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    Dave's Picks Volume 3

    Dave's Picks Volume 3
    October 22, 1971
    SOLD OUT
    Cover Art by Scott McDougall

    REPLACEMENT SHIPPING UPDATE (October 22, 2012):

    The replacement units for Dave's Picks: Volume 3 have begun to ship out to those that reported their order missing.
    We again apologize for the delay and inconvenience, and we thank you for your patience.

    Sincerely,

    The Dead.net Team

    DAVE’S PICKS VOL.3 FEATURES SHOWS FROM KEITH’S FIRST TOUR!

    This product is officially SOLD OUT. Stay tuned for news on Dave's Picks Volume 4.

    In all the years that archival Grateful Dead recordings have been coming out, there have been just three from the red-hot fall of 1971, Keith Godchaux’s landmark first tour with the band. Those would be Dick’s Picks Vol. 2, a rippin’ single-disc release of the second set of the group’s Halloween show at the Ohio Theatre in Columbus, Download Series Vol. 3 from the 10/26 Rochester show and Road Trips Vol. 3 No. 2 from November 15, 1971 in Austin, Texas. Now there is a fourth: Dave’s Picks Vol. 3 features the complete October 22, 1971 concert from the beautiful Auditorium Theatre in Chicago on two discs, with a third disc culled from the previous night’s scorcher at the same venue.

    Keith came into the band in mid-September ’71, at a time when Pigpen was desperately ill and the band was hungering for something new to help fill out their sound. A sparkling pianist, Keith was a complete unknown at the time, yet, miraculously it seemed, fit in with the Dead immediately. The live “Skull & Roses” double-album (recorded in the winter-spring of ’71) had just come out, and the band was still enjoying a surge of unprecedented popularity since Workingman’s Dead and American Beauty were released the previous year. They were on a roll!

    Never ones to rest on their laurels, however, the band continued their torrid pace of introducing new songs: “Sugaree” and “Brown-Eyed Women” first appeared in the summer of ’71, and that fall, when the band with Keith hit the road, starting out in Minneapolis (10/19) and then moving on to Chicago (10/21-22), they had a whole bunch of other freshly minted tunes waiting to be born—“Tennessee Jed,” “Jack Straw,” “Mexicali Blues,” “Ramble On Rose,” “Comes A Time” and “One More Saturday Night,” all of which appear on this set.

    The sparkle and verve that Keith brought to the band is immediately apparent, as he tears through rockers and bouncy mid-tempo numbers with the confidence of someone who had been playing this music forever. If the quiet keyboardist was nervous or unsure of himself on this first jaunt, it certainly wasn’t apparent. And you can feel the electricity in the rest of the band, as Jerry, Phil, Bob and Bill absorb and play off of the amazingly inventive musings of their new recruit. Of course Pigpen’s absence was deeply felt (and the band acknowledged it at every stop), but Keith’s entrance was so seamless and the energy he injected into the music so impressive, the group didn’t appear to lose any of the momentum they had been building tour after tour.

    The songs are a blend of old, still-recent (from Workingman’s Dead on) and brand-new. One forgets that crowd-pleasers such as “Bertha,” “Deal” and “Playing in the Band” had come into the repertoire only eight months earlier, and “Truckin’” and “Sugar Magnolia” were just over a year old. Even a bunch of the cover tunes were relatively recent additions—“Big Railroad Blues,” “Me & Bobby McGee” and “Johnny B. Goode.” Keith handles all of those (and earlier chestnuts like “Cold Rain and Snow” and “Beat It On Down the Line”) with his characteristic aplomb, but perhaps most impressive is how he fares on the Dead’s big jamming numbers. On Disc Two, you’ll hear his thoughtful and inventive contributions to a truly stellar, 29-minute version of “That’s It for the Other One.” And on Disc Three (from 10/21), listen to him as he navigates through a spectacular “Dark Star,” which is split by a spirited romp through “Sitting on Top of the World.” The encore of 10/21 also features the first of only three “old school” (pre-hiatus) versions of “St. Stephen” Keith played on.

