• 8,062 replies
    marye
    Joined:
    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • wilfredtjones
    Joined:
    OK

    OK

  • 1stshow70878
    Joined:
    On To Germany

    Starting Beat Club Bremen as I write. Is that Bob doing their own introduction?
    Some omissions in my Deadbase X in these first 6 shows I've done:
    4-11 list omits 2nd encore of One More Sat. Night.
    4-14 list omits a Ramble On Rose between Good Lovin' and NFA.
    4-16 list calls a Me & My Uncle "Uncle John" and omits the TOO jam before that song and after the Caution.
    And now I see Bremen does not list the duplicates omitted in the TV show airing? A studio recording session rather than a concert so it's interesting to hear the restarts and banter.
    This Deadbase was copyright 1997.
    Cheers
    Edit: And one more; 4-24 second set list is out of order and omits the great Jam between Me & My Uncle and Wharf Rat. Now I'm wondering if BITD the available tapes had these mistakes or were some from reordering to fit on CDs later.

  • daverock
    Joined:
    Heads

    I thought that Jesse Jarnow book was excellent - one of the best books I've read on the subject.
    There were a few good books on Psychedelia that came out about 5 years ago. A British equivalent to "Heads" might be "Albion Dreaming" by Andy Roberts. "Psychedelia and Other Colours" by Rob Chapman is also excellent, covering both America and Britain.

  • Oroborous
    Joined:
    Yeah

    Can you imagine: not only playing for folks who have little or no idea what your about, but also many/most who don’t speak the language! Yet after almost every set and especially at the end, you can hear the crowds love it!
    The power of music, the real language, the real form of communication!
    Amazing!

    EDIT: Heads, is that book any good?
    I have it but haven’t read it yet?

  • JimInMD
    Joined:
    Re:

    Oro.. good job, you must not sleep much.

    DRock, I'm sure you are right. Beyond the few Americans that ventured East for that tour.. most did not fully understand what their tickets brought them. SimonRob was at Bickershaw, not sure if he reads this thread though. I also wonder how prevalent the psychedelic scene was. Jessie Jarnaw speaks a bit about the travelling circus and when / how it evolved in his book, "Heads." Beyond the few that were exposed early on and could afford the travel with no work, it wasn't until a little self-sustaining economy emerged before it became widespread. By 81, a few, but 90 quite a few.. we probably all know one (Lemieux for starters.. still in college)

  • daverock
    Joined:
    No Deadheads ?

    One thing about the European tour in 1972, was that they weren't, as far as I know, playing to Deadheads. I seem to remember one of band said in print that the Newcastle crowd was the coldest one they had ever played to. I would think that most of the people who saw then that night lived in, or fairly near Newcastle itself. Didn't the crowd at one of the shows head for the exit after the first set, assuming that the gig was over? That also suggest an unfamiliarity with The band and their way of doing things.
    If this is true - it certainly didn't harm the music. It may have affected the way they played - and for the better.
    Having said that, I don't know when the Deadhead culture started in America - by which I mean when people travelled the land to see them. Up to a certain point they must have been playing to new people in The States,too. People who had no pre conceived idea of what they were like, but just went along because it was a rock gig. By 1990 everyone at Wembley seemed to be a Deadhead. I can't remember 1981 being quite like that.

  • Oroborous
    Joined:
    “Oh ooo, half way there,

    Oh ooo smell my underwear” 🎶

    Yep, just finishing 5/3 for the first time ever, and I still don’t have any damn time.
    So I’ve been listening, sometimes multiple times, in order, but I haven’t had time to keep track.
    Oh well, guess that would be more like actually being on tour.
    4/11 was a first time listen for me. Another great E72 outing but it felt like they let go of the stick a tad after perhaps grabbing it too tight at the Wembleys? I’m guessing back in 72 in some of these locations there wasn’t much media etc. But the bigger gigs, like the first ones at Wembley probably had a level of attention and possibly sales via that attention, that might have made them, aaa, not stressful, but, would definitely like to start right. Add to that the natural energy of itching to play etc, and yeah, can see how Wembley got the freight train and perhaps Newcastle received a more loose presentation? I definitely noticed more miscues, start offs like Jack Straw, Good Lovin, others. Now they all grooved past these brief moments, and delivered fine versions, but maybe they show a loosening that facilitated elsewhere?
    Like an unusual Truckin and jam that covered some cool ground including King Solomon’s teases/coincidences? and some free jazz like moments (think Phil might of been quoting some actual song too?).
    Another sweet suite, including a decent CAT, though I think the 4/26 is perhaps the bar? Nice to hear, especially as a change from the repetitiveness. Same with the even rarer Brokedown!
    4/14s a blur at this point, they start to expand out more I guess, in several ways…
    A nice DS, and a big pork fest ending. All good, but I find others more to my liking?

