Spring 1990, Volume One Box

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August 8, 2012 - 10:43am

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Anonymous (not verified)

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jq171(document).ready(function (jq171) { jq171("h2.product_title").each(function(){ var title = jq171(this); var new_title = title.text().replace(' - SOLD OUT', ''); title.text(new_title); }); var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });
What's Inside:
• 60 page hardcover Smyth-Sewn book featuring essays by Dennis McNally, David Lemieux, and Blair Jackson and photos by Jim Anderson & Mike Laurentis
• 25th Anniversary Tour Program
• Official Band Letters
• 6 Ticket Stubs
• 6 Cloth Sticker Backstage Passes
• 1 Tour Laminate
• Official 1990 Band publicity shot
• 6 complete shows on 18 discs
      • 3/16/90 Capital Center, Landover, MD
      • 3/19/90 Civic Center, Hartford, CT
      • 3/22/90 Copps Coliseum, Hamilton, ON, Canada
      • 3/26/90 Knickerbocker Arena, Albany, NY
      • 3/30/90 Nassau Coliseum, Uniondale, NY
      • 4/2/90 The Omni, Atlanta, GA

Box Dimensions: 12-1/8" x 3-1/8" x 12-1/8"
Recorded and Mixed Live by John Cutler
Mastered by Jeffrey Norman in HDCD
Original art by Wes Lang
Individually Numbered, Limited Edition of 9,000

Introducing The Next Box: Spring 1990!

And now for something a little different. This year's box set - Grateful Dead: Spring 1990 - offers six complete shows from the epic spring '90 tour, one concert from each city the band played, personally selected by Dead vaultmeister and archival release producer David Lemieux. The sizzling six are: 3/16/90 Capital Centre (Landover , MD), 3/19/90 Hartford Civic Center, 3/22/90 Copps Coliseum (Hamilton, Ontario), 3/26/90 Knickerbocker Arena (Albany, NY), 3/30/90 Nassau Coliseum (Uniondale, NY) and 4/2/90 The Omni (Atlanta, GA).

In his "Producer's Note" in the beautiful book that is part of the box, Lemieux, who attended the first 10 shows on the tour, states, "To my ears this was the last tour that was consistently great, where every show is excellent, not a dud in the bunch." And Grateful Dead historian Dennis McNally's comprehensive and informative insider's essay in the box is titled "The Last Great Dead Tour." These guys know what they're talking about.

Basically, the band had been on an upward trajectory since Garcia's return to the road in the spring of '87, following his near-death the previous summer. Of course, 1987 was a trip in itself, what with the unexpected mega-success of In the Dark and their first hit single, "Touch of Grey." But the momentum just kept building with each subsequent tour, as Garcia got back up to full speed (and then some!) and the group as a whole was as unified as they had ever been since Brent joined the band in the spring of '79. New original tunes were popping up and the old favorites were imbued with a freshness and spirit that was so uplifting and inspiring. The band was having fun again, and it was downright infectious.

The group's fall 1989 shows-as documented two years ago on the Formerly the Warlocks box (two shows from Hampton, VA, 10/8-9/89) and on the 2001 release Nightfall of Diamonds (a single night in NJ, 10/16/89)- kicked the energy level up another couple of notches, as the band reintroduced such loved classics as "Help on the Way" > "Slipknot!," "Attics of My Life," "Death Don't Have No Mercy" and "Dark Star."

And when the band hit the road in mid-March 1990, they had a bunch of other cool tunes to lay on their unsuspecting crowds, including the return of "Loose Lucy" (last played in 1974; it's not on this box), Brent's "Easy to Love You" (missing since 1980), a rollicking cover of the Rolling Stones' "The Last Time," The Band's "The Weight" (with all four singers taking a verse each) and a lyrically retooled "Black-Throated Wind" (absent since 1974), which elicited huge cheers every time it was played.

Over these six shows, most of the cornerstones of the Dead's repertoire from the era appear-splendid versions of "Scarlet Begonias" > "Fire on the Mountain," "China Cat Sunflower" > "I Know You Rider," "Playing in the Band," "Uncle John's Band," "Eyes of the World," "Estimated Prophet," "Truckin'," "Sugar Magnolia," "The Other One," "Terrapin," "Stella Blue," "Feel Like a Stranger," "Bird Song," "Let It Grow," "China Doll," "Box of Rain," "Morning Dew"; you name it. From the fall '89 breakouts come "Help-Slip-Frank," "Attics of My Life" and "Death Don't Have No Mercy." Among the still newish tunes are "Picasso Moon," "Blow Away," "Foolish Heart," "Just a Little Light," "Victim or the Crime," "Standing on the Moon," "We Can Run" and a couple that would get their final plays from the Grateful Dead on this tour-"Built to Last" and "Believe It or Not." There are stirring renditions of "Dear Mr. Fantasy" and "Black Muddy River," rockin' takes on "Gimme Some Lovin'" and "Iko Iko" and the only version of the full "Hey Jude" the band attempted in the modern era. And the "Rhythm Devils" and "Space" jams at the heart of each second set are as noisy-beautiful-scary-funny-intense-mysterious-wild as you'd expect/hope for.

