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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • PT Barnum
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    John Cutler

    RIP John Cutler, a bit of a story, the Grateful Dead sent John ahead of the band and the rest of the bozo's and bolo's to Egypt for the "Egyptian experiment". When he got there (this is in the 70s now) the airport authorities were very skeptical and leary of all of the musical equipment so John had to disassemble every piece so the authorities could inspect it. The fore thought of the band to send someone weeks ahead of the scheduled shows was a brilliant thought and one that saved the show. There was a war going on between Egypt and Israel at the time so it was not real easy for anyone to get into Egypt, especially a hippy with a bunch of "equipment". At the time, Egypt was still quite a backward country and there was nothing on site that could be used by John to set up shop, so he asked for some cable, as the engineers thought they could use the great pyramid as an echo chamber so they brought him some, left over by the nazis in WW2. Of course the bulk of it was unusable and the echo chamber idea was shelved.
    Needless to say, he did it, and the band pulled off a legendary show.
    Fare thee well Mr. Cutler, and thank you, for a real good time.

  • daverock
    Joined:
    Christmas Hits

    A Gift From A Flower to a Garden- mono vinyl - Donovan
    Lets Go Down and Blow Our Minds - British Psychedelic Sounds of 1967 - various
    Hackney Diamonds - The Stones

  • DeadVikes
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    I bet

    I bet Dennis got a bunch of music for Christmas....…..

  • 1stshow70878
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    Did Anyone ...

    get any new music for Christmas?
    Cheers

  • Vguy72
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    Dolphins are in the playoffs....

    ....thanks Santa.
    Merry Jerry Christmas everyone!

  • nuclearabbit
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    Snakefinger's guitar solo on…

    Snakefinger's guitar solo on The Residents' "Satisfaction" is one of the greatest of all time.

  • 1stshow70878
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    NHL Outdoor Classic

    The Kraken vs. Golden Knights on New Years day.
    PF vs. Vguy? This could be good!
    Hockey should be played outdoors.
    Cheers

  • daverock
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    Calling from the Funhouse

    Crow-that's spot on, what you say about The Stooges and the MC5. I couldn't agree more if I'd written it myself. All manner of British punk bands tried to copy them circa 1977, but no one came close. They just copied the three chord thrash without any understanding at all. "Funhouse" is definitely my favourite Stooges albums. And that clip of the MC5 at Tartar Field is one of my favourite live videos of any band.

  • Danehead
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    Purple..

    I saw them in 1993 - another "reunion-tour", which then turned out to be the final one with Blackmoore and they were still LOUD.. Happy Holidays all..

  • Crow Told Me
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    Calling from the Funhouse

    Stooges were the birth of punk, IMO.

    From what I understand, they were more of performance art thing than a rock band in the beginning, playing homemade instruments and an amplified vacuum cleaner to create an enormous thumping drone as Iggy, dosed out of his freaking mind, slithered around and mumbled and screamed. They didn't know any actual "songs" when they got signed (by the legendary Danny Fields, who had come to Michigan to scout the MC5, who turned him on to the Stooges.) So for their first album they had somehow write and learn songs, and the result was stuff like "I Wanna Be Your Dog": relentless, droning riffs with lyrics that make the Ramones sound like verbose poetry students in comparison. In other words: punk.

    It was a huge break from, well, anything resembling "normal" music, really. And would prove a major inspiration for the Ramones, Pistols, etc. But the really great record is Funhouse. This is recorded about a year later, and they had actual songs and pretty amazing live set, which they just recorded live the in the studio for the album. Just pure, balls out, screaming, animalistic gut level rawk. It's just so incredibly over the top that it's difficult to compare it to anything of that era. Or almost anything since.

    The band got strung out after that, and broke up, and reformed with different personnel, and made Raw Power. Which is pretty great in its own right, except that it does sound kind of studio bound in comparison to Funhouse, and the recording quality is really thin and trebly and even after all this time no one's been able to fix it. But all three Stooges records are worth having, if you're at all sympathetic to punk.

    Nothing in Iggy's solo career ever came close to his Stooges stuff, IMO. Kind of amazing he lived long enough to do any of it, frankly.

