• 8,102 replies
    marye
    Joined:
    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • wilfredtjones
    Joined:
    Hershey

    You know it's on Dave's radar as he has played some of it on 30 Days in past years. Good show and one of my first tapes. Keep the stories coming! :-)

  • Oroborous
    Joined:
    6/28/85

    So after basically staying up for 2 days at SPAC, we finally pack it up and hit the road the next day. I believe it was a rainy, gloomy day most of the day. But that didn’t stop our idiot patrol from basically racIng at high speed through the fine but conservative state of Pennsytuckey, where they were one of the last to let go of the 55 mph laws, and back then there usually wasn’t much tolerance. So 2 cars of totally raging nutknicks, with probably enough cargo to keep us detained for decades, thought it’d be a good idea to race at speeds up to 90!, Idiots!.....yes, one car had a radar detector, but in those days smart cops would wait for some nut traveling high speed and click it on when they had ya dead nuts.
    Luckily, all was well and it was one more “miracle” as we earnestly pursued our quest for “too much of everything is just enough”, aaaa, never considered back then maybe Bob was being sarcastic? Lol
    So we roll on into Chocolate town late and all beat up. I’m guessing we grabbed some kind of drive through, but not sure and as we were hardcore vegetarian then, perhaps we thought we’d grab something there? It’s all such a blur, I do recall the lot we were in had no or little Shakedown action going on. That still wasn’t in full flight anyway, and don’t recall much there, so maybe we drank our supper? I know I scored some Carlsberg Elephant beer, and believe I may have finished it, though that is a tall order even under good conditions so perhaps not. I’m sure I put in dent in it at least! So, that and the last of one z of veggies, though the tricky part was it was mostly just powder and scraps and so no normal produce to properly gage etc, which would turn out to be a tactical error...
    So it’s late, we’re tired, but tweaked, perhaps no dinner, and of course it’s horrible out. Dark, rainy, and cold is usually not how you want to do your Dead. Eventually we get in perfect time, slip right in front of the SB and try to make the best of the situation. Well I had a shirt, a black baseball jacket, and the electric Buffalo Hyde, but even still it was damp and cold at first. Eventually, when things started to take hold and we started boogieing, we began to warm up a bit.
    Meanwhile, the set list is awesome, but the conditions, which necessitated all the stage and PA speakers being covered in plastic (there was no stage lid) thereby severely effecting the audio. It’s was such a weird show that way, loved the little “stadium” and the nice audiophile stereo set up, with surrounds, great set list, mostly good playing, yes JGs vocals are a little ruff in the first set, but you have to cut some slack as it was terrible, I mean depending on the wind/rain they were getting rained on playing electrical instruments! Weird indeed, but like so many times in adverse conditions our heroes seemed to rise to the challenge. Thus the playing was perhaps more relaxed, steady and together and not forced like the previous night. Really, besides JGs vocal issues in the first, its a top notch show!
    The second set really starts to take it higher with stellar versions of Music Never Stopped, Terrapin, Miracle and one of the best Dews I’ve ever seen! I think I saw about 14 or 15 Dews and when I think about Dews I’ve seen, this one is the one I always think of first! Rocking Stones/NFA with a spirited Day Job. I liked Day Job, but by now it was getting a tad old, and was a disappointment for this show considering how high it was at that point. A She Belongs or Baby Blue would of been a perfect Cherry on top, but perhaps that’s being greedy?
    Now since the weather was such a factor, we must discuss that and how it influenced this show. The second set starts out with their “signing in the rain” as Bob says, and it’s a good’n! Next they slowly slid into an unusual sounding Tom Thumbs which I had never heard yet, and wasn’t even sure at first what it was, but hey, it was Phil so that’s all I needed to know! Good but perhaps truncated Estimated, followed by an awesome Terrapin. So as the set started to progress, so did the weather until (I think?) around Estimated it really started to clear up and they started pulling the plastic tarps down. It was almost like you could immediately hear it get better after each one was removed. Eventually by about Terrapin, they tarps we’re gone, the moon and stars were out, and Healy started increasing the volume and tweaking the mix. I remember we were goading him to turn it up, and man eventually he sure did!
    As the night wore on it began to warm up a bit too. But as you’ve heard this scenario, or been there yourself, many times I didn’t feel quite high enough so what the hell, one more time with the powder veggie crumbles just before drums......hee-hee....you know, “I’m not feeling it?” and then...Dooah!
    So the problem with those baseball jackets is they don’t really breath and the electric Buffalo Hyde was thick plastic. We didn’t have all the nice technical outer gear we have now, or at least WE didn’t. I could barely afford the free plastic one from the old mans work.
    Well a perfect storm mounted; little or no food, Elephants, veggies etc, no sleep, excess everything and underlying exhaustion, with me starting to overheat due to the above and dancing with that plastic shell on. Things were going unbelievable well, and partly influenced by the very recent passing of my Grandfather, during Dew, things peaked musically, the sound, the night, the stars, emotionally etc etc until I had one of the most powerful musical/emotional/psychedelic peak experiences of my life. Perhaps my all time GD moment, it was that powerful. But what goes up must come down and just like that the radiator blew and that last handful of shroom dust fully kicked in and somewhere in Throwing Stones, right during ashes, ashes all fall down, well.....I say i didn’t really fall down, it was more like an immediate realization that if I don’t sit down rapidly, I’m going down! LOL, so one way or another, depending on who you believe, I end up down in the soft, cool mud until near the end of the song, but I swear just as I tried to get up I knew it wasn’t going to happen, so right on que again I go back down. My friends to this day always bring up my perfectly coreographed “Dance moves” above all else that happened on this tour..35 years later and it’s still “ashes, ashes, Pedro falls down” !
    That would of all been well and good except things were very strange and weren’t wearing off, and I was barely functioning. I never would of found the car etc If not for my homies. Honestly all I remember is them pulling into a Wendy’s or something, but I just sat in the car with my face literally stuck to the window and crackled! Zzzzttttt. I really thought I had finally fried some essential circuits and thought this time I really did it. At some point I snapped out enough to find some kids in another car staring at me with a look of concern if not fear. Luckily, the boys finished up and came out and got us outta there. Somewhere near the state line we finally grabbed a motel as we all had had more than enough rain and adversity. Plus the next day was off and the drive short. I remember they propped me up in bed and I just sat and crackled and worried. Eventually I slept and though I felt better the next day, I didn’t feel normal and don’t recall much except when we got to Merriweather and found a good spot just over the creek, right next to the path, in some trees, on the way to the big parking lots to the right of the venue. But now it was nice and I was feeling more normal so not so freaked out. I also remember going to a nearby sorta plaza with an upscale liquor store where I scored my first sixer of EKU 28 ever which was awesome!
    So now we’ve moved beyond the insanity of TOGA, the adversity and majesty of Hershey, and ready for perhaps the best overall show of the tour on 6/30/85....