Of course, we understand that some of you may have other favorite shows from this tour you wish were included on this box. Really, you can't go wrong with any of them. But at 18 discs, this is still the second largest Grateful Dead box (after Europe '72: The Complete Recordings) that's been released, and the non-inclusion of any other shows from the tour definitely does not preclude their future release! But this seemed like a more manageable way to go, while still giving a sense of the tour's amazing depth and breadth.

Besides the discs themselves, Grateful Dead: Spring 1990 has much to offer, including: a gorgeous 60-page hardcover book containing copious color photos by Jim Anderson and Michael Laurentus, unique artwork by Brooklyn-based fine artist Wes Lang, fascinating business letters and communications related to the tour, a detailed historical essay by Dennis McNally, a Producer's Note by David Lemieux and individual show descriptions by Blair Jackson; a reproduction of the Dead's 1990 tour program (printed and sold later in '90, for the fall and Europe '90 tours); tickets and backstage passes of all six shows; a band publicity photo from 1990 by Ken Friedman; Dennis McNally's tour laminate; and reproductions of the colored 8x10 sheets GDTS sent out with hotel, food and other information for each city on the tour.

With recordings made by longtime Grateful Dead recordist and producer John Cutler, mastered by Jeffrey Norman in HDCD, you just know it's gonna sound great-and it does!

So, that's the skinny this time 'round. This box is limited to just 9,000 numbered copies - please note, this is the only time these shows will ever be officially available on CD. There will not be an All Music Edition and single shows will not be available physically. Due to ship out August 31st, we anticipate that this extraordinary set will sell-out, so order your copy today!

If you're looking for more of a bite-sized taste of the '90s, Spring 1990: So Glad You Made It, a 2-CD set featuring a handful of favorites, will be in stores on September 18th.

-Blair Jackson

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September 4, 2012 - 7:20am

#401

rbmunkin

Joined:
February 24, 2009

Quality

How would you answer my example in my first post about this:Do you seriously contend that Jerry isn't OBJECTIVELY a better guitarist than me? Comparing Van Gogh vs. Monet is much more difficult of course. I'm trying to make the point by using an absurd example, but a valid one. Personally I think we want to say quality is purely subjective because it's easier to say that. It's too difficult to show objective quality so we don't want to go there. But just because something is difficult doesn't mean it's not reality. This reminds me of the joke: A man is searching on the ground under a street lamp. Someone comes up and asks him if he lost something. He says yes, his keys. Did you lose them here? No, I lost them in the alley but it's too dark there. When looking for objective quality, one must look in the dark alley even though it's easier to see in the subjective lighted area.
September 3, 2012 - 11:38pm

#402

FootBear

Joined:
June 12, 2007

.

.
September 3, 2012 - 10:20pm

#403

antonjo

Joined:
June 4, 2007

that's back on topic?

Who got screwed out of their order is back on topic? Do tell, Footbear, who got screwed out of their order? What started out as a thread that was finally mostly about the music in the box has degenerated into another bile fest. Guess some people feel better having an audience. I'm about done with these boards, myself. Talk about disenchanted and disgusted...... Sheesh.
September 3, 2012 - 7:13pm

#404

Hoopsie

Joined:
January 5, 2012

Spring 1990

March 29, 1990 on VINYL, yes please.
September 3, 2012 - 7:10pm

#405

Hoopsie

Joined:
January 5, 2012

Spring 1990

In a vain effort to return the discussion to the excellent but somewhat inefficiently shipped box set -- I was only able to catch the boys from 85-95, so 89 and 90 stand out as the apex years, with Jerry sounding fresh and not so ragged and tired, and inspired ensemble playing. I am so glad to have this. It will be cherished for years. Wish I was able to catch 5-2-70, but I was still only 4! Geez, you people who were able to see these shows must be practically senior citizens by now! ;-) Now, if only they'd ship my replacement for the cracked Disc 3 of 3/16/90? See, I'm not bitter.
September 3, 2012 - 6:05pm

