• 8,081 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Gary Farseer
    Joined:
    Doc

    You got that right.

    I am noticing more and more my mind struggling some. Not sure if it is age, partying, or maybe a sign of damage done with the covid vaccine. Just can tell my short term memory is starting to suffer. I am starting to believe it might be the vaccine. Of course, with appendix rupturing and living thru it, a little memory loss aint to bad.

    Thanks for the correction! Sorta, a year in my life got shortened (?) by having the wrong year. D'oh.

    G

  • Gary Farseer
    Joined:
    Fare the Well --Thought I would send

    the Meyer sound article on fare the well. Just copy and paste instead of a lync.

    The Grateful Dead Bids "Fare Thee Well" at Levi's Stadium with Meyer Sound LEO

    Derek FeatherstoneDerek FeatherstonePhoto: Jay Blakesberg

    4 of 8
    July 3, 2015

    John Meyer's 1100-LFC loudspeakers empower the rhythmic voice and enable percussionists to manifest new ideas. They are sonic tools for reliably transmitting vibrations that affect neurologic function in a special way we are only beginning to understand, enabling us to explore healing properties embedded in low-frequency sound—a dream come true for us all.”

    Mickey HartDrummer/Percussionist, The Grateful Dead
    Featured Products
    1100‑LFC, 700-HP, CQ-1, Galileo Callisto 616, LEO, LYON, MICA, MILO, MJF-212A, UPJ‑1P

    Fifty years after forming their band at a Palo Alto music store, the surviving founders of the Grateful Dead kicked off their end-of-an-era “Fare Thee Well” mini-tour at Levi’s Stadium in Santa Clara, Calif. with a Meyer Sound LEO linear large-scale sound reinforcement system driving a quadraphonic surround setup.

    The two Silicon Valley shows were a landmark occasion with more than the 60,000 devoted Deadheads in attendance each evening. It was also a milestone in the band’s decades-long association with Meyer Sound CEO John Meyer, a relationship spawned from a shared passion for audio experimentation and audience experience. The Grateful Dead’s original sound engineer, Owsley “Bear” Stanley, first tapped Meyer to create acoustic solutions for the legendary “Wall of Sound” system in the 1970s.

    The Meyer Sound LEO system with its accompanying 1100‑LFC low-frequency control element delivered an immersive fan experience in the large football stadium and supported an experimental segment devised by drummer/percussionist Mickey Hart. Using the Meyer Sound system to transmit ultra-low frequencies in surround sound, Hart probed how the brain perceived audible and below-audible rhythms.

    “John Meyer’s 1100-LFC loudspeakers empower the rhythmic voice and enable percussionists to manifest new ideas,” says Mickey Hart. “They are sonic tools for reliably transmitting vibrations that affect neurologic function in a special way we are only beginning to understand, enabling us to explore healing properties embedded in low-frequency sound—a dream come true for us all.”

    The Meyer Sound system comprised four front arrays of 17 LEO-M and three MICA line array loudspeakers each, with dual side columns of 14-each 1100-LFC low-frequency control elements and a center column of 22 700-HP subwoofers in an end-fire pattern. Side and offstage coverage was supplied by 32 LYON and 32 MILO line array loudspeakers, respectively, with an additional 30 MICA loudspeakers providing behind-stage coverage.

    Filling in the far ends of the stadiums were four delay towers with a total of 56 MILO loudspeakers and eight 700-HP subwoofers. Two additional towers of eight LYON loudspeakers each faced the stage for quad surround effects, with six CQ-1 and four LYON loudspeakers providing front fill. A Galileo Callisto loudspeaker management system handled drive and optimization, and 16 MJF-212A stage monitors provided onstage foldback.

    Following the Levi’s Stadium shows, Grateful Dead continues its tour at Soldier Field in Chicago over 4th of July weekend, using a nearly identical LEO system for three shows. Audio requirements for the shows are handled by Martinez, Calif.-based Pro Media / UltraSound, with system design accomplished by the company’s Derek Featherstone, vice president of touring and rental and the band’s FOH engineer since 2005.

