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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • wissinomingdeadhead
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    49

    I've narrowed it down to 2 real good possibilities based on DL's 1st of the year selections so for DP 49, I am guessing it'll be 7/25/74 or 6/22/91 of course I could be totally wrong. As of I am going with 7/25/74.

  • rasta5ziggy
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    Albums for Rolling

    The undisputed best album for cleaning/de-seeding/rolling is Bob Marley's "Rastaman Vibrations". It even gives you instructions. If you turn the album sideways while it is open, on the edge it says "This album jacket is great for cleaning herb". My other favorite is the Live/Dead album, which on the back, the words "acid" are sort of highlighted. Looking forward to Dave's 48. After my first boxset purchase (HCSS), I still prefer the individual releases.......not as much repitition. Not sure if I will go the boxset route again, but I DO LOVE it as Fall '73 was the beginning of my GD journey.

  • proudfoot
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    posting on this board has gotten difficult

    looks like I can post again

  • daverock
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    Vinyl

    Doing - I'd definitely like to take you up on that - thanks very much. I have just typed a typically long PM, only to be told "Hey now we are going to block your message" or something. See if this message gets through. I'll try with the PM again either later on or tomorrow.

  • daverock
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    Vinyl

    Doing - that's very kind of you, thanks - I'll head on over now!

  • Doingtheneedful
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    DP2 Vinyl

    Do not fear Dave! I’m fortunate in that I hooked up with an American acquaintance who inherited my Mother’s house over there, and they have kindly agreed to be a “proxy” for me on this one. Hopefully that’s taken care of but I’ll consider it done when it’s in my hands! At least the Band Camp option will be useful in the future.

    I’m all set for DP’s original CD releases up to the early 20’s (I think) at least, but here’s something about vinyl being cut from the original reels and not the digitised masters that really floats my boat. DP 2 is delicious and deserves to be heard as close to source as it’s possible to get, along with a meaty cover to slobber over!

    Thanks for thinking of me though. I’m sending you a DM re another Vinyl release that might tempt you. I ordered two to cover my bases (well actually, by dint of a snafu from dead.net shop at the time) and decided not to cancel or return the dupe as I had you in mind…:-)

  • JimInMD
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    I'm pretty stoked too

    All three discs. They do take quite a bit of criticism for not always picking the exact 71 show we want. I bet 71 takes a bigger role in future releases and they begin to improve.. think of it as a 1971 Wack-a-Mole. Eventually they are going to begin hitting more 1969 too. I had a banana this morning, great source of potassium and the boxes make great storage containers for 10" reel to reel tapes.

  • Angry Jack Straw
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    DaP 48

    Dave played a portion of this earlier today. Count me in as prematurely excited. Joke all you want. Love the 71 sound. TOO sounded awesome.

  • Gary Farseer
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    Reflecting on this week.

    How many joints are in a lid?

    60...I was going to a Blue Oyster Cult concert in 1981. At this point we were getting high quality home grown. So there were a few seeds but not like the Mexican brown. After I cleaned the few seeds and one large stem I was left with nothing but pure smokeable. (Hmm spell check doesnt get it) Any way at that time, I had one of those automatic joint rollers, you know with the 2 horizontal wheels with a piece of material to load into. Roll the wheels to get it tight! Then take a paper, once area between the wheels was packed full, and twist one wheel one rotation, you were ready to lick and then finish the wheel rotation to seal it shut. The night before the concert I sat in my room and cranked out 60 beauties. Now remember this was a so called lid, probably more than an ounce, maybe 1.5. I took all 60 joints into the concert. It was smoke fest in our section, balcony, right in the dead middle. I ended up selling about 30 of those for $5/each. So, paid for my ticket and my smoke, and went home with around 20 of those for later.

    So much more to tell about the guy who I bought smoke from, and my home town arena which had incredible sound for a hockey, as Bob always called them. More l8tr.

  • uncle_tripel
    Joined:
    wanted to post earlier, but REJECTED for inaccurate vernacular..

    must say I thoroughly enjoyed all the posts this week:) from comments about Pauley #48+filler to lids (double-albums with stems & seeds lol) to 3CD vs 4CD releases to Jessie “Lonecat” Fuller to being surprised at how much “hippiedom” in BTV to comments of DL's Relix's interview
    All great reading!

