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    Friend of The Devils: April 1978 (Dead.net Exclusive) [19 CD]

     

    WHAT'S INSIDE:
    Curtis Hixon Convention Hall, Tampa, FL 4/6/78
    Sportatorium, Pembroke Pines, FL 4/7/78
    Veterans Memorial Coliseum, Jacksonville, FL 4/8/78
    Fox Theatre, Atlanta, GA 4/10/78
    Fox Theatre, Atlanta, GA 4/11/78
    Cameron Indoor Stadium, Duke University, Durham, NC 4/12/78
    Cassell Coliseum, Virginia Polytechnic Institute, Blacksburg, VA 4/14/78
    Huntington Civic Center, Huntington, WV 4/16/78

    Recorded By Betty Cantor-Jackson
    Newly restored and speed-corrected audio by Plangent Processes
    Mastered by Jeffrey Norman
    Liners By Author Steve Silberman
    Artwork By Acclaimed Artist Matthew Brannon

    Limited To 10,000 Individually Numbered Copies
    Dead.net Exclusive

    It’s been said before but April ‘78 was an incredible month for the Dead. Like May ‘77, you could throw a dart and guarantee you hit a stellar show. - KyloRensPecs, r/gratefuldead, Reddit

    .... April/May '78 has a lot of the same qualities of Spring '77 but with some extra edge and a much bigger sound from the Rhythm Devils. A really special era that often gets neglected. - viewtiful_alan, r/gratefuldead, Reddit

    Sportatorium - April 7, 1989

    when drums started I thought, oh s*#!, i hate drum solos and Billy and Mickey stopped me in my tracks. Wow, these guys are really good. Little did I know the pervasive influence this phenomena would have on my life. - pearlybakerbest, Dead.net

    Huntington Civic Centre, West Virginia – 16 April 1978

    This is another must-hear concert by The Grateful Dead. The sound and mix are almost ‘absolutely perfect'... It’s difficult to pick out highlights because everything is played so well; the band are tight, Donna is great and the set list is strong. - Grateful Ted, gratefulted.co.uk

    We're hitting the bullseye with the eight previously unreleased stellar shows that make up FRIEND OF THE DEVILS: APRIL 1978. Filled to the brim with peak performances from the Grateful Dead's post-hiatus period, this collection captures the historic tour where "Drums" begat "Space," morphed into "Drums">"Space" and cemented the Rhythm Devils' second-set power move from the music business to the "transportation business."

    Spring 1978 finds the Dead consistently weaving spontaneous magic, showing signs of great promise and potential - from the no-nonsense rock'n'roll in Tampa, where scholars cite the first "Drumz" leading into "Space," to the lengthy communal get down in Pembroke Pines to Jacksonville where the twain emerge fully formed, offering the primordial opportunity for "soul retrieval." It's evident in the dynamic range delivered on back-to-back nights at the intimate Fox Theatre and through the laid-back unity of the band's performance in Durham at Duke, a comfort that carries over to Virginia and West Virginia where the playing is unbridled, bursting with momentum, threatening to carry itself away. And nowhere can you hear that more clearly than through Betty Cantor-Jackson's original recordings, reliably crisp, bright, and vivid.

    Individually numbered to 10,000 copies and exclusive to Dead.net, FRIEND OF THE DEVILS: APRIL 1978 has been mastered by Audio Engineer Jeffrey Norman using Plangent Processes tape restoration and speed correction. Steve Vance designed the collection’s custom box, which features a removable wave drum. (We invite you to unleash your inner Rhythm Devil.) Acclaimed artist Matthew Brannon created the set’s original artwork. The collection also includes a 48-page book with original liner notes by author Steve Silberman and photos by James Anderson, Bob Minkin, and more.

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  • daverock
    Joined:
    Toad

    Regarding Ginger Baker, not only is his extended solo on "Wheels of Fire" the worst track on the album, it's also one of the worst recorded drum solos I've ever heard. Unlistenable. He got kicked out of Hawkwind after one album.