    EDIT: Otis, congrats on the stereo. All that matters is if your happy with it. After all the specs and hyperbole etc, no matter how big, small, expensive etc, in the end, that’s all that counts!

  • Thats_Otis
    Joined:
    @ Bob T and Pick for Monday

    Nice rec for the TDIGDH 6/28/76 show! I'd never heard that one before, and it is pretty sweet. The "Happiness is Drumming" is certainly a highlight!

    I have been out of the loop for a bit - trying to deal with some personal stuff on my end, and I just kind of lost track of things around these parts. I hope to be able to participate more going forward.

    To that end, how about a pick for tomorrow, Monday 6/29? I am thinking Dave's 31 - 12/3/79 Uptown. I feel like this pick got a short shrift on the DaP page, but I remember being very happy with it, though I haven't given it a proper listen since it first came out. What do you all think?

    One positive thing that I have accomplished since I've been away has been the set up of my first component stereo system. I don't know if it compares to all of your "big boy" systems, but it certainly feels BIG in my little row home! Looking forward to playing it LOUD tomorrow when the wife goes to work.

    Peace

  • Oroborous
    Joined:
    Voodoo senile, slight return. 6/27/85, and why 85 Dead is like

    Bode Miller...

    First, GOGD, I did not mean to single you out, over generalizations, which become stereotypes, which become truth etc, really bum me out. So it was more of a trigger to that, not you personally. I know you were just repeating this line.
    Actually, as I’ve dug in deeper, there are probably a significant number of shows where he often doesn’t sound so good, but to over generalize that “his voice was shot”, as in never more, to me, imho, that completely devalues and discounts all the amazing, great sounding stuff he was still able to do. 87,88,89,90,91anyone? Micro view versus macro perhaps?

