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    Dave's Picks Vol. 52: The Downs at Santa Fe, Santa Fe, NM (9/11/83)

     

    I remember the venue almost like and old fort with roses everywhere. We came to the site and Wavy Gravy showed us where to camp. Ken Kesey was here as well as a couple other big figures of the counterculture. I think because of Mickey's 40th. During drums a double rainbow appeared. Every time it looked like rain the band would stop and then come back even stronger from their breaks. I saw more outdoor shows in 83 than all the years combined. I have goose bumps even typing this from the memories. - xxuncle johnxx, Dead.net

    One of the best memories I have were these 2 shows. During the break there was a lightning storm behind the stage, followed by a rainbow and then an awesome 2nd set. Morning Dew with a Cold Rain, Phil singing encore. Most of my tour buddies went home after Red Rocks and I tortured them with the Santa Fe tapes. Nothing beats the magic of a great GD outdoor show. "It all bleeds into one." - grateful hawaiian, Dead.net

    In between sets, I remember it rained... and early on in the second set, there was an amazing rainbow directly over the stage behind the band. I don't believe they saw it, but I'm sure they heard about it. "Let It Grow" was awesome! - Johnny_A, Dead.net

    The pot at the end of this rainbow is mighty fine, indeed. Our final Dave's Picks release for 2024 features the complete unreleased show from The Downs at Santa Fe, Sante Fe, NM, 9/11/83 (fun fact, it was Mickey's 40th birthday) with just a squidge of 9/10/83 to round things out. A true trader's treat, this one is solid all around from the lively first set featuring soon-to-be minted 80s classics like "Hell In A Bucket" and "West L.A. Fadeaway" to the return of "Help>Slip>Franklin's," the incredible 2nd set surprise of "Let It Grow," and adventurous takes on "He's Gone,""Wang Dang Doodle," and "Morning Dew." It's all well played, my friend, well played.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 52: SANTA FE, NM 9/11/83 was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • Oroborous
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    Dave Picks 52

    I’m down!
    Only heard these once working in the garage but I really liked em, especially the 10th, but the 11 is good too, perhaps best of the fall, although I’ve always been partial to 8/27 just for the Jack Straw Phil Phest.

    Anyone interested in this time might also enjoy 10/16, 17, 18, and 22, among others…

    Strider! Nice to see ya!

  • Oroborous
    Joined:
    Morning Buzz Kill

    FFS, we get it, some folks are very particular with what THEY like.
    No problemo, just why do they have to be such a nasty pricks about it?
    Guess that’s what we’ve turned into in the modern world…

    And as far as unequal representation, hmmmm Id say over representation if you actually think before you spew, with 25 outta 52 picks from the 9 pre hiatus years of 66-74, so almost 50% of all Dave’s are from only 9 years, or less than 1/3 of all the years….really, only six years as 66-68 has for whatever reason been ignored.
    So almost half of all picks are from only 6 years, yeah Boo Hoo, totally under represented…

    And spare us the nonsense about everybody’s opinion is important etc,
    Once again, ad nauseam, I’m not suggesting that folks can’t dislike something or not have an opinion, just don’t be a dick about it!, because ya know what sucks more than being disappointed by a pick…waking up all happy to enjoy a new day, come to what is supposed to be the happy safe place, read about a new pick, and instead get such hostilities. Total Buzz Kill!

    Edit: FOTD box ?…yes, the DL situation is not cool, but your mixing apples and oranges cause the CD box is one of the best as far as recordings, sonics and production!

  • tnjed98
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    Strider

    Strider! Can you please explain how someone calling attention to the repeatedly stale picks, as well as the recent technically deficient FOTD release, is a "buzzkill" ?? As stated, I am personally a huge fan of the Brent years - but the fact remains that the picks are getting stale. I guess if you are not blindly praising and paying Lemieux for whatever half-ass*d product he chooses to put out, then you are a hater. Happy to wear that label if so.

    Personally, I prefer when I purchase something for it to work as expected and not be laden with file errors or poor audio. Did you even listen to 51? Sound quality was utter garbage

  • Strider 808808
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    My favorite show of the 80s.

    Remind me not to read all the comments. Hater posts about this Dead show. No buzz kill please.
    Thank you Dave. Great pick.

