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    Anyone who has ever seen the Dead can testify that one of its shows will add quite a bit of color to the environment here at Stanford. Anyone who has not seen one of these spectacles should have the opportunity to do so. The Grateful Dead are an important part of the Bay Area's cultural history. Those of us who saw them last week can testify that the Dead are alive and well. The Concert Network would be hard-pressed to find an act which would bring Frost Amphitheatre to life as the Dead would. - The Stanford Daily

    As you know by now, we'd certainly have voted aye on this motion, so much so, that we've loaded up DAVE'S PICKS 49 with not one, but two complete Grateful Dead shows from the Frost Amphitheatre, Stanford University, Palo Alto, CA 4/27/85 and 4/28/85. The first shows from '85 in the series, these back-to-back hometown performances couldn't be more different while delivering the same level of passion and precision, five hours of it, in fact.

    In 1985, the band were celebrating "20 Years So Far," a feat that found them on these particular nights confident with invention in terms of both setlists and playing. There are old songs renewed, rare covers revived, undeniably nuanced Jerry moments, and a few surprises from Brent Mydland too. While it's impossible to select highlights, we can say with certainty that the overall clarity of these shows is unparalleled, courtesy of Dan Healy's recordings.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 49: FROST AMPHITHEATRE, STANFORD U, PALO ALTO, CA 4/27/85 & 4/28/85 has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • sheik yerbones
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    76 box

    is a great souvenir, and one high time in my life recovering from onkology , just in time in hospital before lockdown, and then surrounded by nurses, and my loving wife so near. Then most of the time laying outside, listening the new boxset only disturb by birds and bees in the wisteria.
    this box looks like may 77, for consitency, and quality.
    @DMCVT Gillian W is my fantaisy for my next life, coming home after work, and listening that nice girl playing to me acoustic guitar. If she plays Bach suites on on cello in the meantime, i won't be punished.
    @Alvarhanso when I visit America on a second trip with my daughter, we stopped in Bakerfield, looking for centerville searching a good restaurant, typically french, i admit, and we eventually parked near a bar. I bought 2 cd to get some music in the car, Jerry Garcia 's Reflection and Rowan Douglas Yonder, not sure it's really bluegrass, but 5 stars album, and very cliche on the road to death Valley.

  • That Mike
    Joined:
    Last 5

    The “June ‘76” Box just might be the most under-appreciated box in the Dead canon, IMHO. The Boston shows alone are incredible, an energized band.
    I’m not the biggest Who fan, but sometimes Quadrophenia at 11 Volume is exactly what you need. I got playing it because Phish covers “Drowned” on their recent live release, and quite nicely, too!
    Last 5
    Who - Quadrophenia
    Who - Who’s Next
    Weir - Blue Mountain
    Art Blakey & Jazz Messengers - Just Coolin’
    Neil & Crazy Horse - Down In The Rust Bucket

    Late condolences to the very funny Joe Flaherty. RIP Guy!

  • Vguy72
    Joined:
    Revisiting the '76 box currently....

    ....6.11.76 to be exact.
    Mid second set Sugar Mags into Eyes is very nice. Book it Danno.

  • dmcvt
    Joined:
    Great list there, Sheik; Perky

    Saw Gillian a couple years ago with David Rawlings, outstanding concert. If we more broadly consider "country" as part of Americana, the tent is much larger. Vince Gill, good stuff, for example. The song that Plant and Krause covered, "Can't Let Go" is a personal hit, great lyrics, tune, put out there by Lucinda W on Car Wheels, a fine album. Doug Perkins moved up to Vermont years ago and performs locally and a little randomly, up in Burl and many other smaller venues, did gigs with Mike Gordon, adept on both acoustic and electric. He once tried to teach me "Good Bye Pork Pie Hat" but it did not take. Not your standard three cowboy chords...

  • daverock
    Joined:
    RIP John Sinclair

    Pity the MC5 weren't at Woodstock.

  • sheik yerbones
    Joined:
    country & bluegrass

    I still love country, at least what we call country music in the 70s, bands like Poco, Buffalo Springfield, The Byrds, Flying Burritos Bros, New Riders otp sage, emilou Harris and Gram Parsons. Nearby we had Folk (Pentangle, Fairport Convention, Bod Dylan, Donovan, Incredible strings band...) wich still goes on with Gillian welch or billy Bragg;
    To me the first jerry album with the new riders stays a classic. I never heard about blue grass before Jerry Douglas & Allison Krauss, Peter Rowan, and discovering Old and inthe way, then Grisman or Tony Rice.
    Nowadays it seems like everything like Country music comes into what is called Americana.
    Elvis Costello gave a great Tibute to country music, and George Jones with Almost Blue . Johnny Cash is more like folk for me. All american recordings serie can match a small box of the dead.
    Lucinda Williams began with country folk albums, but she plays also RnRoll, and ballads.
    Only Blues don't change.
    Anyway whatever we feel with good music is better than words.