    SECOND: I must humbly recant my tale of dancin in the rain. As we were diligently experiencing TOGA last night. Too things became apparent. First, perhaps JG was a tad “caffeinated” at the start of both sets. Listening close on a real system, (not the big boy, but the living room system which ain’t no slouch!), he seems a tad to fast and/or their not fully entrained. One could argue not fully so until Women Are?...so probably something to do with him totally skipping the Key Rain Storm, and Jailhouse versus, of Bertha, lol.
    Thus, while I wasn’t deceitful, I was not accurate. Sure enough, when Holmes and Watson ripped a spleef and fired up Bertha from SPAC 6/24/84, and bingo, ding, ding, ding, ding! Right venue, wrong year! 😂 Ooops, my apologies to the dear reader...but hey, it’s a fun interesting new tid bit, and it did rain, I think, lol.
    While doing this research I was listening just on the iPad and interestingly he doesn’t sound as bad? Also, I’ve been going with the HS matrixes, especially shows where I want to hear those crowd big moments. Generally they’ve been pretty good, but researching, I used a CM transfer and man, definitely a big difference. Perhaps number one being the speed/time of the Miller seemed better and more natural?
    Subjective I know, just that it’s interesting how every variable can effect perceptions.
    6/27/85: so this beast is still as much of a rocket sled ride as I’ve thought, but it’s perhaps a tad more unpolished then I would of said in the past. But that’s being picky, and you know I prefer danger dead to safe, so as at this moment, Hell in a bucket is scorching, I stick by this show for that, the cool set list, and the fact that eventually, say around Women Are on out, that part of the show stands with its lofty summer 85 neighbors. Probably have to give 6/24& perhaps 6/25? a slight advantage overall, but man I haven’t been to many shows that had the vibe, fun, and overall madness of this puppy.

    So why is 85 Dead like Bode Miller? He often was criticized for his erratic style, or lack thereof, his nonconformity, often disregard for the rules, including parting then basically going 80 MPH down an insane pitch, that was usually hosed down to make it more icy, and thus faster! So just like this era of Dead, sometimes he’d DQ, sometimes he’d slack off, sometimes it was ugly, but when he brought it, that mofo brought it!! and when he was able to be one with the force, it was fucking breathtaking! Scary, but breathtaking. No matter what, if he was racing there was an energy, an excitement, that larger than life vibe......that, to me, is 85 Dead.
    FINALLY: Ladies and Germs, May I present the Electric Buffalo Hyde! as christened by my degenerate cohort due to my resemblance of the great beast of the prairies back in the day, and this baby used to be so bright people would ask if there were batteries. But Alas, like youth itself it’s faded dramatically, and is old and bartered. It definitely gave it’s all to R&R. So many Dead shows, festivals, camping, parties, you name it! Also, it will be a part of an unfortunate situation at the next night, where I lost my shit in Hershey! So until then....

  • bob t
    Joined:
    only time played anniversary show 6/28/76 Chicago Auditorium

    If you are too busy to listen to whole show, listen to Happiness is Drumming from set II, if you have never heard or listened to listen you will be pleasantly surprised!!! There is a Charlie Miller soundboard on Internet Archive!!!! bob t

  • The Good Ole G…
    Joined:
    Good Times Great Oldies

    Sounds like the ole SPAC '85 show will get some play today.

    Always a fun revisit. Vguy & Keithfan that was you guys?! That's funny.

    I guess I always thought this was an indoor show because of the balcony stuff and didn't know about the rain storm.

    Tell us more.

    And just for the record if I happen to say Jerry's voice is shot, what I mean to say is I love Jerry's voice, even though it's a little shot here. ;)

    I agree, it always sounds great to me.

    Enjoy party people!

  • Oroborous
    Joined:
    Not a drop

    We were out on the lawn so actually there were many drops, I mean it was already raining hard, and right when he sang that line, biblical!, but it just added to the madness and was one of my favorite concert/rain moments ever! I believe that’s right when folks crashed security on those balcony ramp ways and turned it into a free for all? Yeah, that was the shit, such energy all around, but that rain just took it to another level. Luckily I had my electric buffalo Hyde on! .....it was a psychedelic neon yellow long rain coat with
    BS CORP
    WORK SAFELY (from pops work) printed on back, and a Dancin skeleton sticker underneath that I added. Still have it! I should take a pic and post...fond it moving last year.

