 Lewiston concert, recent music etc. Am certain I made him late for something. This crazy world can be such a small place, we must keep love friendship and peace in our hearts, madness and hatred out.

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Submitted by nappyrags on Fri, 10/13/2023 - 14:36

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I just received my email about Vol 48, on sale next Tuesday the 17th...it is 11/20/71 at Pauley Pavilion as we all knew...faintly remember it...they had two lines...one for the floor and one for the upper level seats...some fun...

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