  • alvarhanso
    Joined:
    Doug Perkins

    Haven't heard that name in maybe 20 years. Trying to remember the band I saw him with (Smokin' Grass?), but I remember because he used to play with Mike Gordon, when Gordon did bluegrass things. A buddy from school was a Kentucky bred fiddler, and he jammed with Doug and a couple others at setbreak on Wheel Hoss and Blackberry Blossom. Thanks for that blast from the past. Guess I misunderstood on Trischka.

    John Sinclair was the man whom Abbie Hoffman advocated for during The Who's Woodstock set that led to Pete Townshend hitting Hoffman in the head with his guitar. Hoffman's ill-advised speech was at like 4am, and he said, "I think this is a pile of shit, man, while John Sinclair rots in prison for 2 lousy joints" whereupon Townshend tells him to get off the stage. John Lennon then took up Sinclair's case with a song titled John Sinclair. RIP to a counterculture hero.

  • Colin Gould
    Joined:
    RIP John Sinclair

    MC5 manager and so much more.

  • dmcvt
    Joined:
    Trischka Consciousness

    Punful... oops, Tony not playing with Marty, sorry. Will see TT down in Maryland hopefully. That's exactly it for the Marty show, excellent musicians. Neither a huge fan of the genre generally, do appreciate Brad Paisley for his PLAY recording chops, Robert Plant hit some nice notes with AK, great players like Alvin Lee, Danny Gatton, even Roy B had some country twang. Bluegrass, newgrass, Billy, oh yeah. Next live music up, acoustic, Doug Perkins and Patrick Ross in a tiny old town hall Friday night, if it don't snow too much.

  • daverock
    Joined:
    Country

    My attitude to country changed about 1983, when I heard an album called "Miami" by The Gun Club. Righteous stuff !

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Anyone who has ever seen the Dead can testify that one of its shows will add quite a bit of color to the environment here at Stanford. Anyone who has not seen one of these spectacles should have the opportunity to do so. The Grateful Dead are an important part of the Bay Area's cultural history. Those of us who saw them last week can testify that the Dead are alive and well. The Concert Network would be hard-pressed to find an act which would bring Frost Amphitheatre to life as the Dead would. - The Stanford Daily

As you know by now, we'd certainly have voted aye on this motion, so much so, that we've loaded up DAVE'S PICKS 49 with not one, but two complete Grateful Dead shows from the Frost Amphitheatre, Stanford University, Palo Alto, CA 4/27/85 and 4/28/85. The first shows from '85 in the series, these back-to-back hometown performances couldn't be more different while delivering the same level of passion and precision, five hours of it, in fact.

In 1985, the band were celebrating "20 Years So Far," a feat that found them on these particular nights confident with invention in terms of both setlists and playing. There are old songs renewed, rare covers revived, undeniably nuanced Jerry moments, and a few surprises from Brent Mydland too. While it's impossible to select highlights, we can say with certainty that the overall clarity of these shows is unparalleled, courtesy of Dan Healy's recordings.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 49: FROST AMPHITHEATRE, STANFORD U, PALO ALTO, CA 4/27/85 & 4/28/85 has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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We're up and running. No notice on this one. Hope it sells out.

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Glasses again! If you're gonna do the glasses, you should offer a package of all four. Sign up early save some coin and not have to worry about ordering again!

But time for something new, versus 50 dollar shot glasses,,,, sorry tasters!

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Cleaner than the copy I have,,, which doesn't suck.

My copy is hotter(?). This is more controlled.

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I wasn't all that stoked for this until I listened to Dave's chat. His passion is infectious. Bring it on!
Cheers

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Fresh ice!

Dennis - Thanks for the heads up on the new Owsley release. This one definitely looks like a keeper.

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Another year of shows from New York and California. What a surprise.

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Looking forward to this one. This is what this series is all about. Tapping into some under-represented shows that fill in the collection and span the entire arc of the band's output. I love the mid-70s as much as the next guy, but as someone who's subscribed to Dave's picks since season 2, its way more exciting to get some '85 stuff than another May 77 show. As good as those shows are, I have a good handle on what they were up to in 77.

Another seam to mine is January 79. As far as I know nothing's been released from this tour. I'll be around for Dave's #100 if they keep on Truckin.

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Got a day off because of the weather on the south shore of Lake Erie. And then the notice comes. Can’t get much better! I’ll echo 1STSHOW70878‘s comment. I was ho-hum on this, and Dave got me pumped up.

