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    Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


    By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


    Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • That Mike
    Joined:
    Mighty Mickey

    Whenever I take an excursion into some “World music”, as I did this week, I inevitably circle back to Mickey Hart’s discography, and I always gain a renewed appreciation for Mickey’s incredible talent and gifts to drumming. Not just his playing - first rate - but his contributions such as his field recordings, and his own wonderful releases featuring rhythms not often heard in traditional Western music. I played both RAMU and In The Groove, and just incredible the drummers he assembles on these recordings, and evokes this marvellous sound from. Usually any “drum solo” in a concert is washroom break for me, but Mickey really brings something otherworldly into drumming. Posters will argue forever if the Dead were “better” with just Bill, or just different, at a time when the stripped down sound of Beauty/Workingman’s called for less. To me, what always drove the Allmans sound was the duo of Jaimoe & Butch, and I think it more true in the Dead with both Bill and Mickey. He has an incredible catalogue, some really interesting stuff that sometimes is exactly what you need to hear. I could never imagine him just being a drummer in some band, playing a twenty song gig, rinse, repeat.
    Recommended - “Drums of Passion” by Babatunde Olatunji, recorded in 1960, a favourite of Santana and Coltrane evidently. Excellent World sounds.

    Closer to home, my “Next due”: Buddy & Julie Miller’s new release. An understated guitarist I saw once with Plant & Krauss, a fan ever since.

    “Timothy Leary’s dead. No, no. He is outside looking in.”
    And he was a poser, and did nothing for the psychedelic movement.

  • jonathan918@GD
    Joined:
    Dave's #47

    I've been spending a fair amount of time with this one the last couple of weeks and to my ears this thing cooks!! I love the fact that DL and crew plan on hitting this era again when the time is right. 1979 GD has plenty to offer!

    Also, I guess the fact that I didn't start getting tapes from my older brother and friends till 1988 has been a blessing and enabled me to "love it all"

    I seen the band 17 times from 91-95 and loved every minute of it! I loved calling the hot line for set list of prior shows on a tour so i could try and call the openers or encores!

    I know 94-95 was a real hard time for Garcia. I remember on night at Philly Spectrum, 3/19/95 (UNbroken Chain breakout) during Crazy Fingers, that I thought Jerry was going to literally fall right through the mic stand and off the stage!

    As a proud member of Alcoholics Anonymous, I understand the abyss of addiction. It saddens me that Jerry was stuck in hotels and Persian was his refief.

    He was trying to get clean but, it was not to be.

    So, I hope I didn't get to heavy on that topic. Just sitting here drinking coffee and spinning Dave's #47

    Hope all is well with everyone.

    Rock on, gang!

  • JoeyMC
    Joined:
    I'm listening to 47 again,…

    I'm listening to 47 again, it's better than I originally thought. The Black Peter> I Need A Miracle is quite something.

    I see the Jerry people are selling Three Hundred Dollar photographs ? I usually credit them with not charging stupid amounts of money for stuff, like a hatchet for instance...

    Leary is shit.

  • daverock
    Joined:
    Beware of believers

    It seems to me that people who are 100% in favour of anything are a bit deluded. Most things have pros and cons. It pays to be wary of people who think they have the answer and try to influence other people to see things the way they do. There was an awful lot of that in the 60's - including people who were either in favour or against acid. As Charlie Watts once said - it's unfortunately very easy to con the young.

    Mention of the 13th Floor Elevators - hugely entertaining if you like that kind of thing, but whether Roky Erikson would have been happier if he hadn't taken psychedelics in the way he did is a mute point.
    In fact, thinking about it, Roky Erikson, and what happened to him serves as a chilling reminder of the negative effects of simple minded evangelism. He appears to have been used as a mouthpiece for non musician Tommy Hall, about 10 years his senior, to spread the gospel according to Tommy Hall. Which seemed to revolve around taking psychedelics 24/7. This had such a profound effect on Erikson, that by the end of the 60's he apparently took to the stage with a band aid wrapped round his head to close his 3rd eye, and dim the hallucinations. Enter what we used to laughingly refer to as "straight society" who incarcerated him and fed him a diet of their medication. Shocking mistreatment and manipulation all round.

