• 8,084 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • JimInMD
    Joined:
    I honestly can no longer post complete sentences anymore

    Unbelievable.. not trying to embed anything, these guys just suck. I had a two page writeup of 4 25 77 Springfield that will never see the light of day.

    Getting horizontal now, great show.

    This forum really sucks ass now that we cannot post without getting denied. Over and out.

  • 1stshow70878
    Joined:
    Dead Doing Hornsby Songs

    I know I saw one. 12-9-90 they closed the first set with Valley Road. Excellent and at the time exciting to hear something new. Agree with Rockthing that Mandolin Wind would have fit nicely in the era.
    Cheers all!
    Oh, and wasn't Jerry on some of Bruce's albums? Can't think of the name of it but on the Muzac at work I would hear one of Bruce's that starts something like "35(?) weeks ago today" and I would just stop under a speaker to hear the guitar solo that, if it wasn't Jerry, it sounded just like him raining triplets.
    Edit: Looked it up, it's called Across The River. Watching the video I didn't see Jerry but that sound! Yep the credits say Jerry! Bruce said it was probably only the second time Jerry hit the top 10 charts, Touch of Grey being the other. What about Truckin' Bruce?

  • rockthing
    Joined:
    Chapter 1 of my new novel, War and Peace Part 2:

    Picasso Moon seemed to sort of disappear from the repertoire. It would have sounded great to hear an evolution of this tune with Brent laying into the B3 instead of the synth sound similar to the studio version. CC Rider is never one of my favorite tunes, but that transition from CC Rider to It Takes a Train to Cry is sublime perfection. Totally did not see that coming. Top marks to both songs for that.

    High Time and Black Throated Wind back to back? What was going on here? This is like a dream come true.

    Again, Deal. What can I say. This tune is money. Somebody point me to one that /isn’t/ good. This one held my attention yet again.

    Help/Slip/Franklins: Help is very cool. The Slipknot! goes into some unusual, very un-Slipknot-like territory during the jam. If I were to pick up midway through I don’t think I’d guess I was listening to Slipknot!. I’m always one for a big jam, but this is one time that Franklins Tower sort of overstays its welcome. I was actually glad to hear Looks Like Rain for once. Those glissando licks that Jerry’s playing are brilliant. I guess they’re the water falling from the sky. I think I like this song better around 90, 91. The Without A Net version that I haven’t heard in ages comes to mind, but this one is a real standout. The ending builds up nicely without becoming melodramatic.

    Bobby’s doin’ all his little whammy bar harmonics tricks during Terrapin, and all through the show. These little accents are right on. It’s a great use of texture and controlled overdrive. He’s weaving in all sorts of little licks and fills, almost more of a Stones approach without actually playing things they would play. What’s with that little electronic hand clap around 12 min?! lol. That must’ve been Mickey. Here comes the MIDI… and more “hand claps” as this one totally spaces out before Drums. Definitely like that. Jury’s out on the hand claps, but I think Jerry must have been giving Micky a sly look over his glasses, and Mickey was probably grinnin’ like the Cheshire cat that ate the canary. Then there’s a little samba groove that pops up out of nowhere. So adventurous, and playful. Despite Brent being gone less than a year, Bruce Hornsby brought in such a positive vibe… and also refuses to let that samba idea go away even as the drummers switch to hand percussion… or perhaps because of it. It sounds like Jerry may have left, or started to leave the stage, but then came back. I think that melody is a quotation from an actual composition, but the title isn’t coming to me. So much things to say. So much things to say right now.

    I was lying down sort of half dozing off by the time I got to Space last night, but I was impressed by how involved everyone was in it. It wasn’t just a couple minutes of aimless noodling before the climactic rave ups. They were really working out the improv and investing some ear time to this Space. I wish I’d been as invested in taking notes about it. Some more eloquent thoughts wafted through my inner monolog that have been lost this morning as I relisten to the Healy SBD.