#406

Tanis Fane

Joined:
August 30, 2012

Quality _is_ subjective, no

Quality _is_ subjective, no matter how you describe it. The idea of one artist being more talented than another is subjective. Is Monet better than Van Gogh? Quality is, for most people, subjective to the price at bidding that has been established by people claiming authority to declare it such. Objectively, something is "good" or "bad" because it has been granted a more desirable status in a given framework. Social capital, if you will. You place great cultural capital in Jerry's playing and thus, for you, he is the best. The value I place on his playing, though high, is not as valuable for me as it is to you. I'd pay more for someone else. (Much as I value/love/geek-out-over the Grateful Dead and Pink Floyd, VU is still, for me, minted from the most valuable coin music/art provides.) You are correct about my mis-attribution of the "bold"-ness, that was someone else calling it that. My mistake. :) But the comparison of Pigpen dying and the band continuing vs. Jerry dying and not continuing, isn't a fair one. The first, a member dies while everyone in the band is still under 30 years of age. When they're all around 50, another one dies after 30 years together. Economics and age played as much a role in that. And then, as you said and I agree, even when the "tribute" bands contained all members but Jerry, it wasn't the same. But neither was a JGB show anything like a GD concert. I'm not attempting to convince you, or anyone, to alter their opinions. You've made a great case as to JG being your favorite guitarist, and that is a valid opinion and reasoning you have. Declare one better than another when you reach a level of quality and performance between Clapton (whom I think is not as favorable as JJ Cale), Hendrix, Garcia, and let's say... Carlos Santana. Who is better? Depends on the night, the performance, the song. Ask most musicians, especially of an age to have seen a taster's choice of Great Guitarist, and Hendrix will, for good reason, be often cited as the best. I think Hendrix was a Beethoven-level musician. Making Garcia a Liszt-level guitarist, doesn't take anything away from him at all. Two entirely different styles, backgrounds, and intentions from each in what they attempted to do musically. Hendrix deliberately complicated his music as he progressed, while Garcia often spoke of enjoying simpler-constructions because it enabled the ability to freely improvise upon it. Personally, I think it's great that you are passionate about this. It's music, and musicians are people we turn to to share the most intimate aspects of our lives: when we're joyous, when we're depressed, when we're furious about blah, blah, or blah. I personally don't think of the ears of the Dead as one being better than another. Nothin' gets me goin' like a scorching rampage through The Eleven (which didn't happen after 70-71), but paring Scarlet & Fire couldn't have happened before 77. Terrapin is easily the most often played live song for me, but that's because there was only a single version of, and terribly recorded, Rosemary. Because they did what they did and continually evolved in their sound and performance, they've given us this huge palette from which we all, evidently, paint our own pictures of the past and what we want them to be for us, and some of these paintings we call masterpieces.
September 3, 2012 - 4:06pm

#407

rbmunkin

Joined:
February 24, 2009

subjective/objective

Quality is not purely subjective. No way to prove it to you in words. So I'll stop here. "And without the GD, Jerry wouldn’t be known outside of some audiophiliac music fiends." Nonsense! He was a musician extraordinare and his passion would move him toward notoriety one way or another. He didn't need the Dead, he CREATED the Dead. And he would have done something no matter who he worked with. Hunter and Garcia met completely independent of the Dead. "Jerry without the Dead mostly likely wouldn’t have had Hunter as a song-writing partner, thus none of these songs would have come about." Of course the same exact songs wouldn't have come about, but I certainly wouldn't have cared. All I would care about is hearing Jerry, no matter what he did, because he was GREAT and would have been no matter what. "Favorites are favorites for damn good reasons. But yours are no more objectively the best than mine," I never said that. I said art is not just subjective; that there is an objective component. I never said MY likes were any more objective than any one else's. "You can congratulate yourself all you want for “bold statements” (Jerry is the greatest guitarist is hardly a bold statement on Dead.net." I didn't call it "bold". Another poster did. Anyway, we can agree to disagree. At least we agree about Donna! One more thing: With all the personell changes, the Grateful Dead were great, even after losing Pigpen, and all the other keyboardist they lost, as well as when Mickey was gone. Then when Jerry was gone - poof. No good any more. They didn't continue because they couldn't. But anyone else they lost Jerry could have kept the band going. The post Jerry band called "The Dead" and then "Further"; I'm sorry but they sucked compared to the Grateful Dead. Jerry made the GD, he was the GD, and could have created a great band with any good musicians.
September 3, 2012 - 3:03pm

