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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • icecrmcnkd
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    Took 2 attempts

    To get that posted

    Will this one work?

  • icecrmcnkd
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    Hey now, get off my lawn you hippies!

    And stop trying to socialize on Rhino’s platform.

  • JimInMD
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    No New Comments

    Is it safe to assume there are almost no new comments today as a result of efforts of the new director of Web IT at Rhino, William HeyNow?

    Is it BECAUSE PEOPLE CAN'T POST?

  • docmarty
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    Frank Parry

    Still waiting for mine. I think it will sound great irrespective of subscription status....but it would be nice to confirm mr daverock younaughty teaser!!!

  • Colin Gould
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    Frank Perry

    Yes, mine is still missing.

  • FiveBranch
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    Immediately reminded me of…

    Immediately reminded me of Albuquerque when I started up disc one. Jerry bending the holy living realm out of the notes in particular. At times it sound like he's making his guitar speak old world Castilian. But then in contrast that very brief clean succession technique at the peak of Not Fade Away. Very expressive time for Jerry's playing. First set highlights would be Beat It On Down the Line, El Paso and Ten Jed. Second set is one giant highlight.

  • frankparry
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    DaP48 in the U.K

    Has anyone in the U.K. NOT received it yet? My two friends who also subscribe got theirs last week. Thanks.

  • JimInMD
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    Wow..

    First, the skinny columns on the new look for these forums makes the posts look longer than they really are.

    Second, I can't believe I wrote something with more than six words and one paragraph that slipped past the Crapatcha and Ney How Nazis. Take that you IT weenies!

  • JimInMD
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    Re: Wall Of Sound

    The vocals certainly suffered on the WOS recordings, that noise cancelling mic worked but was far from perfect. I think the band really enjoyed playing through the Wall of Sound and knew it was a special thing they put together, both for the fans and for themselves. You hit on a good point, mixing down to 2 tracks was a problem, I also recall hearing they were experimenting with quadrophonic output (at least on Phil's bass) and other sound projection techniques that may or may not have lent themselves well to two track recording.

    They sounded great throughout this whole period and the band was playing like they meant it. Hopefully they had loads of fun as well. Whatever they were doing, whatever it was they put in the water, it worked. I am speculating that sometime in the late 60's to early 70's they realized the value of having a master and did not play they heck out of the original reel to reels. I suspect many of the late 60's shows suffered because someone was playing the originals too many times when they got home or at least it sounds that way. This seems true especially in 69, many of the tapes sound muddy and lack a crispness that does not seem to be the case in the banana box show recently released. Or it could be they are just ancient, and some benefited from better storage.

    Thank whoever it is you thank that someone had the foresight to hit the record button. Without that, it would all be a dream we dreamed one afternoon long ago.

  • Obeah
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    Thankee Bluecrow

    Thanks for weighing in, Bluecrow! Your reasoning matches with mine. And as time goes on and Grateful Dead scholarship has continued to improve, I started thinking that maybe there's a chance that I could not only say it with certainly - but might even be able to get it down to which song was being played at my, er, entrance. (exit?) That's probably a pipe dream... but 'tis a good dream...

    And I'm with everyone else who is enjoying Dave's 48, the final Pick of the year. It's been a blast. In fact I've got it playing right now - Cumberland! Oh myyy. And I've got a copy of disc 3 all loaded up in the car for tomorrow's commute. Shoutout to Rex... man did a pretty darn good job with the recording given all the variables he was dealing with. It makes me want to pull out Dave's #3 for comparison - to see how far he (and the band!) came in a month's time.

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"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

Little Shop of Horrors? The first thing that came to mind was Sigmund and the Sea Monster. Does anyone remember that? Weirdness from the early 70's...

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In reply to by JimInMD

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....Sid & Marty Krofft reference for bonus points my friend.
Seems like a trigger word here is a word that defines one that beats everyone else. Trying to dodge the trigger words here.
W. I. N. N. E. R.
That's one of the words apparently. I tested it.

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In reply to by JimInMD

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Lame

Hey Now me one more time and I'll reach through the internet and smack you up, bitch

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8 years 3 months
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48 in the mail yesterday. Haven't had a chance for a listen yet, but maybe tomorrow.

'68-'71, Keep 'em coming please.

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16 years 7 months
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Got my email this morning. Got #48 3 days ago😆

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Hey Now! I just checked my PMs. I will follow up with you both. Thank you both so much!

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Does not disappoint; especially love the fast, no-frills pacing of first-set material from late '71. Keith is way up in the mix, which is refreshing.

Great to have the late '70 bonus, though the mix there is a bit jarring, with Jerry kind of buried and some of the vocals (esp Pigpen) distant. But hey, it's '70. Whaddya want.