    Additional equipment support for the five shows comes from Blackhawk Audio, Rainbow Production Services, Show Systems, and Solotech.

    “The LEO and 1100-LFC system can handle everything we put into it,” says Featherstone. “We are also very impressed with the quality control of the Meyer Sound self-powered equipment. Being able to acquire 650 loudspeakers from several different vendors located in multiple states, assemble the large system on site, and have it work seamlessly is no small feat.”

    Matt Haasch, audio crew chief for Pro Media / Ultrasound adds: “I was impressed with how well the LEO system handled the physical acoustics of a big stadium. Coverage was smooth and practically seamless, with precise imaging for all seating areas.”

    John Meyer’s work with the Grateful Dead extends to the mid-1970s when the band’s concerts were heard through McCune Sound Service’s JM-10 systems designed by Meyer. The relationship continued through the band’s last tour with Jerry Garcia in 1995, supported by Meyer Sound MSL-10 loudspeakers. Meyer Sound systems have been a staple for tours of reunion and spin-off bands during the interim, including the 2005 and 2009 tours equipped with a Meyer Sound MILO system when the core members were known as The Dead. In 2011, the band’s Bob Weir installed a Meyer Sound Constellation acoustic system in his Tamalpais Research Institute (TRI).
    Copyright © 1979-2022
    Meyer Sound Laboratories, Incorporated

  • Forensicdoceleven
    Joined:
    So many great ideas come out of a misunderstanding......

    Gary----

    I think you misunderstood, you're thinking of 4/21/1972, while I think of 4/21/71. And other 71s, of course...........

    Doc
    We are infected by our own misunderstanding of how our own minds work.............

  • Gary Farseer
    Joined:
    Doc

    great write up. Guess I need to go back thru that video. Havent watched in a few years. When was the meet up with the movies for this show? Of course, going by memory may have things confused.

    Found yesterday on archive forum, then to a posted new video of 1976-08-04 Roosevelt Stadium. Posted about 3 weeks ago. It is not complete, made of form multiple sources, SB plus video. Looks like they have almost all video when I ran thru. Video goes to 3 hour plus marker but did not do but a cursory review, under 3 minutes or so.

    So youtube, then GD, then date should allow you to find. Got a lot of music building on my plate.

    G

  • Forensicdoceleven
    Joined:
    I go where the sound of thunder is......

    Hey rockers!!

    I said I wouldn't be posting about 71s for a while, but I shall make an exception for April 21, 1971. And what a fine exception it is...............

    No bells & whistles, no frills, no midi. Lacking subtlety, bacon greasy, crunchy, hard edged, a thunderous example of the "sledgehammer approach" on display in April 1971. Rock and roll, Grateful Dead.................

    Oh, the shows I missed growing up!!!

    It is not light that we need, but fire; it is not the gentle shower, but thunder; we need the storm, the whirlwind, and the earthquake.

    Doc
    I am a being of Heaven and Earth, of thunder and lightning, of rain and wind, of the galaxies...........

  • Oroborous
    Joined:
    Dust off that rusty tank

    4/19/82
    Baptism by fire?
    I forget, first dead AND ?
    Great story, I can’t imagine, well, actually I can lol.

    Pretty darn good first show eh!
    Starts out a tad slow as can be the case, but built up nice throughout the set, with a nice set list: On the Road, Roses, Women Are, Might As Well, AND! It has both a Cumberland, and a PEGGY O!
    Stranger perhaps not the beast it would become, but nice opener here directly into Franks, Nice Estimated, but then into Terrapin instead of status quo eyes. Were you familiar with the music yet?
    yeah sweet first show, but wait kids, there’s more!
    That wonderful crazy space, man I remember getting a tape of that set, and Hartford, played the hell outta em, rents probably knew for sure then we’d gone nuts lol.
    But yeah, slides back to earth on The Wheel, with a interesting Truckin’ for lack of better term, and a very nice Stella.
    Then a double shot of Bobster and a fine end of tour Brokedown.