  • Oroborous
    Joined:
    Summer 85, and why I’m not prepared for class

    Deadheadbrewer: yeah, I’m with you, I can’t keep up with these rascals! Pant-pant 😉
    Haven’t done Riverbend, Nassau or Dane. Prolly give Nassau a spin this WE. Dane I’ve tried to stay away from cause ya gotta believe their going to give us that one someday! Bastards better! and I’d prefer it on virginal ears!
    hey, by the way, how you guys coming on that tunnel under the vault?
    So I listen to Riverbend 6/24/85 sort regularly so no biggie there except in the sense of comparing shows. Except It’s cool to go in order to see the subtle changes and how things progress. Like 6/25/85, definitely have felt a ascending arc since the first night in Alpine. Funny thing is I don’t think I’ve heard the second set of this one before? Had a tape of the first all along, but I think it was a tad too crisp so didn’t get as much love as the shows around it. Plus I think maybe I harbored some subliminal resentment for the show because of our decision to skip it to go to Toga early like we did in 84, which was awesome. Obviously if it made us skip a show that close to home, but Doooaahhh. So not sure how it’s the shows fault. LOL, but I think somehow I’ve had some weird thing about this show that has kept me away? Sorry, ramblings of a deranged lunatic!
    Anywho, finally gave this bad boy a spin yesterday, though had to do it in 2 sessions as life just keeps buttin’ in like a 3 year old when mom and dad are trying to get down! Man what a show. The only really noticeable hiccup I recall was JG at the start of Jimmy, and Bob missed a vocal, really a great set, better than I remember, though I always liked it, just the tape was lesser then the others...
    Second set was hot too, though perhaps they lost just a little near the end? Or maybe that was me as it was late, and by that time on a Friday this ole cowboy is usually not feeling much pain! I recall a couple little blemishes, but so what, you name any show, anyone, and I can find stuff wrong. And sorry, but I’m kinda over hearing about how terrible JGs voice is. Yes, sometimes it’s ruff, but sometimes I think the gravelly age worn voice ADDs to the affect of the songs, which is perhaps what he did best. And frankly, I’ll take the gravel voice singing in tune over a lot of that 1970 stuff we’re between the guitars and the vocals something is ALWAYS out of tune. That’s torturous for a musician.
    Now I’m not trying to diss anyone’s favorite Dead etc, just stating an opinion that people perhaps overdo it with the voice comments. My favorite is when people say “I can’t listen to anything after 77”....ok, we’ll that’s cool as it’s your choice and all, but I’d say really you just have made up your mind you don’t want to like anything after that, and you probably haven’t heard enough and with the right kind of ears. Seriously, I challenge anyone to pick a “perfect” “best of “ show and if I have time I will find the cracks!
    But that’s missing the point which is ITS ALL GOOD! and every era has something positive that the others don’t have. It’s all ways been yin yang folks, there is no such thing as a perfect show, except in our minds eye, which is quite A ok.
    Ok, rant over, I’m obviously biased about my beloved 85!
    Which brings us back to TOOOOOOOGGGGAAAAA!! Yo Butch, back in your seat, there’s 50 thousand people waiting for you to get back in your seat! Madness, the whole scene there was just surreal fucking madness, but in a good way.
    I’m actually going to try and call my old house/band mates at the time as we all went. 2 I think went to blossom, and Pittsburgh. That one too, like WTF basically could of stopped by on the ride home from Merriweather, idiots! Lol, actually, I’m not sure I could have done another show. I may have caused permanent damage at Hershey, and thank god for that day off that I can’t recall much about, and I did take it a tad easier after, but not much. We ate so many veggies on that run that nobody would believe it. But I know what I came with and what was left after so.....looking back, it’s all kinda scary, we’re lucky we never had any real casualties of any sort. Few close calls, but nothing major, phewwww.
    So going to call the lads, and fire up Toga tonight as We have to do a Zoom wedding this afternoon. We were supposed to be out at the Promised land for said wedding and a actual vacation, first since Seattle in ?? 2012!
    Think Homer Simpson “oohhhh, Ssstttooooopid Covid”
    Speaking of living via the net, was that not a fine show on Shakedown last night! Didn’t have the fire like the night before, but a fine well played outing, thanks so much to Dave and Co. for giving us this nice diversion. It’s getting to b3 a regular weekly thing, and gasp, the Mrs has actually been joining me and digging it! .....as long as I give her a good foot massage (usually during drums). She really digs the trippy graphics and colors which is even funnier as she’s never partaken except booze back in da day, it’s like giving a kid castor oil just getting her to have a beer, lol. So yeah, this Friday thing has been like the “ONE” in our music! Right on! and please keep em coming!
    Ok, gotta try and call the guys and reminisce before the wedding. Then.....drum rolls please..........TOOooooGa!