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In reply to by proudfoot

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Today. Ripped and loaded onto the USB drive for tomorrow. Did listen to Dancin from the Kiel Opera House, loved the Soulful Strut jam in it, and some of Phil's playing was great. Even based on listening to just one track, agree with odd mix comments. Looking forward to some time to listen to the whole thing, maybe driving around. Though maybe not, got my first snow as a Vermonter. Not much, but was sticking, then melted, then started up again. Heard it was worse further south, but could be a good excuse to laze about and listen to fresh Dead. Haven't popped on 10/31/71 yet either. Still have Wake of the Flood to finish, and have yet to check 11/1/73. Missed opportunity 50 years later...

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Thanks DL and Rhino team for this awesome reflection of ‘71 and the added ‘70 tracks! Keeps me coming back for more! Also, more Bill Walton bio then you’ll ever need….

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In reply to by Numb

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Daves 48 arrived this morning, which is pretty good going considering I live in England. I played the 1970 show first, and was immediately struck by how loud the organ was. I wondered if it was someone else at first - but nope, just Pigpen. The organ seems to disappear after this opening "Dancing", too. The highlight for me is the jam between "Good Lovin" and "St. Stephen". With no rapping, there is more emphasis on playing, and Phil is pleasingly to the fore. On this and the whole cd, come to that. Great the way the riff to "St. Stephen" appears in the "Good Lovin" section as part of the jam before it disappears only to return later as the song introduction.
So, a good cd. Maybe not earth shattering, but really good nonetheless.

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Saved DiP2 on vinyl for Halloween night, is an excellent release, at least for me. I tried a couple of full shows on vinyl, flipping 7 discs just kills the momentum for me. But DiP2 and the Dark Star are exactly what I want out of a vinyl release, the big jam, a couple flips at the most. Also, as most of you know, the DS jam is special, even for DS.

got a good number on a DaP for the first time ever, #5555, cool.

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9 years 2 months

In reply to by gratefulgerd

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#15850 arrived at the local PO on Halloween while I was down in the Apache NF at 9000 ft+. Spinning Disc 1 right now - very cool to hear Keith's piano lines on Bertha - love the phrasing. Thanks to Dave and all involved for another sweet year of picks. Subscribed for 2024 day of announcement from the parking lot of the Springerville AZ Safeway before heading into the land of little/no cell service. Couldn't even wait a week! Be well everybody.

Edit 1: man o man does that First Set rock!! Love it!!

Edit 2: Garcia's briefcase? - no thank you

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In reply to by bluecrow

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This is the Fall '71 show I didn't know I needed and that I really really needed. What a fun listen!!

Five smoking craters for that Other One. More of that please!

Disc 3 at the Kiel later this evening.

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In reply to by Vguy72

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on ESPN...two Las Vegas Knight players (I have no idea who, maybe VGUY can clue me in) are in an ESPN breakroom washing the Stanley Cup in a dishwasher...pretty funny...I love all of those silly promos of theirs....

I guess, reading the notes in the booklet, that Bill Walton is quite well known in The States. I've heard of him, through reading about The Dead, but I have no idea who he is apart from that.

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Bill Walton was a great basketball player, played for UCLA in college. Played in the NBA and won a championship with the Portland Trailblazers. I saw him one time after a December show at the Oakland Auditorium walking down the street, I didn't know who he was, I said to my friends,
God dam that guys tall!

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When I first saw the setlist to this show, the pairing of The Other One and Ramble On Rose did stand out as curious. I wondered if a spacey jam petered out into Ramble On, but no! Out of a fiery and, yet also funky (dig that groovy second jam after the Cumberland meets Me and My Uncle Jam), Other One comes an angry Ramble On Rose worthy of a screen name. And it ain't just the guitar that comes in hot, Jerry's spitting out the vocals. This ain't no ragtime. I have a new favorite version of that one. Previous was 6/23/74's show opener for DaP 34.

Also, very odd mix by Rex. I was super excited about the sound when I heard Rex was recordist. I love the sound on the previous show, 11/17/71 DaP 26, the saloon piano sound fit better in the mix on that one. This one has an odd sound field, but it makes me feel like I'm standing on the stage next to Bob as he sings Sugar Magnolia. Though I doubt I could hear the piano that well onstage. I wonder if the FM broadcast had anything to do with it.

Overall, interesting Pick. Very different show than Albuquerque despite the similar setlists. Very different energy. Looking forward to the Not Fade Away as I love the ABQ one about as much as others love the 11/15/71 Austin, TX one from Road Trips series.

Me like. Love 71.