  • canoncito@gmail.com
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    Best and Worst Times in Santa Fe

    Home town shows for me (lived a couple miles away in La Cienega). It was the Best and the Worst of times....

    Best was 3 Red Rocks shows, then coming home for this, and even better, the night off in between was Zozobra night, the kickoff of Santa Fe's Fiesta weekend...ten thousand plus gathered to burn Old Man Gloom, a 50' puppet, groaning and waving his arms in full ritual glory, letting go all our glooms from the year. So fun to share that with a friend from back east and a couple new show-friends who tagged along as we came south!

    Also Best was the aforementioned weather magic, lightning in the foothills behind the stage as the first set ended, and the rainbow as they cranked it up for set 2 with Help on the Way. Classic!

    The Worst, I'm afraid, reared its head in both concrete and creative realms....The Downs was set up for these shows (as in the previous fall) with the stage facing the grandstand from across the track's oval. This created some awful echoes for those in the middle; of course, you could solve that by moving up close enough to the speakers to overwhelm the echo....or by being way back in the stands....but not ideal for those who like to wander! (a later Lyle Lovett show I saw there rectified this by setting up parallel to the stands).

    Sadly, this show featured what I felt at the time to be my clearest experience of Jerry's issues in these years. The way I heard the Help/Slip/Franklins sequence, Bobby was doing something really fun and creative at one point (I'm a "Bobby Fans are People, Too" guy), and ol' Jer just totally fell off the side of the train at just the point we were primed for him to ante up and raise the stakes. Just lost it. Happens to the best of us, I know....but it was pretty striking at the time.

    The next summer, my compilation of the few(ish) highlights of that year's set of Red Rocks shows was called "Are We Having Fun Yet?" It was a rough stretch for sure.

    Ah, well, not griping about the release or the band or the challenges Jerry was grappling with. Just my memories of these shows.... Which of course were still way fun in the moment despite the transient reminders of the deeper troubles lurking within.

  • daverock
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    Bulls Eye

    Butch - I agree with most of your post - I'm not sure I'd go along with remixing a show and dropping a musician that was there out of the mix ( Brent) however irksome his contributions became.

    I enjoyed a lot of live music in the 1980's that doesn't stand up to close scrutiny now. I saw Hawkwind loads of time in the 80's and always enjoyed it - but I wouldn't recommend any of their live albums from that era. You really had to have been there - and I suspect it's the same with Dead shows. Maybe they will concentrate on souvenir shows from now on - ones that the greatest number of people attended, which would necessarily mean concentrating on 1980s-1990s.
    Not good. This could be the first year when I haven't wanted any of the Daves Picks shows that have come out.

  • DeadVikes
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    Dennis

    Yes, September 11, Dennis.

    Yes, it has been a different couple of years for Dave's Picks, but put me in the camp of wanting more variety, not less. There are tons of great shows out there from all eras. But, not everybody will be happy.

    For me, the Frost shows were my favorite so far and that was a surprise to me, but I really like them and keep listening to them.

    Based on sales, #49 is the only one that is actually sold out. You still have three from last year that are still available. Maybe they should cut it back a few thousand. Not sure that will happen.

    My least favorite of the year was #51, sound quality is not very good.

    I haven't heard the Santa Fe show yet, looking forward to it.

  • tnjed98
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    When will Lemieux stop hoarding and grifting?

    Could not agree more with Butch's comment about how poor these releases have gotten, and this is coming from a huge fan of the Brent years. David, why do you continue to keep so many of the great, classic shows bottled up and give us this bull instead? Holding it all for the inevitable $5-600 GD60 Box?

    Even worse than the choice of show for Vol 52 - how could anyone confidently expect a quality product from these clowns when the FOTD set was such a flaming pile of trash?

    At my last count nearly 40 tracks in the set are totally unplayable, with no solution from Lemiuex and the crew but a refund - if you take the time to reach out and ask. No one from Dead.net coming out and saying, "hey - don't buy this it doesn't work properly." Very shady if you asked me but oh well, on to the next release of "top notch Grateful Dead music," so who cares! I wonder if/when enough of us heads will realize that these "archivists" are really just grifters ripping us all off.