  • JimInMD
    Joined:
    Not a drop on me...

    but there are black clouds building on the horizon here. Looks like a thunderous day on the river is in store for me. Got my waterproof device loaded with 6/27/85, thanks to the gentle steering of the GOGD.

  • Oroborous
    Joined:
    TOGA!

    Ran into a rainstorm, indeed!

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by dmcvt

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Most of us took out second mortgages on our homes when 30 Trips was released.

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JimInMD is no longer in Time Out.

I can post again. Two, make that three, multi-syllable words. For what it's worth, it's probable some outside firm or contractor did the web site modifications. If so, I bet they were performed exactly as agreed upon and everything was signed off in advance. If so, it cost them money to do it and it will cost them more money to undo or modify it. Poor planning is no way to go through life.

They are playing Nov 1 1979 Pittsburgh on Sat Radio. That one's a keeper

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In reply to by JimInMD

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Sweet sounding chunk of this show in this week's tapers. nice alternative to the hay now blues. check it out if you haven't already.

acoustic - Monkey & The Engineer, Little Sadie > Black Peter
electric - China Cat > I Know You Rider > High Time > Dire Wolf

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Haven't used this word since the early 2000’s ...clunky
absolutely downright clunky

...Well they're putting up resistance but I know that my faith will lead me on.

Peace All:)
uncle_tripel

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Taper's is good 'ol GD this week.
All 3 are great.
Poor little Sadie. What did she ever do to deserve her fate?
Cheers

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I am passing these reports up the line and am really sorry for the difficulties.

Thanks MaryE.

Anymore of this and I will never be able to listen to Iko Iko again. As it is now, the intro riff brings on my own version of PTSD.

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For all you deadheads and pecan pie.
Cheers

Have an enjoyable one today.

Just read an interesting article about Phil's new project is it called Darkstarathon, I think. The opening tag line is Hey Now, welcome to the Darkstarathon!

For keeping it real and being antidote to what sometimes feels like "corporate" responses and hoops. Not fully gotten over the condition of the discs delivered in my HCS box though since they all played, am thankful for that, getting the music if not the condition paid for. Having half of them arrive with minor scratches and bits of glue stuck to several edges from mindless, careless packaging, have we sent the message clearly enough? I debated asking for replacements, still feel less than satisfied with the response or lack thereof. Have only had one other problem disc in nearly twenty years of DPs, DaPs and box sets.

Actually listening to Kezar this morning from the box. Damn, is it good. Jerry's guitar is so crisp and the overall sound quality still amazes me for this show.

Yes, the manufacturing issues are a bummer. No excuse for that.

Edit. And my post went through on the first attempt!

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Not sure if this is the best forum for this...

...but can anyone help fill me in, or direct me to info, about Record Store Day and how/when dead dot net gets involved? I am asking because the estimable Alvarhanso steered me to 11/18/72. Apparently that was an RSD release in 2014 (or a Black Friday RSD release? That's part of why I need help here) and I've seen blog posts saying it was available for sale "at the Dead's official website". Just wondering if that was true, and if I should pay more attention. I managed to pick up a copy (CD not LP) for sixty bucks but I want to avoid sleeping on this kind of thing in the future. Thanks for any tips

Also I want to give a shout to Marye for always keeping this place going. Happy Belated Thanksgiving, neighbor! And the same to all of you good folks here. Cheers everyone

what little I know... others please fill in and correct me. Believe RSD releases vinyl arranged with WMG/Rhino, not ever sold on dead.net. The second set of 11/18/72 was available briefly as a single CD from dead.net years ago, not long after or around the time it came out on vinyl for RSD 2014. It rocks. The first set has never seen daylight on the archive, far as I know, major audio issues. Strongly suggest check out the next night, 11/19, full glory in the archive, a Charlie Miller soundboard AND an excellent Dark Star.

