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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #4771
    Vguy72
    Joined:
    Football....

    ....i had a 4 team $20 parlay bet going into the Saints/Bucs game. Brady cost me $240. Even when he's out of my division, he still haunts me.

  • #4772
    Oroborous
    Joined:
    DV: 89 vs 90

    I think it’s that searchin’ for the sound, trying to reach the summit, the whole forward progress, coming together, versus spring 90 is like they reached the top of that path, like sitting on top the summit and smoking a fatty, 420 @ 14K as we say out here! 89 was the climb, but spring 90 was the summit, if that makes sense?
    Spring 90 is almost like too pristine, too clean? Don’t get me wrong, imho it ranks with most of the biggins, but there’s something about 89?

  • #4773
    Oroborous
    Joined:
    Yaaassss, yassss, yaasss,

    I do like me sum 89...AND Cal Expo! Only made the June 90 run, and did Merch there on 96 Furthur tour, but it left a smoking crater on my mind. Some might call it a dump, but the layout was awesome for sound and good sight lines. Laid back vibe and a great lawn too, especially with GA so folks could go where they want. And yes, the beer was a amazing surprise; Anchor on tap and not east coast stadium mob priced. I had truly, finally, made it too the promised land! If only I had made it to the Frost and Greek : ( Shorline was nice, but I really dug the X! Maybe it was the x lol.
    Irvine would of been a nice place to see um, but unfortunately I only did Furthur fest there...
    So haven’t hit this yet but sounds like that’s what’s up next!

    Rock Thing, welcome aboard, so glad ya made it...as your senator from the great deadnet state of altered consciousness, I can assure you there are very few rules to guide. Generally no politics or any of that kinda heavy shit, and be polite, don’t be a douche! Remember, we all have our opinions, which is nice, but we’re all confused, which is nice, and we’re all wrong on some plain or another, which is nice!
    That’s about it, so Rock On Rock Thing!
    Oh, I’m with you about sources. I’ll take a really good Aud over many SBs, and I really like a good matrix, but I mean really good, like some of the video mixes I believe have actual, ambient mics used with appropriate time alignment etc.
    I get why the majority like SBs, and the historic technical reasons why they became en Vogue. But the tech changed so much and with the eventual gray area removed by the tapers section etc, there are some really amazing sounding Auds.
    I’ll concede that it has to be done just right, but if so I really dig a great matrix; you get the (usually) clean direct feed of the instruments etc, plus the more natural room ambience. Of course like a SB, the mix is crucial, and unfortunately in the case of the “cassette years,” is often mixed so prominently for the house. But when 2 great sources are blended just so it is really amazing how good they can sound.
    The ultimate imho is when the “Dead” did it purposefully like on many of the official releases, like some of the video mixes...EDIT: I believe that 3/15/90 show is a good example that has some really nice “liveness” ambience...
    I like Dave’s Pick 8 and 36, but 8 seems a tad too dry and 36 at times is perhaps to much, but hey, that’s just me.

    Ok, onward....8/5/89 woo, woo!
    GO BILLS!
    KCJ, where you be? I’d trash talk with ya but I don’t think we’re gonna do it, but hey, as Boomer would say
    “That’s why they play the game”

  • #4774
    DeadVikes
    Joined:
    1989

    Yes, so many great shows in 89 and Cal Expo is no slouch. Lately, I have been thinking 89 might edge out 1990? It is close anyway. Really high level stuff with Jerry fully engaged. Things changed after Brent died, but there was still some great music. Fall 1990 still doesn't grab me. Not like 1991, where they seem to get the Mojo going again.

    Stay well out there people.

  • #4775
    JimInMD
    Joined:
    Sweet Run

    This one's for our 89 loving Oroborous. (knowing that most in this group seem to be 80's fans)

  • #4776
    Vguy72
    Joined:
    Cal Expo '89....

    ....was present and camped at all three. Awesome venue. The only time I caught them there. Very beer friendly.

  • #4777
    JimInMD
    Joined:
    Rockthing

    Right on, Bring it..

    I think you are doing this exactly right. Great show, VGuy, good choice. And an excellent show to have attended. Did you catch the entire run?