    My recommendation to anyone reading; buy a cheap external hard drive and fill it with free, high quality FLAC for less $ than you're spending on one or two of these bogus releases. Stop giving David Lemieux your money for nothing of value in return.

  • Dennis
    Joined:
    Numbers on Birds?

    I see 11 & 40 on the birds,,, I assume the 40 is mick's birthday. Is 11 the date?

  • Butch
    Joined:
    Worst Dave's Picks Year

    I'm done subscribing. There is so much good 60s and 70s material in the vault, and half the releases these days are the band on the decline. Doesn't matter how many people were buying tickets for the shows (thus is always the argument for the 80s), the recordings suck. I don't how people can stand listening to that keyboard player's bar band vocals. Sure the concerts were great live and in person, but so were the Stones this year but I am not listening to a recording of them in 2024. It's no secret why sales are down. There used to be so many subscriptions that these things would sell out in less than 24 hours. It goes to show hiw few people want a subscription where they're getting two Brent shows a year, usually with bad audio. I would remix Spring 90 without his vocals or most of his keyboards. Dude, learn when to stop playing. Oh, but he made Jerry smile onstage. Never mind. Keep them coming.

    We had 1 show from before the hiatus in 2024, including the box set. Dave, Rhino, and Pinkus don't deserve my money when they're holding back great material from 68-74. There won't be 25K Dave's Picks per release next year. They got cocky and tried to mix in too much after hiatus music. The Dave's Picks titanic is sinking. Shame.

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Dave's Picks Vol. 52: The Downs at Santa Fe, Santa Fe, NM (9/11/83)

 

I remember the venue almost like and old fort with roses everywhere. We came to the site and Wavy Gravy showed us where to camp. Ken Kesey was here as well as a couple other big figures of the counterculture. I think because of Mickey's 40th. During drums a double rainbow appeared. Every time it looked like rain the band would stop and then come back even stronger from their breaks. I saw more outdoor shows in 83 than all the years combined. I have goose bumps even typing this from the memories. - xxuncle johnxx, Dead.net

One of the best memories I have were these 2 shows. During the break there was a lightning storm behind the stage, followed by a rainbow and then an awesome 2nd set. Morning Dew with a Cold Rain, Phil singing encore. Most of my tour buddies went home after Red Rocks and I tortured them with the Santa Fe tapes. Nothing beats the magic of a great GD outdoor show. "It all bleeds into one." - grateful hawaiian, Dead.net

In between sets, I remember it rained... and early on in the second set, there was an amazing rainbow directly over the stage behind the band. I don't believe they saw it, but I'm sure they heard about it. "Let It Grow" was awesome! - Johnny_A, Dead.net

The pot at the end of this rainbow is mighty fine, indeed. Our final Dave's Picks release for 2024 features the complete unreleased show from The Downs at Santa Fe, Sante Fe, NM, 9/11/83 (fun fact, it was Mickey's 40th birthday) with just a squidge of 9/10/83 to round things out. A true trader's treat, this one is solid all around from the lively first set featuring soon-to-be minted 80s classics like "Hell In A Bucket" and "West L.A. Fadeaway" to the return of "Help>Slip>Franklin's," the incredible 2nd set surprise of "Let It Grow," and adventurous takes on "He's Gone,""Wang Dang Doodle," and "Morning Dew." It's all well played, my friend, well played.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 52: SANTA FE, NM 9/11/83 was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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Thanks Charlie for the big list name drop of bands! I have actually heard of and bought some of them groups before. Mainly ones I've listened to on the local jazz station, then bought piecemeal off internet tunes.
El Michaels and Budos were new bands to my surprise, they've got such a retro feel for their new arraignments. You'd think they came from a time warp it sounds so authentically old school. Real good tunes!

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In Britain it was the first half of the 1970's that were written off - mainly by some really good writers from the N.M.E. The feeling they expressed was that the 1960's featured exciting, ground breaking music, but when the 1970's kicked in technique, rather than inspiration kicked in. Most of the bands and artists from the 60's that were still around were considered past their best, and bands that came to the fore in the 70's were regarded as dull. The Stooges and the MC5 were held up as the way to go. I can remember getting Raw Power when it came out, and that seemed incendiary - very different from other hard rock albums.
Write ups were printed about the new wave of American bands who played at CBGBs, and along with the two bands mentioned above, they was considered something of a guiding light. The first Patti Smith album, and even more so the first Ramones album that came out in 1976 were really influential in this country, paving the way for the Sex Pistols and punk. As far as the critics were considered, rock had been saved at the last minute, and a lot of people went along with that.
It all seems very different now, I must say. Punk from England in the mid-late 70's is one form of music I can no longer stand - although as a teenager going to those gigs in 1976-1977 it was 'triffic.