#408

Tanis Fane

Joined:
August 30, 2012

Opinions are still subjective

So, RBMunkin, In the spirit of analytic debate, he's a response contrary to a number of your "bold" statements. Your analyzing note-by-note and what-have-you, doesn’t mark you as any less subjective than Best Of polls by whomever. Your liking Jerry's guitar work better than anyone else's is one thing, but no matter how much note-by-note comparisons you make, it doesn’t elevate your opinion to the level of objective. “Without Jerry the phenomenon of the Grateful Dead never would have gotten past small clubs if that.” And without the GD, Jerry wouldn’t be known outside of some audiophiliac music fiends. Considering they all talked about how essential each one of them was to the whole, and based their entire musical philosophy around that, you’re deconstructing the Dead is a great theoretic exercise, but one that misunderstands the overall point of the collective being more important aurally than the individual components. “Robert Hunter was a great poet. He's my second favorite Dead.” Absolutely a great poet. Also one who likely would have never written with Jerry without the GD. Hunter knew Kesey from the Menlo Park research. Kesey knew the Dead through Owsley. The Dead played through the Acid Tests. Without that connection, probably no song-writing team of Hunter/Garcia. “Phil was a great musician in many ways but never would have gotten so popular without Jerry.” Maybe. Is Brian Eno “popular”? Is John Cale? Robert Fripp? Phil would have likely progressed along those experimental lines without the GD. “Bob, meh. Very good rhythm guitarist, taught largely by Jerry. Vocals, song writing, and personality - not my cup of tea. He was always jealous of Jerry being the front man. He wanted to be the front man but just plain old didn't have the talent or personality.” Did he now? Good to know. I never thought he was a great guitar player, nor a great song writer, but he did pen the music of Sugar Mag, Looks Like Rain, and belt out a mean Minglewood. GD wouldn’t have been without this finger on the hand. “Drummers - very good but the Dead could have gone on with different ones.” And the sound of “rolling thunder” wouldn’t be. Thus, no Dead as we know it. No Scarlet>Fire, no PITB. “Keyboards - Pigpen was the only GREAT one.”  Not so. But you can believe that all you wish. Pigpen had charisma and was a “stone jack baller and his heart was true” but he couldn’t play piano very well. He blew a mean nasty dirty mouth harp, but his musical ability didn’t span a great spectrum. Keith was quite proficient on piano but limited on organ and the encroaching diversity and array of keyboards. Any discussion of Brent is for another time. “Donna - OMG why was she ever in the Dead?! Just horrible. Sounded like a bag full of cats being hit with a bat. Okay on a couple of studio albums but ruined many a live concert recording.” I agree, but then there a couple of Eyes of the World and Sugar Mag she doesn’t sound bad on. I usually skip tunes if she gets gonna too much. Jerry without the Dead mostly likely wouldn’t have had Hunter as a song-writing partner, thus none of these songs would have come about. Talented as he was, he would likely have been a bit like Ry Cooder, Al Di Meola, and such ilk. Infinitely talented and diverse, but without a band, they go through the ages being treasured by a few, liked by some more, and unknown to most. As for “Hendrix to me was a bit one-sided. The overall sound always sounded a bit the same. Absolutely amazing but limited IMHO” … I think your lack of analyses is demonstrated lacking here. Y’know, cuz 1983 sounds sooooo much like Purple Haze. And Jimi with a 12-string acoustic is the same one-sided sound as when slaughtered ear drums at Monterey with the opening riff of Killing Floor. Favorites are favorites for damn good reasons. But yours are no more objectively the best than mine, VH-1s, or Rolling Stones polls from readers who can’t remember back any further than last summer’s hot thing. You can congratulate yourself all you want for “bold statements” (Jerry is the greatest guitarist is hardly a bold statement on Dead.net. And your argument lacks anything beyond your talk of how awesome you feel when you listen to him play. He’s great. But talk of the “best” is beyond the faculties at hand. Or… ehem… ear. P.S. If anyone is interested in might-have-beens with music, check out a novel called Glimpses by Lewis Shiner. A guy puts on his headphones and hears records by his favorite bands that never were: a Doors album post-LA Woman, Beach Boys beyond Brian Wilson's mental collapse, another Beatles record... that kind of thing.
September 3, 2012 - 2:57pm

#409

streetvan1997

Joined:
September 16, 2009

Also, if you know they are going to sell out so fast make more!

I don't have much money at all in this point in my life and it really stinks I can't take advantage of items like this. But all the T shirts are sold out and all the box sets. Is it fans or people who are going to sell them on eBay?
September 3, 2012 - 2:50pm

#410

streetvan1997

Joined:
September 16, 2009

Also where's 3-29-90!!

