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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • Oroborous
    Joined:
    I don’t know

    Maybe it was the ibogaine?

  • JimInMD
    Joined:
    If we had any backbone

    We'd boycott dead net for a week until they remove the SS from their IT Department

  • JimInMD
    Joined:
    Baby Steps

    Test ing

    Back to one syl a ble words.

  • Vguy72
    Joined:
    Well Stoltz, if you're into a heavy mood....

    ....check out KGATLW's PetroDragonic Apocalypse; or Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation.
    Yeah boi!
    That title went though the posting gauntlet without a hitch. Good to know!

  • proudfoot
    Joined:
    i got about 20 seconds into new Beatles track

    will need to go back n try agin

    Metallica MoP sounds really good at the moment

  • proudfoot
    Joined:
    dixpixdiqpix

    howbowdat

  • Vguy72
    Joined:
    King Gizzard....

    ....coming to Vegas in a year! Consider me a big fan as well. Last time they played here, I didn't know about it because I discovered them literally days after. Tix go on sale Friday. Probably the longest span from on sale to concert that I can recall.
    Also, I posted a few days regarding the "new" Beatles song Now And Then to no responses, so I'm posting it again.
    Yes, I did get a little teary eyed.

  • Gary Farseer
    Joined:
    Thanks NiteCat

    The Brent tribute was great. Made me almost cry. My very first introduction to Grateful Dead was when they were on Saturday Night Live in 1978.

    Then, I drew closer in the 1981 time frame, so real first exposure was with Brent. I am always a Dead Brent fan as that is what I was drawn to. I say it all the time, but do like all era's, just Brent the most. I remember Garcia in an interview said it was ability to add so much color to the tunes. Now I am a huge Pig and Keith, Vince and Bruce fan but Keith started out with just Billy. So when Mickey came back that meant they had three percussionists as the piano is a percussive instrument. So when Brent joined it went back to 2 percussionists an organist. Love his vocals and work on like China Doll.

    And I sort of posted this before. Thanks to Dave L, for #47. Reason being that when you pulled out the narration from the box, it showed Brent alone. I thought was a great tribute. Have more but got to attend to the food type thing.

  • Gary Farseer
    Joined:
    Thanks Dennis

    Dick's Picks.

    Also sign me up for the first 100 5lb tins. I am all in.

  • Dennis
    Joined:
    Matching Crap for Next Year

    So we've had two years of glass tumblers and 2 of shot glasses for Dave's.

    Hope next year will have something other than glasses.

    How about little axes with date of the show and pick numbers. Maybe add a string and make the little axes christmas tree ornaments? Maybe coffee mugs with changing/hidden object when cold or hot? How about 5 lbs tins of top shelf bud for each release?

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3 years 6 months

"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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1 year 1 month
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...will SELL-OUT first? my money is on 49, let's GO 49; and btw, that is NOT a reference to the fourty-whiners lol

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10 years 2 months
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Pretty sure in the Feb. GD Bulletin email yesterday they said there were only 700 DaP 49 left so I'll go with that selling out before the others. Getting hard to predict what year/era will sell quickest nowadays.
Cheers

Edit: Correction, only less than 700 left of both DaP 48 and 49.

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15 years 2 months
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Too many variables. Only you can decide which to get. If you like both eras then how much of each do you have? If I had to choose I’d probably go for 49, but that’s because I’ve got much more of 71 than 85. Luckily I don’t have to pick one because I subscribe so I get them all (as long as the delivery system works)

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17 years 5 months

In reply to by Colin Gould

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You can’t really compare different eras except according to preference.
BUT! I will say I thought 48 was a good, but not RJ pick, while 49 is one of the better shows from that year.
Personally, there’s no comparison, I’d take 49. It’s one of my fav picks while 48 was a disappointment. Not because of the era fall 71 through 74 is magnificent, just felt there were better shows.
But hey I dig em all and thank Dave and company for all the love and hard work they put in so we can complain LOL

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There are several "picks" which are sold out that I'd like to have. Shows I was at. Dekalb, Upton and Deer creek. Deer creek was fun. Could not remember where we parked and sat in the grass until the lot was mostly empty. The roads were empty of the fuzz by then too.

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3 years 9 months
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R.I.P. rip city Bill! So extra glad now Dave was able to get Bill involved with this pick's liner notes. Especially in the wake of Mr. Walton's passing on to the great beyond.

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