    Drum solos were generally something of a cliche in the early 70's, as I remember. Many bands featured them - particularly in the heavy rock world. Black Sabbath used to move through their set like a freight train, then the pace would slow down, band members would gradually slope off stage, and drummer Bill Ward would start an interminable solo. Then he would be replaced by Tony Iommi, who would play an unaccompanied guitar solo - bit of Django Reindhart in there. All very nice, but hardly in tune with the moment. Then the full group would come on and pick up again from where they had left off about 20 minutes ago. They always seemed to play twice as fast and hard as they had done before. Quite a break they must have had back there.

  • Vguy72
    Joined:
    It's DRUMZ->SPACE....

    ....I've gotten lost in a few of them.
    What's going on?
    Vinyl shipping received.
    And The Race Is On.
    Booyah.
    Edit.
    Label is on the package. Currently in Oceanside, CA.
    Literally. Right down the freeway.
    I bet when that bullet train between Vegas and SoCal is finished, if ever, it would be here before I finished this post.

  • Obeah
    Joined:
    It takes a lot to laugh, it takes a train to create my label

    Like vguy, my label is apparently still being created, 28 hours later...

  • Vguy72
    Joined:
    Jon Fishman has entered the room....

    ....and has too many nicknames to count. Jon Sullen Melancholy is my favorite. Right behind Tubbs.
    Didn't think I'd see so many drumz/space skippers.
    Personally? Beat that shit right on down the line. My wife doesn't enjoy them. It's OK to not be OK.
    Label is still being created re my order.

  • 1stshow70878
    Joined:
    More Favorite Drummers

    Billy Cobham
    Lenny White
    Jack De Johnette
    Trucks/Jaimoe
    To name a few
    Cheers

  • Cousins Of The…
    Joined:
    Double post...

    Captcha got confused...

  • Cousins Of The…
    Joined:
    Rhythm Devils - Irony

    Yeah, ironic that Like Dark-Star, I will be skipping drums on this Rhythm Devils box.
    What bugged me most about drums, was the predictability. After 78, you just knew there would be a long drums interlude interrupting the flow of the 2nd set, unlike previous years when they showed up in a more organic way, and sometimes not at all.
    So from that point on, shows followed a format, pre-drums songs > Drums > post-drums songs. Don't think they ever deviated from this pattern, except in Amsterdam 1981.
    I'll take Art Blakey, Max Roach, Brian Bennett, Dave Lombardo, solos anytime though.

  • Crow Told Me
    Joined:
    I Think Mr. Baker Would Say

    That ALL drums solos are rubbish ... except for the ones he played. And maybe a few of Art Blakey's.

    Not a big fan of 'em, myself. Because unless you're a genius on the Ginger Baker/Art Blakey level, there's generally not much going on in terms of, you know, music. Most drum solos are more like feats of athleticism ("watch how many cymbals I can get ringing at the same time!") and self indulgent excess ("I bet you were wondering why I needed 47 different toms") than actual musical improvisations.

    The Rhythm Devils were an exception, but then again ... that's probably because what they did was not a 'solo'. Because there's two of them. It's a percussion duet, and sometimes trio, quartet, etc if band members felt like participating. So it wasn't just one guy wanking away up there. There was some interaction and some development of ideas.

    I always thought Drums/Space was a key part of the show, so I wasn't one of the ones headed for the head. I'd usually try to make a break for it during Me and My Uncle. Which is a cool song, the first two or three hundred times you hear it.

    Last five!

    Zappa: Make a Jazz Noise Here
    Brad Mehldau: Day is Done
    Miles: Nefertiti
    Zeppelin: How the West was Won
    Airplane: Crown of Creation

  • TN John
    Joined:
    Tomorrow?

    Mine's showing delivery tomorrow. Maybe Fed Ex will be hitting my carport right after work. I was scoping him out in the neighborhood when I took my walk after work today. Lol

  • daverock
    Joined:
    Being there

    It also makes a huge difference with drums and space being there - with all that entailed - and listening to a recording at home - with all that entails. It's not going to blow my mind in quite the same way, listening to cd of drums and space sitting here quietly in my living room with just a cup of tea and a biscuit to fortify myself.