Byrd,
If NY and California are their most inspired shows because of roots then I say keep bringing them!!

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PLAY DEAD
PLAY DEAD LOUD
LET'S DO THIS

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In reply to by DeadVikes

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Anyway, The Frost from April 27 and 28 was the shows I almost experienced when they happened. Almost being only eighteen days later here at my home in Växjö, Sweden through good sounding audience tapes!

I had a tape traders ad in issue #5 of fanzine The Golden Road and one of those who answered was a Dead Head in Watsonville, California. He made those tapes at Frost and rushed copies to Sweden for med to enjoy. Eighteen days almost 39 years ago was fast at the time with recording, maybe som editing and making copies.

And now as a subscriber I will soon revisit those shows through the soundboard into mastered CD's.

Micke Östlund,
Växjö, Sweden

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So awesome to see this year finally get represented. I've subscribed since the very beginning from the last year of the Road Trips series, where they were first offered.

There were great shows all throughout the year of 1985. Lots of breakouts and experimentation in the setlist and inspired performances that made 1985 unique.

My first show attended was in 1984 at Pine Knob, which was actually a really good show during a stretch of good shows. Didn't see them in 85. 86 and 87 I attended Alpine Valley for the full runs and was hooked from there on out.

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Love these 85 shows especially N1. Although it's a shame they had to split that eyes and going down the road. I guess you had to make the cut somewhere. But that's a banger opener of a second set if I ever saw one. Had they ever otherwise done a scarlet begonias into eyes of the world???

Be Well People!
Sixtus

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Hockey fans take note of his p ost under F ree S tuff in recents. Keep getting haynowed tring to tell others of his generous offer.
Cheers

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In reply to by Sixtus_

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Personally, that was the best seaside, er, office side chat, evverr! Personally speaking…
Now I’m not narcissistic enough to think he actually reads my spew lol, but damn if he didn’t check a ton of boxes off my Hmmmm???? list.
Never felt compelled to reach out, but might have to track em down and say thanks etc.
I wouldn’t call these shows, best of year, but they are fine shows, worts and all, and he discusses future consideration of some of my favs, which is reassuring!
Hell yeah, sign me up for DaP 100! (Hopefully I’ll still be kicking ; )

Only downside of this release for me will be the nasty shit we’ll have to endure, sigh…

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Just the other day some of us including Blair and Regan were on a panel talking about those Golden Road days. A student had brought his dad's mint copy of Golden Road #1 and wanted us all to sign it. Those were the days, although these days have a lot to be said for them as well.
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ya'll on that ZOOM call with Dave lol! apparently lots of "goose bumps" during his discussion of all those wonderful '85 shows, rock on my brothers and sisters!
Peace All!

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Supposedly the only time they ever did it.

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Bring it on!

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Dave's mention of these in the Office Chat has me hoping for an 85 box.

I recall having the 2nd set of 4/27/85 in my collection and listened to that tape often. The Scarlet > Eye's > GDTRFB > Women Smarter and six song post drumz run of songs are quite good. Haven't collected or listened to the 2nd show so that'll be an extra treat.

The Red Rocks and Greek shows are legendary in their own right.

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Back then we had only heard of these California shows thru the deadvine, and lots of talk about the "old" tunes that they had been pulling out for the 20th anniversary. The boys had not been down south since 82 and we all knew we were due a show and sure enough, in the fall we were rewarded with a great show in Tampa. I have a good sdb of the 28th but have not heard the 27th so once again, Dave somehow pulls out a show I have not heard and do not collect/hoard so am looking forward to revisiting those days. Always like their take on Gimme Some Lovin' and their is plenty of Jerry, he's all over these

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Oh no this is the highlight of the show for me and they put the disc break there! I would much rather have Around>Sat Night, Day Job out of order and at the end of disc 1 to preserve the Scarlet>Eyes>GDTRFB. That move into GDTRFB is the highlight of the run for me! Goodness gracious me .....

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Dag so disappointed to see them separate the Scarlet>Eyes from the >GDTRFB. Checking the soundboards on Relisten, sounds like maybe Healy tried to stick the beginning of the 2nd set on the first tape? In any event... This is a situation where it would be really nice to get access to a digital download. Would also appreciate a little bit more technical info and perhaps more transparency from Dave. Brings to mind the 80 Trips box which is littered with patches, some audience, that go unacknowledged anywhere. #geekswanttoknow

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In reply to by Slow Dog Noodle

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I feel similarly. May '77 has its many virtues, but back in the day I really loved the '85 section of my collection, and I've been outspoken about hoping that Dave would shine a little light on this year. I'm really quite excited for this release.

