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    Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


    By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


    Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • proudfoot
    Joined:
    A raise of the glass to David LaFlamme

    I love the song White Bird

    RIP, DL

  • That Mike
    Joined:
    Robbie & David LaFlamme

    Sorry to hear David Laflamme has passed. My friends and I wore the grooves out of that first IABD album (great cover, too!), and their second was pretty decent, too. I saw LaFlamme years ago oddly enough on an episode of Frasier!
    As for Robbie, my hometown hero. I was lucky enough to see the original Band twice, but their show on their finale tour, leading up into The Last Waltz, was one of my best concerts ever. I found myself asking myself why these guys would want to quit when they were so damn good.
    Godspeed gentlemen, into that good night.

  • PT Barnum
    Joined:
    Robbie Robertson

    His solo lp is so good, and of course his work within the Band is legendary. I had a real love/hate thing going with him but that is in the past, nothing but love for a great musician now, may the four winds blow you safely home somewhere down that crazy river.

  • PT Barnum
    Joined:
    David Laflamme too

    Hey Daverock, I remember the first hippies I ever met, they were older than I, yes and their attitude and demeanor were so laid back. The first time I met them a long haired dude and the sweetest of sweet little lady who when we entered asked us if we would like to smoke and offered up an assortment of smokables on a beautiful art and crafts type rolling tray. They were so cool, she said, "Would you like to try some of this tasty oaxaca that we have" and off we went.
    I was shocked this morning when I read that David Laflame had also passed away, what a talent. I'm sure that everyone who ever saw the It's a Beautiful Day perform would agree. Have several of their albums, the first with the lady on the cover is an all time favorite and a classic with hits like "White Bird" and "Hot Summer Day" and of course "Wasted Union Blues" great song title that one. Other lp's followed but their first was their best. Marrying Maiden and Choice Quality Stuff are both good too. The compilation 1001 nights is a good one that puts them all together on one lp.
    My record collection is starting to look like "works from the graveyard" everyone seems to be leaving us.
    RIP Robbie and David, man that Heart of Gold band is really getting crowded.

  • daverock
    Joined:
    Estimated Prophet

    Gary - yes, that's an interesting theory. From my memory of the mid 70's, there used to be certain type of "hippie", slightly older than my generation - maybe 25 to my 18, who assumed the role of men of wisdom. Men...and it always seemed to be men... worth listening to. I remember a guy like that in my home town. A bit older. He had a beard, his own flat - even a girlfriend! A beautiful woman of about 19, who stared at you and rarely spoke. And when she did.... she whispered. They informed us about meditation, and came out with statements probably filched from the Bhagavad Gita or somesuch. And of course, they sold a bit of bob hope on the side. Quite intimidating in way, but harmless enough.

  • Vguy72
    Joined:
    Band(s) breakups due to egos....

    ....don't get me started.
    Does the music sometimes fade into the background? And then a certain switch flip occurs that perks your ears?
    It just happened to me during the second set Loser at 6.9.73.
    Second set Losers are tight!
    And it's a grate one.

  • alvarhanso
    Joined:
    RIP Robbie Robertson

    While not a huge fan of the ego that broke up The Band, the man undeniably left a massive imprint on what we think of as rock, folk, Americana, or just music, period. I have no clue what The Weight is about, but damn if it ain't one of the greatest songs ever put down. And The Band had a few dozen of those level songs. Indisuptably, he penned the lyrics. More up for debate, is how much credit the other guys should have gotten for their contributions to the music. But, avoiding that to think about this 15-16 year old Canadian Indigenous person (who learned early in life to hide that part of his heritage) who tore up the Canadian circuit with Ronnie Hawkins and the Hawks. Then cutting out with Levon and the Hawks, then joining Dylan in going electric as The Band. Levon was a tough guy, but even he couldn't take the booing and quit, and Mickey Jones finished the tour. Dylan's motorcycle accident and The Band living nearby at the Pink House is now legend. As far as his guitar playing, no less than Duane Allman is said to have cited Robbie as his favorite guitar player. An authentic rock legend.