    4/16, yes, agree, always felt there was something just a little different about this one. Perhaps being such a small informal, perhaps totally away from the spotlight! A brief chance to vibe like the ole daze, perhaps?
    4/17 is just too much of a monster overall. Perhaps why I think this may be the first time I’ve done the whole show in one listen? I have the DVD, and Ive spent time with that 3rd set etc. So that was a treat to be sure! I’ll prolly go back and hit the dvd of there and Bremen after, but for now I want to go in order…
    First time Ive just listened to 4/21, though we saw the Shakedown stream. Actually hit this one a few times. Love the stop and restarts, another cool inside look.
    4/24 is another that feels a little more aaa, whatever the vibe I can’t name is, not stress, or pressure, their certainly having fun, but like Wembley, and the first non English speaking audience gig, that tenseness, yeah, that’s the ticket, tenseness, the good kind!
    I think Phil especially was emotionally invested a tad more in the German gigs, and man does he and the boys take care of bidness! There’s a reason this was the first complete show they released…
    And of course there’s a big reason they released parts of 4/26! Another freight train!
    But I had never down the whole show until now, and was rewarded with good versions obviously left off only due to space required for 2 disc chop job. So that was cool.
    4/29 I think I’ve heard the whole show at least once, I know I’ve heard the second set multiple times, though not the encores, until now! Another sick show and big DS, and a proper Caution Pork fest to close. I’ve really been enjoying the 2 Souls, Chinatowns, amazing Hurts Me Toos etc, but not so much the Good Lovin, Lovelights? Not dislike, just think that stuff doesn’t resonate the same to this old guy as it did the young one lol. Just burnout?
    All good, just really noticing the other goodness more. But the Cautions have always been a big draw for me on this tour, and this one’s a beast.
    5/3 was a first time for me, today. The whole damn show just sounds like the actual E72 album (streamed version)?
    Like the sound of it, it sounds like E72!
    The reverb etc. I’m sure having? 4 I think songs on the album from this show probably has something to do with it, but I kept chuckling about that reoccurring feeling. So many songs on this one could have been on the album. It’s a strong show, and by now you can feel the subtle morphing of band and songs into one that’s taking place over the tour.
    It would be cool to take all the versions of each song and listen to just them in order!
    None more so perhaps than He’s Gone! But that’s a task for another time, which I don’t have enough of to do this proper, let alone all that lol, but at least I’m finally getting to em all and enjoying the ride!
    ONWARD!

  • daverock
    Joined:
    Aarhus

    1stshow - I was going to jump ahead to Paris this weekend - the shows, not the city - but I think maybe I should give Aarhus another spin after reading your comments. I can remember it's good, but I'm damned if I can remember why!

  • 1stshow70878
    Joined:
    Newcastle, Tivoli, Aarhus

    Three more down, seventeen to go, lol.
    All excellent shows. It's hard to find fault in any of these mammoth first sets but Aarhus (4-16-72) hit the spot for me of the three. Had great song selection, pace, and order of the songs was more to my liking. The second sets are where the special goodies are so far in every show. I'm particularly impressed with how Keith really shines especially on Pigpen's songs. His beer barrel style just fits perfectly. Yet his jazz chops are evident too as in the Dark Stars. Donna seemed particularly "engaged" on 4-14 at Newcastle and Bob is definitely going to lose his voice by the end of the tour at this rate, lol. Aarhus had a stately smooth feel to the whole thing which I found to my liking and would put it at number two of the five I've done with 4-7 Wembley still in first place.
    Discovered I had on tapes the Stepping Out release which looks to be an odd compilation ala the road trips and I also had Hundred Year Hall on tape, which was not a complete show release BITD. Gotta look through my tapes more often! Also had burner CDs of Rockin' The Rhein which I had also completely forgotten. Has four CDs with the Academy of Music filler so likely a whole show. Can't go there, got to stay in order.
    That's the news from EU. Cheers to all

  • JimInMD
    Joined:
    Re: Giving Your Right Hand

    Dennis.. tried this, it did not work for me. Kayaking is proving tricky also (I keep going in circles), but I'm working on it. Your friend Hound Dog played with six fingers.. imagine the chord work and finger picking that could be done, a 16.67% increase in productivity. Cheating to be sure, but man he could play the blues. Interesting side note, a friend of mine's wife was born with six fingers and I think toes. So was her daughter. The had the extra digit removed shortly after birth.