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Wow Daverock, I don't recognize a single thing you said about the 70's. Maybe that is because we were living in completely different parts of the country. I was living on the south coast at the time. In the first half of the decade some so-called progressive bands became very pretentious but the less famous bands were as good as they had been in the late 60's. Most broke up or had become irrelevant by the second half of the 70's. Punk and suchlike was largely invisible in my part of the country. There were a few punks and some skinheads in town but you had to look hard to find them. I recall 1969 - 1974 as being the best period for music and the 1980's as being the worst. I'm surprised at how much our views of that period vary.

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Father time remains undefeated.

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Haven't found a lot of new jazz, but a couple of acts that tend towards that direction are Dave Guy, his new album Ruby is some cool stuff, and The Olympians self-titled album is cool as well, sort of jazz with some soul roots. The Olympians album is really great from start to finish.

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Leon Michels is the driving force behind El Michels Affair and a lot of other new soul where he appears as a player or behind the scenes as a producer. Some of the later El Michels Affair albums have a more international music flair. If Leon Michels is involved in something I usually consider it worth at least checking out. If you dig that modern stuff with the authentic retro feel then definitely check out Big Crown Records, Daptone Records and Colemine Records, they all have a bunch of modern soul in their catalogues.

I remember as a 6th grader seeing a write up about it in Time magazine with a photo of Johnny Rotten thinking "wha'..."

GBH
Crass
The Exploited

Not sure if those count as mid 70s
Prolly not

Exploited created a ditty that sums up my current world view very nicely

Early 80s but never outdated

Simonrob - I think my post was a bit misleading. It was the music press - specifically the N.M.E. and even more specifically Mick Farren - hastily followed by Nick Kent and Charles Shaar Murray - who wrote off the big rock bands of the early 70's. I personally saw it very differently. I was 14-15 in 1972 when I first started going to gigs, and for me , seeing David Bowie, Black Sabbath and Hawkwind in particular was mind blowing. Life changingly so. But I was coming to it as someone very young who had no idea what had gone on before. The rock critics I mentioned, despite taking it upon themselves to represent the "the kids" were actually from a slightly older generation.

Manchester was a hot bed for punk - and as I liked The Stooges I gravitated towards it like a moth to a flame. The Electric Circus in some godforsaken area of the city was where it was all kicking off. Very different from seeing prog rock at The Free Trade Hall - home of the Halle Orchestra. I bought quite a few singles as well, charming little ditties with titles like "I'm Sick Of You" and "I'm A Fascist Dictator". A hoot at first - but quite a few punks seemed to adopt that world view for real. They all started looking the same, and were getting more and more antsy as they read in newspapers like The Sun that they were supposed to spit at bands and beat up hippies. As I looked like a member of Gong by 1977, I though it might be best if I moved on.

For whatever reason I found them "meh" after hearing the album Kick Out The Jams once or twice

I see they were explosive for 1968. That is obvious.

Maybe if I listened again I might reconsider the "meh" thing

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In reply to by proudfoot

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I remember Kick Out the Jams from high school, but by the time I left for college in 1970, it was Live Dead got me through the first semester, that and a slab of Afghani hash. Saw Zach Nugent play lastThursday night with Sunshine Garcia Becker and Cheryl Rucker vocals, plus a friend of his on various bass. Zach stuck with his 1958 Martin D-28 the whole time, played some great solo breaks, pretty much what one might expect from their tenure with JGB. Standout for me was Catfish John and Run for the Roses, Simple Twist of Fate had particular resonance. His parents were in the audience, he's more or less quasi local, has played in the area a bunch. A small jazz jam scheduled this evening. Last Five: Frisell Nashville, Coig Five, Return of Grievous Angel Tribute Various, Zappa YCDTOSA, vol. 4, Metheny Moondial.