    Sound was good except the vocals were out front a tad for my preference, and the usual splice or three, but totally enjoyable, best version I’ve heard. Also, it was nice to hear the whole space segment, I’d only ever heard it in progress, so that was cool, no tank here but some tasty, potent Golden Goat had me laughing on the inside.
    Made for a needed, very nice, relaxing afternoon after a couple weird days, including no tunes : (

  • Gary Farseer
    Joined:
    Jim

    That is another interesting story in their history. I spent a little time on archive today. Haven't done that in a long time. Amazing the amount of stuff that shows up over there. A totally different subset of heads. I am just now getting to understand that there may be more than I can image to come out yet. Got on a discussion board there and it was an eye opener.

    Any way, I plan to watch the 42 discussion. I actually prefer being hidden back here. Of course everything in public domain. We are everywhere. Or is it, we are the marketing department.

  • JimInMD
    Joined:
    More on GD/Amps/US Navy

    I was close... if you google it you will get an answer pretty quick. Here is a quick quote from my first google land.

    Rosie McGee was cracking up at her desk when Dennis "Wiz" Leonard walked in from lunch.

    "What's the story?" Wiz asked McGee, then a receptionist and bookkeeper at Alembic, a California-based custom electric guitar, bass, and pre-amp company where Wiz worked as an audio engineer.

    "Well, the Department of Defense just called me," she told him. "They were asking if we could defer the purchase of our next four 3500s, so they could get four."

    Those amps were in high demand at Alembic. The 3500s, in particular, would be used in the Wall of Sound's vocal array tweeters, drum tweeters, and for Jerry Garcia's guitars. But was it just Alembic buying them up? A rumor was going around—a "urban myth," Wiz told me—that the US military was using Mac 3500s for sonar, specifically to listen for Soviet submarines.

  • Gary Farseer
    Joined:
    Passing the Test

    Isn't the goal here to be lighthearted? I try my best to not let the craziness of the world/media not get to me here? Isn't the goal here to be a kind prankster? They ask, "Are you kind?" Most of the flamers I look like as children, either actual age or not. Many are so deep in social media and issues that result thereof, they cannot see what it is doing to them. They are being handled, manipulated, and unwittingly abused by the profiteers. I try to stay away.

    Jim, had no idea of the McIntosh amp issues. Thanks for that piece of info. As much as I love the music, it is just how they were. So real and fun which someone wrote, "creating their own iconography." The richness of their traditions and internal musical dialog that we love is an unending source of comfort as they lived it everyday for 30 years. I wish I had a shot at hearing even 50% of their music, but as I have written before, my OCD makes me wear out a great jam over and over instead of looking for the next one. Need to work on that for sure.

    So Jim and Oro and many others, thanks for passing the test.

    G

  • JimInMD
    Joined:
    GFar

    You are kind soul.. I appreciate all you provide here. Same goes to Oro. I think it would take a face to face to catch me up on all the technology (old or new) that the two of you bring for me to truly understand. As for old.. and I am sure you both know.. in either late 73 or early 74 (I think 73).. the GD got into a scuffle with DOD over equipment they were ordering that was desperately needed for national security. Apparently, the Macintosh amps they were buying in unprecedented numbers were needed both in general and more specifically by special, top secret subs that needed the clean sound and amplification to either detect enemy interference or better hear and make stealth the noise they were making. So they called the GD and tried to work out a way to either stall, postpone or barter a purchasing arrangement that would not jeopardize national security.

    I think this is well known, and I apologize in advance for going on memory and surely confusing some of the information listed above as fact. ..but what is written is pretty close, if someone can clarify and correct it would not offend me in the least.

    Hope I didn't write anything that was incorrect or in any way interpreted as insulting or offensive.

    As for chainsaws and sawzaws to clear way for our living room WOS.. what could possibly be more fun.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by Oroborous

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You are correct sir! It is only money and it seems to fly out the door faster and faster as time goes by.
Good to hear you enjoyed TTB.
Yes and the new box for 2024, not sure anyone had this on their radar. I am excited, as this is a big box with 8 shows from a great time period. Plus they get the Plangent treatment.