I put it a tad behind Albuquerque and Austin, but excellent nonetheless. Keith is way, way high in the mix. Especially on Bertha. The Other One. Yeah, The Other One. Very cool.

Halloween tradition. Spinning DP2 Dark Star dressed in a Blackhawks jersey. Got lots of Connor Bedard comments this year as I was handing out gummies to the youngins. We’ll see kiddos. We’ll see.

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In reply to by Angry Jack Straw

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Found out that while I was out in the woods the Blackhawks took down the Knights handing them their first loss of the season. Bedard goal was a little bit of lightning. Hoping for a strong Hawk season.

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It's always the right choice. Chugged down a 'Wrench' Hazy IPA tallboy. Chicks dig it. Sarge in the picture on the left liked IPA's for some reason. He dug it on ice, like himself.

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In reply to by Angry Jack Straw

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This seems to have a much lighter touch than the 1970 show on cd 3. I wasn't sure about how loud Keith is on "Bertha" - he seems to be the one driving it the way the mix has been presented. Either the sound becomes a bit more balanced or I adjust, because he seems a bit more integrated as the set develops. I've only listened to the first 10 songs of the first cd so far, but it's all good stuff for me, so far.
Billy thanks for the info re Bill Walton. I guess he's an example of someone who is very well known in The States, to the point where he needs no introduction - but who is less well known in the big wide world.

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BTK, don’t forget that Walton won a second championship with the Celtics, late in his career.

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I had to change and shorten the previous post 5 times grrr

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…is hitting my ears in a more beautiful way.

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Unable to post anything today
Edit: this one obviously worked...no idea what's going on

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Got my copy yesterday. Not bad only 9 days after shipping note.
As for both shows Dave has had another look into my collection - both are missing.
DP49 will be 4/27+28/85. Have the 4/28 show with 130min sbd, both sets with two encores.
And was a little bit wondering that no one mentioned the last Euro-Tour 1990. For me it
was a lot of fun 33 years ago...

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The show DID go on. Yes, Bill got Covid, but the sub was the drummer from Vampire Weekend. Small crowd, but for the faithful a good ol' time. Here's your setlist:
First set: Don't Ease, I Am the Walrus, Me and My Uncle, Lazy River, Cassidy, Eyes of the World, Don't Do It, U.S. Blues
Second set: Help>Slip>Half Step, Drums, China Cat, Hard Rain>Other One tease>Hard Rain, Hurts Me Too, Foolish Heart.
Encore: So May Roads, Sgt. Pepper reprise

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Has arrived! I've only been through disc #3 twice. Nice, punchy, 1970 show. I actually don't spend much time in '70 so this was a nice way to start and a nice reminder of how much I do like '70 when I visit!

This afternoon I start #48 proper!

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Por favor..... check your PM.

Thank you.

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But I don't have a turntable! :) The artwork was too cool to resist, so I'll take this to my album-playing friend's house for a cocktail and vinyl session.

And I was streaming the new Jaime Wyatt album, and lo and behold--there's a version of "Althea" on there.

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Man, this new pick is kicking some serious ass, and I'm only 2/3 thru the first disc.

Here's the thing: you can't lump all '71 (or any other year) together when it contained two different bands. If your yardstick for '71 is the April Fillmore run, then more nuance may not register properly. But when you consider Nov '71 to be part of the run-up to spring '72, it makes a lot more sense. The Nov band is not the April band. Billy indeed is kicking ass, just like Phil and "the rest of the band" on this first set. Give me more fall '71, even without Pigpen and you all know I'm a major Pig-head.

For me, this is prime, energetic whiplash inducing GD. So glad to have it. And I'm still on Disc 1. And having fun. This is a fun show! Hats off to DL & Co.

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I Agree, this release is kicking some ass! I just finished disc 1 and wow that One More Saturday Night ends the set with gusto!! Onward to set two....we are a lucky bunch!!

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In reply to by hendrixfreak

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HF - I agree with that . From the moment Keith joined, the band entered a different era, and these Fall shows are more in line with the great shows to come in 1972 than the ones before in 1971.
A highlight of the first set for me is Tennessee Jed, with it's great middle section. The Truckin'-Other One is the centre piece though.Totally reshaped from earlier versions to great advantage. From rock and roll to the stars and back again.

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Fun show, great Cumberland, but they all are. Some not often played tunes. Next stop S.F.. Civic, New Years Eve Shows.

A comfortable show

The Brokedown made me verklempt

Not looking for a pity party, but since my Dad's passing in September I have been hit by sudden, random waves of emotion. It's like aftershocks from an earthquake or like brief seizures. The human mind/emotion center is, well, mind boggling. Just out of the blue, about 15 seconds, then back to regular life.

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