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    marye
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    New year, new update. Tell us of your musical adventures in real time!

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  • JoeyMC
    Joined:
    Do we like 2/28 or 3/1…

    Do we like 2/28 or 3/1 better?

    For some of the later GD shows, you can feel the energy of the room and those are the ones I like.
    Maybe its just Healy's recordings but not always...

  • daverock
    Joined:
    Live recordings

    They are a strange beast in a way. When I started going to concerts, back in 1972, the music was only part of the experience of going. All sorts of things happen when you go to a live gig - especially when you are young. Live recordings omit all that other stuff, and all you get is the music played, presented in isolation. I wonder if this is partly why late period Dead shows are popular - if you were there you can fill in the gaps. If you weren't, they might not sound as special because they lack that "x" factor of experience.

    As opposed to 2/13/70, 2/14/70 and 5/2/70 - some of the best live shows of all time. You don't need to have been there to enjoy those recordings - you just need a pulse.

  • bluecrow
    Joined:
    Way After Midnight - JGB

    The bonus disc that came out with After Midnight - JGB at Kean College 2/28/80.

    Kick ass little disc, 4 songs from next night 2/29 (a leap year!) and 1 from 3/1. I got to thinking how "freaking good" this sounded compared to, say, some 1980 GD sbds and on an old Steve Hoffman forum thread heralding and dedicated to the After Midnight release it mentions that Kean is from 24 track tapes(!!) and I'm like what the heck is going on that a JGB show at Kean is being recorded with a 24 track rig?? And yes I'm very thankful that it was so beautifully recorded. The After Midnight > Eleanor Rigby > After MIdnight from Kean enters a musical space that is crazy beautiful and otherworldly and that pretty much has me with tears in my eyes every time.

  • JoeyMC
    Joined:
    9/18/87 MSG

    9/18/87 MSG

    Before that was 5/2/70 and

    February 13 &14, 1970 that I now have in my collection thanks to a kind and generous person! :)

  • proudfoot
    Joined:
    Currently

    8 18 89

    Then 8 19 89
    Warlocks 89
    3 10 81
    10 30 73
    Europe 90

    With April 78 sprinkled here and there

  • proudfoot
    Joined:
    6 14 94

    Nice at the time

    Will listen again someday

    I was so glad they were in Seattle (first time since 1983)...Tacoma 88 kinda counts....

  • icecrmcnkd
    Joined:
    Subwoofer

    The model I got is over 50% off because it has been replaced with a newer model.
    12-inch sub is spectacular.
    I highly recommend it as does Vguy.
    Grab one while you can.

    The speakers were also on sale. They are really nice. I would also recommend them, and they’re still on sale.

  • bluecrow
    Joined:
    Bob Marley and the Wailers

    Live At The Roxy (Hollywood - 5/26/76)

    Been thinking for a long while that I need to upgrade my system in certain key points. Slowly making my way to that move. Thanks for sharing ConeKid.

  • icecrmcnkd
    Joined:
    Klipsch upgrade

    RP-500M II speakers
    R-120SW subwoofer
    12 gauge 99.9% copper speaker wire

    Powered by a Cambridge Audio AXR100 receiver.

  • Obeah
    Joined:
    Circular agreement society

    At the risk of joining said society, I like the points you made, Daverock. I'm thinking of some live Quicksilver I had on cassette - absolutely ferocious playing, but the recording was not up to modern standards. Eminently listenable, though, and it broadened my mind to what that group was capable of. Or that Pink Floyd stuff from early '72, some early Doors stuff... that early '67 Thirteenth Floor Elevators concert (I think it later got released properly)...

    So those Sept 1970 Fillmore recordings, what exists of them, should absolutely be made available to the public after Dr. Norman takes his best shot. "What's to lose / We're NOT confused/ You can call this set / The Fillmore East blues."

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17 years 4 months
New year, new update. Tell us of your musical adventures in real time!
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17 years 3 months

In reply to by fourwindsblow

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Absolutely no noise reduction ON THE RECORDING, but that doesn’t mean some kind of processing on the final release, and, it seemed like 4/12 sounded much different, especially in the frequency spectrum we’ve been discussing.
There are other ways in mastering to treat noise beyond basic noise reduction, like, not your 80s tape deck Dolby…
I’ve been looking at pics and some don’t seem to have overhead drum mics where others certainly do. But haven’t dug deep so don’t know dates that correspond to pics etc. Just wonder if that was something Betty was messing with as she’s known for her mic placement perhaps above all else…
Also noticed JG moved into the center, and Bob to the left, (as per their stage orientation at the time) of the soundstage on maybe the 10th? Before that they were switched, and the 12 all kinds of things going on lol,
Always fun to try and dissect things!

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17 years 3 months

In reply to by Oroborous

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Hmmmm?
Another quirky good but inconsistent show?
Definitely a creeper. Starts a bit off (technically and otherwise) but by mid set they start settling in and syncing up. Second set, like much of this tour may not be flawless, but their is some fine playing and highlights!. And I’ll have to find that video cause wondering WTH was up with JG at the end etc? Wow?
These shows are hard to pin down, interesting run.
14 mañana…

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4 years 1 month

In reply to by Oroborous

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4 11 78

Finished 10 8 89 and 4 14 78 earlier today

Scarlet Fire

GBtGD

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15 years 11 months
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Among others they would have a mic over each drummer either hanging or on stands four feet above each drum kit since sound rises from the drums, cymbals.