  • JimInMD
    Joined:
    With a tip of the hat

    and a wink to Bear, Skully, Sands and the Brotherhood of Eternal Love. Honorable mention to the Jimi Hendrix, the 13th Floor Elevators, the Grateful Dead, the Jefferson Airplane, Monterey Pop, Woodstock,.. (this list could get long). It would have happened without Leary, once the CIA opened the spigot to the general public, it was game on.

    I blame my brother and my friends.. but Mama Tried to raise me better....

    True, Leary did not help psychedelic research one bit.. nor did Nixon, Manson or Altamont. For good or for ill, the War on Drugs was the nail in the coffin that closed the door for scientific research for more than four decades.

  • Vguy72
    Joined:
    Barnum....

    ....spot on review. Good job.

  • daverock
    Joined:
    Tangerine Dream

    PT - great review, cheers. The last time I saw them was the last time they played in England with Edgar Froese - must be about 10 years ago. Good to read that they are still out there.

  • PT Barnum
    Joined:
    speaking of psychedelic research

    caught Tangerine Dream Monday night at the Orange Peel in Asheville, Nc. A small to medium sized venue holds 1000 people SRO. There were seats set up on most of the floor and mostly people sat for the show. There were of course several standing as seats were an extra 15 and the standing area was actually a really good view. I ventured back there from my seat a couple of times and the sound was intense but not too loud to annoy, but you could feel the low notes and was said that the room sounded great in E so the ending jam was in E to E flat, some bone shaking vibrations that were tremendous. I hadn't felt anything like it except maybe when Mickey would hit those low notes on the Beam, right through you and could feel it in your chest, so good. There were 2 screens, one on each side of the stage, that had some really cool graphics going on, melting and fractals swirling along with the music.
    The set list was taken from their website as I only recognized three of the tunes that they played. Love on a Train from Risky Business, Raum and Phaedra.
    Improvised intro>Los Santos City Map>Continuum>Love on a Train>Raum. A pause for lots of applause. Then right back at it, No Endings>Betrayal(Sorcerer Theme)>Rare Bird(1st time played on tour)>Portico >Choronzon. More applause as the three members took a slight pause and accepted everyone's love. The band is really jelling now. Logos Velvet (first time played on tour) Tangram Set (another first)>Cloudburst Flight>You're always on Time>White Eagle>Phaedra. Off the three went for a much deserved break as the 400 or so patrons and I voiced our approval of their performance. Right away, not but a minute or two out they came and showered love on us as being an excellent audience who actually listened. Then as is customary with Tangerine Dream, the encore was an improvised session that lasted about 25 minutes, sometimes turning on a dime and leaving the two screens blank or frozen in place. 2 hrs plus a 25 min improv nice show, highly recommended. Check out their facebook page for more info if interested. Quite a trippy show.

  • simonrob
    Joined:
    Personally...

    I never took any notice of Timothy Leary or Ken Kesey when carrying out my own extensive research into the effects of LSD on my grey matter. 🧠

  • daverock
    Joined:
    Psychedelic therapy

    My understanding - which might be wrong of course - was that Cary Grant took LSD as part of what was called "psychedelic therapy" under the guidance of a psychiatrist. He was clearly an advocate, but not a recreational user in the way people were in the 60's and 70's.

    It's curious, reading about the history of LSD, how it became almost appropriated by Timothy Leary, and to a lesser extent Ken Kesey, who went on to define it's culture, and to some extent how it should be taken. There was nothing in the 1950's to suggest it would become a recreational drug of choice associated with rock music and young people. There is a school of thought that says Leary and Kesey were partly responsible for knocking psychedelic research back decades.

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Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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In reply to by nappyrags

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I would like to thank those who reached out to me privately after my last post of why I was so scarce in these parts...thanks to you all who reached out...mucho appreciation for that...and Oro thank you for the kind words re Mr Jinks and his passing...I am sure he is causing trouble wherever he and Violet are...saw a cool cartoon recently...a dog and cat are sitting in front of God's throne awaiting judgement...God asks the dog "Were you a good Dog?" the dog answers "Yes...I loved my master, enjoyed our walks and brought him his slippers every morning"...God tells him 'Yes...you were a very good dog...then he asks the cat "Were you a good cat?" and the cat answers "You're sitting in my chair"...Hey Hendrix freak who ya doing???