    It's keeping us honest.

  • #4778
    daverock
    Joined:
    Infrared Roses

    Rockthing-your post reminded me of the cd compilation called "Infrared Roses" that came out in the 90s. An album exclusively made up of drum and space segments, each track given the added status of being named individually. I was lucky enough to experience one of them-the so called "Silver Apples of the Moon" which I think came from London 11/1/90. One of the highlights of the show.

    When drums and space come out of Dark Star- I tend to think of them as being extensions of Star, rather than as separate entities.

  • #4779
    rockthing
    Joined:
    gd1989-08-05 impressions Second Set

    Am I doin' this right? Sorry if I'm kinda goin' overboard. That's my thing.

    Continuing to listen to the Schoeps MK2 source.

    Hey Pocky Way: This song did not get performed enough. Just some light fun with a little cheesy keyboard sound.

    Playin': Nice and spacey jam. Sparse. Chill. Percussion taking the back seat in the mix. Jerry really challenging the others to find the trail he's blazing. Catch me if you can! Whoa, what's he hintin' at? No way! So THIS is the standalone I Know You Rider. More like a Playin' Rider. THAT really came outa nowhere. People musta been goin' nuts. Can't really hear too much reaction from the crowd, even though this is an audience pull. Up up tempo. Really flying. Headlight ¡GONG! on a northbound train. Nice. :)

    Terrapin: Are you serious? Third song into the second set is Terrapin?! Pretty solid.

    Drums/Space: At some point I really began to dislike the generic titles for drums and space. It's canon. I know. Can't fight city hall. Never gonna change four decades of precedent, but when I track my old tapes for my own personal use, I include drums and space in the song either before or after them. I like to think of them as a drum solo and free form jam into or out of a composition. I realize they rarely have much of anything to do with the tunes around them, but some of the early stuff would go out so far you had no idea what song they were playing, I kinda like to stay in that frame of mind. So, to me, this is the drum solo for Terrapin. ^^; Is there a cut, or was that just the world's shortest "drums"? Some wacky MIDI stuff to start off space. Everyone playing everyone else's instruments, virtually.

    Gotta run. Catch up with the rest of the second half later.

    EDIT:

    Sorry, Terrapin wasn't the third song. Maybe Pocky Way felt like such a throw away that subconsciously I didn't even count it. At any rate, seemed to arrive at Terrapin awfully quickly. Time flies when you're having fun? :)

  • #4780
    rockthing
    Joined:
    gd1989-08-05 impressions First Set

    Hey now. Is it ok if a newcomer jumps in on this? Never need an excuse to cue up a show I've never heard. Wish I had time to do it more often. Easily lead into rabbit holes, so hafta stick with my old favorites when things are busy. Nice to have someone to share the impressions with. I apologize in advance. I am notorious among all my correspondents for writing the sequel to Ulysses in every email.

    I don't have any hard and fast policies, but generally I prefer to find a good audience pull over soundboards. There are plenty of boards I love, though, so as I say it's not a rule. Being a minor taping enthusiast informs that tendency, but often I actually like having the crowd in the mix. Sometimes the audience can be as entertaining as the band, like the dudes calling out for Casey Jones during Seastones. Hilarious. Idle chatter drives me up a wall, though.

    Introductions out of the way, please allow me to share my experience listening to this Cal Expo gig.

    First impressions:
    Wow. Bobby's vocals are really loud. This is something I often find distracting about boards. The vocal balance is way too high in the mix compared with the instruments. It's inevitable, I guess. Usually the instruments don't need to be amplified as much as the vocals. I gather that we're supposed to be listening to the same releases, but I decided to see what the other sources sounded like.

    I switched from the Miller SBD to Mattes Schoeps CMC 44 pull. I've heard some Mattes tapes I like. The Schoeps are top of the line mics and can't be faulted technically, but I often find Schoeps pulls to favor the lower frequencies in a way that seems to muffle the overall experience. In this case my first thought was, where's the band? Had to really crank it to even notice OMSN had started.