    Not much to say about the rest of the second set. Solid, I suppose is the best way to describe it. The crowd seemed relieved to hear the GDTRFB riff emerge from a pretty long space, which I personally had thoroughly enjoyed. We’re definitely in Beam solo territory here with Drums, though, so Space probably felt more like 20 minutes than 10, which might seem like an eternity when you’re standing on the floor rather than sitting in a comfy chair at home. Nice organ solo from Vince followed by a piano solo from Bruce, then Jer, I mean, everybody’s getting’ some. It’s great. Throwing Stones was obviously very dear to the band as a well-written manifesto of, at the very least, John Barlow and Bob Weir. It really is a great song, and a very groovy jam develops around Jerry’s guitar solo here, but not being confined to one day a week it suffers somewhat from over saturation. Personally I’ve always liked the vocal effects Dan Healy added to Bob’s vocals, but I guess Bobby wasn’t too fond of it. I liked that you could hear the murmuring of the crowd in the MK4.DAT.CDR AUD as The Weight was beginning, either recognizing it, or wondering what it was gonna be.

    Bruce Hornsby must have seen or sensed the disfunction in the organization even in ’91 or so, or maybe just really felt the need to be THE leader of his musical direction, rather than an ensemble player. He fits in so seamlessly, yet brings so much to the table not only in terms of musicianship, but just adding a little light to the atmosphere. This really was a golden renaissance for the band. I love the sparseness and swing of the ’71 bar band period, but the grand expansiveness of this seven piece instrumentalist line up must be the pinnacle of the band’s evolution.

    4/23/77? I'm not familiar with that one either. I see 4/22 at The Spectrum in the library, so my interest is piqued. Got some stuff to do the next couple days, though. Might add a few late comments if I get enough done.

    :) :) :)

  • Thats_Otis
    Joined:
    Shoreline 5/12/91

    Really enjoyed this pick! Some flubs from Jerry lyrically in Terrapin, but more than makes up for it with the jam that follows. Overall good second set (GDTRFB), but I really enjoyed the first set. I love CC Rider>Train to Cry, and the Deal was HOT STUFF! Nice stuff!

    I am hoping to have a chance to listen to 4/23/77, but it is not looking likely today :( Perhaps tomorrow.

  • JimInMD
    Joined:
    Springfield

    Sounds good.. Enjoyed this one also. The Jam out of Terrapin was a treat. Jerry played his heart out in Deal too. The Althea and GDTRFB had their moments. The transition into Slipknot! was unique.. I think of the three the levels were highest in this one, perhaps a bit saturated especially for the Picasso Moon. Bob was real high in the mix too, so we got to hear his angular take on rhythm. Bruce really filled in the empty spaces nicely.. thinking a few parts in Franklins and throughout.. Looking forward to Rockthings more detailed listen, I was out and about but did fit in the whole show. Only half way through yesterdays.....

    Onward to '77 (or do we mean backwards?).

  • DeadVikes
    Joined:
    5/12/91

    This show is as good as the previous two nights at Shoreline. Man, to live in CA back than.
    Althea, CC Rider into It takes a lot to Laugh, fun great music. Black throated wind.... Nice HelpSlip Franklins. Terrapin!

    I always thought the band reached another gear in 91! Songs were definitely shorter but the music was good and they sounded great. I really didn't feel that way in fall 1990. These shows to my ears do not match what they did in 1991. I think they had to feel their way back after Brent died and had been with the band for 11 years.

    Looking at a 77 pick for tomorrow.
    I don't think we have ever hit up 4/23/77, Springfield. Let's do it.

  • rockthing
    Joined:
    Listening for the sound

    > DeadVikes

    Will do. Part of the fun for me is analyzing the various audience sources. I'm old fashioned. I still wanna download one for the home collection's virtual tape wall. ;-)

    The show is hot, hot, hot. I wrote a bunch a stuff last night, but I'm holding off to let someone else get a word in edgewise.

    I'd forgotten how much I liked this period. It's a real shame Hornsby couldn't have stuck around. He and Vince made a good team, but Bruce left a deep impression to climb out from. The "solo career" story line feels kinda odd when he could have contributed some great material to The Dead, and an even larger audience. They never did any of his tunes, did they? Can you imagine the jam they could have gotten into on Mandolin Wind?