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I've enjoyed Dave's 47 quite a bit. Lots of little extra musical lines and jam pieces along the way. A really good show that I had not heard before.

The 48 announcement is the first disappointing one for me with Dave's Picks for a while. I'm not excited about Fall 71. There are so many official releases from that tour at this point. I'd much rather see something different - how about 91 instead of 71? Don't get me wrong I like the 70s and the great sounding recordings. Just feel like this particular tour has been done. I like the Chicago and Albuquerque releases but I couldn't get into the Felt forum shows. In my opinion a lot of the newer songs in late 71 are just much better developed in 72 and beyond. Anyhow, not what personally was looking for but hey.... so be it.

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In reply to by dmcvt

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Man I love Deadbase. I spend several hours a week in it. I had planned to right about them today, after writing about the Space set openers. That comes from Deadbase. They were short lived but weird. Guys at Deadbase have put so much research into their efforts. Thanks Guys!!! Next step is to get data into a searchable database. That would be something. With all of that research, that is probably only 25% of the overall knowledge as much has to be discovered in their Raiders of the Lost Ark warehouse.

Great story!

G

Well, that explains why I don't remember being at the Capital Centre in 1988. I was in Washington State. Caught the Tacoma Dome show, Santana opened, then spent the next 3 weeks tooling around in the mountains and on the coast. A great time to be in rainy state, it barely rained at all...

… have a Grateful Dead Backstage Pass 10-19-85 Tacoma Dome Kelley Mouse artwork 1985. Looks like a A card from a deck, Stanley made it look like a King Of Roses Instead of putting a King of Hearts! I could never figure out how to post
photos here.
10/20/85 they didn’t allow a tapers section. It’s a diamond in the rough.I believe

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In reply to by Lovemygirl

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GD was to play there in 85. I was attending college in Tacoma at the time.

They cancelled.

I
Was
Not
Pleased

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In reply to by proudfoot

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For Gary, couple more bits... was at a local nursery, the landscaping kind, saw a guy walk by with Deadbase X under his arm, various book markers/notes sticking out. Seemed a little odd, until a few minutes later I walked over to speak with him, since he appeared to be hanging out. As I did, overheard him and an employee mention Phish, no big surprise either. We spoke pretty widely for twenty minutes or so, wanted to sound out his interests in music now, as I had heard that once Deadbase 50 was out, he his two partners said we are done. He plays guitar for fun, had a t-shirt on with various Fenders. I participate in a local "network" that shares announcements of live music events of all kinds, esp the small off the radar house concerts etc and sought to see where he went for that, as he still lives where he has for decades, less than an hour south of here, so close enough. Could reach out to him through close mutual friend and ask about any efforts on searchable data bases, though I think between all thats on the web now, its out there albeit in pieces.

We're at 80% in Plano.

My son and my buddy went to San Antonio,,, gonna be 100%.

My brother in Midland, TX, will be at 100%.

I would have been in San Anton, but sick dog.

Come April next year, we'll see 100% in Plano.

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Surely this is the End of the World. Tzitzimimeh swallowed the Sun (most of it, anyway) and soon we are plunged into Eternal Dark. I pray to Saint Jerome of Garcia to save us.

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In reply to by Crow Told Me

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Some kind folks outside had a pinhole telescope thingie

it was nice to behold the eclipse that way

Also watched it on NASA website

Awesome

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4 years 3 months

In reply to by bluecrow

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I have rethought Davz 38
9/8/73

Really good stuff y'all

Edit
A song only a Deadhead could love?

Let me sing your blues away

Fun little tune

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"He could kick ass and take names with the Hammond B3 Organ!" - David Gans.
"He had everything to live for, why did he have to go now? - Jerilyn Brandelius
"He's Gone: A Tribute to Brent Mydland" now streaming on
dreamswedreamed dot com.
I'm very proud to release this last episode of DTV, a half hour tribute to Brent. This was the 18th episode, and took about two months to produce, write and edit. It includes interviews with many deadheads (it was Dead Head TV, after all). We also interviewed Dave Margen who played with Brent in Go Ahead, as well as authors Blair Jackson, David Gans, and Jerilyn Brandelius. We were fortunate to sit down with lyricist John Barlow, who shared his experience co-writing Brent's last songs.