    Most of the 12,000 limited edition copies of Dave’s Picks Vol. 3 are already spoken for by subscribers to the series, but there are a still a few thousand available through Dead.net only. These will definitely sell out—and fast—so if you want make sure you get your copy, order today! As always, the 3-CD set has been lovingly mastered to HDCD specs by Jeffrey Norman from the original vault reels, and the eco-friendly Digipak includes a booklet with an essay about the show and, in this case, some very cool photos of the interior of Chicago’s historic Auditorium Theatre. For the complete song lists and ordering info, click here.

    —Blair Jackson

    If you haven't received your copy of Dave's Picks: Volume 3, please see our note at the top of the page.

    DAVID LEMIEUX ON VOLUME 3 & MORE
    David Lemieux sits down for a seaside chat about his favorite moments on Dave's Picks, Volume 3: Auditorium Theater, Chicago, IL - 10/22/71. Watch the video here:

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  • MilesM
    12 years 2 months ago
    Tracking
    Called USPS they said there's nothing they can do without a tracking #. Called dead.net they said the item didn't weigh enough to be issued a tracking #.
  • Syracuse78
    12 years 2 months ago
    I'm not in on the DaP3
    I'm not in on the DaP3 debacle (the E72 box did me in), but it's kind of humorous to think that dead.net is a DIRECT MARKETING MAIL ORDER BUSINESS! This is what they do! I do freely admit that 1) it doesn't take too many unhappy customers with unfilled/incorrect orders to make it seem like an epidemic, and 2) MaryE is the only thing holding this process somewhat together (Yeah, Mary!). But one might think at this stage in the game, manufacturing and shipping (not to mention order tracking) would be a little more refined.
  • SPACEBROTHER
    12 years 2 months ago
    Thanks for the update!
    If the missing copies of Daves Picks Vol 3 that shipped are gone and never to be seen again courtesy of the usps, I'm curious as to how the limited edition individual numbered sets are tracked, if at all. If they have to remanufacture replacements, will they be numbered? This is an extraordinary circumstance, as I've never had shipping issues with Dead.net, but if it comes down to further delay to remanufacture "X" number of missing copies for a sold out and out of print CD set, what happens from there? Incidently, a friend of mine who lives only a few miles from me, who also preordered the subscription, but opted for express shipping instead of standard like I did, recieved his copy of DaP3 by August 3rd.
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Dave's Picks Volume 3
October 22, 1971
SOLD OUT
Cover Art by Scott McDougall

REPLACEMENT SHIPPING UPDATE (October 22, 2012):

The replacement units for Dave's Picks: Volume 3 have begun to ship out to those that reported their order missing.
We again apologize for the delay and inconvenience, and we thank you for your patience.

Sincerely,

The Dead.net Team

DAVE’S PICKS VOL.3 FEATURES SHOWS FROM KEITH’S FIRST TOUR!

This product is officially SOLD OUT. Stay tuned for news on Dave's Picks Volume 4.

In all the years that archival Grateful Dead recordings have been coming out, there have been just three from the red-hot fall of 1971, Keith Godchaux’s landmark first tour with the band. Those would be Dick’s Picks Vol. 2, a rippin’ single-disc release of the second set of the group’s Halloween show at the Ohio Theatre in Columbus, Download Series Vol. 3 from the 10/26 Rochester show and Road Trips Vol. 3 No. 2 from November 15, 1971 in Austin, Texas. Now there is a fourth: Dave’s Picks Vol. 3 features the complete October 22, 1971 concert from the beautiful Auditorium Theatre in Chicago on two discs, with a third disc culled from the previous night’s scorcher at the same venue.

Keith came into the band in mid-September ’71, at a time when Pigpen was desperately ill and the band was hungering for something new to help fill out their sound. A sparkling pianist, Keith was a complete unknown at the time, yet, miraculously it seemed, fit in with the Dead immediately. The live “Skull & Roses” double-album (recorded in the winter-spring of ’71) had just come out, and the band was still enjoying a surge of unprecedented popularity since Workingman’s Dead and American Beauty were released the previous year. They were on a roll!