Okay, since I still don't have my #51, how about 9/8/73 (Dave's #38).

10/17/72 by the way was great again. What a box!

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In reply to by DeadVikes

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I think you befriended an AI bot.

Mighty nice of you.

But, other than Bender, we probably don’t need any bots around here.

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4 years 3 months

In reply to by icecrmcnkd

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>:(((

Dead is capitalized, derp

Best song? Best show, ya AI schmucklicker

Uh...if you are a real person iced then

Welcome

I just flashed on john belushi smashing that guitar...

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In reply to by Oroborous

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Shoot, I was burning this bot some CDs.

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In reply to by DeadVikes

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You’ll be rewarded when the bots are our masters.

Obviously the bots can get around reCRAPTCHA, yet the humans have to keep taking the quiz.

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In reply to by DeadVikes

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Better to mistake a robot for a person than a person for a robot.

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I'm not tech savvy. What does a bot get out of posting here unless we go to their website like a spammer is trying to get you to do? "I'm not a smart man but I know what love (of the Grateful Dead) is." Gump!
Cheers

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This gem of a pick has been the soundtrack many a day on my walk the dogs/exercise routine. The mix on this is really raw and robust, in a good way!!

#38 is in my top 10 from Dave and Comapny, actually top 5!

Rock on, gang

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In reply to by jonathan918@GD

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Hey Johnathan,

I agree, this is a great show and I haven't listened to it much. Didn't even remember that we get a double encore with Stella Blue and OMSN. Solid show. Need to hit the bonus disc on Monday.

I think I only had one double encore, in Alpine in 89. Oh yes, and it was spectacular!

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Morning rockers!!! Happy Sunday!!!

Triple encore: Toronto June 21 1984, New Orleans-Big Boss Man-Iko Iko. Hey now!!!!! Big fun.............

There are three things extremely hard: steel, a diamond, and to know one's self......

Slightly big rainstorm heading my way................

Rock on,

Doc
There are three classes of men; lovers of wisdom, lovers of honor, and lovers of gain.......

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Terrapin>OMSN, Werewolves
Bet you can guess which show.
Just look at my name.
Cheers

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Just did 7-8-78 on tape (my earliest copy of the show from 1996 taken from an Italian boot CD on Red Robin label that cost my buddy $70! The sound is raw and unfiltered SBD and amazing) on July 16 to keep the cassette deck lubed, so I will defer to the 7-7-78 show from the box which has one of BC's favorite 1st sets. I heard some of the 7-7 show from the parking lot as I had to work and got there late with no ticket and no plan. Long story short I got chased out by security and ended being needed as a spare driver when my posse came out after the show. But I did have a ticket for the next night. Nothin' like jumpin' in with both feet!
Cheers

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In reply to by 1stshow70878

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We made it to the show at The Armory in Minneapolis on Friday night. Big thanks to all for the nudge in the right direction.

Went on StubHub on Thursday night and bought two tickets on the floor in row 20 for $125 for the two of us. No brainer at that point.

What a venue, so much fun. We had a blast. Maybe 8,000 people. Sound was great. Huge bars surround the full length of the venue. Really cool, no waiting. Band was outstanding. So great to see a band live again. The anticipation, the living in the moment and being around all kinds of different people.
Teschedi and Trucks definitely know how to deliver live. Would love to see them again and can't wait to get back to the Armory.

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In reply to by DeadVikes

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Place looks cool DV. Bigger looking than you’d think?
From outside, reminds me of old Syracuse War Memorial Aud.
Glad you dug it! Sounds like first time back to live music? Nice!

Multiple/encores? Ok, I’ll play lol
4/12/83
6/21/84 (3)
6/24/84
6/27/85
7/1/85
6/28/86
6/29/86
6/22/87
6/25/88
4/3/89
7/17/89 DB says only 1?
6/6/92
7/1/92
7/9/95

Ahhh, Good ole summer tour!