    Next it was a switch to the Casey Coniff Sennheiser 441 pull. Starts off promising. Instruments loud and clear, but then I WENT UP TO THE MOUNTAIN, wow, the vocals were blasting into the audience, too. Yes, you can hear Dan Healy, I presume, immediately pull the volume back, but Bobby's vocals are really dominating the mix.

    The Schoeps MK2 pull seems to offer a frequency balance I like best of these sources. The vocals are still really high, but they would be since everyone's taping the same show. Let it be said, however, that the focus and clarity of both this and the Coniff audience pulls are right up there with soundboards. No need to search for the show in the recording.

    Cold Rain and Snow: Poor old Jer. Love that old silvery elf voice of his and I know it won't be there in '89, but he sounds kinda tired to me at the beginning. Kick drums kinda have that slappy festival sound quality. Phil's bass sounds great. Low end is powerful, but well-defined, and his upper register runs are right there too, but not harsh. Big smile for that little hiccup/accent around 4 and a half minutes in. Love this tune. This probably won't rocket to the top of my list of favorites.

    We Can Run: As much as I love Brent's keyboard work with the Dead, I rarely get into his songwriting.

    Stagger Lee: Nothing in particular to say about this.

    Stuck Inside of Mobile: Nothing to write home about. Everyone seems to be getting a little more warmed up. The buildups for the choruses each seem to grow in intensity.

    Row Jimmy: Whoa! WTH was that atonal weirdness. That was brilliant, whatever it was. lol. Sounds like someone accidentally dropped something on The Beam. Unfortunately no one had the presence of mind or inclination to try to incorporate it into the song, or improvise off of it. It just happens and sounds like a mistake. Jimmy plods along as usual. Gonna get there? I don't know.

    Let It Grow: Oh, some of those crazy Healy vocal/etc. effects. I usually liked it when he added stuff like that, but I guess others didn't. As is often the case with this tune in the second half of the 80s and onward, we get our first taste of the band firing on all cylinders for one quick hot lap before the set break. This one doesn't get too far out during the first jam, though, before Bobby brings it back and seems to miss his own cue. lol. Nice fills from Jer and Brent in the outro. Could've stood a bit more of that, tbh.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

I completely agree.

On occasion and if I'm not careful volume gets the best of me. One day I might live to regret this. Thankfully, that day was not today.

A new one for me. Some sound weirdness especially in and around banter, but what the hey.

I don't know what it is, but I have soft spot for The Eleven, Born Cross-Eyed and especially New Potatoe Caboose. Good show with some vintage grease to end the night with me feeling a little dirtier than I did when I woke up.

If there's no pick for tomorrow, I suggest the next in line. It's a partial, starts with a rare Clementine. 1/20/68 Euraka Municipal Auditorium. I think we should set up a go fund me to find all the missing reels, there's a couple missing from this show. It would be something for them to be found.

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Submitted by DeadVikes on Fri, 09/06/2024 - 06:15

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Hey Jim, I know you have had a lot on you plate this year. Thanks for checking this one out. Yes, the recording is decent, not great. Like a lot of 88 recordings out there. Still think they have some good ones in the Vault.

I liked the show, anytime I see a Hey Pocky Way, I am in. Nice Shakedown to open the second set. Love the triple Encore with China Rider OMSN.

It is good to get out of the comfort zone once in a while Doc.

Carousel Ballroom 68, okay Jim, Ok will have to que it up this morning.

Enjoy the weekend out there.

Edit. Oh and after the carousel ballroom I will be moving on the 12/9/79, Dave's Picks #47. Love this one and I need some 79. If I had the keys, I would be putting out a big 79 Box.

44 years ago today, there when Roy Buchanan along with Levon and His All Stars opened for the Dead. My last in person show, on the bus since their first album, however things had changed so much.... Doc was there, a wild late summer scene, part of my farewell to Maine.

Hey rockers!!

Yes, we were there and had a blast. Beautiful day and tremendous music. A very fine show by the Dead, one of my all-timefavorite in-person Dead experiences.

Would make a solide offical release. It is worthy......

Doc
Everything I did in my life that was worthwhile, I caught hell for.....

Hey rockers!!