And you mentioned early '79... I seem to recall Dick Latvala saying that the vault's holdings for '79-'82 were not in a good way... I wonder if this is why there is such a dearth for much of '79, and when Dave HAS dipped in, it's been two shows from one single week in December (w/ filler from a third night.)

Still, it's one of the treats of this series... having the archivist curating these releases... the surprise and near-constant delight of "what's next?" never gets old

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In reply to by proudfoot

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Tasty

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I was there at both shows too with my friend Kevin! But I agree with CeeDee, it's a shame that the Scarlet>Eyes>GDTRFB had to be split with a CD break. That sequence (for me) was the highlight of the WHOLE weekend!
Which by the way, were daytime (2pm) shows with full sun both days!
Also, seldom mentioned, but these were benefit shows that came about because of the 'deal' Garcia made with the court for 'punishment' for his Jan '85 drug bust in Golden Gate Park. If I recall correctly, Jerry's court appearance (sometime in Feb or March?) was packed with heads, several of them 'volunteering' to step in for Jerry and do 'his time' for him, instead of Jerry doing his own time. I think the judge was taken aback by that and let him off easy by requiring some benefit shows to help a San Francisco charity and a promise to seek rehab. Anyways, ... the 1st set Bertha, with Jerry's line of "Throw me in the jailhouse" got him smiling wide and the whole crowd whooping it up - 'cause we all knew what that meant LoL!

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Tastier

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In reply to by billy the kiddd

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I wasn't in attendance

Starting senior year of high school in LA

First show still 10 months away

9 12 is overall more "complete" to me. No gripes about 9 11, just....9 12 has so much great stuff.

Picky Deadheads, all

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Said Officially licensed, from a company called Ripple Junction. Was 14.99, so I got it. Pic is the one in the avatar. Thought the image was from a Dave's Pick, and indeed it was, numero 6, to be precise. This is not noted anywhere. Always liked that year's art. Just thought I'd mention that.

The Listening Party sounds good. Only listened up to half of Esau, and didn't have good speakers to see if any bass on the PA mix. Also, that means I haven't heard Jerry's voice yet. Have heard some AUDs, and didn't like. His guitar work is great thus far. The PA mixes have strong vocals from Bob. Gonna have to re-check and pray no Red Rooster. Bob's caterwauling may be worse than Jerry's hoarseness.

Praises to Dave and co for those two Picks featuring two Dark Stars, DaP 6 12-2-70 and 12-20-69 and 43 11-269 and 12-26-69. Wonderful stuff. Digging on 11-2-69, great Dancing in the Street Jam (the Dancing earlier featured a Dark Star jam, so nice symmetry) then a glorious Soul Strut. Great St Stephen and Eleven and delicious melt into one of the best Death Don't Have No Mercys I know.

Also, also, the sound on DaP 42 and DaP 46 is louder and better than a lot of them have been lately. Don't know if that's better source tapes, but I've noticed they're conspicuously louder.

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these shows were my 2nd & 3rd ultra crispy snbd shows I collected !… I had plenty of older (pre-‘81 …as that’s when the bus came by for me ;-) snbd tapes , but someone who claimed he had 1st gens hooked me up (btw, Hartford ‘82 was the 1st for me .. superior quality circulated) … what made these somewhat unique was how the drums and high end was pronounced .. and the lack of hiss …played the shit out of them .. soon after, many crisp boards started to come my way … I imagine it was similar for others …

so GDP always cleans the results even finer, and that’s enough motivation for me to snap ‘em up !

It was noted last year that I got one Pick - as a non subscriber - a few weeks before a subscriber did. That's here in England. Doesn't seem to make any difference whether you subscribe or not as to what service you get. Should it?

This is a CD series, with a few releases eventually being released on vinyl.

Yes Daverock, subscribers get extra benefits, that being the bonus disc and reduced pricing relative to ala carte.
Subscribers should also receive their copy by release day as another benefit of their willingness to support the series through subscribing.

This series has always been a CD series and subscribers have always received a bonus disc. It’s been that way from the beginning, and it’s been clear from the beginning that that is how the series works.

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Looking very much forward to the new OSF - set.. that disc with Garcia/Weir.. oh boy.. BW from cold Copenhagen

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In reply to by proudfoot

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9/11/81 was life-changing for me. So life-changing I was kinda sidelined for 9/12, which is on a lot of people's best-of lists. But I was back for 9/13, first of many Sunday afternoons at the Greek.
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If I could go back and see one show out of all the shows I went to, 9/11/81 would be that show.

I subscribed up until 2020- the first 36, so I know all about the gimmicks. I never felt I should get my copy before someone who didn't subscribe during those years. I couldn't have given a hoot.

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