    Last weekend, thought I'd move out of the 70's for a stretch, did a ton of shows from
    '73, '74, & '77 SO FAR this year, and as #48 will arrive in a couple of weeks, I decided to move on for a couple of weeks to…

    6/14/85: GREEK, at the end of drumz> "Do you call that music?, Yes, I fah king do!"

    Robbie Robertson: Storyville

    6/15/85: GREEK

    8/14/94: JGB: Warfield

    6/16/85: GREEK

    5/10/91: Shoreline, still prefer the 5/11 show

    last week's 5 & followed those up this week with the next 5:

    Beatles: Abbey Road

    7/14/85: VENTURA; man, forgot all about this one, so glad its' back on my "hit parade"

    Buddy Guy: Damn Right, I've Got the Blues

    4/5/82: Spectrum (attended with friends, some no longer with us, great memories), and chose it because I was inspired by Garcia's playing at Nassau 4/11/82 especially on Let it Grow from "Tapers Section"

    10/20/90: Berlin, Dark Star is the reason I went back to EU'90

    hmm..at some point, when St Louis’s well has run dry, which locale’s well will they to tap next?
    Buffalo, Rochester, Providence, Worcester, Miami
    or tap the well of a venue:
    Avalon, Boston Tea Party, CalExpo, Capitol, Electric Factory, Frost, Greek, Kaiser, Shoreline, SPAC…………….

    Peace All!
    Uncle_Tripel

    Almost forgot...Garcia did an interview, believe it was '84, where he mentions the band's intent, and how everything they do is done "intentionally". Gotta believe that still holds water.

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"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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10 years 10 months

In reply to by daverock

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Good question, daverock. And a poser, as you Brits might say, when it comes to the Dead. Some of their best songs are clearly defined in the studio, such as Ripple and Box of Rain, which you mention. Others, Jack Straw, Bertha, Sugaree, Playing in the Band, The Eleven, Loser, He's Gone, or poor old August West, the Wharf Rat, never got laid down in a studio for a Dead album (two of those made it on solo records, one with the whole band, but don't count, and that one would not be defined or confined by a studio rendition). Black Peter is not a favorite of mine at all, but I can tell you my two favorite versions are 6-23-74 DaP 34 and 10-29-77 DaP 33. I had a list of other favorite live versions, but was Hey Now'd.

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In reply to by alvarhanso

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Playing 11-18-72
China Cat Rider 6-26-74 DiP 12, my first time hearing the pairing on a Dick's Picks sampler, thought they'd all have the intro jam
Scarlet Fire 5-8-77 my first tape, so that's how it "should be" to me
He's Gone 11-18-72, with 11-17-72 my number 2
Loose Lucy 6-9-73 Dick Latvala made special note of this on his notes on the show based on Kidd's thoughts!
Jack Straw 8-27-72 those Phil slides
Sugaree 5-28-72
Weather Report Suite 6-28-74 DiP 12 is magnificent
Ship of Fools 6-23-74 all about intro Jams
That's It For The Other One 3-1-69 "The American version of the Japanese film The Magnificent Seven..." yowza!
The Eleven 3-2-69 (if you know better, please tell me)
Here Comes Sunshine 12-19-73 leadoff home run by Dick

Edited to add: largely agree on those other two you mention, daverock Attics and Brokedown, but I will say that the Brokedown that emanates from the smoking crater of The Other One from 11-17-72 is just gorgeous and moving. That whole sequence from the He's Gone on is astounding.

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In reply to by alvarhanso

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I'll take live every time

AB does have a bundle of studio gems, fo' sho'

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In reply to by proudfoot

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Is there any significance to the number sequence in your avatar?

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In reply to by proudfoot

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Can't post anything, Hey Now. Won't let me add through edits. Still trying, can't post

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In reply to by proudfoot

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It's a big thing in the show Lost, where the (really obscure) character name Alvar Hanso comes from. And he's a person, among several on the show (and in its mysterious background offscreen) who ruminate on those numbers. Don't wanna reveal too much and spoil anything. The last number in the sequence, 42, was chosen as an homage to Hitchhiker's Guide to the Galaxy which posits that 42 is the answer to the meaning of the universe, life, and everything. Lost, in its way, tried to answer the question of meaning as well, in a far less humorous way, but just as entertaining and engrossing.

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In reply to by alvarhanso

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....acceptable.
Except Cumberland Blues isnt on it. Swap out Casey Jones for it and put Cumberland at around #15.
Casey Jones is overrated. Sorry not sorry.