Isn't that the Bradford Marcalis show? Did I butcher his last names spelling . The eyes of the works from that 3-29 is so sick, but I think it's on Dozin at the Nick

John Perry Barlow

John Perry Barlow

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What's Inside:
• 60 page hardcover Smyth-Sewn book featuring essays by Dennis McNally, David Lemieux, and Blair Jackson and photos by Jim Anderson & Mike Laurentis
• 25th Anniversary Tour Program
• Official Band Letters
• 6 Ticket Stubs
• 6 Cloth Sticker Backstage Passes
• 1 Tour Laminate
• Official 1990 Band publicity shot
• 6 complete shows on 18 discs
      • 3/16/90 Capital Center, Landover, MD
      • 3/19/90 Civic Center, Hartford, CT
      • 3/22/90 Copps Coliseum, Hamilton, ON, Canada
      • 3/26/90 Knickerbocker Arena, Albany, NY
      • 3/30/90 Nassau Coliseum, Uniondale, NY
      • 4/2/90 The Omni, Atlanta, GA

Box Dimensions: 12-1/8" x 3-1/8" x 12-1/8"
Recorded and Mixed Live by John Cutler
Mastered by Jeffrey Norman in HDCD
Original art by Wes Lang
Individually Numbered, Limited Edition of 9,000

Introducing The Next Box: Spring 1990!

And now for something a little different. This year's box set - Grateful Dead: Spring 1990 - offers six complete shows from the epic spring '90 tour, one concert from each city the band played, personally selected by Dead vaultmeister and archival release producer David Lemieux. The sizzling six are: 3/16/90 Capital Centre (Landover , MD), 3/19/90 Hartford Civic Center, 3/22/90 Copps Coliseum (Hamilton, Ontario), 3/26/90 Knickerbocker Arena (Albany, NY), 3/30/90 Nassau Coliseum (Uniondale, NY) and 4/2/90 The Omni (Atlanta, GA).

In his "Producer's Note" in the beautiful book that is part of the box, Lemieux, who attended the first 10 shows on the tour, states, "To my ears this was the last tour that was consistently great, where every show is excellent, not a dud in the bunch." And Grateful Dead historian Dennis McNally's comprehensive and informative insider's essay in the box is titled "The Last Great Dead Tour." These guys know what they're talking about.

Basically, the band had been on an upward trajectory since Garcia's return to the road in the spring of '87, following his near-death the previous summer. Of course, 1987 was a trip in itself, what with the unexpected mega-success of In the Dark and their first hit single, "Touch of Grey." But the momentum just kept building with each subsequent tour, as Garcia got back up to full speed (and then some!) and the group as a whole was as unified as they had ever been since Brent joined the band in the spring of '79. New original tunes were popping up and the old favorites were imbued with a freshness and spirit that was so uplifting and inspiring. The band was having fun again, and it was downright infectious.

The group's fall 1989 shows-as documented two years ago on the Formerly the Warlocks box (two shows from Hampton, VA, 10/8-9/89) and on the 2001 release Nightfall of Diamonds (a single night in NJ, 10/16/89)- kicked the energy level up another couple of notches, as the band reintroduced such loved classics as "Help on the Way" > "Slipknot!," "Attics of My Life," "Death Don't Have No Mercy" and "Dark Star."

And when the band hit the road in mid-March 1990, they had a bunch of other cool tunes to lay on their unsuspecting crowds, including the return of "Loose Lucy" (last played in 1974; it's not on this box), Brent's "Easy to Love You" (missing since 1980), a rollicking cover of the Rolling Stones' "The Last Time," The Band's "The Weight" (with all four singers taking a verse each) and a lyrically retooled "Black-Throated Wind" (absent since 1974), which elicited huge cheers every time it was played.

Over these six shows, most of the cornerstones of the Dead's repertoire from the era appear-splendid versions of "Scarlet Begonias" > "Fire on the Mountain," "China Cat Sunflower" > "I Know You Rider," "Playing in the Band," "Uncle John's Band," "Eyes of the World," "Estimated Prophet," "Truckin'," "Sugar Magnolia," "The Other One," "Terrapin," "Stella Blue," "Feel Like a Stranger," "Bird Song," "Let It Grow," "China Doll," "Box of Rain," "Morning Dew"; you name it. From the fall '89 breakouts come "Help-Slip-Frank," "Attics of My Life" and "Death Don't Have No Mercy." Among the still newish tunes are "Picasso Moon," "Blow Away," "Foolish Heart," "Just a Little Light," "Victim or the Crime," "Standing on the Moon," "We Can Run" and a couple that would get their final plays from the Grateful Dead on this tour-"Built to Last" and "Believe It or Not." There are stirring renditions of "Dear Mr. Fantasy" and "Black Muddy River," rockin' takes on "Gimme Some Lovin'" and "Iko Iko" and the only version of the full "Hey Jude" the band attempted in the modern era. And the "Rhythm Devils" and "Space" jams at the heart of each second set are as noisy-beautiful-scary-funny-intense-mysterious-wild as you'd expect/hope for.