  • DeadVikes
    Joined:
    5/12/91

    You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

    Check it out people.

  • rockthing
    Joined:
    AUD Choices

    Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

    Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

    To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

    The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

    The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

    The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

    The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

    The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

    The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

    I’ve not yet listened to the latest and greatest Miller SBD transfer.

  • DeadVikes
    Joined:
    5/12/91

    Yes! For sure Shoreline 91 sounds fantastic for tomorrow. Thanks Jim.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by Oroborous

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I had just a taste of 2/15/73 as filler back in the day - HCS and El Paso. But that HCS was smoking. Still, I'd more or less forgotten about it until a couple years ago when I read a Latvala quote about how this version of HCS compared well with the one from 12/19. And it just so happened that I had a boring task to do [censored - for some reason I cannot describe my office w/out getting hey now'd] at work. And I wanted a long show to brighten my mood. I thought of HCS and that's when it hit me that I'd never heard the rest of this show.

Wow - it's just so good! I had the entire M aples show back in the day, but I still wasn't prepared for this performance. With all the new material I figured they'd be still working things out, but it feels instead like they must have spent that week rehearsing and listening to each other, and were just in a great headspace. This show just flows.

But this one's not in the vault, is it? (I mean I hope I'm wrong...)

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2nd set was one of the first tapes to fall in my lap way back when over 40 years ago. My favorite Here Comes Sunshine - it has a drive to it that I really dig. And Bob's guitar is so exquisitely "wiered" at times, some strange effects peddle? Of course, totally love the Dark Star > Eyes > China Doll. That was an early glimpse into the mystery. And Badass Donna on You Aint Woman Enough. And the merry run around of that sweet sweet TLEO. A tape that was much listened to and much loved, note by note.

Great (or is it Grate?) Dane Box or February '73 box - either one bring it on!

No, I haven't seen that documentary. What is it?
The old Dane County Coliseum. Was there many times, unfortunately not to see the Dead.

I hope we get those early 73 shows out at some point.

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It is about the sound system that Owsley and the Dead had and the September to Decembers tours of 73. Newspaper clippings and some interviews. I learned there was supposed to be a December 15th show in Houston. Always wondering why the gap between Omni and Curtis Hixon shows. Youtube..

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Yep, same here. It was one one my most listened to tapes back in the day. Still have it! Here's to an official release someday.

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In reply to by musicnow

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Thanks Bob T, I am going to track that down. Their pre wall of sound system was not too shabby either.

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In reply to by DeadVikes

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Warfield Theater
Pretty good AUD on the archive.
It's been cleaned up by Scott Wiseman, Scott Clugston, and Charlie Miller.
SEVA benefit show

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Oakland Coliseum
Keith & Donna's last show
Campaign for Economic Democracy benefit
Excellent Dave Usborne matrix on the archive
Peace

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In reply to by TN John

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Nice to see ya!
Thanks for the recommendation, that was pretty cool., though kinda weird how it just ended, like Cocaine became prevalent, story over…?
I need to see it again.
f I was only allowed to have one tour….
It’d probably be f a l l w I n t e r 7 3
Good Sheet Mon!

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In reply to by icecrmcnkd

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Prefer gummies over the prescription stuff they gave me. I finally made it home and it's great to see a couple exciting shows to queue up and lively up my next few days.

all in all I'm doing ok. Lots of shoulder work done and still painful but I'm on the other side now. thanks for all the good thoughts.

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Glad it went well for you.
PT is key to full range of motion.
I seldom did my homework and settled for less range, which is OK but now I wish I'd done more. Take it easy.
Cheers

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2/16 &/17/82 two very cool shows I was fortunate enough to be at , would make a great double release. 2/17/79 was a benefit called Rock for Life and was about ending environmental cancer. Another show I was at and should have been released along time ago.

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In reply to by 1stshow70878

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To the other side.
Woohoo, he’s back sports fans!
Glad to hear things went well!
Yeah, I think sometimes Advil and weed work better for some pain then the pill mill crap?
Whatevs gets you through the night, is awright. Rest up, be well, and play dead!
Music heals!