    MC5 were incredible onstage, as numerous bootlegs demonstrate. None of the official recordings quite make it (Vox are so so, tunes are often run of the mill, IMO.) But man, they were a force to be reckoned with live. Go to You Tube and look up their Tartar Field performance and you'll see what I mean.

    Blue Cheer I only know the one record, Vincebus Eruptum or something like that. It's kind of crude sludgy garage metal, quite enjoyable for what it is.

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"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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also got the pure jerry 2/28/86,,,, they didn't have "So What",,, will try a different store later

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17 years 5 months
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I'm on my way through E72.
What a great show, unbelievable, the energy and joy the band puts out. Absolutely fantastic!!!! Love it very, very much. Last song, UJB, just started. Great!!!
Have a good one,
Cheers, G.

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7 years 10 months
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I'm so glad to hear folks on here are getting their hands on 3/2/69. These shows are ALWAYS in fashion.

@DMCVT that's the calculation I'd make too: why take a chance on the resale market if this is something you know you want? Might as well grab it now.

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17 years 4 months

In reply to by Obeah

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....where are you finding this?
In stores. Nevermind. I'm at work :(

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14 years
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GD 03/02/1969 to complete the LP series

The Doors Live in Bakersfield 08/21/1970

13th Floor Elevators-Bull of the Woods

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11 years 7 months

In reply to by Vguy72

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Hey Vguy, must have been fun, those midnight races through town. Check fleabay as some secondary sellers and a few shops apparently breaking protocol have put copies up. Expect to pay around $150 and up right now. Bull Moose had the lowest price I could find, for an in person purchase experience, believe after a week or so, more shops will put them on line. 9000 copies, should be available for a while

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10 years 2 months
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Wasn't there a recent Dave's that had Mickey's beam in the Drumz? I want to do a speaker test.
Cheers

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17 years 4 months

In reply to by 1stshow70878

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....3.2.69 in hand.
I need to leave. Now. Place is dangerous lol.
Ooooh. Phish LP on LP 4.
Ok. Now I'm leaving.

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9 years 1 month
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My copy sounded spectacular!

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10 years 2 months

In reply to by icecrmcnkd

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I also got "The Memphis Blues Box" from Bear Family delivered this week. 20 cds and one of the best and most beautiful books on music I have ever seen.

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Struck out at two different stores trying to get 3/2/69, broke down and paid $155 for one on the Bay. What can I say? Hadda have it, especially since I already got the other three volumes in that run.

RSD still not a total loss, since I bagged a copy of the live Gram Parsons double lp. Which is pretty pretty good.

Hope this posts. Getting kind of pissed off lately by the random nature of what and will not post around here.

Dennis-it looks even better than it's description and weighs about as much as a baby elephant. I've been soaking up the sounds of 1928 today - with a nod to The Dead via the Cannon's Jug Stompers "Minglewood Blues".

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Mine was $125 at a local brick and mortar.

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In reply to by icecrmcnkd

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If I recall correctly, this is what I paid, all at a local brick and mortar:

2/27 80 or 85
2/28 90
3/1 75
3/2 125

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10 years 2 months

In reply to by icecrmcnkd

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Many shops are boarded up now in Lowestoft, and it's many years since there has been an actual record shop here. Apart from a small second hand one that sells mainly jazz . But record shops generally sell RSD releases online the day after they go on sale on location-and this is when I scoop up what I want.

When 2/27/69 came out, I bought a copy to help out the local brick-and-mortar store. Back then, RSD seemed to be worthwhile. Not sure I can say that anymore. Long lines and no inventory. Dozens of copies are available online almost immediately. So, I don’t even bother going anymore. Paid $125 to complete my FW69 vinyl collection.