Never ones to rest on their laurels, however, the band continued their torrid pace of introducing new songs: “Sugaree” and “Brown-Eyed Women” first appeared in the summer of ’71, and that fall, when the band with Keith hit the road, starting out in Minneapolis (10/19) and then moving on to Chicago (10/21-22), they had a whole bunch of other freshly minted tunes waiting to be born—“Tennessee Jed,” “Jack Straw,” “Mexicali Blues,” “Ramble On Rose,” “Comes A Time” and “One More Saturday Night,” all of which appear on this set.

The sparkle and verve that Keith brought to the band is immediately apparent, as he tears through rockers and bouncy mid-tempo numbers with the confidence of someone who had been playing this music forever. If the quiet keyboardist was nervous or unsure of himself on this first jaunt, it certainly wasn’t apparent. And you can feel the electricity in the rest of the band, as Jerry, Phil, Bob and Bill absorb and play off of the amazingly inventive musings of their new recruit. Of course Pigpen’s absence was deeply felt (and the band acknowledged it at every stop), but Keith’s entrance was so seamless and the energy he injected into the music so impressive, the group didn’t appear to lose any of the momentum they had been building tour after tour.

The songs are a blend of old, still-recent (from Workingman’s Dead on) and brand-new. One forgets that crowd-pleasers such as “Bertha,” “Deal” and “Playing in the Band” had come into the repertoire only eight months earlier, and “Truckin’” and “Sugar Magnolia” were just over a year old. Even a bunch of the cover tunes were relatively recent additions—“Big Railroad Blues,” “Me & Bobby McGee” and “Johnny B. Goode.” Keith handles all of those (and earlier chestnuts like “Cold Rain and Snow” and “Beat It On Down the Line”) with his characteristic aplomb, but perhaps most impressive is how he fares on the Dead’s big jamming numbers. On Disc Two, you’ll hear his thoughtful and inventive contributions to a truly stellar, 29-minute version of “That’s It for the Other One.” And on Disc Three (from 10/21), listen to him as he navigates through a spectacular “Dark Star,” which is split by a spirited romp through “Sitting on Top of the World.” The encore of 10/21 also features the first of only three “old school” (pre-hiatus) versions of “St. Stephen” Keith played on.

Most of the 12,000 limited edition copies of Dave’s Picks Vol. 3 are already spoken for by subscribers to the series, but there are a still a few thousand available through Dead.net only. These will definitely sell out—and fast—so if you want make sure you get your copy, order today! As always, the 3-CD set has been lovingly mastered to HDCD specs by Jeffrey Norman from the original vault reels, and the eco-friendly Digipak includes a booklet with an essay about the show and, in this case, some very cool photos of the interior of Chicago’s historic Auditorium Theatre. For the complete song lists and ordering info, click here.

—Blair Jackson

If you haven't received your copy of Dave's Picks: Volume 3, please see our note at the top of the page.

DAVID LEMIEUX ON VOLUME 3 & MORE
David Lemieux sits down for a seaside chat about his favorite moments on Dave's Picks, Volume 3: Auditorium Theater, Chicago, IL - 10/22/71. Watch the video here:

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In all the years that archival Grateful Dead recordings have been coming out, there have been only two from the red-hot fall of 1971, Keith Godchaux’s landmark first tour with the band. Those would be Dick’s Picks Vol. 2, a rippin’ single-disc release of the second set of the group’s Halloween show at the Ohio Theatre in Columbus, and Road Trips Vol. 3 No. 2 from November 15, 1971 in Austin, Texas. Now there is a third: Dave’s Picks Vol. 3 features the complete October 22, 1971 concert from the beautiful Auditorium Theatre in Chicago on two discs, with a third disc culled from the previous night’s scorcher at the same venue.

