• 1,006 replies
    Dead Admin
    Default Avatar
    Joined:

    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

Comments

sort by
Recent
Reset
  • daverock
    Joined:
    Hey now!

    Yes, I've just been fitted up. A long and fascinating post you will now never see. A long early morning post seems likely to get removed.

  • carlo13
    Joined:
    Dave

    I agree.

  • carlo13
    Joined:
    D-48

    This one is freaking incredible.

  • Lovemygirl
    Joined:
    *Re/ VGuy / Without a Net Vinyl

    I Received my copy of the new “without a safety net“ vinyl remastered release a few days ago and the remaster is beautiful sounding! Truly a primo pressing! Been looking forward to this release since it was announced! Always loved this Record Album from the Grateful Dead cannon! I would recommend anyone who’s been thinking about adding this to your collection to grap a copy! You won’t regret it at all! Artwork is amazing! Have a grateful day my brother and sisters!

  • JimInMD
    Joined:
    Pole Guy

    Apparently there is a 1997 song called Flagpole Sitta by Harvey Danger.

    Clearly a biographical homage to Pole Guy.

  • Colin Gould
    Joined:
    Delivered

    #4686 has just been pushed through my letterbox. Hope a few more turn up for those still waiting.

    Edit: First listen to the three discs to check they’re OK. Sound good and I look forward to several replays. The difference between the two shows is dramatic.

  • Vguy72
    Joined:
    Without A Net vinyl....

    ....is out from several sellers.

  • JimInMD
    Joined:
    Re: Cone Kid n Walton

    I thought about that too. Then I thought about how much I remember my first show, which was 11 years after this and how few details I remember except for the guy under the dark stairwell with the paper. I could not write a liner note quality review of the show but I could write about the overall experience. I think that's Bill did, wrote about the experience through his eyes.

    I found it interesting too, a little light on GD a little heavy on basketball and Coach Wooden but hey now (ooops). For what it's worth, there's a heavyweight coach in Baltimore, Coach Wooten, with an amazing career also. Woot Woot.

    It seems you get Hey Now'd early in the morning more than later in the day. They seem to become more forgiving after their first or second cup of coffee (or after their third beer)

  • 1stshow70878
    Joined:
    48

    Just finished discs 1 & 2.
    After 1st set I was meh, good but not great, why did they pick this one. But 2nd set redeemed it for me. Great TOO that goes spacey then funky and almost as good as some of the EU72s. Seems like the long sets were the 1st ones back then, this 2nd not as long as they eventually became.
    As for Bill W. love the guy but his spiel was all about him. I wanted to hear about him at shows! He is legendary for the number of shows he's seen including some I saw him at including one on his crutches. If Dave did pick this one for him he is totally deserving of getting a pick, no doubt. In the synchronicity of life I was warming up the stereo before my listen to 48 listening to classical and Copeland's Fanfare For The Common Man was on. Seemed fitting while I was reading about Bill. Very much looking forward to the "bonus" disc of '70.
    Cheers

  • daverock
    Joined:
    Primal Dead

    Don't forget Tom's throbbing organ.

    I really like Daves 48. Compared to so many live recording I have form the 70's from all sorts of bands, I think the standard is really high, soundwise, on these recordings. They weren't recorded with the idea of releasing a live album - so it's unrealistic to expect them to all sound as good as shows that were.

user picture
Default Avatar

Member for

3 years 7 months

"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

user picture

Member for

1 year 2 months
Permalink

...will SELL-OUT first? my money is on 49, let's GO 49; and btw, that is NOT a reference to the fourty-whiners lol

user picture

Member for

10 years 2 months
Permalink

Pretty sure in the Feb. GD Bulletin email yesterday they said there were only 700 DaP 49 left so I'll go with that selling out before the others. Getting hard to predict what year/era will sell quickest nowadays.
Cheers

Edit: Correction, only less than 700 left of both DaP 48 and 49.

user picture

Member for

15 years 2 months
Permalink

Too many variables. Only you can decide which to get. If you like both eras then how much of each do you have? If I had to choose I’d probably go for 49, but that’s because I’ve got much more of 71 than 85. Luckily I don’t have to pick one because I subscribe so I get them all (as long as the delivery system works)

user picture

Member for

17 years 5 months

In reply to by Colin Gould

Permalink

You can’t really compare different eras except according to preference.
BUT! I will say I thought 48 was a good, but not RJ pick, while 49 is one of the better shows from that year.
Personally, there’s no comparison, I’d take 49. It’s one of my fav picks while 48 was a disappointment. Not because of the era fall 71 through 74 is magnificent, just felt there were better shows.
But hey I dig em all and thank Dave and company for all the love and hard work they put in so we can complain LOL

user picture

Member for

1 year 1 month
Permalink

There are several "picks" which are sold out that I'd like to have. Shows I was at. Dekalb, Upton and Deer creek. Deer creek was fun. Could not remember where we parked and sat in the grass until the lot was mostly empty. The roads were empty of the fuzz by then too.

user picture

Member for

3 years 9 months
Permalink

R.I.P. rip city Bill! So extra glad now Dave was able to get Bill involved with this pick's liner notes. Especially in the wake of Mr. Walton's passing on to the great beyond.

product sku
081227834630
Product Magento URL
https://store.dead.net/en/grateful-dead/music/daves-picks/daves-picks-vol.-48-pauley-pavilion-ucla-los-angeles-ca-112071/081227834630.html