Yes, we were there and had a blast. Beautiful day and tremendous music. A very fine show by the Dead, one of my all-time favorite in-person Dead experiences.

Would make a solid official release. It is worthy......

Doc
Everything I did in my life that was worthwhile, I caught hell for.....

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Submitted by bluecrow on Sat, 09/07/2024 - 05:42

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I'm in - hopefully sometime this weekend I can transport my mind and spirit into late summer beautiful day/evening Maine. Sounds like a dream show and setting. Very cool that a couple of you guys got to be there. Didn't realize this was the last show before the Warfield run. Long and heartfelt write up on grateful seconds (he was there). Comment at the end from a guy who was 8 at the time and lived a "bike trail" away from the fairgrounds. Listened to part of the show from his clubhouse. Rode his bike over and snuck in. Totally dug the Drums. Made major bank (for a kid) collecting cans and bottles for deposit afterwards (which is exactly what 8 yr old me would have done.) Think I might travel John Deere with the Jim Wise FOB.

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Submitted by JimInMD on Mon, 09/09/2024 - 21:03

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But back this week. I can do Lewiston again.

As I recall there is not a good soundboard that circulates, right? And the one that does is first set only and it sure does sound like an audience (or ultramatrix on steroids at least).

High energy though.. like Gainesville, there must have been something in the water.

You have to wonder if this was recorded and if so where the hell are the master tapes? I think someone (Parrish??) tossed out the language that some of the master reels were left on the seat and when the truck pulled away they must have flown out the window or something.

I'd love to see more reels (and cassettes) returned.

Anyway, Lewiston Me for me tomorrow.

Edit: Started tonight - why not? Gave up on the "soundboard" and settled on the Jim Wise same as Bluecrow. Good news, Bluecrow.. The John Deere Broke down and was sitting in the yard for the last half of the week. I got it working today. Had to replace the solenoid. Damned electronics are always interfering with time travel. Just imagine if this broke back in time before Jebediah Solenoid created the first working model for riding mowers.. we would have been screwed.. I mean, nothing wrong with being stuck in 1980 but why not go back another 10 to 15 years...

High energy is right. Pretty good audience.

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Submitted by JimInMD on Tue, 09/10/2024 - 21:33

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While I was in the neighborhood, I took a quickie with 11/28/80 Lakeland Civic Center - Lakeland, FL (30 Trips).

I figured why not.. most enjoyable, especially To Lay Me Down. Not sure why I like that song so much, but I do.

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Submitted by DeadVikes on Thu, 09/12/2024 - 08:07

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Ah, yes, more 1980. You don't have to twist my arm. A shorter show for the time period, but still really good. Will get it going after I finish up Dicks #36, which was mentioned on some other threads. Such a great show, but apparently didn't sell well at the time. No idea why.

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Submitted by JimInMD on Thu, 09/12/2024 - 17:31

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Random Musing - 1980

My favorite non-multi-track 1980 release has got to be Dave's # 8, 11/30/80 Fox Theater. Love how that Matrix worked out. If anyone remembers the seaside chat, he was spot on.

Crowd noise was not as big an issue in 1980 as they could play in some pretty intimate venues. Also, as the age of the cassette master replaced the lovely Ms. Cantor Jackson, a lot of those early soundboards are a bit sterile sounding without the crystalline highs and the booming lows. Blending those early 80's soundboards with one of those near perfect audience masters works. When they aged out of the smaller, cooler venues (thinking after Jerry's coma and In The Dark) audience tapes had to compete with hundreds of the guy next to you screaming "JERRY!!" at 95 decibels, this was no longer possible.

That SBD/Dr. Bob matrix is almost exactly perfect (or as good we are going to get for the time).

On the opposite side of the same coin, I think some of the Ultra Matrix's have a bit too much of the guy yelling JERRY! then I sometimes want to hear. Thinking a lot of 87 suffers from this, and by then the audience tapes were no better.

Anyway, if Mr. Norman can pull of similar wizardry I wish they would do more like DaP#8.

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Submitted by Forensicdoceleven on Tue, 09/24/2024 - 04:20

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Mornin', rockers!!!