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I had the advantage of being 16 in 1969. I had got off to an early start when I saw the Beatles in 1963 when I was 10. I started mis-spending my youth at an early age.

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In reply to by Vguy72

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I didn't know. I understand a little better now. It's very hard to escape from those thought processes and ingrained worldview at your age.

Any information that contradicts what we always believed in will automatically be met with not only automatic disbelief, but also a strong resistance and a visceral reaction of rejection and ridicule in order to maintain our worldview.

This is directed solely at those who were teens or older in the 60s/70s.

I must now apologize for not being more gentle in relating the facts that challenged your perception of reality. I am sorry.

I'm just going to leave you be, now. You will have a lot to process and deal with regarding this very shortly.

Please try to remember that the enemy is not the one who is revealing the truth to you, but rather than one's who have hidden the truth from you all this time.

And please remember, when all is said and done, we are all really just the same.

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Don't you get it.?!!! As tempting as it is, ignore this SOB. Please!

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In reply to by JeffSmith

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You can ignore me, but it's going to be impossible to ignore the truth that is coming.

We all lived through the biggest crime against humanity in world history.

The perpetrators will soon be brought to justice. This is not a left vs right issue. Social engineering was used to frame it as such, in order to distract you from what was actually happening.

Prepare yourselves for the truth that is coming. Forgive yourselves for being fooled. It was not your fault. Direct your anger only at the perpetrators of the crime. We were all victims.

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In reply to by JeffSmith

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Shun

My distant Amish and Mennonite relatives approve

Shun

Estimated Eyes Daves 27
So-so

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In reply to by proudfoot

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Kind of a "Seinfeld episode 2 face"

Sometimes his girlfriend looks hot

Sometimes pale and sickly

9 2 83 is a 2 face

10 2 76

Looking forward to that

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"You can ignore me"

Yeah, no kidding, thanks for the advice dummy

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Went back and forth on the new Dick's vinyl, and bummer too late. Cow Palace might be good? Too many interruptions and flips for me, gonna pass

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In reply to by itsburnsy

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GD on CD works best for me

As I say, vinyl cant transfer to the car or around the house

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You don't have a record player in your car??

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In reply to by proudfoot

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HCS - why do you think anything you write would have any effect on my world view, as you call it ? You are a bloke with a made up name making inappropriate comments on a Grateful Dead website. I wouldn't expect to find insight on here on any subject other than music and the culture in which it exits.
Even if I did...you don't come over as a reliable source. Last week you told us The Dead retired "Here Come Sunshine" after 1974. Clearly wrong, and by extension, as you were wrong about that ,it follows that you may well be wrong about many of the other things you write about. It seems likely, given the evidence, that you present things you want to be true as literally true, without any regard as to whether they actually are or not.
It's not up to me to say who is welcome one here and who isn't, but I still say you are. You surely need to stop making assumptions, and stop talking down to people. If you really want to be seen as an "expert", maybe learn how to ask questions and develop a bit more humility.

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In reply to by simonrob

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Simonrob - that must have been amazing to see The Beatles. From this distance it's hard to believe they lived on the same temporal plane as everybody else.
I lived just outside Blackpool, with my parents, when I was 10. It was around this time, 1967, that they took me to see live shows - I've already mentioned The Black and White Minstrel Show - another was Danny La Rue. A drag act that mysteriously broke through to the mainstream. I don't think my parents actually saw him as a drag act - more a totally straight bloke who simply put on a dress to make fun of women. No wonder I grew up spooked.
That was my 1967 - for anyone who wasn't alive during the Summer Of Love - it was grossly overrated.

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Hey Mary, could you please clue in A$$ Hat, I mean Here Comes Sunshine, as to what the rules of etiquette are on this site? Pretty Please and Thank You!!!!
I am sure there are many other places that would love to hear what he has to say but this is not the place.
This is about the band, the music and the community. It is actually the only chat I belong to because I don't (didn't) have to deal with with opinions about other things. Let's get back to the Good Ol Grateful Dead and the only arguments on here being about what the next release will be or whether Dave got the last release right. Yes I'm ready for some 67-70 and absolutely yes this1983 release was amazing! Thanks Vguy.