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While you're generally right, I have ready and heard many interviews, the Dead can and do control things. For the Egypt release, Dave had to make copies of what he liked to get the band's approval according to an online interview. I'm sure different releases vary on how much involvement the band has. Some probably have very little to none whereas others have more. All the other examples I gave in my earlier post were places where changes were made after the vault archivists had finished and/or submitted.
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With thousands of shows to choose from, and the fact that the music never stops, I can't see how everybody wouldn't be pleased in the long run.
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I was under the impression that the band used to have a much greater say in what was released, but since the deal with Rhino they have been very laissez-faire. At least that's how I've interpreted Dave's most recent comments. I'm not saying you're 100% wrong and I'm not saying I'm 100% correct. I'm sure there's a middle ground in there somewhere and that the dynamic of band oversight is by no means static.
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to "blow" the guy who can't understand why some of the rest of us might really love to hear a great set, even if it sadly doesn't include Pigpen. Outstanding. Can you go any lower, Fox? Does that rise to the level of ban-worthy behavior, at all? Marye?
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Enough already. Thank you. You have made your point. And then some. (mod hat off)
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I must say that the sometimes mean spirited tone (and of course the ever presence of PF and his attempts to pick fights) seems to be unique to the part of dead.net devoted to the discussion of new releases. I recently was reading another regular "column" here and virtually every post was respectful, informed and interesting to at least some degree. I won't mention which forum I am speaking of, since one Fox in the hen house can obviously ruin the vibe, but if anyone is interested, just PM me here. I do realize that people are rightly wrapped up in what gets released and what doesn't, especially if they are already financially committed. But if you are interested in reading about a band that you really like (and I can't imagine why one would be here if that wasn't the case....), there are other forums here that seem to have thoughtful posts without the rancor.
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just stop buying just like I did now I'm happy not feeling the urge to buy the same shows saving a lot of monet for all other hobbies
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16 years 8 months
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monet : money "free as the wind" FZ
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16 years 10 months
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Wonder if Bob had that same Freudian slip. "It's a real shame they got to cost so much" Okay, that'll be enough of that...
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I really am excited about this release. I hope the descending order is continued on Volume 4 and we get a 68, 69 or dare I say a 1970 show. Maybe next year start in the 90’s and work down. It’s all good. Support the releases if you can. Where else can you get a Jam of the Week (1982 this week for all the 80’s fans), tapers section, 30 days of the Dead and releases of good music? There is work put into these ventures believe it or not. Syracuse78, most postings on a new release are basically supportive but it only takes one agitator to cause negativity (remember Big Donnie and what happened to him or her or whatever that was?). I also do not mind fans suggesting what they would like to see released but there is actually a forum for that. It is called “Releases We’d Like to See”. It is in the Forums section. Probably where I should put in my suggetion for the next Dave's picks (instead of here, I need to follow my own advise).
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i don't care who reads my posts. believe it or not i'd prefer if people didn't respond to them, because if someone does respond to them in a negative way i'm not going let it slide. i hope its apparent to all had i just said "looking forward to hearing this release. two big thumbs up!" no one would have commented, but since i said something negative i get called a whiner, a troll, ect. to many here its like blasphemy to criticize the band or the releases in any way. its a shame how so many of you posers need an identity that you're willing to piggyback on somebody else's. as the rapper q-tip once said in the song 'buggin' out', "you can't get your own, and thats pitiful." (if no one responds to this post i will cease posting until the next release is announced)
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will just let it slide that I call you posers, that I say you've got no identity of your own -- then I'll go away. You're a d-bag, pfox, plain and simple. Now, if you'll just let that stand, I won't say another thing.
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any more comments along these lines will be deleted. Thank you.
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I was inciting a riot, I guess. I was writing my post while you were posting yours. Love this release! More '70s, please! With a side portion of '80s and some late-'60s for dessert! I'm feeling full, will pass on the '90s for right now.