Yes OB, the place is great and good size on the inside. First paid concert for me in a long time. Great to be back.

Nice list of multiple encores.
Deadbase is incorrect, 7/17/89 had a double encore, We bid you Goodnight and JBG. We were there.

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Trying to compare the July 7th & 8th, 1978 shows is like trying to pick your favorite child (or grandchild for some of us). Both shows have that crazy energy and all out playing that often characterizes last shows of a tour. And that follow up Aug 30-31, 1978 (Hey Dave! Release the hounds!) was the just exactly perfect style having just come from the studio for Shakedown Street. Quite a different beast altogether but no less satisfying. Finishing up 7-7 this morning at Dead volume and loving it. That NFA with a Nobody's twist in the middle is the stuff!
Cheers

Hard to beat these shows, Firstshow.

Such an interesting little tour and then to end up at Red Rocks. What a box. Looking forward to more 78 in September!

The Dead always made it a priority to play in MN for most of the late 70s to 1989- Then never again. And not in my second home state WI.

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Purely by chance, I found myself listening to the Great American Music Hall show from 8/13/75 today- without realising it was it's anniversary. I'm not pulling your leg here. As everyone knows, it is a great and unique show. If I was compiling my best 10 or 15 shows, I would make room for this one. It's a level playing field of excellence from the opening HSF triumvirate through to U.S Blues.

I also love the closing "Blues For Allah" which is so off the wall it's in a category of it's own. Seems more weird in the way "What's Become Of The Baby" was than anything else in their repertoire. Shame they didn't do more with it in the later years. It would have been perfect for Egypt.

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In reply to by daverock

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If you don’t have it,
8-13-75 vinyl sounds pretty good and I don’t think it’s even 180 g.

Just occured to me that I have all 3 FTV’s on vinyl.
Nice!

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In reply to by icecrmcnkd

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And the remastered version sounds spectacular as well.

I will have to get it going on Thursday.

Don't forget Milking the Turkey.

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In reply to by icecrmcnkd

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Yes, it was listening to 8/13/75 on vinyl yesterday - it does sound really good. I have Two From The Vaults on vinyl, but not Three - I've been on the verge of getting it for some time.

While we are on the subject, I wondered what the quality of the vinyl was like on your copy of Daves 2 ?On the first few sides, every now and again there is a loud crackle type noise on a song. It's over immediately, but then reappears a few songs later - and again disappears a soon as I've registered it. The last few sides are fine all the way through.

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In reply to by daverock

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I don’t recall any issues with my DaP2 vinyl.
Do you have a gel stylus cleaner?
I got the Hudson Hi-Fi one and it seems to do a good job at removing dust and debris.

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In reply to by icecrmcnkd

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Cnkd - I'm not so sure about that...it's only that album that suffers in this way. Both the vinyl versions of 8/13/75 and 5/25/72, played this morning, are completely free of surface noise. Maybe I should get a better record cleaner.

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In reply to by daverock

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The beginning of the release of the vault tapes! Yes!

I beat the hell out of this release when I first got it in 91. And listening to the remastered version in 2024 still makes me smile. I can't get over how good the audio is on this release. From the iconic intro into Help Slip Franklins to the Blues for Allah finale. Love the Eyes into King Solomon's Marbles.

These are the kind of releases that keep me wanted more.

Also hit 6/14/76 from the Beacon, probably my favorite show from that Box.
Might have to hit the capitol theatre show from 6/19 today as well.

Be well out there.

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In reply to by DeadVikes

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That was amazing when it came out on CD.
Of course, I couldn’t afford the CD (had to use my money on beer and cigarettes), so had to make a cassette copy of a friend’s CD.
Now I have the original CD, the remastered CD, and the vinyl.

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In reply to by icecrmcnkd

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The first time I heard it was when they broadcast an hour of it on the radio shortly after the date they played it. I recorded that on a cassette. I think it became the basis of quite a well known bootleg in England called "Make Believe Ballroom".
I didn't know about the remastered version that has been mentioned as having been released this year. I am very happy with the vinyl version...I'll give it some thought.

