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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • JimInMD
    Joined:
    Yesterday and yada yada

    Found me listening to 11.9.73 also.

    Right back at you Frosted. GOGD is GD Music where the minutes unnoticeably morph into hours and at the end of your journey you have to peel your flattened brain off the wall immediately opposite the speakers and very carefully ooze your way home without getting abducted, abscounded, frisked or otherwise figured out.

    Love the new Avatar.

    Dammit Rhino IT.. you are beginning to piss us off.

  • frosted
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    Joined:
    Ahhhhh

    Primal Dead. Their music that I first heard, cut my teeth on, and always come back to.

    1968-71. Garcia's guitar was so urgent, gutteral, throaty, dark and dirty. Weir's rhythm was clear, rich, and buttery, Phil weaved in and out like a sneaky dancer, and the Pig brought the grease. Good music is about stimulating your emotions, and this is good music.

    Love this pick so far, especially happy with the 1970 3rd disc. What was it about 1970? The limited selections I find on youtube are always just a little different than the rest.

    This is the Dead for me. Hope the vault holds more than we realize.

  • uncle_tripel
    Joined:
    It's so easy to slip...

    it's so easy to fall
    let your memory drift and do nothing at all

    NAPPY, talking about state of mind, wow how I was looking to reminisce about my 2nd show on 11/6/79, and it occurred to me, as you say, I’m a little hazy lol (and not in an IPA way). Well I forgot to post, and as I tried to go back in memory, and I thought about that experience with my friends; we smoked our brains out…could we really have, well, how much? and as I was walking in to the Spectrum that night, remembered hearing lots of skeptical talk about the “new” GD. As I streamed the show this week, inspiration, move me brightly…

    all the people that you can't recall
    do they really exist at all?

    Peace All!
    uncle_tripel

  • Tramjams
    Joined:
    AVATAR

    New avatar in honor of Dead.net 🙃

  • daverock
    Joined:
    I mean 11/9/73

    See what I mean?

  • daverock
    Joined:
    Take the offensive

    Weirdly, if write about The Dead I seem to get hey now'd more than if I write something critical. Saying I dislike the crass salesmanship associated with deadnet seems more likely to get through than if I say how great 9/11/73 is , for example.

  • daverock
    Joined:
    Its bullshit..

    ...but I'm going to keep dropping the odd post. My Dead post was just got hey now'd, so I'm just seeing if this one gets through. Hopefully we won't get put off.

  • proudfoot
    Joined:
    This Hey Now shit is phuqd

    I am done.

    It's been fun, yall.

  • Vguy72
    Joined:
    November 9th....

    ....a top shelf show was played this day 50 years ago. Followed by two more.
    Tramjams. ❤️ your avatar. Huge Peanuts fan here.

  • icecrmcnkd
    Joined:
    Phil’s new site

    terrapinclubhouse

    Dot

    Kom

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3 years 6 months

"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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1 year 1 month
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...will SELL-OUT first? my money is on 49, let's GO 49; and btw, that is NOT a reference to the fourty-whiners lol

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10 years 2 months
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Pretty sure in the Feb. GD Bulletin email yesterday they said there were only 700 DaP 49 left so I'll go with that selling out before the others. Getting hard to predict what year/era will sell quickest nowadays.
Cheers

Edit: Correction, only less than 700 left of both DaP 48 and 49.

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15 years 2 months
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Too many variables. Only you can decide which to get. If you like both eras then how much of each do you have? If I had to choose I’d probably go for 49, but that’s because I’ve got much more of 71 than 85. Luckily I don’t have to pick one because I subscribe so I get them all (as long as the delivery system works)

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17 years 5 months

In reply to by Colin Gould

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You can’t really compare different eras except according to preference.
BUT! I will say I thought 48 was a good, but not RJ pick, while 49 is one of the better shows from that year.
Personally, there’s no comparison, I’d take 49. It’s one of my fav picks while 48 was a disappointment. Not because of the era fall 71 through 74 is magnificent, just felt there were better shows.
But hey I dig em all and thank Dave and company for all the love and hard work they put in so we can complain LOL

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There are several "picks" which are sold out that I'd like to have. Shows I was at. Dekalb, Upton and Deer creek. Deer creek was fun. Could not remember where we parked and sat in the grass until the lot was mostly empty. The roads were empty of the fuzz by then too.

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3 years 9 months
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R.I.P. rip city Bill! So extra glad now Dave was able to get Bill involved with this pick's liner notes. Especially in the wake of Mr. Walton's passing on to the great beyond.

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