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In parts of the ritual will not be tolerated you crazy kids! It's fun and music and nothing but fun and music! Max Yasgur said it best in '69!!
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I listened to parts of 12/5/71 and 11/7/71 and 10/26/71 and all of 10/19/71 over the past few days. All good stuff. just sayin'.
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no worries. Lively differences of opinion are to be expected; hey, we're Dead Heads. Personal attacks and thrashes for the sake of thrashes, not here. Many venues for that sort of thing elsewhere. Thank you.
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it's funny and weird that i know what you mean by that.
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Twizzlers: are they considered licorice? I have complete faith in what Dave deems suitable for release. He strikes me as the kind of guy I'd feel comfortable letting drive the tour mobile to the next venue while I copped a few ZZZ's in the back. He has shown that he does listen to feedback. This series is still getting its legs underneath it. Once he gets it dialed in, it will be full speed ahead. Yes, people will still disagree about releases to some extent but that is our nature and kind-hearted debate is a healthy thing. And that as well will also help him fine-tune things. Spacebro will get his 80's shows and then some, I have no doubt- I also look forward to those- I was steeped in 80's Dead too. But also fully appreciate the sonic goodness that the 70's produced. All good things in all good time though, eh? Like a kid in a candy store I'm sure Dave wishes he could release it all, right now. But ya gotta take it easy, you don't want to get a tummy ache. Sorry if I ramble. Having said that..... how about Oxford Plains Speedway? Great shows. They get my vote. Peace and a Happy 4th of July to all. Wave that flag!
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I was glad when the original Chocolate Twist Twizzlers were brought back (must be fairly recent). Way better than the non-twist (rainbow twizzler-type) variety. As far as '71 releases go... RT 3.2 is great and I wouldn't be disappointed at all if 11/7/71 was officially released (the piano really stands out to me). Looking forward this new one.
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Bach 2 Bach, you're right on with that comment! I will have to procure some Trader Joe's Licorice to be broken open and consumed at the said release of DP3, 10/22/71. Some people just don't like licorice, though! ;)
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i'm only here to buy music, and express my opinions about what is being released. if that bothers others enough to challenge what i say, then i should have the right to respond to them. i understand we were just going around in circles, and that my views were clearly expressed days ago, as well as the views of those who opposed me, but you shouldn't have deleted the post.
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I said what would happen if anybody made posts of a certain nature; a number of people, you among them, made such posts, which were summarily unpublished. The results followed the warning, for you as for others. Moving right along.
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Continuing on with Licorice, Twizzler's headquarters is in Lancaster, PA and the GD played there in April of '71. So naturally, and some licorice are made with natural ingredients, Volume Three is from 1971. I like licorice, and I really like shows from 71, while chewing licorice or otherwise.
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for anybody that doesn't know already, jerry compared people who like grateful dead a lot to people who like licorice a lot. a lot. he said they really, really like it. yummy, yummy, yummy I got licorice in my tummy. it's better than sitting around saying you don't like the taste of chocolate licorice.
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This privately owned U.S.-based website is not subject to the Bill of Rights of the U.S. Constitution. In other words, there is no freedom of speech in this venue. There are no guaranteed rights of any kind. Anyone can be censored, banned from participation or otherwise deleted permanently for any reason whatsoever at any time. Furthermore, any person who claims that he or she has the “right” to post here, or that he/she must have the opportunity to offer a response to a post, or to otherwise be allowed to do anything at all, is either delusional and out of touch with reality or just plain ignorant and uninformed. That being said, I have observed tolerance by the webmasters here that goes above and beyond the call of duty. jAy, pHd Psychodeadologist
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Does anyone know how to get scratches out of a cd? I am so embarrassed to asked but one of by treasures fell off the shelf, and was ejected from the case and slid across my tile floor. Normally I would just order a new one, but seeing how there is none to order. Yep it was one of my Dave Picks. It still plays without skipping, but one day when I am long gone my kids might want to enjoy the great music. Thanks for helping.
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17 years 2 months