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10 years 2 months

In reply to by alvarhanso

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Alvarhanso - some of the versions strike a chord, - China Cat-Rider from 6/26/74 is a clear pinnacle, as is everything on 1/3/69 , 5/8/77's Scarlet-Fire - but some don't ring any bells. A useful guide for some exploring.

I've always thought Casey Jones was a bit of a tiddler.

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Casey Jones, personally either. Don't know why. And it's funny I can have favorite versions of songs I don't care as much about, like Black Peter or Loose Lucy (bc they stand out as so much better, perhaps), but cannot decide on others. Some more random favorites:
So Many Roads 10-1-94 30 Trips Boston, with Jerry giving his all on the vocals
Greatest Story Ever Told 8-27-72 the Wah and Donna are just about perfect on this fiery version
Tennessee Jed 5-21-77 DiP 29 only one of the era I know of with Jerry doing the solo on evelope filter right after a pair of Jacks (a Roe and Straw)
Cumberland Blues 11-17-72 not sure about favorite, but way up there, love how Phil is rarin' to go and start the set (saw him do just that with Phil and Friends with Cumberland in 2006)
Terrapin 2-26-77 somehow hard to top that first one
Comes a Time 7-17-76 DaP 18 16 min, we shall see if 5-4-77 on 50th Bonus will compare
Crazy Fingers 6-14-76 my favorite show from that June '76 box
Bird Song 3-29-90 as much as I love 6-22-73, 11-17-72, and some others, that wonderful sax of Branford is so sweet and ethereal and pushes Jerry, Phil, and company to ever greater heights

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Had to go to DiP 29 5-21-77 just to see what envelope filter sounds like, lol. What a great release. Six CDs of bliss. Two full shows plus extra. I like this format!
Cheers

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7 years 4 months
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Did Y’all forget?? We already decided you need 2 lists: one live & one studio.

Silly rabbits.

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10 years 10 months

In reply to by Mr. Ones

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And it pretty much stopped at those 4: Ripple, Box of Rain, Attics of My Life, and Brokedown Palace. Pretty fair list, and comprehensive, as I can't think of any other Dead songs where I prefer the studio track. High Time on Workingman's is close, but there are some much better live ones. There are a few tracks where it's choosing the lesser of evils, such as Money, Money or Let Me Sing Your Blues Away.

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It appears as though you and I have very similar taste. I 100% concur with your nominations of China Cat>Rider, S>F, Terrapin, So Many Roads, HCS, and your spot on analysis of Bird Song. My preference for The Other One is 5/3/72.

For H>S>F I would go with either 5/9/77 or 5/22/77. I realize that many folks would go with 8/13/75 (One From the Vault). But to me, if you take out the introduction, it doesn’t hold up to the other two.

Other personal favorites include:

Peggy-O 5/7/77

She Belongs to Me 11/8/85

Truckin 5/26/72 or 5/19/74

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In reply to by Angry Jack Straw

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For many years I've thought of 6/9/77 as being my favourite H-S-F. Similarly, the version of The Other One that first comes to mind as a classic is the one from 5/2/70 at Binghampton.
Possibly because of the box set, apart from 5/26/72, I can't distinguish individual shows from the European tour so easily, in my memory, after I have played them.

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I concur with your personal favorite of She Belongs to Me 11/8/85, but I'm biased since I was there in Rachacha.

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About when will the "Mars Hotel Shop" be rolled out.. ?

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The 4/30/77 Scarlet>Fire is funkier with more envelope filter than the 5/8/77 version. Not necessarily “better” but more to my liking. IMHO, the studio version of Estimated Prophet is really good. Again, not necessarily “better” than some live versions with improv jams but always listenable and well done.

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In reply to by VirgoHead

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Have not be able to post due to hey now, trying again, cant keyboard much, thumb in a brace. Nominate Unbroken Chain for studio is better... though it was epic when finally played live. Wow, it went through, here's some earlier text to try again. Lost became so mysterious, will have to go back and check it out. Jack Kerouac wrote about The Dharma Bums, maybe that explains it.

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10 years 10 months

In reply to by dmcvt

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Magisterial studio cut, decent song live when finally played, as you said dmcvt. I've seen Phil do it a few times, and they've been magnificent and jammed out.