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In reply to by daverock

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Daverock, it was remastered in 2007 to HDCD specs and it is a huge upgrade. This was the same timeframe they discovered Three From the Vault was produced and ready for release in the 1990s but never released.

At the time in the 1990s they were trying to have multi track releases as a separate track from the two track Dick's releases.
Long live Don Pearson!

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In reply to by DeadVikes

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Love TFTV. I am so happy they cleaned up and released most of that Capitol Theatre run.

I will gladly queue up that show tomorrow (today, oh the time). I have so much freaking yard work to do that will help pass the time and take me to another place altogether while the work does itself.

Thanks DVikes.

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In reply to by JimInMD

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Is there anybody in there?

Just keeping the page active,
So nod if you can hear me.

Still alive Conekid.

Do you have a pick for us?

Finished Three from the Vault III over the weekend. Love that Smokestack and Easy Wind. Never understood why that wasn't played more live and zero times during Europe 72.

The Dead always kept you guessing and that was part of the fun.

Those Port Chester shows are special! Let's get the rest of them out.
I mean they don't compare to the Scranton show, do they?

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In reply to by DeadVikes

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Watch this is you’ve never seen it.

youtu.be/JVoetvW7HuY

?si=bn

C0AfGEPktIeleX

You’ll have to piece it back together.

Appreciate it.

Yes, we need a pick of the day. Conekid, couldn't piece together your last one.

Maybe we need a Gene pick or a Vincent pick?

The new box hasn't sold out yet. With just 10,000 copies, I thought this would sell out in 30 days. I am looking forward to the end of September.

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In reply to by DeadVikes

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The lynk was to Hard Working Americans 2016 at Lockin’.
Good stuff.
No pick for now, I’m going to bed.

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Hey rockers!!

August 26, 1971, because why not? The bittersweet end of an era. Not the beginning of the end, but the end of the beginning......

In this bright future you can't forget your past...........

Rock on,

Doc
When the past no longer illuminates the future, the spirit walks in darkness......

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In reply to by DeadVikes

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This one is for Doc. 4/30/88 from the Frost. Maybe we could get OB to check this one out?

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In reply to by DeadVikes

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Sorry for being the erratic participant. Lot's going on, the summer when I was never home, exception being today.

I did manage to get this one loaded just in time to do start what turned out to be a big yardwork day with perfect weather.

First Let the Good Times Roll. A great late-era collaboration, Jerry and Bob get extra points for effort > Feel Like a Stranger. A great song to hear when 'it's just starting to kick in.' Let it grow, strong effort. Second set, fun, a good balance of energy and relaxed vibe. Sound seems more dialed in. Jerry is outstanding in parts, at home with Tiger.

88 is one of those years. The Healy tapes vary a bit, probably the peak of the ultra-mix before the multi-tracks of 89 / 90 and Don Pearson's increasing influence thereafter. I'm not a huge fan of dan's experiments with audience mics, (sorry) but after the first song or two the audience portion seems to behave itself.

A good show for the era. I like the 88 Greeks too, sort of similar.

Thanks dvikes, a new one for me. A good Jerry centric show.

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Morning, rockers!!

Day off, tending to my wife after round one of new chemo, all I have to say is......

1988?????!!!!!!

1968? Sign me up! 1978? On rare special occasions. 1988? Sorry, way too far outta my comfort zone...........

However, if folks dig it, great!!! Whatever floats your boat, as long as it doesn't hurt too much, break too many local laws, or create extra work for your local medical examiner...............

Time for more coffee, and 8/29/69.................

Doc
In the night of death, hope sees a star, and listening love can hear the rustle of a wing.....

1/17/68 Carousel Ballroom?

The John Deere is broken down in the back yard, no choice but to go primal with the push mower.

Edit: They don't make em like they used to.

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Hey rockers!!!

1/17/68? Oh yeah!!!

Jim, if you turn up 1/17/68 loud enough, it'll cut the grass for ya!!!

Rock on,

Doc
I believe a leaf of grass is no less than the journey-work of the stars.....