Wow!!!

I wanted to thank, Dave on the last release. When I opened it and pulled out the insert, it was a picture of Brent. Thought that was Nice. There is a longer story to this, but I have hit uptown.

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In reply to by Gary Farseer

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....love me some Brent. We go way back, you know.
The girl at the seven minute two mark though. : . : .older Dead isn't as bright? Love it.
Edit.
Forgot about that Little Light video. '80's cheese.
Love it.

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Happy Sunday, rockers!!!

In preparation for the new release, I have been listening closely to the November 1971 shows. The high quality of both Harding shows goes without saying, and the 7th is indeed classic. Even the chaotic Atlanta show has its moments, and continued thanks to John McCook, for sharing memories of that evening. The very solid and perpetually underappreciated San Antonio and TCU shows lead us nicely to the exceptionally strong, semi-classic, personally cherished Austin and Albuquerque shows. Pauley continues in that vein, and I'm expecting a substantial sonic upgrade for all of us. Let's all listen with an open mind and ear...............

Many of the October and November 1971 shows are actually very strong and foretold the future without Pigpen. Always worth a listen..................

Man approaches the unattainable truth through a succession of errors.........

Rock on!

Doc
Thought must be divided against itself before it can come to any knowledge of itself............

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On the archive found a group called Guilty Pleasures.

Only 3 shows out there, but nicely recorded and nice song picks

Seems like Dave Nelson and David Gans are involved.

Worth the shot.

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10 years 2 months

In reply to by Dennis

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One thing that occurred to me, listening to the two opening shows in the "River" box - 12/9 and 12/10/71 was that they seemed much more rocking in them, than in shows from Fall 1972 and all 1973. Interesting how this lineup evolved in the three years they were operating. In Fall 1971 they sound, to me, like a rock n' roll band, and this forms the bedrock for all they played.By Fall 1974 they sounded more like a jazz band - who sometimes played rock and roll - but did so in the way a jazz band would do it, rather than a rock band.

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In reply to by daverock

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I also share your love of 1971 and am looking forward to the next release too I hold out hope will they finally release Stanford 1973 After many years of archival releases I am surprised Does anyone know why not So many
firsts and Wavy Gravy who is pure love

Sorry about no punctuation I try to post dozens of times it almost never works Thats why this forum is so dead possibly This forum gets an A for effort but a D for execution I would have given up long ago but you all got me thru the pandemic and I kinda like it here but Im not sure how much longer i can do this

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Noah's Great Rainbow>>>>>check your PMs.

Wisdom alone is the science of other sciences............

Rock on!!

Doc
The eyes of the soul of the multitudes are unable to endure the vision of the divine.....

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In reply to by Noah's Great Rainbow

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Memories of watching 3s company way back

Inane, but I was a kid, so i watched.

Mortality, take a seat. I ain't ready for you yet.

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In reply to by proudfoot

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....the running joke was characters mishearing conversations. It worked.
Oh. And Mr. Roper breaking the 4th wall. RIP Suzanne.
I miss the '80's.

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In no particular order : Greatest Story Ever Told, Estimated Prophet. , The Music Never Stopped, Cassady,, Born Crosseyed, The Other One, Truckiin,

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10 years 9 months
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Thanks for the loss of a hundred bucks, Dennis. Guess it evens out since I got 6/10/73 at a good price. Wonder why Real Gone isn't releasing this through their site, checked my emails and nothing from them about this. They had decent prices on the two Vaults I'm lacking, but not needing.

Still nonplussed about 48, but in the next week or so, we should be hearing about number 49, and then a few more weeks until we hear about numero 50!

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9 years 1 month

In reply to by alvarhanso

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Alvarhanso - It goes on sale at RealGone 10/19 at 10 am PST. There is a "soldout" placeholder listing with info on upcoming sales time. $49.99 list right now in placeholder.

Saw the Real Gone email an hour ago and emailed Experience to try and cancel on the grounds that a 50 buck markup was ridiculous. We'll see if they do the right thing. Just wanted some peace of mind after having to scramble on DiP 1 a few months ago. I can understand secondary market markup, but not when it hasn't even had a chance to go on sale. We'll also see if this is a moot point come Thursday, if I can get a Real Gone purchase completed at the much more reasonable price. (Love the Jerry Garcia vinyl pricing!)