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In reply to by dmcvt

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I think you have that exactly correct. Man, I wish they both had all the reels from that Texas run and released it as a mini box. That PITB is an all timer. I can find PITB's I love in almost any era, and I have an affinity for the 73 and 74 spacey monsters, but nothing beats an on fire 1972 Playin' in the Band and that one from Holfheinz Pavilion is real and it's spectacular.

Fingers crossed this gets through

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In reply to by JimInMD

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Hope everybody had a happy, fun, and delicious Turkey Day, and a long weekend to kick back.

Lucky to have snagged a copy of the 11/18/72 CD back in the day. It's a beauty. Spinning it now. Dig the artwork, one of my favorites in the Dead archival release genre. Minor technical note. Hofheinz Pavilion is at Univ. of Houston, not TCU which is Ft. Worth. 11/14/71 at TCU was the bonus disc for the Austin road trips. Hopefully 11/19/72 sees the light of day as a formal release.

final edit - I literally had to build this post up sentence by edited sentence after getting DQ'd my first couple go arounds.

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Right you are... not sure how I came up with TCU and looking at the CD case, it reads Houston, Texas, no mention of Hofheinz Pavilion, though that's the venue. A Bear original recording, mastered by Jeffrey Norman, the disc is marked HDCD but I see no mention of plangent process. Not much information, no booklet in the sleeve cover and the artwork is outstanding indeed.

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Decided it was time to revisit that that 11/14/71 TCU disc. NP.

DMCVT - the missing(?) booklet from the 11/18/72 CD release is sort of a puzzle. Can't say for sure but guessing there were liner notes for the LP release (can anyone here confirm?) and that somewhere along the line the corresponding booklet for the CD never materialized and there was a collective shrug by the involved folks. The CD sleeve was certainly designed for one. I'd forgotten about the "missing" booklet until I went to spin it today.

Went Deep Tracks (at least for the BC collection) a couple of days ago with the late November gray and cold rain and listened to Garcia Live Vol. 1 - 03/01/1980 - really hit the spot. And yes, there is a fine Mission in the Rain. Keyboards a bit weird but it was what it was for the era. Jerry's playing is fire.

I have a soft spot for that one. What a great, well written song.

Side trip - Billy and the Kids came up on my BluesTube suggestion list and I just hit it. James Casey just rips it.. I was recently wooed to this guy and just like that he is gone. What a talent and what a loss.

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I felt inspired to play this album again, after reading the messages on here. A great album, plenty of upfront Phil in the sound, which is always appreciated.

Bluecrow - there are sleeve notes with the record that aren't included in the cd. An essay by Dave Lemieux from July 2014, in which he suggest that November may be the peak of the peak for 1972. Along with the European tour, Veneta, September and October. Not New Year's Eve, too?

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Thanks DaveRock for confirming that there are sleeve notes for the 11/18/72 LP release. Hopefully someday I'll get to read them. And I too really dig how prominent Phil is in the mix.

Jim - Mission in the Rain was a song that took me awhile to come around to. A great song. Went deep cuts in the BC vault again yesterday while working on home improvement project and listened to Pure Jerry Warner Theatre March 18 1978. That late show is stunningly beautiful!! Very emotional. Every song is fantastic. My favorite Mission in the Rain and really pretty much favorite versions for all those songs. And the recording is an absolute gem of a Betty Board. A must own in my opinion.

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streamed that 1972-11-18
PITB!!
thru headphones
yesterday

Peace All,
uncle_tripel

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That was the quite the journey, how this song evolved during 1972. I can't think of any other song that started out so humbly and ended up so expansive within a 12 month period.

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Okay, this one is for all you 1980 fans. 12/13/1980 Long Beach CA. Courtesy of the good folks at 30 Days. Maybe Billy was at this show? Edit. Wait, that is too far south isn't it.

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In reply to by DeadVikes

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Great show! That L > S > D finish to Set I featured in 30 days definitely caught my ear and I followed by going to the Scarlet > Fire to open Set II. Glad you suggested this show cause I intended to listen to the whole thing but it had already been swept on by in the general flow of things. Just 2 weeks after that great little run late Nov. that gave us DaP 8 in Atanta and of course Gainesville. Hadn't realized until going back that Airto Moreira and Flora Purim joined in on drumz > space (their first time, and they're also there the next night.) And there's a To Lay Me Down Set I. Good stuff!!