    Got my DaP 47, have ripped it. Like the gatefold as Vguy mentioned, and noted that DaP 31 has it as well when I grabbed it to re-rip the filler to sit with its companion pieces. Looking forward to listening. Just got the computer set up last night, and luckily, just checked and the music cannot be heard in the bedroom over the AC (even maxed on my computer), so wife is blissfully ignorant of my goings on in my new music room. So far, in Promised Land, it sounds like 1979-80, tinny keyboards (but constantly in the mix, unlike Keith, who was often largely absent), Phil with a different sounding thunder on the Irwin bass, the drummers more ensconced in their own giant sets, and Jerry sounds like he's having a ball early on, Bob seems more prominent in the mix than Jerry so far. The liner notes were interesting. Almost like Dave is saying "12/1/79 isn't coming out for a long time, and I'm going to turn you onto the shows that are better that tour first", which i don't get, 12/1 has a Black Peter, what more does Dave require? I'd like some more Altheas if we're gonna be in an era where it's played.

    Gary, out of curiosity, what were you doing at Hanes Mall in Winston-Salem the day Jerry died? Did you live near there?

    What if the rhyme on 48 doesn't mean '68, but '88? I'll take 7/2, which leaves a gaping hole for some prime filler.

  • Vguy72
    Joined:
    The Last Waltz....

    ....yeah. This loss sucks. 8.9 isn't getting very high marks here.

  • Gary Farseer
    Joined:
    Yep I am a hipster dufus

    I am sure some around here (hometown) would say...always depends on hair and beard length.

    Gonna post again a quick intellectual debate. The last time I posted this, probably early 2016, it got overlooked or panned by folks.

    I really wish Bob would comment on this.

    But in 2016, I wondered if Estimated Prophet/Profit!, was written regarding Charles Manson. The song seems to fit him so well. I think of the electrician (?) knocking at backdoor of Winterland in the Movie. Charles was released from prison in early March 1967, if memory serves, and went immediately to the Haight. That is why I see him as a backdoor man, just trying to get in and sell his wrap/bullshit. I was thinking maybe the entire Organization of hippies for the most part rejected his overblown ego and self importance. "Standing on the beach, the sea will part before me...Fire wheel burning in the air. You will follow me, We'll rise up to glory (or we will ride to glory), way up in the middle of the air."

    Just another rabbit hole for me. I posted again today because I was reminiscing about Chocolate George, the Hell's Angel and his funeral. Back when we could post, I had found video segment that showed the angels funeral procession along with video of the dead playing after the funeral, and had the board tape edited in. It was a very short clip. If you search Chocolate George's funeral you will find lots of stuff. But in 2017, it looks like a 50th anniversary of the summer of loveeb site was created. Has article about Manson on front page. I have not had time to read yet. Maybe after I open my skull in a bit. the web page is summerof then an actual dotlove/history.

    Now to tie the two together. When you see Chocolate George's funeral procession, you kind of get the sense that maybe the S.F. crowd told him to shove off. I am sure his wrap did nothing for the angels. As within just a few weeks he was back down near L.A. starting his little empire.

    One last thing, has any one seen Outlaw Chronicles - the story of the Angel's George Christie. It is really a very interesting watch, lasts several episodes and several hours. He moved the LA Angels to Ventura. As all this stuff has always interested me since I was a kid. Then, over time, I will explain more. But dealt with a local BC here back in the mid-late 1980's. Wanna talk about the free flow of...

  • Oroborous
    Joined:
    Think

    We all might stop off at Nicks cafe this evening…

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Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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In reply to by Sixtus_

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If you see this, wanted to update you. Last years "Undertaking" turned out to be awesome. Getting ready for the second trip through the Series. Last year, by watching them in quick succession, I really harvested much knowledge on the overall story line.

G

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In reply to by Gary Farseer

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I say, well done! Going through a second time with the knowledge of the first pass can only enhance!!
Thanks for checking in.

Be Well My Friend!
Sixtus

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The filler on disc 3 from 12/4/79 is stunning! Stella Blue in particular is an all-timer to these ears!

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1979-12-04? could it be the filler you're looking for?
it would certainly round out that daP 51 very nicely, right?
1970-10-24, well, you know Dave won't be that predictable lol or...?
Peace All!
uncle_tripel

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