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    Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


    By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


    Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • Colin Gould
    Joined:
    Another Last 5

    All of these were streamed today, even though I own the albums it was easier than searching for them:

    ‘Chrome Dreams’ - Neil Young

    ‘… at Newport’ - Joni Mitchell

    ‘50 years of hip-hop BBC Radio1extra mix tape’ - Various Artists. This is an hour long mix of tracks from 1973 - 2023. In the UK it’s available on iPlayer if you have a licence.

    ‘Ask Me No Questions’ - Bridget St John, this is a great album from 1969 that originally came out on John Peel’s Dandelion label. Somewhere I have the LP.

    ‘The Big Huge’ - Incredible String Band. This is still one of my all time favourite albums.

    UPS tell me that my #47 is out for delivery. Since it’s said this since yesterday morning I’m not holding my breath. Hopefully I’ll see it early next week although it’s the hope that kills you!

  • Vguy72
    Joined:
    Blues Traveler is releasing a new record soon....

    ....and everything was right in the world.

  • JimInMD
    Joined:
    The Band and Rush

    Liked (and like) em both. Agree GFar on your comments. Read This Wheels on Fire years ago, a good read and gave me a much deeper perspective on their history and chemistry. Rush was one of my first concerts. I think I was 13 or 14 give or take. What were my parents thinking? I was lucky to see them early, they were hot, hot, hot especially in their early years.. and my ears could take the volume back then. High energy rock and roll.

  • Vguy72
    Joined:
    RUSH....

    ....they transformed into a different band every four records.
    Fact check me on that, because it's not fake news.
    RIP Neil Peart.
    Paging keithfan2112!
    Did you know if you put a mirror in the middle of the 2112 cover, a devil appears?
    Badass.
    I grew up in the middle of the heavy metal = Satan Worshipping era.
    It was hilarious.
    My parents even had to have an intervention at one point due to my obsession with music. Esp the loud music.
    My bedroom was plastered with magazine inserts and tapestries. And I hadn't even discovered weed yet!
    Had to take them all down.
    I threatened to run away.
    I did. For five hours.
    I miss the 80's.
    Edit. Maui is burning. Bill The Drummer just posted on IG re it. Over 40 dead.
    I donated $20 to the cause.

  • Gary Farseer
    Joined:
    Oro

    Of course you deserve credit. Is it a band or not?

    I always look to RUSH: both the band and the feeling. Rush decided very early on that they would divide the royalties 3 ways. They were having some issues and they came together with that plan, as documented on one of their documentaries. Much easier to do with Rush because all three contributed pretty much equally all the time.

    So yeah, I always had issues with RR. That has mostly melted away. It comes down to the fact their was only one dirt farmer (cotton) and that was Levon in the band. Now maybe Hawk rubbed off on the others and gave them some redneck swag, but I doubt it. No disrespect, but how could a Canadian write "The Night They Drove Ole Dixie Down?" when he was a far stretch from understanding what that was like. I watch The Last Waltz a couple of times a year. And once, always Thanksgiving Day.

    Speaking of Hawk...another Hawk, Taylor Hawkins, was contacted by Dave Grohl for an audition (going from memory on a few things) after someone contacted DG looking for a drummer. DG gave Hawkins a call to get him to go audition but Hawkins told him I would rather join Foo Fighters. Hawkins made it clear he wanted to be in a band, not the drummer for a solo artist (that artist being Alanis Morissette, who he worked for not auditioned for). So, I doubt that DG gave all equal rights like Rush, but I also doubt DG treated his band the way RR did. Just one guy's uneducated opinion.

    Edit: Rush's Geddy Lee said once we established equal royalty rights, that issue was over and never was revisited again. Harmony! What a great name for my new upcoming boy band.

  • daverock
    Joined:
    First generation hippies

    PT - they sound like a nice couple who you met all those years ago. There were some very kind people about then, in the hippie world. The first time I tripped was with a couple like that. They seemed very caring, in a world that wasn't usually like that. Being a bear of little sense, I thought I'd try 2 or 3 tabs. I was given half of one, which seemed quite insulting at the time. Two hours later I was so high I couldn't speak.

  • That Mike
    Joined:
    Point Set Match To Mr Oro

    Great arguments all, Amigo, and really great stories.
    Clarence Darrow had nuthin' on you!! :]

  • alvarhanso
    Joined:
    Go Deacons, Gary!

    I ask, as I grew up in Winston and Greensboro. My dad was a faithful Wake fan, which is sad given their long history and single Final Four. But I always gave him credit for sticking with them, rather than abandoning them. But, how do you not make a Final Four with Tim Duncan? Though, given your life experience, I'm sure the hardwood exploits were the least of your concerns in grad school. Glad it was a good experience, I have only heard it's a great school. I'll bet you got very familiar with Baity St and it's awesome Ziggy's, home of Roots, Rock, Reggae. If you were there until '98-99, we probably attended a lot of the same shows. A college buddy saw Aquarium Rescue Unit open for Phish there in '92. My dad caught the Ramones there twice, still have one of the ticket stubs.

    Awesome stories, Oro! Sad, too.

  • Oroborous
    Joined:
    RR Redux

    Good point about Dylan Mike.
    A lot has been written about the royalties too.
    I can understand both points: the old school record company gives credit to one person etc, versus the group band mentality. As a musician, I felt like I contributed to the original music by creating my part and other little tid bits, phrases, a word here or there, even though technically I did not “write” the song. Does that mean I should get credit or not? In RR defense, how did they not know, and when they figured it out, why didn’t they do something then?
    This is an old problem going back as far as modern recorded music itself. Not an easy answer, but from my perspective, I’d say they should have gotten more credit than they did, but perhaps not as much as Levon thought…
    But as you state, same situation with Bob D and I don’t recall ever hearing them complain there so?
    Yeah, good question Mike! Again, just too bad all the BS had to mess with the music.

    EDIT: yeah well when it came to abuse Robbie was no boyscout either. He just got his shit together sooner and moved on. I don’t doubt there’s truth to what he says, especially in the 70s, but again, I think some of that is him putting English on the ball to make himself look good, or not the bad guy anyway.

  • Gary Farseer
    Joined:
    While I remember

    Pecan Lover's you can order excellent pecans from Priester's Pecans near Montgomery Alabama.

    I owned a house in the early to mid 90's. It had three huge pecan trees. Each tree was one of the three different pecans types.This house sat on land of an old southern plantation that had a pecan grove that stretched almost 15 miles. The trees were well over a hundred years old. Had years with heavy to no yield of pecans. Use to gather them by the bushel in the good year. Used to give a bunch to my grandmother who only lived a few streets away. What did I get back? Pecan Pie of course. Now, been decades since I had a slice.

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Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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9 years 2 months

In reply to by Sixtus_

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If you see this, wanted to update you. Last years "Undertaking" turned out to be awesome. Getting ready for the second trip through the Series. Last year, by watching them in quick succession, I really harvested much knowledge on the overall story line.

G

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9 years 11 months

In reply to by Gary Farseer

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I say, well done! Going through a second time with the knowledge of the first pass can only enhance!!
Thanks for checking in.

Be Well My Friend!
Sixtus

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5 years 6 months
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The filler on disc 3 from 12/4/79 is stunning! Stella Blue in particular is an all-timer to these ears!

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1979-12-04? could it be the filler you're looking for?
it would certainly round out that daP 51 very nicely, right?
1970-10-24, well, you know Dave won't be that predictable lol or...?
Peace All!
uncle_tripel

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