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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • proudfoot
    Joined:
    December 7?

    Hopefully the oars won't break on the way

  • daverock
    Joined:
    DiP2 vinyl

    I have just checked to see if my copy is on it's way, and have noticed it shipped on 26th October. Apparently should be here by 7th December. This year hopefully.

  • proudfoot
    Joined:
    If you are still waiting for yer 48

    Check out Greek 5 23 82

    No looking at set list

    Greek GD

    let's go

  • Vguy72
    Joined:
    FWIW....

    ....the DiP 2 vinyl plays perfectly. #678.
    Sounds really, really good. I have this set pretty much burned in my brain. It was on constant rotation 28 years ago. Because cd's man.

  • ronmarley1
    Joined:
    Trick or Treat

    Never got a shipping notice, but it showed up in USPS Informed Delivery. Should be here Tuesday!

  • alvarhanso
    Joined:
    Hopeful...

    After that post dmcvt, I checked my order status and nothing. Last night went for another subscription, but comment was rejected so many times. Also added DaP 2 vinyl. Was thinking about the DaP 23, but have read so many complaints, including one guy on youtube who had a bad pressing, and a bad replacement. Not as big a fan of that show for that worry. But that lack of cd copies of DaP 1-4 is going to be filled by the vinyls. Until I hit the lottery, then it's game on for those ridiculously priced cds (that may not play), as well as the Steamer Trunk and Lyceum vinyl.

  • dmcvt
    Joined:
    48 arrives

    wanted to post comment but got the Hey Now warning... no lynx, hits or errors, so cut it short. Now I go back hours later to see if I can add comments, by saving edits, seem to be able to... how odd. Hilarious that the case panels feature such superficial blase reviews, while Bill Waltons bio pic from back in the day casts light upon intimate events more than five decades ago. And surprise, Lynn Shackleford mentioned, had the rare privilege of golf and lunch at Riviera with Lynn a long time ago. High time to crank this puppy up.

  • Gary Farseer
    Joined:
    Mary E

    Thanks!!!

  • Dennis
    Joined:
    Hey Abbott!

    48 Coming today.

    Note - I've been downloading everything Joe Russo on the archive.

    In at least 2021 and 2022 (haven't gotten further yet) there is a recording team Costello & McRoberts.

    Not sure what permissions they have or who they know, but they make these 6 track recordings with mikes on stage, soundboard and audience, then make matrix "boards". GREAT recordings, really, really great.

    I should have been seeing these guys all along,,, they are great.

  • 1stshow70878
    Joined:
    48

    Arriving early for once.
    Out for delivery today.
    Cheers

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3 years 7 months

"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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1 year 1 month
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...will SELL-OUT first? my money is on 49, let's GO 49; and btw, that is NOT a reference to the fourty-whiners lol

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10 years 2 months
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Pretty sure in the Feb. GD Bulletin email yesterday they said there were only 700 DaP 49 left so I'll go with that selling out before the others. Getting hard to predict what year/era will sell quickest nowadays.
Cheers

Edit: Correction, only less than 700 left of both DaP 48 and 49.

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15 years 2 months
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Too many variables. Only you can decide which to get. If you like both eras then how much of each do you have? If I had to choose I’d probably go for 49, but that’s because I’ve got much more of 71 than 85. Luckily I don’t have to pick one because I subscribe so I get them all (as long as the delivery system works)

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17 years 5 months

In reply to by Colin Gould

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You can’t really compare different eras except according to preference.
BUT! I will say I thought 48 was a good, but not RJ pick, while 49 is one of the better shows from that year.
Personally, there’s no comparison, I’d take 49. It’s one of my fav picks while 48 was a disappointment. Not because of the era fall 71 through 74 is magnificent, just felt there were better shows.
But hey I dig em all and thank Dave and company for all the love and hard work they put in so we can complain LOL

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1 year 1 month
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There are several "picks" which are sold out that I'd like to have. Shows I was at. Dekalb, Upton and Deer creek. Deer creek was fun. Could not remember where we parked and sat in the grass until the lot was mostly empty. The roads were empty of the fuzz by then too.

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3 years 9 months
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R.I.P. rip city Bill! So extra glad now Dave was able to get Bill involved with this pick's liner notes. Especially in the wake of Mr. Walton's passing on to the great beyond.

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