Of course, we understand that some of you may have other favorite shows from this tour you wish were included on this box. Really, you can't go wrong with any of them. But at 18 discs, this is still the second largest Grateful Dead box (after Europe '72: The Complete Recordings) that's been released, and the non-inclusion of any other shows from the tour definitely does not preclude their future release! But this seemed like a more manageable way to go, while still giving a sense of the tour's amazing depth and breadth.

Besides the discs themselves, Grateful Dead: Spring 1990 has much to offer, including: a gorgeous 60-page hardcover book containing copious color photos by Jim Anderson and Michael Laurentus, unique artwork by Brooklyn-based fine artist Wes Lang, fascinating business letters and communications related to the tour, a detailed historical essay by Dennis McNally, a Producer's Note by David Lemieux and individual show descriptions by Blair Jackson; a reproduction of the Dead's 1990 tour program (printed and sold later in '90, for the fall and Europe '90 tours); tickets and backstage passes of all six shows; a band publicity photo from 1990 by Ken Friedman; Dennis McNally's tour laminate; and reproductions of the colored 8x10 sheets GDTS sent out with hotel, food and other information for each city on the tour.

With recordings made by longtime Grateful Dead recordist and producer John Cutler, mastered by Jeffrey Norman in HDCD, you just know it's gonna sound great-and it does!

So, that's the skinny this time 'round. This box is limited to just 9,000 numbered copies - please note, this is the only time these shows will ever be officially available on CD. There will not be an All Music Edition and single shows will not be available physically. Due to ship out August 31st, we anticipate that this extraordinary set will sell-out, so order your copy today!

If you're looking for more of a bite-sized taste of the '90s, Spring 1990: So Glad You Made It, a 2-CD set featuring a handful of favorites, will be in stores on September 18th.

-Blair Jackson

folks with defective/broken discs

Please send the details to drrhino (at) rhino.com, and so sorry for the hassle.

WOW!!!!!!!!

This is undoubtedly the best box set I have ever purchased. I just got the box today and just got done going through everything and it is awesome. Looks like to me a lot of thought and detail went into this and I thank everyone who had something to do with the making of this box set. For me this was worth every penny of the money that was spent on it and that this should be how all box sets are presented in the future. Great job and two thumbs up.

of the 3 shows i've heard thus far....

i'd say 3/16/90 capital center is the best, but really all are great. hopefully, the success of this box set will convince rhino to release more stuff from the 87-90 period.

To marye re:Defective Discs

I did receive an email from support sending me a label to send the entire box back. I have a wee problem with this solution. I have yet to receive the personalizations, labels, unique number etc. from the E72 box I ordered early that Rhino Corporate promised me after I had exhausted all possible scenarios with "support" during the last fiasco. Which, for most of us is why we bought that set in the first place. So instead, the "simple" answer is mail back this box while I wait on a replacement??????? Really? Is it too difficult to send one disc? The solution is I have to box up the entire set and WAIT to receive a replacement set, which you have yet to completely fulfill from my last boxed order of 1/21/11 ??? The discs are NOT numbered. Why can't it be as simple as - send me your broken disc 2 of 3/22/90 while we send you the replacement??

To marye re:Defective Discs

Individual show cover art

Does anyone have scans of the artwork for the individual show covers yet? Would it be possible to post "official" images here on dead.net? Mark P.? DL? Bueller? Thanks!

Another Cracked/Defective Disc 3

Here's reporting another cracked Disc 3 of Cap Ctr 3/16/90. Bummer. Seems to be a mini-epidemic.Tell me I don't have to sent the whole box back!

Cracked CDs - for your enjoyment

http://i1163.photobucket.com/albums/q552/ziggybirds/6ad1e1dd.jpg http://i1163.photobucket.com/albums/q552/ziggybirds/854ea278.jpg The first is the cracked disc. Note the crack near the "A" in "Dead" The second is what they want me to mail back instead of sending a replacement disc. As I said earlier, I was one of the "lucky" ones who got the E72 box. And I am still waiting to receive the customization for it (I did receive the box and music - but no number, no labels, no personalization as paid for). Now maybe they used a jackhammer to push the disc into the holder. But obviously there is no quality control on this "limited edition".