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Amazon sells products that say they remove scratches from disks. Also your local record store may have a cd buffer machine.
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I have gone the cd buffer route. We've got a pawn shop in town that'll do it for $2 good as new. I will add that a decent shop should have one based on the sheer volume of used discs that come through that they have to guarantee.
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How about Nassau 3/28/85. That's a nice 80's show. The place is juiced and the playing, setlist is spot on.
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I have used a service called azuradisc.com in the past and I like them, very good and quic turn-around. The caveat is that you've got to send your discs to them, if you don't mind..
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I have used a service called azuradisc.com in the past and I like them, very good and quic turn-around. The caveat is that you've got to send your discs to them, if you don't mind..
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stopbath, check with the media department of your public library (or local college/university library, esp. any music library), if you can't get cd-buffing service from pawn shop or record shop.
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Thanks everyone for the help!
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Dear Dave et al, Many thanks for your continued great work - just want to say a big thank you and for you to know your efforts are greatly appreciated.
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Hey all, I signed up for Dave's Picks last November, paid the subscription fee, but have only received Dave's Picks Vol 1. Anyone else have a similar experience? I never got Dave's Picks Vol 2 or the bonus disc for subscribers. Through close to two months, a dozen emails and several phone calls, I haven't been able to get any satisfactory answer to "where is my order", until today, when I was told Dave's Picks Vol 2 is on back order. So I'm a little bit frustrated, and I've asked for a refund. Honestly, I mainly signed up to be a supporter of the larger, ongoing Dead operation. Putting my money where my mouth is, so to speak. It's not like I have any shortage of quality shows to listen to, so I don't feel like I'm missing out on a whole lot by not getting volumes 2, 3, and 4 or the bonus disc. But I am surprised by how shabbily I was treated as a customer. Probably the worst customer service experience I've had, well, ever. Comcast is more responsive. I was told I should get at least a partial refund. So that's something. But I don't think I'll be ordering anything else from Dead.Net in the future... Excited to see Phil, Bobby, and Mickey at All Good, though
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Sorry to hear of your problem Mike. Send Mary a PM, she may be able to help you. I have had my share of problems with Dead.net service. Took me almost 10 weeks to receive a replacement CD for a bad CD I got in E72. They would tell me one thing one day, then something else another. The e-mails were never returned, never. I miss the old days for sure. I could call and have my problem solved in a flash in the past. When DP 23 came out, I had a bad CD. I called, they mailed me a replacement with in a few days. Those days are gone. Hope you get your music, I know this has been disappointing for you. P
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and I sent Mike a PM in hopes of better results...
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How many copies of DP3 are left? I hope they don't sell out in the next four days.....
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I did indeed receive Dave's Picks 2 ontime, but never did receive the second-to-last Road Trips release, the one from Philly. Multiple emails were responded to, but to no actual result. I contested the charge on my credit card, so didn't pay for it in the end. I would be super pissed if one of the subscription series did not make it to me, as there would be no real way to get satisfaction from anybody other than the seller, and I would not keep my fingers crossed on that!
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17 years 2 months
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has Volume 3 shipped? i never got Volume 2 until recently after many hours spent with customer service. i'm concerned i'm having the same issue. i ordered the entire series way back.
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17 years 5 months
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As cool as this one will be, I'm looking forward to the next release.
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I think the release date is August 1, Jerry's B-day. My copy will arrive when it arrives, I just have to be patient. Less then 500 left, not many. A few weeks after they sale out we will see post from folks complaining they did not get one. Now is the time to get a copy if you want one. I have bought a few copies of one and two from Ebay as investments. Several years from now collectors will still want them. Listened to the 2012 Bonus CD today, it really is some great jam. Still listening to E72 also, did we ever find out who got copy # 72? Jam on!
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Perhaps it should be noted that the first 3 Volumes of Dave's Picks each have a connection to last year's 30 Days: Lazy Lightning-Supplication from 5/25/77 Wharfrat from 7/29/74 Ramble On Rose from 10/21/71