    Somehow Jerry got by with 9 1/2 fingers. After burning his hand, Django Reinhardt had basically two working fingers on his right hand and he more than got by and was a big influence on Jerry, especially circa 1973.

    Thanks for pointing me towards that youtube. That black and white looks more like 1923 than 1973 until you see that Fender looking guitar. Great stuff. Convinced me to get that Natural Boogie LP, but I seem to have misplaced the PIN of your wife's card. If you'd be so kind to send me a PM. I don't want it to sell out while it's still in my cart.

    As you were.. on to the second set of 9/6/80 for my afternoon hike. Life is good.

    Edit: Looks like Hound Dog played a pair of Kawai-made Kingston S4T's, so not exactly a Fender but a similar looking headstock.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by Oroborous

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You are correct sir! It is only money and it seems to fly out the door faster and faster as time goes by.
Good to hear you enjoyed TTB.
Yes and the new box for 2024, not sure anyone had this on their radar. I am excited, as this is a big box with 8 shows from a great time period. Plus they get the Plangent treatment.

Okay, since I still don't have my #51, how about 9/8/73 (Dave's #38).

10/17/72 by the way was great again. What a box!

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In reply to by DeadVikes

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I think you befriended an AI bot.

Mighty nice of you.

But, other than Bender, we probably don’t need any bots around here.

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In reply to by icecrmcnkd

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>:(((

Dead is capitalized, derp

Best song? Best show, ya AI schmucklicker

Uh...if you are a real person iced then

Welcome

I just flashed on john belushi smashing that guitar...

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In reply to by Oroborous

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Shoot, I was burning this bot some CDs.

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You’ll be rewarded when the bots are our masters.

Obviously the bots can get around reCRAPTCHA, yet the humans have to keep taking the quiz.

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Better to mistake a robot for a person than a person for a robot.

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I'm not tech savvy. What does a bot get out of posting here unless we go to their website like a spammer is trying to get you to do? "I'm not a smart man but I know what love (of the Grateful Dead) is." Gump!
Cheers

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This gem of a pick has been the soundtrack many a day on my walk the dogs/exercise routine. The mix on this is really raw and robust, in a good way!!

#38 is in my top 10 from Dave and Comapny, actually top 5!

Rock on, gang

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In reply to by jonathan918@GD

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Hey Johnathan,

I agree, this is a great show and I haven't listened to it much. Didn't even remember that we get a double encore with Stella Blue and OMSN. Solid show. Need to hit the bonus disc on Monday.

I think I only had one double encore, in Alpine in 89. Oh yes, and it was spectacular!

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Morning rockers!!! Happy Sunday!!!

Triple encore: Toronto June 21 1984, New Orleans-Big Boss Man-Iko Iko. Hey now!!!!! Big fun.............

There are three things extremely hard: steel, a diamond, and to know one's self......

Slightly big rainstorm heading my way................

Rock on,

Doc
There are three classes of men; lovers of wisdom, lovers of honor, and lovers of gain.......

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Terrapin>OMSN, Werewolves
Bet you can guess which show.
Just look at my name.
Cheers

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Just did 7-8-78 on tape (my earliest copy of the show from 1996 taken from an Italian boot CD on Red Robin label that cost my buddy $70! The sound is raw and unfiltered SBD and amazing) on July 16 to keep the cassette deck lubed, so I will defer to the 7-7-78 show from the box which has one of BC's favorite 1st sets. I heard some of the 7-7 show from the parking lot as I had to work and got there late with no ticket and no plan. Long story short I got chased out by security and ended being needed as a spare driver when my posse came out after the show. But I did have a ticket for the next night. Nothin' like jumpin' in with both feet!
Cheers

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In reply to by 1stshow70878

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We made it to the show at The Armory in Minneapolis on Friday night. Big thanks to all for the nudge in the right direction.

Went on StubHub on Thursday night and bought two tickets on the floor in row 20 for $125 for the two of us. No brainer at that point.