VGuy, you should definitely be able to find 2/28 for a good price and 3/1 is available for about 55 bucks at some places right now (only 3LP). 2/27 sold out at the time, and has been fairly scarce ever since. 2/28 is widely available and in at least two different boxes of differing dimensions, one being very thick, the other about the size of 2/27. Just search for them, they're great prices right now, while the shiny new nickel, 3/2 is fetching a pretty penny. Snagged one for $119 that went to $135 with tax, s&h. Was unable to get to a store, and saw that was about the going rate, so, okay with that. Now have the cd box with bonus thanks to a trade here, and will have the set on vinyl. Excited for Plangent and vinyl sound for that first LP particularly. That Eleven features some unbelievable Phil and Jerry interweaving, as the whole run did. For The Eleven I'd go 2/28, 3/2, 3/1, 2/27. 3/2 is sort of the afterthought show, to me, but they still had a lot of gas left in the tank.

Was listening to 4/25/77 yesterday, and remembered I still need to get that vinyl, and also made me wonder if any other 30 Trips shows will be released on vinyl. 10/20/68 would be very welcome.

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In reply to by alvarhanso

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....I'm in.
The Eleven is one of my favorite songs by the band.
3.2 is the only five vinyl of the four, correct?

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10 years 10 months

In reply to by Vguy72

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And, like 3/2, it has it all. Dark Star on its own lp, TIFTOO on its own, St Stephen> The Eleven on one, Lovelight on one. Dew and Caution and Bid You Goodnight. The Eleven on 2/27 Phil is all over it, but Jerry not so much. The next night, they're both killing it. Like you, one of my favorite songs.

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17 years 4 months

In reply to by alvarhanso

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....Death Don't. Morning Dew.
I moved the needle back to the beginning. Twice.
That's some good shit.

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17 years 5 months
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Got the RSD here in Nottingham for £139 - always liked 2/27 CD best since it had the uninterrupted Mountains -Dark Star transition but this 3/2 vinyl pressing is just about perfect

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10 years 2 months

In reply to by frankparry

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I paid £139-99 for mine form Rough Trade. It hasn't been despatched yet, though. I have high hopes.

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10 years 10 months

In reply to by Dennis

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Jesus Christ, they sent an email at 1 09 in the pm that Rift is in stock. I click and in three minutes, it was sold out. Another email just came in, and they had Billy Breathes among other albums on vinyl. Was able to put Billy in my cart, but couldn't check out before it said they didn't have anymore. I just don't wanna pay 400 bucks for an album on vinyl. Why can't they press 10,000? They obviously will sell them.

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In reply to by alvarhanso

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....I got Junta, Picture Of Nectar, Hoist & BILLY BREATHES!!
It was touch and go though. The spinning wheel of anxiety was in full bloom.
I already have Rift.

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Have any Canadians received their copy of Dave's 48 yet? The Picks usually take their sweet time getting here, but it's been over a month and I'm terribly antsy. And I find that dropping in to complain about the lazy river of international post is the best way to make Dave magically appear in my mail box...

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In reply to by That Mike

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Lyceum 72 at my house

Woo hoo

Hope the pressing is as good as my copy of 3-2-69

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7 years 7 months
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Just listening to WD Port Chester 2/21/71. I would have loved to have seen pig playing this show. Any show, actually.

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13 years 5 months

In reply to by carlo13

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The gift the keeps on giving.

When I need a pick me up, I reach for one of these of these shows.

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So don't ask me..
Hank, why do you drink?
Hank, why do roll smoke?..

Back after some Thanksgiving family time, and several days of prepping while continuing the ’85 fun. So Springfield 3/25/85 while the boys are getting ready for Set 2 someone in the band says “what is it?” then we get teased with lost sailor, and then terrapin, and, yes, help on the way! Next was Richmond 11/1/85, have to say it’s been a couple of years since I’ve listened to this Dicks Picks, but I think I know why Mr. Latvala chose it for release. Then I was off to 9/3/85 Kansas City, once again, no complaints:) ...Well, I can buzz better, baby; When yo' man is gone.