It's cool some of us love exactly the same flavors, some like it spiced just a bit differently. :)

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In reply to by musicnow

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I was there as well. That’s why it’s a personal fave. I tried to leave attendance bias off my list, but that one I couldn’t.

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In reply to by Angry Jack Straw

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....aka Boxilla.
Realized it's been a minute since I've listened 🎶 to the Providence '78 offering within.
Let's see what up, shall we?
Half-Step opener it is. Bodes well.
The scroll begs to be framed.
I'll get to it eventually.

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In reply to by Danehead

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Yes...50 years ago

Redo with a show? How about it Dave??

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was COOL going into commercial break of the Steelers - Bills game, looked at the wife, and she said was that GD, big grins all around our family room

Peace All!

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In reply to by uncle_tripel

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We should be getting a seaside chat soon.

And than bring on the box news!

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I turned on the dusty old wireless this morning to a lovely 10-21-71 Dark Star. Highly recommend it with a good coffee. Not quite the rumble of Phil’s hand heard in other versions, but definitely exactly the right tune to start the day. Having just received 48 this week (the first one is MIA), I’ll delve into more 1971 this weekend.

AJS - Jack, what do you think of #98 on the CBH? The real deal, IMHO. Have you ordered the home jersey yet?

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7 years 4 months
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What could be better than spending Wed & Thur Listening to 10 hours, 32 minutes and 21 seconds of "highlights" from the last 4 years of "30 Days of Dead"??

Not much, that's for sure.

Music is the Best!!

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14 years 11 months
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I my past experience, Half step openers are the tops, and the entire show usually smokes. Dig it been listening to some 78 myself lately, Jer was so alive back then, on top of it, all over it, in and out, up and down, round and round, so good, loved the hippy look too.

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In reply to by PT Barnum

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Totally agree! That "Half Step" opener on Dave's 37 really smokes, as does the entire William & Mary show.

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12 years 1 month

In reply to by alvarhanso

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Mike,

This censorship BS blows. I am not allowed to post my response.

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10 years
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Jack, I totally get it. The site’s gone wild here, it’s crazy. One of the best forums out there dragged down by the Technological singularity. I’ll watch for your response in the meantime, if you get through, because I’ve been wondering your thoughts on #98, and all thinks ice!

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Luv luv luv reading about all youse guys fave shows and songs. Keep 'em coming!

Hate hate hate the Hey Now Problem. It's almost like they're trying to fill off this forum. Have tried to post some of my own faves, but keep getting Hey Now'd. We'll see what happens with this post.

I'm not a robot!

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10 years 2 months
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Keep getting the dreaded Hey Now.
Make it stop!

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10 years 2 months
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See Recents, f ree s tuff category.
Cheers

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17 years 5 months

In reply to by Crow Told Me

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Good bye old friend 71!
Tanks for the goodness!
Onward!

Howdy Mike!
You and AJS would be proud at how much “best game in the land” I’ve been up to this year! Key, watch with sound down, tunes up!
Good season so far🤞

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17 years 4 months

In reply to by Oroborous

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....good lineup coming to the Brooklyn Bowl. Cumbia Rave tomorrow. $17. Los Lobos would approve. Keller Williams on the 25th. Got tix for that. $30. Pink Talking Fish on the 28th. $25. Probably gonna pull the trigger on that one.
And Lettuce Feb 1st. $30.
Looks nice.

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….Daves Picks #31 was a 79’ performance & the cover artwork was a dragon. The Chinese New Year 2024 will fall on Saturday, February 10th, 2024, starting the year of the Dragon. I’m hoping the next Boxset is “chasing the dragon” of 1979 Grateful Dead’s magic!

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Between this one and Dave’s pick 49, which would yall go for as I can only afford one as much as I’d love to get both

I'd go for Daves 48. In fact I have. Fall 1971 was one of the greatest periods in the Deads career - and any show from that era would trump two from 1985 for me. Not for everyone though - just depends what you like.

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In reply to by 1stshow70878

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I think that is a first. He only gets one?

So, which Dave's will sell out first?

There are four currently for sale now.

What will be in that 79 box Love My Girl?

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personally, gonna stand with TN JOHN on this one; gotta believe that different gear & different recordings from two different bands during two different periods of music 14 years apart renders those releases non-comparable, and
DAVEROCK nails it, which ERA do you like BEST?

peace all!
uncle_tripel

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