Pick of the day? September 24, 1972. Because..............Dark Star!

Minor rain storm headed my way................

The man that hath no music in himself, nor is not moved with concord of sweet sounds, is fit for treasons, stratagems and spoils......

Rock on!

Doc
Music comes from an icicle as it melts, to live again as spring water......

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Submitted by JimInMD on Sun, 09/29/2024 - 13:45

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It's an early audience, but contains one of the few Seven's that were recorded.

09/29/69 Cafe au Go-Go - New York City, NY

It's no betty board, but an interesting inflection point in GD history, so maybe worthy of our time. Primal GD on the heels of WMD Americana GD.

Despite the recording quality, it's pretty good for a 1969 audience. Worth the trip for the Seven alone. Plus, it's pretty short. Something different, something quick, and well, it's really something.

So why not mix it up with a shortie from the fall of 1969.

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Submitted by DeadVikes on Mon, 09/30/2024 - 07:20

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Will mix this in as I listen to the new box today. Thanks Jim.

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Submitted by bob t on Fri, 10/04/2024 - 19:03

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Been a while, just wanted to say hello. Watching the Dark Star from 10/18/74, cool to see video of Ned on stage, as well as see Jerry interact with the head nod. Enjoyed the April 78 release. With the 50th anniversary of the Winterland shows a few weeks away, doesn't look like anything is happening. Be good everyone. Bob t

Hey Bob T, how have you been man? Hope all is well.
Yes, love that bonus footage from the GDM soundtrack. Might be one of my favorite UJB.
I have been traveling for work this week so still haven't made a dent in the new box, but loving it so.far.
Good thing there is no rush at this point.

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Submitted by DeadVikes on Mon, 10/14/2024 - 12:43

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Hope everyone is enjoying the new box set. Really enjoying it so far over here.

If anyone is interested in a pick, it has been a while, how about 5/16/81, Barton Hall from the 30 Trips box?

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Submitted by icecrmcnkd on Mon, 10/14/2024 - 16:19

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Started playing it last night and finished it tonight.

Good call DV.
And I’m having a Bell’s Octoberfest too. They’re gone from the store but I have 5 more cans in the fridge.

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Submitted by DeadVikes on Mon, 10/14/2024 - 21:40

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Nice Conekid, must be esp.

Enjoyed the show again, nice Shakedown Bertha, Sailor Saint. Show ends with that audience patch.

Enjoy the last few Octoberfests. Still have a couple six packs to get through. Would buy a few more but the self life of this beer is only 3 months and it goes bad fast.

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Submitted by Forensicdoceleven on Sat, 10/19/2024 - 03:33

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Good morning fellow rockers!!!

October 19, 1971

The second great seismic shift of 1971. The Yang to the Yin of February 18. Similar, yet different. Old, yet new. A vision of the new era. Change can be for good if you combine audacity with safety………

An old friend missing, a new guy who seems to fit in right away. Six new songs. The return of the complete CE/TOO/CE suite. The unusual occurrence of back-to-back Garcia songs twice in the first set. The first of the Fall 1971 FM broadcasts. One of only two 1971 shows that featured both Black Peter and Brokedown Palace. There ain’t no grease, but there’s plenty of Bakersfield left, as well as big jams.

Not without its rough edges, yet somehow it hangs together oh so well. Absolutely historic and worthy of a serious listen……

Rock on!!
Doc
He who rejects change is the architect of decay, the only human institution which rejects progress is the cemetery………

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Submitted by Forensicdoceleven on Sun, 10/20/2024 - 01:28

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Morning, rockers!!

This is for AJS. He'll know what I'm talking about...........

October 20, 1984, Carrier Dome. The last show we saw on that tour, maybe not Augusta level but very enjoyable. We had a great time. Maybe it was the liquid 25, courtesy of Deadhead Fred, a little drop'll do ya!!

Or maybe it was the music. Worth a listen!!!

If I had known being insane was so much fun, I'd have gone crazy long ago.....

Rock on,

Doc
No one can drive us crazy unless we give them the keys......