link to individual show cover art

here you go ---> https://picasaweb.google.com/titanarch/VaultBoxes

Sending the whole set back

Sending the whole set back might just prove to be an exercise in futility. I just e-mailed Dr.Rhino as Marye suggested. It is with trepidation that I will be sending my set back. I already spent the evening scanning each disc for errors and it doesn't seem that UPS beat my package up either. It would be redundant to send the whole thing back for one disc in my opinion.I just want one disc exchanged. Maybe they are looking at a way to write these defected sets off off as a loss but hopefully not at the customers expense. I purchased everything that Dead.net has offered since before Rhino took the releases over. As long as this is handled swiftly and without adding more variables for further mess-ups Ill keep supporting the releases.However based upon the experiences I've read with other customers when dealing with DR.Rhino I think they are going to make this much more complicated. There are still companies out there that are willing to do right by the customer and I hope Rhino uses them as an example. I mentioned in my email that Mosaic a smaller company dealing with limited edition numbered jazz box sets, would have the replacement in the mail Monday Morning, No questions asked. If i remember, it seems that different people got different remedies when they were having problems with the EU72 sets and I guess some still have not at all if I am reading correctly. I just hope they don't punish us by making it harder than it has to be. After all its not our fault these types of things are constant with the Rhino releases. Again, We'll see. Peace

@Gretsch

Hey man, can you send me a copy of JUST disc 2 of 3/22/90 so I don't have to deal with these clowns and their utterly horrid customer service? Anyone willing to - would be much appreciated?

Hey Ziggybirds

I'll send you a Disc 2 of 3/22/90 if you can send me Disc 3 of 3/16/90.!

HOT stuff!

wow! show #4 might have just eclipsed show #1. can't wait to hear #5 & #6.

@Hoopsie

Deal! Now how do we exchange email addys without the world spamming us (laughing). Did you ever trade with "Ziggy" back in the DNC days of the 90s? If so, I might still have your addy!

happy happy joy joy

Mine came - - 8-1-76 of 9000! I got Jerry's 30 something Birthday box...haha...everything looks nice. Good job guys.

Patagonian Fox

Thanks for the artwork link, Patagonian Fox! I think I called you a "lovable" gadfly in a previous post and I meant it and I was right!Thanks again!

artwork/numbers

Patagoinian Fox- - Thanks for posting the link to the artwork ! I got mine yesterday -- no. 270.

581 has arrived! Have a hdcd question

USPS delivered 581 to me today. I ordered first day available when I got the email in the morning eastern standard time. FWIW, the number plate looks different than the video of #1 - not sure if scratched or not. Looks like the corner was dropped, but so far the cds look ok. Ripping it now to Apple lossless so I can stream via Sonos so my whole house can rock!!! Have a question on HDCD, does anyone have recommendations for a good quality CD or DVD player that has the HDCD capability? Would like both analog and digital out too. Prefer CD, but DVD will work too. Thanks and peace out!

denver arrival

#101 came today in great shape

impressions, hdcd

They were on fire on every show in the box.I think this is much stronger than any of the 89 shows that have been released (including the Warlocks box). Bought it for the music, and was not disappointed. Sound quality is outstanding. Only complaint is that they could have fit most of the shows on 2, instead of 3 CDs. Book and bonus materials are great, although I would have liked a music only option. Still, this is one you've gotta have. In response to the previous question, Denon CD/DVD players usually include HDCD decoding capability... have had good luck with them.

impressions, hdcd

Unbelievable

This is the gold standard that all future box sets will be compared to! And my order still shows as "being processed".I phoned customer service yesterday and they said it might ship next week. Imagine my surprise when it turned up with the postman today. This set is gorgeous and I haven't even gotten around to the music yet! Way to go DL. Rock on.

Why is the album name on each disc have a different format????

This drives me crazy - when I rip a show to Apple Lossless the format of the disc changes so it's hard to put a whole show in queue - wicked frustrating.Shows that were good: 1990/03/16 Capital Centre Landover, MD 1990-03-26 Knickerbocker Arena • Albany, NY Hartford has two discs starting with the name and one with the date, same of Copps. Nassau and The Omni do the venue, city/state, date, disc # Dave's Pick 2 was the worst: Dave's Picks, Vol. 2: Dillon Stadium, Hartford, CT 7/31/74 1974-7-31 Dave's Picks, Vol. 2: Dillon Stadium, Hartford, CT Dave's Picks Volume 2 - 7-31-74 - Dillon Stadium, Hartford, CT Come on intern - I know this is a sweet gig, but let's have some consistency please. Noticed this on some of the Dick's picks selections too. With all that said, digging the music so far.

Unbelievable

Ziggybirds

Let me know if that doesn't work out, and I'll help you out. My buddy is going to hook me up with disc 3 until I get the copy I paid for!