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In reply to by 1stshow70878

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Good to hear Jim. Hope you are able to recover quickly.

So much music to choose.

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Positive thoughts for quick healing!
Peace

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get well soon, play dead and I mean the music, wonder what the outcome would be if you really did play dead? Home folks freak out? then you awaken and say "I'm not Beethoven"

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In reply to by PT Barnum

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HN won't allow anything in my simple original message, like none of it - geez louise

It seems to me that the more time you spend on a post, the more likely it is to be hey now'd. What seems to be working for me is to just whack one out - and then when it's printed, go back and amend it. If you can be bothered.

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was spinning on sirius yesterday. Caught the Eyes>WRS while heading into town.
Everyone is beautifully mixed in. What a recording! Had to check the archive to find out more. Listened to China>Rider to verify the sound quality. Would make a magnificent official release.

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Thanks B.B., that SBD Miller is sweet.
Currently sampling as I don't have time this AM for the whole show.
Cheers

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I concur, gr8 show Eyes is epic, fall 73. Happy birthday Vinnie.

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In reply to by PT Barnum

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check PM.

Thanks

Crap, Hey Jim.

Glad you have gone through the rough part. Every day I am sure it will be better, and the next thing you know, It's Summer.

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In reply to by Gary Farseer

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Sorry man. I always forget to check my messages. I tried to make a lengthier response, but the powers that be determined I used some wrong words somewhere. I would be happy to talk those shows with you. It might be easier on the phone. Hit me a message if you want to exchange numbers. I'm still trying to figure out how to discuss the music on here without getting smacked down.
Peace

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In reply to by TN John

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Revisited this fantastic show last night and this morning. What a show! Damn, love that 3rd set!. We are a lucky bunch out here.

Hope we get a box announcement soon.

Hope you avoid the smackdown TNJ.

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...yeah man, I'm down with that...that 3rd set has gotten at least 5x the playtime vs. any of the other sets contained in the HCS Box.

Worked-on my 2024 Box Set calculator, and got it installed yesterday lol, estimated release September; now if only I can get it to reveal the contents;)

keep smilin' everyone, it'll be announced before you know it

PEACE ALL!
uncle_tripel

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In reply to by uncle_tripel

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Have hit everything in order through April 30.
Not fall 73 but better overall than I expected!
Some really good shows there, just they all seem to have the same idiosyncrasies. Mainly, misses. Not really any big train wrecks, though JG flubs Althea pretty good on the 30th.

Several times I’d be thinking, this is the show, then they’d have some little miss or Jers voice might be a bit ruff on one song. Just weird random stuff that I’d call normal, except here it just seems like every now and then, from time to time, ?? Hard to explain, perhaps I.e., check out all the HSF as an example?
The tape selection/quality is inconsistent too. I heard several less than stellar SBs, and some awesome Auds, and everything in between.
The first night of Marin sounded like practice, but was a creeper. Ist set sloppy, but eventually got some things going. Awesome Oh Babe it ain’t no lie!
The run seemed to get better as she goes. Again, kinda sounded overall like a tour warm up run… Do try to hear the Blues for Allah hints during the 3/31 space! And the Spanish jam through Rat on the 29th.

