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    marye
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    New year, new update. Tell us of your musical adventures in real time!

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  • 1stshow70878
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    Thanks BC

    For the taper story.
    Legendary indeed.
    Cheers

  • bluecrow
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    9/14/74 - Olympia Halle, Munich

    Oro on his ongoing trip through '74 had me revisit this overlooked show from Europe '74. (David Usborne matrix). Parts of the SBD are missing but don't be deterred, there's some great playing on this one!

  • bluecrow
    Joined:
    7/25/74 tape story

    Obeah - here's an edited/slightly reworked version of what I posted on another forum years ago. I'd go for the GEMS SBD remaster (152924). Not as jammed out as some '74 but there is some really and truly, very fine, music here (sound of Oro's foot tapping.) The Dark Star jam is unlike any out there and I really really dig it.

    Ca. 1997/98 – I was living in a small desert town. First worked here summer of ’95 and it was here that I first learned of Jerry’s passing (and still here 25+ years later). Jim, a long time resident (moved away years ago) and fellow Deadhead (saw Vegas Ice Palace ’69 I think) mentioned that a friend had come through town and left a list of tapes he had to trade/share. The friend was a river runner out of Flagstaff, would be back through town in a week or so. Jim invited me to take a look at the list and see if there was anything I wanted. It was a short list – all that I remember at this point is that it had the International Amphitheatre show, 7/25/74, complete show, an audience rated at C-. The show was unknown to me and, as a favorite year and a Chicago boy at heart (born and raised north suburbs), I asked for that one.

    One night a little while later the river runner friend came back through town. I remember standing outside in the summer dark talking to him for maybe 10-20 minutes, he only stopped to drop off tapes. It turned out that he had taped the show himself and it was the only show he ever taped. A cheap deck with the microphones hanging over the balcony railing (IIRC). He had talked to Phil outside the back door before the show and Phil had big time dosed him. Said that Phil sat on a stool for part of the show. He got all wide-eyed with nostalgic awe when he recalled the Ship of Fools encore – clearly the song had been a major religious experience. I think he handed me his masters to make a copy (or maybe he just dropped off a copy?), saying he would pick them up from our mutual friend on the way back through town. Don’t recall his name and never saw him again.

    Listening to the tapes you felt like you were way in the back of a cavernous space. To me, C- was possibly a generous grade, but with a pair of cheap headphones (all my gear was cheap at the time) - listening in the dark in the middle of the high desert night - you could be there, and for a poor boy in the backwoods of tapes it was a cool listen. I dubbed a couple of copies and sent one to Jeff, a close friend, who was back in the Chicago area – at the time he was managing Dr. Wax (a chain of several used record/CD stores/Jeff also founded and ran a niche record label Quinnah Records) A little while later Jeff calls me, all excited. “Where did you get this?? This is the only known recording of this show currently in circulation!!!” Circulation was a relative term in this case. Turns out Jeff had reached out/was in contact with the gentlemen who were putting together the first Tapers Compendium and, connected as they were, they knew of no other recordings of this show. The Compendium folks wanted him to review the tapes/show for the Compendium, but in the end it was too late because the book had just gone into galley(?) and it was too much trouble to revise it. This is the only ’74 show not reviewed/completely missing from the first edition Tapers Compendium Vol I.

    A bunch of high-end traders contacted Jeff requesting copies. When Jeff asked one what his opinion of the tapes were, the gentleman replied that it was pretty rough and that basically it was for completists only, but of course it had a heretofore uncirculated Dark Star with a Slipknot tease, which was everything you needed to know right there. This may have been at the time the only uncirculated Dark Star post-1970. Another commented that he thought he knew the person who might have the soundboard reels (or copies of them) but that they were holding them close. The SBD recording finally entered public circulation a few years later and Dave Lemieux (I raise a toast, or two or three, or more, in his honor) has featured portions of this show a time or three, I think, in the Jam of the Week and/or the Tapers Section/and 30 days of the Dead. So the masters are in the vault. The audience has never been uploaded to the archive.

    It makes me smile that this show first resurfaced from the depths of time (relatively speaking) in this dusty, high desert, town.

  • 13Cyclopath
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    Joined:
    Dave's Picks 11

    1972 was some great concerts in some out-of-the way places

  • Oroborous
    Joined:
    9/18/74

    Rise and shine lil Pedro
    Bfast in bed wiff the GD

  • proudfoot
    Joined:
    RIP Jerry Miller of Moby Grape

    Passed in Tacoma at 81

  • proudfoot
    Joined:
    Currently

    Disc 4 of "Unlabled 1968 GD"

    Saint Stephen >
    TIFTOO >
    Lovelight

    The SS is a very early version

    Edit
    Theres info about this on e t r e e

  • uncle_tripel
    Joined:
    Today needs...

    ...a small bit of squawking or is it squonking...someone recently mentioned Ornette Coleman with the Boys in 1993...anyway PHILA 1973 SEPT 21 Set 2 should fill the jones with guests Martin Fiero & Joe Ellis

    Peace for All!
    uncle_tripel

  • TN John
    Joined:
    5/25/72

    Lyceum Theatre

    Peace

  • proudfoot
    Joined:
    Currently

    7 19 90

    I was listening to 7 18 90 earlier today and it just felt "meh".

    7 19 90 already has a springy bouncy energy 2nd song in.

