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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • Oroborous
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    72Livedead

    Perhaps your speakers are outta phase as no one else, including myself, has noticed this?
    I think, like usual, once they get into it and set the mix etc, this one sounds pretty good.
    My only complaint, which isn’t really a complaint, is that one could argue there were better shows from that fall.. Otherwise, tanks again Dave et el.

  • estimated-eyes
    Joined:
    48

    I like it, a lot. I didn't notice the lack of a low end on discs 1 and 2, thought it was fine though Keith is really prominent on the first set tunes. Nothing wrong with that, though. I like that The Other One doesn't spiral too far out of control.

    Love disc 3 late 1970 GOGD. That is a mighty fine Dancin' in the Streets to kick it off and that may be the earliest GDTRFB that I have heard-- really interesting to see how that song, and the band entirely, evolved in one year. They went from a seat-of-your-pants sometimes sloppy but always interesting band to a tight, take no prisoners kickin' rock and roll band that did a wild jam per night. Love to juxtaposition presented here.

  • frosted
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    Sheesh 72LiveDead

    What Jim said.

    If you don't understand by now how this is supposed to work with 50+ year old tapes never recorded to be released....

    A travesty? A waste? -- I'd call that description a first world problem.

    You're entitled to your opinion, but I'm quite happy with this release.

  • JimInMD
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    Hey Now 72LiveDead

    All is not bad with this release. Almost all these shows have some recording or vocal or quality anomaly.

    Disc three, to me at least, is worth the price of admission alone. There are parts from Pauley, like the transition from NFA into GDTRFB and get my attention also. I'm guessing you're not a Trail Blazer or Celtics fan or something.

    If we set recording standards too high.. well, DiP 8, Harpur College was almost not released because the recording was subpar, mono for most of the show and it was Phil I think that was questioning releasing it at all. Warts and all, that's what the DiP and DaP series were about, getting the 'lessor' shows out there, the non-multi track house recordings. There's enough here to find your happy place, you just gotta poke around.

    On a separate note, something got me to poke around for some early Dancin' in the Streets and Midnight Hours in the same show and I landed on 9.16.66 Avalon Ballroom (Vintage Dead). A short but powerful little performance, it's probably been 15 years since I listened to it. wowwow stuff, and Phil is pretty high in the mix for this one.

    Not trying to be critical, more a note of support if not for Dave, at least for Bill Walton.

  • 72LiveDead
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    Dave’s 48

    If you like Phil’s bass to be recorded properly with any low end at all, #48 is not for you, with the exception of the 3rd disk. What would make Dave release a show where only the high notes on Phil’s bass can be heard? There is no low end bass on 11/20/71, none, nowhere to be found. Imagine The Other One with no bass!
    Only Phil’s higher notes can be heard. The thunder roll intro is all drums. It’s a travesty to release this show. A waste. Thank goodness for disk 3’s Dancing in the Streets, Good Lovin’ and Lovelight otherwise this waste of resources is a total rip off. Hey Dave can you give us a warning next time. Attention subscribers this release has no bass, be warned. Are you deaf Dave, or did Bill Walton pay you off because he was there.

  • Danehead
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    Vol. 48

    Looks (no, not like rain..) like it isnt sold out, after all..

  • Sixtus_
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    New Addition to the Urban Dictionary

    ...appears to be, "Hey Now"!

    "Hey Now!: The act of being told, "NO!", without any rhyme, reason, or context. Just, nope. Sorry. Not happening. No explanation. AND you'll LIKE IT!"

    Listeners wonder what 'Jock-A-Mo' means. Some music scholars say it translates in Mardi Gras Indian lingo as 'Kiss my ass,' which seems potentially appropriate here as a jab to anyone trying to actually post something on dead.net these days.

    Marye, we're drowning here!!! And shooting in the dark. What gives???

    Sixtus

    P.S. if this doesn't get Hey Now'd, perhaps there's been a break in reality and we've finally fallen through

  • frosted
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    You got it, Jimbo

    To me, the better of the long, raw jams of the early days seem to melt into a dream.

    I have actually had good luck posting the first time on my last several posts.

    But awhile back I vacated these boards for quite some time over frustration with posts that wouldn't.

    Prefer it when it works, heh.

  • JimInMD
    Joined:
    It was all going grandly

    That is until I added a phluck it or two and the Hey Now police crushed my morning buzz. Still, I got away with it for a full paragraph and a half.

    I'm convinced Rhino has a cubicle island full of this special kind of person that in real time reads all our posts just as we hit save. They have a giant Hey Now Button on their desk and they hit it with a giant wooden gavel whenever our writing does not suit their fancy.

    As they hit the Button, we get Hey Now'd and a giant ding ding ding bell goes off in the office. They get Hey Now points that are reviewed each month, awards and bonuses are given and they get a special letter they take home put it up on their refrigerator for their moms to see.

  • JimInMD
    Joined:
    I have developed a new way of posting here

    Start simple and get your point across. If it goes through, edit, embellish, and addcontent a few words or sentences at a time. If that goes through, fine tune it.

    If all goes well, try adding exactly what you want to say.

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3 years 7 months

"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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...will SELL-OUT first? my money is on 49, let's GO 49; and btw, that is NOT a reference to the fourty-whiners lol

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Pretty sure in the Feb. GD Bulletin email yesterday they said there were only 700 DaP 49 left so I'll go with that selling out before the others. Getting hard to predict what year/era will sell quickest nowadays.
Cheers

Edit: Correction, only less than 700 left of both DaP 48 and 49.

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Too many variables. Only you can decide which to get. If you like both eras then how much of each do you have? If I had to choose I’d probably go for 49, but that’s because I’ve got much more of 71 than 85. Luckily I don’t have to pick one because I subscribe so I get them all (as long as the delivery system works)

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17 years 5 months

In reply to by Colin Gould

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You can’t really compare different eras except according to preference.
BUT! I will say I thought 48 was a good, but not RJ pick, while 49 is one of the better shows from that year.
Personally, there’s no comparison, I’d take 49. It’s one of my fav picks while 48 was a disappointment. Not because of the era fall 71 through 74 is magnificent, just felt there were better shows.
But hey I dig em all and thank Dave and company for all the love and hard work they put in so we can complain LOL

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There are several "picks" which are sold out that I'd like to have. Shows I was at. Dekalb, Upton and Deer creek. Deer creek was fun. Could not remember where we parked and sat in the grass until the lot was mostly empty. The roads were empty of the fuzz by then too.

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R.I.P. rip city Bill! So extra glad now Dave was able to get Bill involved with this pick's liner notes. Especially in the wake of Mr. Walton's passing on to the great beyond.

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