Last 5 non-Dead:
Johnny Cash: Live Folsom Prison (1968 vinyl)
Hank Williams, Jr.: Family Tradition (1979 vinyl)
The Who: The Who by Numbers (1975 vinyl) Nicky Hopkins on Piano
Chet Baker & Art Pepper: The Route, Live at LA Forum 1956 (CD)
Kingfish: Kingfish (1973-1980) Relix Release (1985 vinyl) tribute album to Dave Torbert

..Try to put yourself in my unique position
If I get stoned and sing all night long
It's a family tradition:)
Peace All!
uncle_tripel

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I don't know how Ph announces their limited vinyl, but I've never gotten an email about it and am on their subscriber list. Hell man, the last two times Ph put up limited vinyl, I read about it here from Vguy and went directly to their site in time. Put Billy Breathes and Hoist in my cart immediately yesterday, checked out, came back 30 minutes later, all 6 releases sold out. So, thanks Vguy!

....follow them on Instagram. That how I find out.
A lot of social media is crap, but not all.
Oh. And you're welcome.
Oh again. Shipping notice received and hour ago for the ones I was able to snag.

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this very day I and a group of intrepid travelers were at the second of two shows in a row in Florida, finishing the road trip in Gainesville for the Gators homecoming game and the one and only Grateful Dead as the headliners. What a ride. These were my second and third shows of 1980, having seen the guys up in Atlanta at the Fox in April. Would do it all again in a nanosecond.

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12 years 1 month

In reply to by PT Barnum

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The more I listen to 71 Dead, the more I love 71 Dead. Disc 2 smokes.

Precise. Clean. Cool.

Yea, Doc.

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13 years 5 months

In reply to by Angry Jack Straw

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I thought about refraining from this.. but what the hey

RIP to one of the older dead heads out there and an early taper extraordinaire. You might remember him from his cameo in Dead Ahead telling us of the first time he met Jerry, then got busted by Tom Davis for having a tape recorder taped to his torso underneath his suit and tie.

Of course I am referring to Dr. Kissinger, 'Meeting Jerry was a great experience, the only thing I can compare it to was the time I met Mao. I don't agree with all of Jerry's Philosophies but he is certainly an American heavyweight, as am I'

No disrespect meant. Keep taping Henry

Edit - for what it's worth, I was flying from DC to NYC one fateful morning and was magically upgraded to first class. None other than the real Henry Kissinger was seated right next to me. After a brief hello, for the next 50 minutes not a word was spoken. It was surreal and strange.

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In reply to by JimInMD

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....Phish is coming to The Sphere. 4.18-21.24. Just announced.

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In reply to by JimInMD

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I found it surprising that the first couple of obits I saw last night failed to mention Kissinger being the voice model for Peter Sellers's masterful performance as the maniacal Dr Strangelove. I've always been fascinated by his immense celebrity as an intellectual that predated his roles in the Nixon and Ford administrations, such that Peter Sellers and Stanley Kubrick knew that the joke voice would not be lost on the audience, even in 1964. He has an important place in world history, that's for sure. But, he is the man most responsible for the continuation of the Vietnam War, because Lyndon Johnson gave up the presidency to try peace talks to end the war before he left office. Nixon was the one with the "Secret Plan to end the war" that was just a lie, but he had Kissinger actively sabotage the peace talks, promising the North Vietnamese that Nixon would offer a better deal. That is simply deplorable and treasonous. It cost another 30,000 soldiers their lives for nothing. And they expanded the war secretly and illegally. The fact he got a Nobel Peace Prize was absurd. It was crazy to read plaudits coming in from dictators and democratically elected leaders alike. I noticed that only one of the dozens of comments I read was anywhere close to positive, and it had 30 down votes.

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10 years 2 months

In reply to by alvarhanso

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This one arrived today - great in every way. I like the way that at this stage in their career they often dispensed with the first set, opting to play two second sets instead.

....for best seats available. $138 after fees for the upper two sections. Lottery is up now until the 11th. Tix go on sale to general public on the 15th. I put in for Friday & Saturday. 🫰
Not bad, seeing as how U2 tix are going for a minimum $400.

I did not know the Strangelove voice piece, but I knew the rest.

The things you learn here. Like I said, I almost didn't post this here, but Franken did just a good parody on Dead Ahead, I decided why not.. and look what I learned.

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In reply to by JimInMD

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I never bought a record by him, or saw him live, but his heart always seemed to be in the right place. Hugely important in the resurgence and continuation of interest in Irish folk music. Great documentary about him called "Crock of Gold" which is worth checking out.

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