Ist night of Vegas was meh, second ok.
The tour proper starts in Hampton. First night sorta status quo for opener, nothing really stuck out. Second night I enjoyed and sounded like they were finally gelling.
CROTCHFESTER. I was at, front row, perhaps highest we ever got, so no surprise I didn’t remember much. I do recall feeling non plussed BITD but I think that’s because I had some song expectations that didn’t pan out? Always seemed overshadowed by NF the next night (same mo for us).
This time, I did dig NF as they jam hard and things can be very psychedelic musically at times, but this time Rochester really stood out for me. One of my favorite shows of the tour, definitely worth a listen!
I’ll skip Philly for now…
New Haven I liked the first night better, great Jack Straw, only Only a Fool ever played, which was meh?, nteresting anyway, nice Spanish jam and space.
Really all the drums out into space etc we’re cool on this tour.
Both Providence shows were solid. Decent Shakedown, but I’ll take the powerful Angry Shakedown from 4/16 over em all.
The second night of P town is another I recommend and another tour tops!
Nassau shows were good, but perhaps a little on the downside by this point?
Philly probably was the peak, but I didn’t feel it was obvious.
I listened to some of these shows several times trying to decide.
I remember feeling DL had gone to the wrong house with 35 being 4/20?
I still think the 21st might be a tad better, but perhaps missing a bit on HSF (they don’t quite get any of em perfect) factored in?
The 19 is ok, sorta tour status quo, 20 and 21 are definitely in the top five.
So I’d recommend not necessarily in order because these shows were all very similar in many ways, so can’t pick a definitive favorite.
4/21, 4/20, 4/16, 4/27 tops, extra credit 4/17, 4/26, 4/14.
Again, really pleasantly surprised at the overall quality and consistency of the tour. Yes if you pay attention you’ll hear some Oopsies occasionally, but perhaps no more than most tours?
Going to cleanse a bit, then hit some more spring 89…
ONWARD!

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In reply to by uncle_tripel

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Has Jeff checked in on 49 yet? Like scanned artwork. I may have missed him.

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Hey Gary, Hope this works. I tried a while back and got major Hey Nowwed. Here’s the cover art for Dave’s 49 that Copperdomebodhi found. Scroll down to 49:
dropbox dot com /sh/qx5j9ydoc7bzm8z/AAD8yK_vCv_kQ-oLkLJQVCEla?dl=0

If y’all PM me with your email, I’ll send future covers to you directly.

Onward

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wow, what a run hey, during the soundcheck for 2-22-74 I believe there is the first hints of an estimated prophet Jam, and 3 sets too.

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In reply to by PT Barnum

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February 74 is where I been cleansing this WE.
Good Sheet! Great minds ; )

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In reply to by Oroborous

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How did you get your post past the HN police OB! Nice work. The longest one I have seen in a while.
I haven't listened to much spring 84 in long time, with the exception of Dave's #35, which I always enjoy. There have been a lot of Philly shows released by Dave. Will have to poke around a bit.

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In reply to by DeadVikes

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sent PM

Thanks

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...yeah Oro, that was a strange night... and with the home crowd and the technical gremlins, it really does kinda sound like practice at times.

But that second set has a lot of mojo. The Oh Babe is a lovely one-off - first time since '81 and the last time the GD would play it onstage. The China Cat->Rider is remarkable, I just love the color Brent puts on it. They take their time with it, too; it's nearly 15 minutes long. The Playin' gets to some haunting spaces, and it's too bad Garcia wasn't a lil more patient bc I'd have loved to see what else might have happened, but I guess he had business backstage. Instead we get the debut of Don't Need Love. Again, it sounds almost like rehearsal, but it's still my fav of the 16 times Brent would eventually play it. I love this version.

Drums doesn't really go anywhere for me, but Space is excellent (Garcia must have found what he needed backstage, Weir's a monster here and Phil is so high on Jill in '84 that he seems to be livin up to his old nickname, Reddy Kilowatt) with a notable jam. And the transition into the Wheel never gets old. The Truckin->Spoonful isn't remarkable but it's solid. My tape didn't have the encore and I wasn't always in the mood for a double helping of Chuck Berry, so I sometimes pressed stop here... but sometimes I'd just press fast forward and then flip the tape to hear that beautiful Oh Babe It Ain't No Lie one more time...

Decided to que up this beauty from the 30 Trips Box, 10/27/79. Why, because I am channeling a 79 Box for this year. Will it happen?

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2/17/79 & 4/22/79. I hope would be a part of it.

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No, but there will be a 1969 box set this year. It'll include the complete Vegas show from March, as well as the early April Avalon Ballroom run. As well as a couple of other surprises.......

Those whom God wishes to destroy, he first makes mad......

Rock on,

Doc
When all of your wishes are granted, many of your dreams will be destroyed.....

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Hopefully it will include, 10/31/69, 6/27 & 28/69.