    Very interesting

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17 years 3 months
New year, new update. Tell us of your musical adventures in real time!
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9 years

In reply to by TN John

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TN John - very cool! (a bc bday show not that I was there.) my FOTDs box set is crossing the Great Basin right now (i think) based on tracking. Hopefully by Tuesday next week.

6/14/94 - iwt and got here listening today via a circuitous route of JOTM (from 3/11/93 Rosemont) drive home last night which has a late period Masterpiece and this morning (gestures wildly) somehow saw the set list here and thinking "wow" I saw a Masterpiece in 94. And from there Set I etc. Very unusual set list Set II and a really fun and fine well played show. Posting now because Set II leads off with 45 second structured drumz intro to Victim and it caught my ears as something I had "never" heard (despite being there!) Victim into Lazy River Road. And then the second Samba In The Rain, which I will unabashedly say sounded great that night, totally new to me, and strong cool memory of Phil/Bob/Jerry/Vince singing the chorus and it rocked. Samba > Trucking > and a super chill That Would Be Something into drumz. Those late era shows in Seattle Memorial Coliseum kicked it.

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8 years 11 months

In reply to by TN John

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Sounds grate on my new speakers and subwoofer.

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10 years
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Whadja get?
And what is powering them?
Cheers

Starting the box today.

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7 years 8 months

In reply to by daverock

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At the risk of joining said society, I like the points you made, Daverock. I'm thinking of some live Quicksilver I had on cassette - absolutely ferocious playing, but the recording was not up to modern standards. Eminently listenable, though, and it broadened my mind to what that group was capable of. Or that Pink Floyd stuff from early '72, some early Doors stuff... that early '67 Thirteenth Floor Elevators concert (I think it later got released properly)...

So those Sept 1970 Fillmore recordings, what exists of them, should absolutely be made available to the public after Dr. Norman takes his best shot. "What's to lose / We're NOT confused/ You can call this set / The Fillmore East blues."

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8 years 11 months

In reply to by 1stshow70878

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RP-500M II speakers
R-120SW subwoofer
12 gauge 99.9% copper speaker wire

Powered by a Cambridge Audio AXR100 receiver.

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9 years

In reply to by icecrmcnkd

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Live At The Roxy (Hollywood - 5/26/76)

Been thinking for a long while that I need to upgrade my system in certain key points. Slowly making my way to that move. Thanks for sharing ConeKid.

The model I got is over 50% off because it has been replaced with a newer model.
12-inch sub is spectacular.
I highly recommend it as does Vguy.
Grab one while you can.

The speakers were also on sale. They are really nice. I would also recommend them, and they’re still on sale.

Nice at the time

Will listen again someday

I was so glad they were in Seattle (first time since 1983)...Tacoma 88 kinda counts....

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4 years 1 month

In reply to by proudfoot

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8 18 89

Then 8 19 89
Warlocks 89
3 10 81
10 30 73
Europe 90

With April 78 sprinkled here and there

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2 years 1 month

In reply to by proudfoot

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9/18/87 MSG

Before that was 5/2/70 and

February 13 &14, 1970 that I now have in my collection thanks to a kind and generous person! :)

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9 years

In reply to by JoeyMC

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The bonus disc that came out with After Midnight - JGB at Kean College 2/28/80.

Kick ass little disc, 4 songs from next night 2/29 (a leap year!) and 1 from 3/1. I got to thinking how "freaking good" this sounded compared to, say, some 1980 GD sbds and on an old Steve Hoffman forum thread heralding and dedicated to the After Midnight release it mentions that Kean is from 24 track tapes(!!) and I'm like what the heck is going on that a JGB show at Kean is being recorded with a 24 track rig?? And yes I'm very thankful that it was so beautifully recorded. The After Midnight > Eleanor Rigby > After MIdnight from Kean enters a musical space that is crazy beautiful and otherworldly and that pretty much has me with tears in my eyes every time.

They are a strange beast in a way. When I started going to concerts, back in 1972, the music was only part of the experience of going. All sorts of things happen when you go to a live gig - especially when you are young. Live recordings omit all that other stuff, and all you get is the music played, presented in isolation. I wonder if this is partly why late period Dead shows are popular - if you were there you can fill in the gaps. If you weren't, they might not sound as special because they lack that "x" factor of experience.

As opposed to 2/13/70, 2/14/70 and 5/2/70 - some of the best live shows of all time. You don't need to have been there to enjoy those recordings - you just need a pulse.

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In reply to by daverock

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Do we like 2/28 or 3/1 better?

For some of the later GD shows, you can feel the energy of the room and those are the ones I like.
Maybe its just Healy's recordings but not always...

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11 months 3 weeks
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...you will find me on a marathon listening party
of the HC Sunshine Box...
beginning at Des Moines State Fairgrounds
May 13th 1973 :)

everyone have a GRATE week!

Peace for All!
uncle_tripel

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7 years 8 months
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That lil' 5-song disc is indeed lovely! Just a fun bonus to have in the collection.

Live Recordings do have all of that extra "metadata" if you were in attendance. I can picture the Dragon dance/parades from Lunar New Year shows; the costumes at Halloween; the shimmering desert air in Las Vegas; the central lot at Shoreline back when you could arrive early and get your vehicle in there; and so on.

My younger brother is just old enough to have seen a few Grateful Dead shows, but he doesn't like collecting shows and he really won't listen to live GD *unless* there's a video. He wants to see the musicians and the crowd and the venue. He was the person who first turned me on to Christopher Hazard's channel because that's his jam.