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    marye
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    New year, new update. Tell us of your musical adventures in real time!

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  • icecrmcnkd
    Joined:
    Klipsch upgrade

    RP-500M II speakers
    R-120SW subwoofer
    12 gauge 99.9% copper speaker wire

    Powered by a Cambridge Audio AXR100 receiver.

  • Obeah
    Joined:
    Circular agreement society

    At the risk of joining said society, I like the points you made, Daverock. I'm thinking of some live Quicksilver I had on cassette - absolutely ferocious playing, but the recording was not up to modern standards. Eminently listenable, though, and it broadened my mind to what that group was capable of. Or that Pink Floyd stuff from early '72, some early Doors stuff... that early '67 Thirteenth Floor Elevators concert (I think it later got released properly)...

    So those Sept 1970 Fillmore recordings, what exists of them, should absolutely be made available to the public after Dr. Norman takes his best shot. "What's to lose / We're NOT confused/ You can call this set / The Fillmore East blues."

  • 1stshow70878
    Joined:
    Kid

    Whadja get?
    And what is powering them?
    Cheers

    Starting the box today.

  • icecrmcnkd
    Joined:
    6-14-76

    Sounds grate on my new speakers and subwoofer.

  • TN John
    Joined:
    4-7-78

    Sportatorium

    Just got back from my walk. Approaching the end of the first set.

  • bluecrow
    Joined:
    6/14/94 - Seattle Memorial Coliseum

    TN John - very cool! (a bc bday show not that I was there.) my FOTDs box set is crossing the Great Basin right now (i think) based on tracking. Hopefully by Tuesday next week.

    6/14/94 - iwt and got here listening today via a circuitous route of JOTM (from 3/11/93 Rosemont) drive home last night which has a late period Masterpiece and this morning (gestures wildly) somehow saw the set list here and thinking "wow" I saw a Masterpiece in 94. And from there Set I etc. Very unusual set list Set II and a really fun and fine well played show. Posting now because Set II leads off with 45 second structured drumz intro to Victim and it caught my ears as something I had "never" heard (despite being there!) Victim into Lazy River Road. And then the second Samba In The Rain, which I will unabashedly say sounded great that night, totally new to me, and strong cool memory of Phil/Bob/Jerry/Vince singing the chorus and it rocked. Samba > Trucking > and a super chill That Would Be Something into drumz. Those late era shows in Seattle Memorial Coliseum kicked it.

  • TN John
    Joined:
    4-6-78

    Curtis Hixon Hall

    Here we go. Headed out for my walk with the first show from the box..

  • proudfoot
    Joined:
    Jeffrey Norman is a benevolent Walter White

    Keep on cookin', JN!!!!

  • TN John
    Joined:
    5-8-77

    Barton Hall

    I've heard this show many times on the lots and in the years since at home. I was rolling through this box set while waiting for the new one, so what the hell. This is a great show, but I still think Buffalo and Hartford are better May '77 shows.

  • daverock
    Joined:
    September 1970

    I agree with Obeah - I think it would be great if these shows were officially released, even if they are incomplete and in less than optimum sound quality. It would be a pity if great music from the past was overlooked simply because it doesn't meet modern recording standards. I have some great live recordings by other bands and artists that are audience recordings. Not great for first time buyers - but that isn't the market here anyway.

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17 years 4 months
New year, new update. Tell us of your musical adventures in real time!
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Member for

17 years 3 months

In reply to by fourwindsblow

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Absolutely no noise reduction ON THE RECORDING, but that doesn’t mean some kind of processing on the final release, and, it seemed like 4/12 sounded much different, especially in the frequency spectrum we’ve been discussing.
There are other ways in mastering to treat noise beyond basic noise reduction, like, not your 80s tape deck Dolby…
I’ve been looking at pics and some don’t seem to have overhead drum mics where others certainly do. But haven’t dug deep so don’t know dates that correspond to pics etc. Just wonder if that was something Betty was messing with as she’s known for her mic placement perhaps above all else…
Also noticed JG moved into the center, and Bob to the left, (as per their stage orientation at the time) of the soundstage on maybe the 10th? Before that they were switched, and the 12 all kinds of things going on lol,
Always fun to try and dissect things!

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17 years 3 months

In reply to by Oroborous

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Hmmmm?
Another quirky good but inconsistent show?
Definitely a creeper. Starts a bit off (technically and otherwise) but by mid set they start settling in and syncing up. Second set, like much of this tour may not be flawless, but their is some fine playing and highlights!. And I’ll have to find that video cause wondering WTH was up with JG at the end etc? Wow?
These shows are hard to pin down, interesting run.
14 mañana…

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4 years 1 month

In reply to by Oroborous

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4 11 78

Finished 10 8 89 and 4 14 78 earlier today

Scarlet Fire

GBtGD

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15 years 11 months
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Among others they would have a mic over each drummer either hanging or on stands four feet above each drum kit since sound rises from the drums, cymbals.

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15 years 11 months
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Rolling into the 15th hot! After second set from the 14th.

B.E. is all over the place. Funny at times! LIG cooks!!

See how this one stands up..
Curious about the sound stage and recording consistency?

EDIT: this one mos def moved up a notch from the one previous time I heard it.
Really sweet show, perhaps most well played consistent of all so far?
Perhaps same with the mix/audio…definitely cymbals now, and everyone is in their proper soundstage position etc, good sheet Mon!
Overall, Maybe not some of the previous fireworks but very few lows. Only Ooops, and a small one, I can think of was in the otherwise delightful Dancing! It’s like their coalescing or morphing into a cohesive beast, but one with patience and finesse, and having a fine time doing so!
Eager to see how the 15 resonates after this one?
Mañana…

Overhead mics: yeah, I’m well aware what they are/for, i was trying to imply that “if” she hadn’t used them at some of the shows, then that might explain less prevalent cymbals…or maybe they were used but turned down…
since the pictures aren’t dated it’s hard to determine. In fact the pic on the last page shows Bob playing an Ibanez Musician Series guitar, which from the pictures I’ve seen (if dated correctly) he used from 5/5/78 until Egypt. So is that picture not from this tour, or did he use it at some point on the tour?
I’ve seen pics of Jerry trying one out also, but no idea when?