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17 years 4 months

In reply to by alvarhanso

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Wonder if ole Dave will do seaside since the cat was let out of the bag early?

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You MISS the '80s???

Cuz you (and me) were 40 years younger then?

You'll recall the loosely related Dylan line, I'm sure.

I miss Vguy -- hey man, come out to the Rocks next summer for TTB and we'll do more than burn one!

HF

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Chasing a woman in Pasadena. She's a rock movin' woman. Anyhoo...

I scrolled around and saw that Senor Nappyrags asked after me. So kind. LOVED that joke: "the cat answers "You're sitting in my chair." I got another: Dogs have owners. Cats have staff.

Pretty dang good here Nappy. Beat a few serious health issues, now it's just down to, er, mental health. So I hit the Green River for a few days of paddling and popping shrooms. Ah, good for the soul!

Now prepping for a few days of backpacking in remote NW Colo, working on a new book, a new CD, physical fitness, romance, polishing agates I found on the Oregon coast. Life is good right now and I look for ways to share my fortune with those who have less.

I may not always be kind, but I'm tryin',, yours truly, HF

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In reply to by alvarhanso

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I got that notice also. Bastards!

I wondered about cancelling also, but worried I wouldn't get one on Thursday.

Oh agony!

But I did order shelving today for the "music" room. Great sale on Elfa at the container store, got 3,000 worth of shelves for 2,000,,,,,, a 35% sale! Largest sale in their history.

So next week sometime the music comes out of boxes!!

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9 years

In reply to by Dennis

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Yet, at the time, I couldn’t see it.
Kept getting a message that my reCRAPTCHA answer was incorrect.

Sounds like others were having similar problems.

Twice the price for a DaP2 vinyl? Highway robbery.

PF- I was there at Folsom Field on Friday night for that debacle (long time season ticket holder).

Let's just say I had a hell of a lot more fun there this summer at the 3 Dead and Co shows.

Well, at least until Dave Matthews showed up on stage. Yeah, I said it.

Speaking of Stanford, to echo another recent poster, that Maples 73 show sure would sound great as a DaP.

Looking forward to checking out this next release, but wonder how long it will stay up in the rotation...

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In reply to by Jack Baller

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So you got to be there.

My sympathies.

I can't imagine. Well, yes I can.

Must have been a very somber exit.

I wouldn't mind one of those, I have to say. One of the all time great releases in my book, and contrary to how these releases are normally considered, weirdly enhanced through not being the whole show.

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In reply to by daverock

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Daverock, I'm with you on this one - despite DP2 being 1/3 of the full show, what was initially offered is indeed the true meat of this show. Back then when it was originally released, we didn't know any better anyway since it was only the 2nd release of the series and that DP1 was also hacked up to fit onto 2 discs. In retrospect I can see some potential criticism but at the end of the day the fact that they put that Dark Star and NFA medley in our hands was enough to fill my cup.

Cup remains full on this still today- and I was inspired to go take a listen and am in the midst of that DS right now and it's as inspiring as ever.

Be Well People!
Sixtus

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In reply to by Sixtus_

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I had a very magical experience with that disc years ago at Discovery Park in Seattle. I listened on a CD Walkman.

One of the top 10 GD experiences for me.

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In reply to by proudfoot

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That Dark Star is an all-timer. Is cosmic over used here? If not, it's a cool, especially cosmic Dark Star which reminds me, I can't seem to find my Cosmic Mushroom Foraging Tool. Has anyone seen it? Bet it happens to you folks all the time too.

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10 years

In reply to by JimInMD

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Holey $hit, just went back in time on a random spin'O the wheel and got 're-acquainted' with The Fillmore from 6/6/70 and holy cow that jam out of Alligator.
This is the stuff.

The whole show just smokes Back To The Future Tire Tracks all over it.

Sixtus

P.S. Jimmy in a parallel universe my Forager is hanging right next to my Workingman's Hatchet

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In reply to by Sixtus_

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CD’s were around $20 each in the 1990’s, so the early DP’s had to be kept short so people were willing to spend the cash.
Back in those days I spun DP2 way more than DP1 or DP3 (which are both awesome).

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