Bookmarking something completely different: 11/28/73 - Palace of Fine Arts, SF, CA - Jerry, Mickey, Ned Lagin, Phil. Some serious early live Seastone weirdness that in a way sounds much more like a precursor of Space than Seastones ca. 1974. I saw a photo of a fairly well-known poster for this show and a light bulb went on - wait, Jerry and Mickey? in 1973? what in the heck is this?

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I picked the wrong one on 30 Days instead of the next Sailor>Saint>Deal on 12-13-80 but went back to catch the set opening Scarlet>Fire at someone's suggestion on 30 Days. A good era for sure. Will have to join in the fun today and maybe add Gainsville which I've never heard but certainly have heard of.
Cheers

I started listening to this on my phone at work. Finished it at home on the wired system. Sounded better on my phone.
Good solid post RCMH 1980 show. Yes, that To Lay Me Down is moving BC. My first exposure to this song was from Reckoning. I think I actually had and still have the LP which was titled For the Faithful. Of course I don't have a player now. Great version here, to tell sweet lies one more time!
Great Sailor Saint Deal to end the first set.
Scarlet Fire delivers, nice Playing. Great show.

Edit. The rest of the post got the Big Hey Now!!!!

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...concur with DAVEROCK and his PITB assessment. I decided to stream pitb with headphones from 8 live performances during a 17 month period, and not go beyond the aforementioned 11/18/72: Hofheinz or include 8/27/72: Veneta (which I won’t get into at this time).

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In memory of Doc's 1st show:
Dec. 1, 1973 Boston Music Hall.
It has a WRS.
Cheers
By the way how do we find out who won the grand prize of 30 Days? Only the download list up today.

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or will WMG's poorly written code end my discussion

edit this is obviously pathetic contract work

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April 17 1971 Princeton
November 20 1971 UCLA
March 21 1972 Academy of Music
May 16 1972 Luxembourg
August 21 1972 BCT
September 17 1972 Baltimore
September 21 1972 Philadelphia

why did I venture into this exercise, well, because I stumbled upon Miles Davis Quintet “The Complete Live at the Plugged Nickel 1965 on wiki. Intrigued, I went directly to “Background”, and reading the comments therein how the band members were becoming restless and dissatisfied, and that it had become easy to play together. Interesting I thought, and how’s about that evolution of pitb. To be clear, in no way am I insinuating that the GD were becoming restless and dissatisfied. Also, it helps answer the question surrounding always pushing the envelope, and confirms my magnetic attraction to late ’72, ’73, and early ’74. I’m going to revisit this exercise with a random dozen shows from my electrically charged era in the near future... and 8/21 is my fav out of the 8, based upon overall mix, vocals, fantastic jamming.

I can tell your future, look what’s in your hand

Peace All!
uncle_tripel

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In reply to by uncle_tripel

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Uncle- it's a great song to listen to, outside the context of the shows in which it was performed during the timespan you mention. I don't know that the band were particularly dissatisfied during 1971, but Keith's joining did signal a left turn into previously unchartered territory. There is no evidence, that I have heard, that suggests Playing would have become a jamming vehicle until he joined.

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In reply to by uncle_tripel

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I love this three show run at Boston Music Hall Firstshow. Will que up 12/1/73 tomorrow. And then maybe revisit Dicks 14.

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He got his money's worth! The incredible China Rider transistion, smokin Big River, Brokedown, and we're just getting warmed up. Jerry's slide playing inspired in this show, WRS, Row Jimmy. Second set jam transitions all just smooth as silk.
Amazing show.
Cheers

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Mornin', rockers!!!

Here at work, gearing up to deal with multiple gunshot homicide, last day before vacation..........

Boston Music Hall 12/2/1971. Very odd & interesting show. No Truckin', Other One, or Dark Star. Only 1971 show with both Smokestack and Lovelight---both solid versions. Black Peter and a Brokedown. Plus lots of other gooey Grateful Dead goodness!

Lots of high quality copies are out there. Always worth a listen!!

Music is the best means we have of digesting time......

Off to morgue..................where there is never any Grateful Dead played.........