10-20-84 - Syracuse

I was there also, think I met doc in the bathroom during drums,,, he was wearing a tie-dye :-)

My records show we rated Jack Straw at end of set one, a plus 2. Also second set opener of Shakedown got a plus 2 rating from our crew. We have the Black Peter that night at a plus 1.

Thing I remember was the air pressure blowing you out of the exit doors,,, deadheads LOVED this,,, kept going back in just to be blown out!

My wife went to Syracuse (both her parents also!)

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Submitted by JimInMD on Sun, 10/20/2024 - 21:22

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Love the energy of this show. I'm pretty sure I tossed this out for a pick of the day a few years ago. I was not there, but hey.. we make it to the shows we can and hope for magic and a lightning strike or two.

Still, an enjoyable show and how about that Jack Straw. Another one where I wish I was there.

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Submitted by icecrmcnkd on Mon, 10/21/2024 - 18:08

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Just finished set 1.
It’s a Miller, but the file on my music player doesn’t have an ID number.
Vocals are pretty weak in some places. The playing seems to be trying to make up for it.
Shakedown poking around now…..

Edit:
I would have had fun had I been there.
Drums/Space was good.
I’ll listen to it again.

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Submitted by Forensicdoceleven on Thu, 11/07/2024 - 01:26

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November 7, 1971
Harding Theater, San Francisco, California

Deadicated to bolo24, because I will not follow where the path may lead, but I will go where there is no path, and I will leave a trail……

Great and classic show and a long-time personal favorite. It has pretty much everything you could ask of the Dead in this era. Rockers, Cowboy songs, hot jams, the unusual coupling of Dark Star and The Other One, an unbelievably smoking NFA transition jam (maybe the best ever?), plus even the often-expected equipment difficulties, AND jokes from the audience! The circulating broadcast copies are excellent quality and highly recommended. The band sounds loose, and the crowd sounds juiced. OK yes there’s no Pigpen, but still highly highly recommended, a classic of the first rank!!

Rock on!!
Doc
It is requisite for the relaxation of the mind that we make use, from time to time, of playful deeds and jokes

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Submitted by Dennis on Thu, 11/07/2024 - 04:22

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I didn't see the notice about the next Bear's Journal, John Hammond.

If you missed too, it's available on Amazon and Bear's site.

Okay, seems like we need a pick.

How about 10/19/72 from the glorious LTTR Box? Love this box.

Good to see this box finally sold out. We need to make sure these all sell out in order to keep the train rolling.

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Submitted by JimInMD on Mon, 11/11/2024 - 19:04

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Might take me more than a day though, but I'm in.

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Submitted by DeadVikes on Tue, 11/12/2024 - 20:18

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Thanks Jim.
Another fantastic show from the Fox!
There is something about these shows. Might be the Birdsong that adds to the overall enjoyment.
Can you imagine if they played Birdsong in Europe that year?

Taking my time with the new box, so it is fun to jump around, which is so fun with all this incredible music.

Can we add a fifth release in December? Call it For the Faithful Volume 1.

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Submitted by icecrmcnkd on Thu, 11/14/2024 - 16:06

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Anniversary today.
It’s a RT Bonus Disc.

Expected that Doc would have pointed that out.
Maybe he did on another page.

Yes, the LTTR Box is glorious.

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Submitted by Forensicdoceleven on Fri, 11/15/2024 - 04:45

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Mornin' rockers! And happy Friday!

Fell asleep yesterday so forgot all about TCU. But I did remember it's an underrated show..........

Austin, Texas, November 15, 1971. Brings back fond memories of my tape trading days, when I had an unbelievably good copy of the FM broadcast. Starts high with strong Truckin', throw in a sweet first set Dark Star, a fiery NFA transition jam, and the usual country/western/new material suspects, and there you have it!! Really fine, very enjoyable show that is worthy of its official release status.

Of course, November 15 1972 will also do nicely...............

We're on this planet for the briefest of moments in cosmic terms, and I want to spend that time thinking about what I consider the deepest questions. LIke, what's for lunch?

Rock on!

Doc
On a cosmic scale, our life is insignificant, yet this brief period when we appear in the world is the time in which all meaningful questions arise......