What a venue, so much fun. We had a blast. Maybe 8,000 people. Sound was great. Huge bars surround the full length of the venue. Really cool, no waiting. Band was outstanding. So great to see a band live again. The anticipation, the living in the moment and being around all kinds of different people.
Teschedi and Trucks definitely know how to deliver live. Would love to see them again and can't wait to get back to the Armory.

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In reply to by DeadVikes

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Place looks cool DV. Bigger looking than you’d think?
From outside, reminds me of old Syracuse War Memorial Aud.
Glad you dug it! Sounds like first time back to live music? Nice!

Multiple/encores? Ok, I’ll play lol
4/12/83
6/21/84 (3)
6/24/84
6/27/85
7/1/85
6/28/86
6/29/86
6/22/87
6/25/88
4/3/89
7/17/89 DB says only 1?
6/6/92
7/1/92
7/9/95

Ahhh, Good ole summer tour!

Yes OB, the place is great and good size on the inside. First paid concert for me in a long time. Great to be back.

Nice list of multiple encores.
Deadbase is incorrect, 7/17/89 had a double encore, We bid you Goodnight and JBG. We were there.

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Trying to compare the July 7th & 8th, 1978 shows is like trying to pick your favorite child (or grandchild for some of us). Both shows have that crazy energy and all out playing that often characterizes last shows of a tour. And that follow up Aug 30-31, 1978 (Hey Dave! Release the hounds!) was the just exactly perfect style having just come from the studio for Shakedown Street. Quite a different beast altogether but no less satisfying. Finishing up 7-7 this morning at Dead volume and loving it. That NFA with a Nobody's twist in the middle is the stuff!
Cheers

Hard to beat these shows, Firstshow.

Such an interesting little tour and then to end up at Red Rocks. What a box. Looking forward to more 78 in September!

The Dead always made it a priority to play in MN for most of the late 70s to 1989- Then never again. And not in my second home state WI.

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Purely by chance, I found myself listening to the Great American Music Hall show from 8/13/75 today- without realising it was it's anniversary. I'm not pulling your leg here. As everyone knows, it is a great and unique show. If I was compiling my best 10 or 15 shows, I would make room for this one. It's a level playing field of excellence from the opening HSF triumvirate through to U.S Blues.

I also love the closing "Blues For Allah" which is so off the wall it's in a category of it's own. Seems more weird in the way "What's Become Of The Baby" was than anything else in their repertoire. Shame they didn't do more with it in the later years. It would have been perfect for Egypt.

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In reply to by daverock

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If you don’t have it,
8-13-75 vinyl sounds pretty good and I don’t think it’s even 180 g.

Just occured to me that I have all 3 FTV’s on vinyl.
Nice!

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And the remastered version sounds spectacular as well.

I will have to get it going on Thursday.

Don't forget Milking the Turkey.

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In reply to by icecrmcnkd

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Yes, it was listening to 8/13/75 on vinyl yesterday - it does sound really good. I have Two From The Vaults on vinyl, but not Three - I've been on the verge of getting it for some time.

While we are on the subject, I wondered what the quality of the vinyl was like on your copy of Daves 2 ?On the first few sides, every now and again there is a loud crackle type noise on a song. It's over immediately, but then reappears a few songs later - and again disappears a soon as I've registered it. The last few sides are fine all the way through.

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I don’t recall any issues with my DaP2 vinyl.
Do you have a gel stylus cleaner?
I got the Hudson Hi-Fi one and it seems to do a good job at removing dust and debris.

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Cnkd - I'm not so sure about that...it's only that album that suffers in this way. Both the vinyl versions of 8/13/75 and 5/25/72, played this morning, are completely free of surface noise. Maybe I should get a better record cleaner.

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The beginning of the release of the vault tapes! Yes!

I beat the hell out of this release when I first got it in 91. And listening to the remastered version in 2024 still makes me smile. I can't get over how good the audio is on this release. From the iconic intro into Help Slip Franklins to the Blues for Allah finale. Love the Eyes into King Solomon's Marbles.

These are the kind of releases that keep me wanted more.

Also hit 6/14/76 from the Beacon, probably my favorite show from that Box.
Might have to hit the capitol theatre show from 6/19 today as well.

Be well out there.