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Yes, we need an upgrade on that Halloween 69 show, that would be very nice. Maybe even throw Crockett in there as well, another show in need of an upgrade.......

Not sure about Santa Rosa. Good and definitely interesting, but a bit uneven. Would much prefer the Ark shows, or maybe Philly from February.........

Music is the melody whose text is the world.....

Rock on my friends!

Doc
Ladies and gentleman, I've suffered for my music, now it's your turn......

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Hey rockers!

OSF has confirmed that they have the original reels of the March Vegas show and the early April Avalon Ballroom run. Although it appears that the 4/6 recording is still incomplete......

People come to music to seek oblivion: is that not also a form of deception?

Rock on, and off to the morgue,

Doc
Music is essentially useless, as is life.....

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8 years

In reply to by daverock

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Really Daverock?

1979 was a great year for the band. If you don't like it that is fine.
If they stopped playing after 1969, this site would not even exist.

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10 years 2 months

In reply to by DeadVikes

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Deadvikes - I used to rate 12/26 and 12/28/79 very highly indeed - but I haven't been moved to play either of them for quite some time. It's a year where I'm happy with what I've got, but don't particularly want anymore.
I guess the exception would be the final show with Keith - but that's not really what people mean by "1979" I don't think.
The last show I played - part of it anyway, was the Road Trips featuring jams from 6/18/74. Now that is solid gold! Nobody else I heard in 1974 was playing anything like this. Not really jazz or rock - I think they had made up their own genre by this stage

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13 years 4 months

In reply to by daverock

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Menage a trois

I did hit the beginning of the second set of 10 27 79 yesterday doing some PT. High energy and interesting jams. If I could only set the time machine back a week before and get Betty out there to record it, well.. the world would be a different place.

As to Louisville 74, I've always had a lot of respect for that show, it never gets old even the spooky discordant pieces. The transition from Eyes of the World to China Doll could be my favorite one.

Now a 69 Banana Box Set you say? Bad shoulder or not, I am dancing a jig in anticipation.

It's good vibe Saturday all day here at dead net. Not sure if I am tossing out a suggestion, but I am going to put on the acoustic set from 12 26 69 to start my day and kick off the weekend with some of the best vibe GD that's been released in the last few years. I thought 7 13 84 would pair pretty well with the Frost shows that were just released too.. they do a scarlet>something>fire I think?? sort of pairs with the Scarlet > Eyes.

Let's see if this post makes it through Hey Now

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9 years 1 month

In reply to by JimInMD

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read that previously uncirculated DS > Main 10 > DS > O1 > Aliigator from 2/5/70 Fillmore West is up at LL

Good Vibe Saturday - I woke up on that side of the bed too Jim!! And to echo Cone Kid, hope the w i n g is healing smooth and steady. Have a great weekend everybody!! Onward!!

Enjoying a cup of super dark roast Colombian Supremo that I roasted and some 1974 Little Feat on vinyl.

Supposed to be 62 and sunny tomorrow, think I might roast a batch of beans.

I have managed not to re-injure it while it's in a delicate state. That counts for something, right?

I'm roasting this weekend too. I tried to send a big bag off to people I know that like coffee around Christmas and New Years. I am still working my way through that list. After about three batches I lose interest and end up putting it down.

I am doing some sticky full roast Kenyan right now mixing it up with a smaller batch of Sumatra. I always had a soft spot for those earthy Indonesian beans and have been on a Kenyan kick for a couple years.

How this tie into the GD? Not sure.. I did see one of the few GD shows that started off with Casey Jones and certainly the only one post hiatus. That's gotta count for something, you've got to watch your speed that's for sure.

I'm beating my 1969 drum too while listening to our last banana box release.

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10 years 2 months
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Must be spreading. Maybe it's because we passed meteorological Spring. Louisville '74 you say?
Cheers
Edit: Did the SBD on archive. Killer show but now I see why the RT 2.3 version is chopped up. Sound issues early but this Sacks-Hollister sbd has very dynamic sound when it settles in. Mind bending Let It Grow.