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Daverock - fortunately my parents didn't take me to see the sort of live shows that were forced on you, but of course there was no escaping the Black and White Minstrel Show or Danny La Rue on the television as there were only 3 channels in 1967. I think most people have to recover from their upbringing. That is as a result of what used to be called the generation gap.

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I've been able to do some focused listening lately, as i've had the house to myself the last two days

3/15/90 Wow, the band really blew it out for Phil's 50th b-day. Amazing show start to finish!

2/22/74 Daves #42 bonus disc

2/23/74 Dave's #42

That Febuary 74 Winterland run is simply amazing. Total fire front to back!!

It's staggering how much great music has been put out by Dick, Dave, and company

rock on, gang!!

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Still enjoying #52

Is that Let It Grow a monster or what! Wowzers

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As early as 1956-59 could be had in Chrysler, Plymouth, Dodge, and DeSotos. I know Cadillac had them too. George Harrison had one in his Jaguar. I still have two cars with cassette players that work, lol. And our newest car has a CD that hasn't worked since I got the car when it was only 4 years old. Go figure.
Cheers

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Wow, HCS really stirred it up I guess. I would agree with the general sentiment in DaveRock's post about HCS being welcome and suggesting more of a focus on music and less on politics, although I don't disagree with much of what HCS posted. I have noticed lots of political comments on this site over the past few years, it's just that unless the post has a left of center view it seems to cause a bit of distress, while posts that lean left are not challenged or receive nods of approval. If you don't want political posts, don't make political posts. Shunning people with different views does not really seem like a constructive approach to life, and you never really know what areas of agreement you might find if you simply shut out anyone with a different view. Seems like a good way to ensure that each side will never understand the other. I thought diversity was strength, does that not apply to diversity of thought?

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....but when one doubles down and then proceeds to say, "I must now apologize for not being more gentle in relating the facts that challenged your perception of reality." I am sorry , yeah. I'm out. You can lean left. You can lean right. It's all good.
But don't pull your "punches" and try and dumb me down and then say your fucking sorry. Give it to me straight and man up. I'm not a fan of pretentious people and I've been personally approached and threatened by trumpers. I've personally seen friendships and relationships destroyed by the MAGA movement.
The Punisher logo gave it away long ago. But he changed it just "for me."
Pathetic. Takes two seconds to realize what kind of person one is dealing with if you have empathy and common sense. He did accomplish what he came here to do however, so winner I guess? Enjoy the incoming tariffs.
Should be fun.
And I couldn't care less about his last five.
And, just so everyone knows that I don't pull punches, I only see confederate flags on TV when there is a trump flag on the same pole.
Yay. Common sense!

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In reply to by Charlie3

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Yes, I agree that it is good to listen to people with different views. I have some great discussions with people in the physical world where all sorts of views are put forward. There has to be mutual respect, but if you have that - go for it !

On this board I like reading different views of The Dead - what some people really like others don't, and vice versa. The more different views expressed the more interesting it becomes for me. Not everyone sees it that way, obviously Some people refer to you as hater on here if you criticize someone or something connected with The Dead, which I'm not keen on. Seems a bit childish.

Political views though - and views on hockey, truth be told - when they are expressed on here I am really not interested at all. It seems a bit selfish when people go on about their private obsessions on here when they have nothing to do with music. One off posts aren't so bad, but long ongoing conversations off the point are a bit boring.

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....is heads and tails better than Donna circa 1973.
Let them fight!
Daverock. My interactions haven't been so kind.
I usually just walk away feeling dumber and scratching my head.
All good.

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TT’s are Boring the schtick is just one big ZERO.

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My profile pic is enough to trigger your anger response. It's the Two Minutes Hate from "1984" using Trump instead of Goldstein.

"The horrible thing about the Two Minutes Hate was not that one was obliged to act a part, but, on the contrary, that it was impossible to avoid joining in."

At least Winston was aware of the brainwashing.

for fellow music lovers.

There is a new Miles Davis coming out on vinyl called 'Birth of the Blue' being released on Dec. 13 and is available for pre-order.

It is the same lineup (Miles, Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Jimmy Cobb) and recorded in the same studio as 'Kind Of Blue.'

The tracks have been released before, but this album puts them all together as they should be.

Looks kind of "cool."

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