Stoked

The first Dead I listened to was Without a Net, and I really love that sound. I like the synths and MIDI stuff. This set is amazing, and I am glad that Rhino figured out that there are about 10,000 Deadheads around the world who will buy just about anything they put out. The backstage passes are suitable for framing, and the books are filled with great stories and photos. Luckily none of my discs are busted, but the outside was banged up a little. I would not be surprised if some of the packages got some rough handling during shipping. #6201, but I would never sell this set anyways. Thanks to all involved who still keep these great releases coming. As one of the 10,000, I'm sure this won't be the last transaction!!!

Stoked

Just got my discs today

and am happy to report that they are all in fine shape without any cracks or problems . The music is warm and wonderful and am truly having a great time reliving those moments. Thanks to all those who made this possible!

Sorry

About the double post

Missing disc one from 3-19-90 Civic center,Hartford,CT

In place of the first disc from the 3-19-90 Hartford show I have disc one of 3-22-90 Copps Coliseum show!I need to get a replacement copy of the FIRST DISC from the 3-19-90 Hartford CT show.everything else is great!

Just exactly perfect

It's amazing how 3 weeks ago, we didn't even know there would be a new Box Set. Now here we are, and it's in our hands. And it's a beauty. Everything is top quality- outstanding job on this one. Thank You!

Hey Ziggybirds

Using marye's spam-free method, you can reach me at bradfordhoopes (AT) hotmail DOTCOM!Spammers beware!

Hey Ziggybirds

Cracked switcharoo!

Arrived and Happy!

I too received this with 03/22/90 Disc 2 Cracked - but oh well....they said they will just send replacement disc 2. .

Arrived in AK

#88 arrived today in Anchorage. Just finished importing the last disc and everything is "Just exactly perfect". Thanks

WOW!!!! Thank You!!

Just received mine today.... I didn't do Europe '72.... but this one is worth every penny!!!! They are making this feel as special as that time in our history was -- right down to the packaging. This thing is loaded with bells & whistles and you guys really pulled this off top notch - Bravo! I threw in the first disc and it took me back to exactly as I remembered it to be. I'm sure the remaining shows are just as stellar and look forward to enjoying this for years to come. Thank you, Thank you, Thank you!!! A volume 2 - as suggested in the materials would be good. Not to throw ideas your way, but a Solder Field box set would go a long way as well. Just saying... Peace.

WOW!!!! Thank You!!

@Hoopsie

Sent you an email ! Thanks again!

@Hoopsie

Sent you an email ! Thanks again!

Got It! #7222

My box was ordered together with another copy, one my buddies and one mine, shipped in the same package. His box number is somewhere in the 1400's, while mine is #7222. These are being distributed randomly. I recieved my copy of the box with no issues. Everything inact. Nothing broken or missing. Each disc uploaded onto iTubes with no issues, even though some of the labeling submitted by those who got theirs first is all over the mark. I relabeled everything chronologically on my account. Fisrt thoughts: Barely scratched the surface of listening and so far, it's among the best sounding recording released to date. The extra goodies, the outer and inner box designs are really nicely done. The two books look cool. I give this an A+ all the way around for quality product and smooth and prompt service! How long do we have to wait for the rest of the tour to be released? Hopefully sooner than later! Like I did with the E72 box, I'm going to listen chronologically. The last show is the one from this set I attended. Looking forward to the 6 show journey. I'll eventually listen to Daves Picks Volume 3 now that I finally recieved my copy, just to mix things up a little bit.

Crackin up

My disc 2 of 3/19 is cracked. The other 17 discs have been safely transferred to regular jewel cases, though what I gather below we have to send the whole set back to get replacement discs. Unbelievable. Oh well maybe they can replace my wrinkled 1990 tour booklet too.

#712 safe and sound

Ordered 3 days before it shipped and scored a low number. Loving it.

Europe 1990 Next?????

On the back cover of the Black Tour Program-like book is The Europe 1990 Tour Poster. Is that perhaps a hint of what will be released next??? I was at the Frankfurt shows with a lot of people from Heidelberg and would love an official release with all the goodies.

Blown away...

Spring 1990 box arrived on Saturday. Have listened to the first show. Performance and audio are outstanding as is the packaging. Great job all around!

Superb!

You folks whining about this box.....Ya don't know what you're missin'! Thanks Dave, Jeffrey, Blair and all involved. An historical tour captured in all its glory. Just a wonderful set!

Nevermind

Venting will change nothing

beyond my expectations

opening this box set was really fun, lots of super cool extras and keep sakes. lots can be framed and hung in your home. we're just now about 1/2 way through the music. feeling gratefully nostalgic as some jams are just soooo good they really bring you back to this era. I'm so glad I got this after being a little hesitant at first. the art work is sick and wes lane really produced some great work here. overall its a 10, get it if you can!

GRA9900088