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3 years 6 months

Friend of The Devils: April 1978 (Dead.net Exclusive) [19 CD]

 

WHAT'S INSIDE:
Curtis Hixon Convention Hall, Tampa, FL 4/6/78
Sportatorium, Pembroke Pines, FL 4/7/78
Veterans Memorial Coliseum, Jacksonville, FL 4/8/78
Fox Theatre, Atlanta, GA 4/10/78
Fox Theatre, Atlanta, GA 4/11/78
Cameron Indoor Stadium, Duke University, Durham, NC 4/12/78
Cassell Coliseum, Virginia Polytechnic Institute, Blacksburg, VA 4/14/78
Huntington Civic Center, Huntington, WV 4/16/78

Recorded By Betty Cantor-Jackson
Newly restored and speed-corrected audio by Plangent Processes
Mastered by Jeffrey Norman
Liners By Author Steve Silberman
Artwork By Acclaimed Artist Matthew Brannon

Limited To 10,000 Individually Numbered Copies
Dead.net Exclusive

It’s been said before but April ‘78 was an incredible month for the Dead. Like May ‘77, you could throw a dart and guarantee you hit a stellar show. - KyloRensPecs, r/gratefuldead, Reddit

.... April/May '78 has a lot of the same qualities of Spring '77 but with some extra edge and a much bigger sound from the Rhythm Devils. A really special era that often gets neglected. - viewtiful_alan, r/gratefuldead, Reddit

Sportatorium - April 7, 1989

when drums started I thought, oh s*#!, i hate drum solos and Billy and Mickey stopped me in my tracks. Wow, these guys are really good. Little did I know the pervasive influence this phenomena would have on my life. - pearlybakerbest, Dead.net

Huntington Civic Centre, West Virginia – 16 April 1978

This is another must-hear concert by The Grateful Dead. The sound and mix are almost ‘absolutely perfect'... It’s difficult to pick out highlights because everything is played so well; the band are tight, Donna is great and the set list is strong. - Grateful Ted, gratefulted.co.uk

We're hitting the bullseye with the eight previously unreleased stellar shows that make up FRIEND OF THE DEVILS: APRIL 1978. Filled to the brim with peak performances from the Grateful Dead's post-hiatus period, this collection captures the historic tour where "Drums" begat "Space," morphed into "Drums">"Space" and cemented the Rhythm Devils' second-set power move from the music business to the "transportation business."

Spring 1978 finds the Dead consistently weaving spontaneous magic, showing signs of great promise and potential - from the no-nonsense rock'n'roll in Tampa, where scholars cite the first "Drumz" leading into "Space," to the lengthy communal get down in Pembroke Pines to Jacksonville where the twain emerge fully formed, offering the primordial opportunity for "soul retrieval." It's evident in the dynamic range delivered on back-to-back nights at the intimate Fox Theatre and through the laid-back unity of the band's performance in Durham at Duke, a comfort that carries over to Virginia and West Virginia where the playing is unbridled, bursting with momentum, threatening to carry itself away. And nowhere can you hear that more clearly than through Betty Cantor-Jackson's original recordings, reliably crisp, bright, and vivid.

Individually numbered to 10,000 copies and exclusive to Dead.net, FRIEND OF THE DEVILS: APRIL 1978 has been mastered by Audio Engineer Jeffrey Norman using Plangent Processes tape restoration and speed correction. Steve Vance designed the collection’s custom box, which features a removable wave drum. (We invite you to unleash your inner Rhythm Devil.) Acclaimed artist Matthew Brannon created the set’s original artwork. The collection also includes a 48-page book with original liner notes by author Steve Silberman and photos by James Anderson, Bob Minkin, and more.

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@CmdrDarklighter

The flac files for this box are corrupt. For whatever reason, they're still for sale. Some of us have tried slugging it out with support, the higher ups, and whatnot. Nothing has changed.
The flac files are still full of drop outs and digital stuttering. The alac files, I believe, are ok.

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9 years 5 months
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Just got done listening to the Box set in order, plus threw William and Mary in there to make it like I was on tour. I have to say that it was a very enjoyable experience. All the Box sets are excellent, but this one really brought a smile to my face. There's a looseness to the playing that makes it incredibly easy to enjoy - plus the sound is killer!! Going to need to relisten to July '78 now.

Now, let's scrape up anything listenable for that Fall 1970 Box set.

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5 years 8 months
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I was able to get in both shows last night. The band is on fire, and there is a looseness to the playing, but also some really focused jamming

Scar>Fire from 4/11/78 almost set my damn house on fire!!!

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