Rock on,

Doc
Music, when soft voices die
Vibrates in the memory.......

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In reply to by 1stshow70878

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Been awfully slow here lately.

Driving home today from a quick errand and the Porsche Cayenne in front of me on the exit ramp had a personalized license plate that Said Hey Now! With some sort of Dead symbol between the Hey and the Now. You can't make it up. I thought about trying to communicate with the driver but then realized he might think I was a stalker.

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Yes, rockers, once again it is the anniversary of one of the greatest, weirdest, most bootlegged, and most interesting Grateful Dead shows of 1971----Felt Forum, December 5 1971.

The whole story is too long to tell here, but enlighten yourself with a listen, there are some very good copies of the matrix-like FM broadcast out there. It has pretty much everything you'd expect of a Dead show at that time.

Yet even after all these years, questions remain.................

1) I Wash My Hands In Muddy Water. This very country tune was pretty popular around 64-66, and Elvis himself put out a version in early 1971. How did it come to Garcia's attention and why was it only a one-off? Truthfully, the Dead's version sounds well rehearsed and is a neat little gem.

2) The vocal-less, so called "silent Dark Star". No words! What prompted that? However it came about, it's cool............

3) Every show in December was recorded, several have been released. Where is the pure soundboard copy of this show? Has it finally been returned to the band? One can only hope.................

4) Who was Uncle Sal???

The idea of music is to liberate the listener and lead him to a frame where he feels he is elevated.......

Rock on,

Doc
Music is the expression of the movement of the waters, the play of curves described by changing breezes.......

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Due to increasingly restrictive privacy regulations and the desire to keep your data safe and secure. We apologize for the inconvenience and thank you kindly for your understanding. This is my frustration; as it totally has a mind of its own to when where how or why; so you know, no soup for me! and possibly others too, oh yes this was written in six edits

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Doc how'd it go with that one? Forensic pathology seems not only useful to society at large but also a very thought-provoking way to spend one's time.

Now then...
>The whole story is too long to tell here
...if you want to tell more, I have ears to... well, I have eyes to read

bc 12/5/71 never gets old for me. I think the recording is a factor - I often wonder, if this one came out on Dave's Vol 22, would it have the same almost tangible electricity? Is there something about the mind filling in the gaps a bit, and positing improvements - that perhaps, things could be even more intense if only the signal to noise ratio was improved in our favour; if the room's reverb were lessened; if some Plangent sauce was applied? Sometimes I think I shade 12/5 with the tint of yesterday, because I heard it so many times before I ever heard 12/6 or 7. I've probably listened to 12/5 at least a dozen times since Dave's 22 came out, yet in the same span I've probably played Vol 22 three times through at most. I'd put that down to habit and familiarity. I had planned to listen to 12/5 tonight but maybe I should grab that Dave's and give it another really good listen instead...

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OBEAH---

Death is not extinguishing the light; it is only putting out the lamp because the dawn has come.......

Multiple gunshot cases are the most challenging, akin to an autopsy marathon. You can't start out sprinting, instead, start out easy and finish strong. Takes planning, determination, and perseverance. Easy to find the injuries, sometimes much harder to find the "evidence"----bullets and fragments. You never want to bury lead................

Of all the gods only death does not desire gifts.........

Doc
Look for me in the nurseries of Heaven.......

Ah yes, one should not bury the lede. Neither the lead. Thanks for those observations, doc... gave me a lot to mull over this morning. A marathon... yes.

I ended taking my own advice (er... suggestion) and putting on 12/6/71 last night. I had some observations typed up but now I can't recall if I actually posted them... I was interrupted by my good wife during Wharf Rat, which seemed a reasonable time to look up from my brown study. I had been absolutely entranced starting with PITB, short but getting longer as '71 progressed. And that Other One... my word... just excellent. In my observations I remember thinking how impressed I was with Keith, and how accomplished he was just a mere few weeks into playing live with these guys... leaving space, a lot of space, but when coming in, his feel and expression on the keys was never tentative but consistently assured. No wonder Phil makes that comment (at the Academy of Music a few months later? I forget) about "our new keyboardist... well, actually, he's our old keyboardist; we just didn't know it yet"

Been listening to that glorious MSG Box again lately. Haven't listened to 10/11/83 more than once so need to get that show rolling again.

Stay well out there.