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That was amazing when it came out on CD.
Of course, I couldn’t afford the CD (had to use my money on beer and cigarettes), so had to make a cassette copy of a friend’s CD.
Now I have the original CD, the remastered CD, and the vinyl.

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The first time I heard it was when they broadcast an hour of it on the radio shortly after the date they played it. I recorded that on a cassette. I think it became the basis of quite a well known bootleg in England called "Make Believe Ballroom".
I didn't know about the remastered version that has been mentioned as having been released this year. I am very happy with the vinyl version...I'll give it some thought.

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Daverock, it was remastered in 2007 to HDCD specs and it is a huge upgrade. This was the same timeframe they discovered Three From the Vault was produced and ready for release in the 1990s but never released.

At the time in the 1990s they were trying to have multi track releases as a separate track from the two track Dick's releases.
Long live Don Pearson!

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Love TFTV. I am so happy they cleaned up and released most of that Capitol Theatre run.

I will gladly queue up that show tomorrow (today, oh the time). I have so much freaking yard work to do that will help pass the time and take me to another place altogether while the work does itself.

Thanks DVikes.

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In reply to by JimInMD

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Is there anybody in there?

Just keeping the page active,
So nod if you can hear me.

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In reply to by icecrmcnkd

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Still alive Conekid.

Do you have a pick for us?

Finished Three from the Vault III over the weekend. Love that Smokestack and Easy Wind. Never understood why that wasn't played more live and zero times during Europe 72.

The Dead always kept you guessing and that was part of the fun.

Those Port Chester shows are special! Let's get the rest of them out.
I mean they don't compare to the Scranton show, do they?

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Watch this is you’ve never seen it.

youtu.be/JVoetvW7HuY

?si=bn

C0AfGEPktIeleX

You’ll have to piece it back together.

Appreciate it.

Yes, we need a pick of the day. Conekid, couldn't piece together your last one.

Maybe we need a Gene pick or a Vincent pick?

The new box hasn't sold out yet. With just 10,000 copies, I thought this would sell out in 30 days. I am looking forward to the end of September.

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The lynk was to Hard Working Americans 2016 at Lockin’.
Good stuff.
No pick for now, I’m going to bed.

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Hey rockers!!

August 26, 1971, because why not? The bittersweet end of an era. Not the beginning of the end, but the end of the beginning......

In this bright future you can't forget your past...........

Rock on,

Doc
When the past no longer illuminates the future, the spirit walks in darkness......

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In reply to by DeadVikes

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This one is for Doc. 4/30/88 from the Frost. Maybe we could get OB to check this one out?

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Sorry for being the erratic participant. Lot's going on, the summer when I was never home, exception being today.

I did manage to get this one loaded just in time to do start what turned out to be a big yardwork day with perfect weather.

First Let the Good Times Roll. A great late-era collaboration, Jerry and Bob get extra points for effort > Feel Like a Stranger. A great song to hear when 'it's just starting to kick in.' Let it grow, strong effort. Second set, fun, a good balance of energy and relaxed vibe. Sound seems more dialed in. Jerry is outstanding in parts, at home with Tiger.

88 is one of those years. The Healy tapes vary a bit, probably the peak of the ultra-mix before the multi-tracks of 89 / 90 and Don Pearson's increasing influence thereafter. I'm not a huge fan of dan's experiments with audience mics, (sorry) but after the first song or two the audience portion seems to behave itself.

A good show for the era. I like the 88 Greeks too, sort of similar.

Thanks dvikes, a new one for me. A good Jerry centric show.

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Morning, rockers!!

Day off, tending to my wife after round one of new chemo, all I have to say is......

1988?????!!!!!!

1968? Sign me up! 1978? On rare special occasions. 1988? Sorry, way too far outta my comfort zone...........

However, if folks dig it, great!!! Whatever floats your boat, as long as it doesn't hurt too much, break too many local laws, or create extra work for your local medical examiner...............

Time for more coffee, and 8/29/69.................

Doc
In the night of death, hope sees a star, and listening love can hear the rustle of a wing.....

1/17/68 Carousel Ballroom?

The John Deere is broken down in the back yard, no choice but to go primal with the push mower.

Edit: They don't make em like they used to.

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Hey rockers!!!

1/17/68? Oh yeah!!!

Jim, if you turn up 1/17/68 loud enough, it'll cut the grass for ya!!!

Rock on,

Doc
I believe a leaf of grass is no less than the journey-work of the stars.....